102. St John the Baptist, by Tanzio da Varallo. c.1627–29. Canvas, 165.1 by 114 cm. (Philbrook Museum of Art, Tulsa; exh. National Gallery of Canada, Ottawa).
Attributed works:
103. St John the Baptist, by Juan Bautista Maíno. c.1608–10. Canvas, 130 by 102 cm. (Kunstmuseum, Basel; exh. National Gallery of Canada, Ottawa).
Western art unattributed:
101. St Augustine, by an anonymous painter. Before 1638. Canvas, 120 by 99 cm. (Private collection; exh. National Gallery of Canada, Ottawa).
From the Private Collections of Texas: European Art, Ancient to Modern |
institution: Kimbell Art Museum
Illustrations
Attributed works:
96. Landscape with Tobias’s return, by Paul Bril. 1601. Oil on copper, 22.9 by 30.5 cm. (Collection of Robert M. Edsel, Dallas; exh. Kimbell Art Museum, Fort Worth).
Attributed works:
97. Henri Gasquet, by Paul Cézanne. 1896–97. Canvas, 55.9 by 47 cm. (McNay Art Museum, San Antonio; exh. Kimbell Art Museum, Fort Worth).
Exhibition Review
The Triumph of Marriage; Painted Cassoni of the Renaissance
68. The triumphs of Love, Chastity and Death, by Francesco Pesellino. c.1540. Panel, 45 by 157 cm. (Isabella Stewart Gardner Museum, Boston; exh. Ringling Museum of Art, Sarasota)
Attributed works:
69. The story of Cupid and Psyche, by Jacopo del Sellaio. 1470s. Panel, without frame, 59 by 178 cm. (Private collection; exh. Ringling Museum of Art, Sarasota)
Exhibition Review
Stubbs and the horse. Fort Worth, Baltimore and London
71. Gimcrack on Newmarket Heath, by George Stubbs. 1765. 101 by 193 cm. (The Woolavington Collection, Cottesbrooke Hall, Northhamptonshire; exh. Walters Museum, Baltimore).
Attributed works:
72. Finished study for the 'Third Anatomical Table of the Muscles' in The Anatomy of the Horse (1776), by George Stubbs. c.1756-58. Graphite and black chalk, 36.5 by 50.5 cm. (Royal Academy of Arts, London; exh. Walters Art Museum, baltimore).
Attributed works:
73. Whistlejacket, by George Stubbs. c1762. 292 by 246.4 cm. (National Gallery, London; exh. Walters Art Museum, Baltimore).
43. The Punta della Dogana, with the Zitelle in the distance, by J.M.W. Turner. 1819. Watercolour, 22.3 by 28.5 cm. (Tate, London; exh. Kimbell Art Museum, Fort Worth)
Attributed works:
44. The Campo Santo, Venice, by J.M.W. Turner. 1842. 61.2 by 91.2 cm (Toledo Museum of Art, OH; exh. Kimbell Museum, Fort Worth)
Attributed works:
45. The Giudecca Canal, looking towards Fusina at sunset, by J.M.W. Turner. 1840. Pencil, watercolour and bodycolour with coloured crayons, 22 by 32.3 cm. (Tate, London; exh. Kimbell Art Museum, Fort Worth)
Attributed works:
46. Santa Maria della Salute, night scene with rockets, by J.M.W. Turner. 1840. Watercolour and bodycolour on red-brown paper, 24 by 31.5 cm. (Tate, London; exh. Kimbell Art Museum, Fort Worth).