Ways of Life: Jim Ede and the Kettle’s
Yard Artists
By Laura Freeman. 377 pp. incl. 52 col. + 9 b. & w.
ills. (Jonathan Cape, London, 2023), £30.
ISBN 978–1–787331–90–7. |
:
Making New Worlds: Li Yuanchia
& Friends
Kettle’s Yard, Cambridge
11th November 2023–18th February
2024 |
:
Illustrations
Attributed works:
27. Road along
the Roman wall
(landscape with
two houses),
by Winifred
Nicholson. 1926.
Oil on canvas,
126.5 by 189.5
cm. (Kettle’s
Yard, Cambridge;
courtesy
Trustees
of Winifred
Nicholson).
Attributed works:
28. Installation
view of Making
New Worlds:
Li Yuan-chia
& Friends at
Kettle’s Yard,
Cambridge,
2023–24.
(Photograph Jo
Underhill).
Attributed works:
29. Untitled, by Li
Yuan-chia. 1994.
Hand-coloured
photographic
print, 40.5
by 43.5 cm.
(Courtesy
Li Yuan-chia
Foundation; exh.
Kettle’s Yard,
Cambridge).
15. New entrance to the galleries at Kettle’s Yard by Jamie Fobert Architects. (Photograph Hufton + Crow).
Attributed works:
16. Linear construction in space no. 1, by Naum Gabo. 1944–45. Perspex and Nylon thread, 304 by 304 by 62 cm. (Kettle’s Yard, University of Cambridge).
Attributed works:
17. Transparent orange rose / May green, by Callum Innes. 2017. Watercolour on Canson Heritage 640gsm, 56 by 76 cm. (Courtesy the artist; exh. Kettle’s Yard, Cambridge).
Attributed works:
18. The ladies (Wren Library), by Melanie Manchot. 2017. Digital Chromagenic print, 120 by 80 cm. (Courtesy the artist and Parafin, London; exh. Kettle’s Yard, Cambridge).
Publication Received
Art and Life: Ben Nicholson, Winifred Nicholson, Christopher Wood, Alfred Wallis and William Staite Murray, 1920–1931. By Jovan Nicholson.
From Victorian to Modern. Innovation and Tradition in the Work of Vanessa Bell, Gwen John and Laura Knight |
institution: Norwich Castle Museum and Art Gallery
44. The beach, by Laura Knight. 1909. Canvas, 127.6 by 153.2 cm. (Laing Art Gallery, Newcastle-upon-Tyne; exh. Castle Museum, Norwich).
Attributed works:
45. Studland beach (The bathers), by Vanessa Bell. 1911–12. Oil on board, 63.5 by 76.2 cm. (Private collection; exh. Castle Museum, Norwich).
Attributed works:
46. Seated woman, by Henri Gaudier-Brzeska. 1914. Marble, 47 by 34.5 by 28 cm. (Musée national d’art moderne, Centre Georges Pompidou, Paris; exh. Graves Art Gallery, Sheffield).
Attributed works:
47. Woman combing her hair, by Pablo Picasso. 1906. Crayon and charcoal on paper, 55.5 by 40 cm. (Robert and Lisa Sainsbury Collection, University of East Anglia, Norwich; exh. Graves Art Gallery, Sheffield).
Attributed works:
48. The cinema, by William Roberts. 1920. Canvas 91.4 by 72.6 cm. (Tate, London; exh. Pallant House Gallery, Chichester).
Attributed works:
49. Finistère, group of fishermen, by Keith Vaughan. 1951. Oil on board, 91.4 by 71.1 cm. (Private collection; exh. Victoria Art Gallery, Bath).
75. Untitled #16, by Elaine de Kooning. Enamel on paper on canvas, 81.3 by 127 cm. (Private Collection, Cambridge MA; exh. Kettle's Yard, Cambridge).
Attributed works:
76. Necklace, by Anni Albers. c.1940. Drain strainer, chain and paper clips, 7.7 cm. diam.; chain 40.7 cm. long. (The Josef and Anni Albers Foundation; exh. Kettle's Yard, Cambridge).
Attributed works:
77. Everything comes from everything, by Ben Shahn. c.1959. Mixed media on paper, 78.7 by 58.5 cm. (D.C. Moore Gallery, New York; exh. Kettle's Yard, Cambridge).