Closed on Mondays: Behind the
Scenes at the Museum. By Dinah
Casson. 208 pp. incl. 149 col. ills.
(Lund Humphries, London, 2020),
£35. ISBN 978–1–84822–434–6. |
:
subjects:
The Art Museum in Modern
Times. By Charles Saumarez Smith.
272 pp., incl. 122 col. + b. & w. ills.
(Thames & Hudson, London and
New York, 2021), £30. ISBN 978–05–
0002243–6 |
:
subjects:
The Avant-Garde
Museum. Edited by Agnieszka
Pindera and Jarosław Suchan.
624 pp. incl. 252 col. + 57 b. & w. ills.
(Museum Sztuki, Łódź, 2020) £40.
ISBN 978–3–96098–947–9. |
:
subjects:
Under Discussion: The Encyclopedic
Museum. Edited by Donatien Grau.
256 pp. (Getty Research Institute,
Los Angeles, 2021), $35.
ISBN 978–1–60606–719–2. |
:
subjects:
Why the Museum
Matters, by Daniel H. Weiss.
224 pp. (Yale University Press,
New Haven and London, 2022),
$26. ISBN 978–03–0025935–3. |
:
subjects:
Worlds in a Museum: Exploring
Contemporary Museology. Edited
by the Louvre Abu Dhabi and École
du Louvre. 272 pp. incl. 99 col.
ills. (Leuven University Press,
Leuven, 2021), £20. ISBN 978–9–
46166–332–0 |
:
Illustrations
Attributed works:
1. Whitney Museum of American Art, New York, 2015. (Photograph
Ed Lederman).
Attributed works:
2. Glass corridor in the North Wing of the Louisiana Museum of
Modern Art, Humlebæk. (Photograph Kim Hansen).
Attributed works:
3. Proposal for the Los Angeles County Museum of Art expansion
by Peter Zumthor. 2019. (Courtesy Atelier Peter Zumthor &
Partners; The Boundary)
Attributed works:
4. Seen / Unseen Known / Unknown, by Walter De Maria. 2000. (Bennesse
Art Site, Naoshima).
Attributed works:
5. Permanent display of the International collection of Modern Art
of the a.r. group at the J. and K. Bartoszewicz Municipal Museum of
History and Art. Photograph by Włodzimierz Pfeiffer. 1931. (From J.
and K. Bartoszewicz Municipal Museum of History and Art: International
Collection of Modern Art / Collection Internationale d’Art Nouveau,
Łódź 1932; Archive of the Muzeum Sztuki, Łódź).
Attributed works:
6. Water Court at the Pavilions, Glenstone Museum, Potomac.
(Photograph Iwan Baan).
Attributed works:
7. Louvre Abu Dhabi. (Photograph by Roland Halbe).
Attributed works:
8. Daniel Weiss, former President and CEO of the Metropolitan Museum
of Art, New York, 2019. (Photograph Mark Abramson).
Attributed works:
9. Burrell Collection, Glasgow. 2022. (Photograph by Hufton + Crow).
VKhUTEMAS 100: School of
Avant-garde
Edited by Ksenia Guseva and Aleksandra
Selivanova. 326 pp. incl. numerous col. +
b. & w. ills. (Museum of Moscow and ABC
Design, Moscow, 2021), $159.
ISBN 978–5–4330–0163–3. |
:
Illustrations
Attributed works:
33. Still life for
the painting
class, by
Aleksandr
Rodchenko. 1924.
Photograph.
(Private
collection).
Attributed works:
34. Exhibition
on the subject
‘Colour’ in
VKhUTEMAS.
Photograph,
1926. (Private
collection).
Attributed works:
35. Composition
of geometrical
shapes
sequentially
drawn in one,
two, three, four,
five mutually
crossed shapes,
by Anastasia
Akhtyrko.
1921. Pencil on
paper. (Private
collection).
Art de démocratie: Les débats sur
les arts du dessin dans les premières
années de la Révolution française
Edited by Christian Michel. 424 pp.
(Droz, Geneva, 2020), €20.85.
ISBN 978–2–600–00570–8. |
:
Book Review
The Diaries of Randolph Schwabe: British Art 1930–48. By Gill Clarke & Inquisitive Eyes: Slade Painters in Edwardian Wessex. By Gwen Yarker
39. A reconstruction in progress of Rogier van der Weyden's painting of The Magdalene reading (National Gallery, London), made by Brian Baade for the Winterthur/University of Delaware Program in Art Conservation. 2013 (Photograph Joyce Hill Stoner)
Attributed works:
41. Paolo and Laura Mora demonstrating the tratteggio technique of inpainting at the J. Paul Getty Museum painting conservation studio in Los Angeles. 1985 (Photograph Joyce Hill Stoner)
Attributed works:
42. Stephen Rees Jones in the Technology Department of the Courtauld Institute of Art, London. 1972 (Photograph Joyce Hill Stoner)
Western art unattributed:
37. Johannes Hell. Date unknown. (Photograph courtesy FAIC, Winterthur Museum, Library and Archives)
Western art unattributed:
38. William Suhr in his studio in Berlin (sitting on the far left). 1920s (Photograph courtesy FAIC, Winterthur Museum, Library and Archives)
Western art unattributed:
40. The Staatliche Akademie der Bildenden Künste, Stuttgart, Institut für Technologie der Malerei. 1965
Western art unattributed:
43. Sheldon Keck (far left) and James Hester, former President of New York University, welcome Jacqueline Kennedy to the New York University Conservation Center at the Institute of Fine Arts, New York. Leonetto Tintori is on the far right. c.1961 (Photograph courtesy of the New York University Institute of Fine Arts)
Western art unattributed:
44. Delegates to the International IIC Congress on Museum Climatology outside the Albert Hall, London. 1967 (Photograph courtesy of the International Institute for Conservation of Historic and Artistic Works, London)
Publication Received
Artistes, musées et collections. Un homage à Antoine Schnapper. Edited by Véronique Gerard Powell