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7 articles
Exhibition Review
Caravaggio and his Roman followers. Ottawa and Fort Worth
09/2011 | 1302 | 153
Pages: 634-635
related names
Reviewer:
Spear, Richard E. (Spear, Richard E.)
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Reviewed Items
subjects:
Caravaggio and his Followers in Rome | institution: Kimbell Art Museum , institution: National Gallery of Canada
Illustrations
Attributed works:
102. St John the Baptist, by Tanzio da Varallo. c.1627–29. Canvas, 165.1 by 114 cm. (Philbrook Museum of Art, Tulsa; exh. National Gallery of Canada, Ottawa).
Attributed works:
103. St John the Baptist, by Juan Bautista Maíno. c.1608–10. Canvas, 130 by 102 cm. (Kunstmuseum, Basel; exh. National Gallery of Canada, Ottawa).
Western art unattributed:
101. St Augustine, by an anonymous painter. Before 1638. Canvas, 120 by 99 cm. (Private collection; exh. National Gallery of Canada, Ottawa).
Exhibition Review
Salvator Rosa. Dulwich and Fort Worth
01/2011 | 1294 | 153
Pages: 51-52
related names
Reviewer:
Roworth, Wendy Wassyng (Roworth, Wendy Wassyng; Roworth, Wendy)
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Reviewed Items
subjects:
Salvator Rosa (1615–1673): Bandits, Wilderness and Magic | institution: Dulwich Picture Gallery , institution: Kimbell Art Museum
Illustrations
Attributed works:
50. Philosophy, by Salvator Rosa. 1641. Canvas, 116 by 94 cm. (National Gallery, London; exh. Dulwich Picture Gallery, London).
Attributed works:
51. Poetry, by Salvator Rosa. 1641. Canvas, 116.2 by 94.2 cm. (Wadsworth Atheneum, Hartford; exh. Dulwich Picture Gallery, London).
Attributed works:
52. Jacob’s dream, by Salvator Rosa. c.1665. Canvas, 137 by 200 cm. (Chatsworth, Devonshire collection; exh. Dulwich Picture Gallery, London).
Attributed works:
53. Fortuna, by Salvator Rosa. 1659. Canvas, 198 by 133 cm. (J. Paul Getty Museum, Los Angeles; exh. Dulwich Picture Gallery, London).
Exhibition Review
Recent exhibitions in Texas. Fort Worth (From the Private Collections of Texas: European Art, Ancient to Modern)
06/2010 | 1287 | 152
Pages: 438-439
related names
Reviewer:
Craft, Catherine (Craft, Catherine)
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Reviewed Items
subjects:
From the Private Collections of Texas: European Art, Ancient to Modern | institution: Kimbell Art Museum
Illustrations
Attributed works:
96. Landscape with Tobias’s return, by Paul Bril. 1601. Oil on copper, 22.9 by 30.5 cm. (Collection of Robert M. Edsel, Dallas; exh. Kimbell Art Museum, Fort Worth).
Attributed works:
97. Henri Gasquet, by Paul Cézanne. 1896–97. Canvas, 55.9 by 47 cm. (McNay Art Museum, San Antonio; exh. Kimbell Art Museum, Fort Worth).
Exhibition Review
The Triumph of Marriage; Painted Cassoni of the Renaissance
02/2009 | 1271 | 151
Pages: 131-132
related names
Reviewer:
Plaut, Timothy (Plaut, Timothy)
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Reviewed Items
subjects:
The Triumph of Marriage; Painted Cassoni of the Renaissance | institution: Isabella Stewart Gardner Museum , institution: Ringling Museum of Art
Illustrations
Attributed works:
68. The triumphs of Love, Chastity and Death, by Francesco Pesellino. c.1540. Panel, 45 by 157 cm. (Isabella Stewart Gardner Museum, Boston; exh. Ringling Museum of Art, Sarasota)
Attributed works:
69. The story of Cupid and Psyche, by Jacopo del Sellaio. 1470s. Panel, without frame, 59 by 178 cm. (Private collection; exh. Ringling Museum of Art, Sarasota)
Exhibition Review
Stubbs and the horse. Fort Worth, Baltimore and London
05/2005 | 1226 | 147
Pages: 357-358
related names
Reviewer:
Postle, Martin (Postle, Martin)
Subjects
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Reviewed Items
subjects:
Stubbs and the Horse | institution: Baltimore Museum of Art , institution: Kimbell Art Museum , institution: National Gallery
Illustrations
Attributed works:
71. Gimcrack on Newmarket Heath, by George Stubbs. 1765. 101 by 193 cm. (The Woolavington Collection, Cottesbrooke Hall, Northhamptonshire; exh. Walters Museum, Baltimore).
Attributed works:
72. Finished study for the 'Third Anatomical Table of the Muscles' in The Anatomy of the Horse (1776), by George Stubbs. c.1756-58. Graphite and black chalk, 36.5 by 50.5 cm. (Royal Academy of Arts, London; exh. Walters Art Museum, baltimore).
Attributed works:
73. Whistlejacket, by George Stubbs. c1762. 292 by 246.4 cm. (National Gallery, London; exh. Walters Art Museum, Baltimore).
Exhibition Review
Turner and Venice. London, Fort Worth and Venice
03/2004 | 1212 | 146
Pages: 186-187
related names
Reviewer:
Green, Richard (Green, Richard)
Subjects
dates:
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Reviewed Items
subjects:
Turner and Venice | institution: Kimbell Art Museum , institution: Museo Correr , institution: Tate Britain
Illustrations
Attributed works:
43. The Punta della Dogana, with the Zitelle in the distance, by J.M.W. Turner. 1819. Watercolour, 22.3 by 28.5 cm. (Tate, London; exh. Kimbell Art Museum, Fort Worth)
Attributed works:
44. The Campo Santo, Venice, by J.M.W. Turner. 1842. 61.2 by 91.2 cm (Toledo Museum of Art, OH; exh. Kimbell Museum, Fort Worth)
Attributed works:
45. The Giudecca Canal, looking towards Fusina at sunset, by J.M.W. Turner. 1840. Pencil, watercolour and bodycolour with coloured crayons, 22 by 32.3 cm. (Tate, London; exh. Kimbell Art Museum, Fort Worth)
Attributed works:
46. Santa Maria della Salute, night scene with rockets, by J.M.W. Turner. 1840. Watercolour and bodycolour on red-brown paper, 24 by 31.5 cm. (Tate, London; exh. Kimbell Art Museum, Fort Worth).