Renaissance Weddings and the Antique:
Italian Secular Paintings from the
Lanckoroński Collection
By Jerzy Miziołek. 496 pp. incl. 429 col. + 202
b. & w. ills. (L’Erma di Bretschneider, Rome,
2018), €114. ISBN 978–88–913–0850–4. |
:
Illustrations
Attributed works:
2. Aristotle and Phyllis, by Giovanni
Buonconsiglio. c.1515. Oil on canvas, 80.5
by 73 cm. (Wawel Royal Castle, Kraków;
photograph Mariusz Mikołajczyk).
Article
Battening spalliera paintings: reflections on twenty-five years of research
1. Story of Virginia, by Sandro Botticelli. c.1500. Oil and tempera on
panel, 86 by 165 cm. (Accademia Carrara, Bergamo).
Attributed works:
10. Fight between the Lapiths and centaurs, by Piero di Cosimo.
c.1500–15. Oil on panel, 71 by 260 cm. (National Gallery, London).
Attributed works:
2. Story of Lucretia, by Sandro Botticelli. c.1500. Oil and tempera on
panel, 83.8 cm by 176.8 cm. (Isabella Stewart Gardner Museum, Boston).
Attributed works:
3. Episodes from the life of Alexander the Great, by the workshop
of Ghirlandaio. 1493–94. Tempera on panel, 76 by 229.5 cm. (Victoria
and Albert Museum, London).
Attributed works:
4. Julius Caesar and the crossing of the Rubicon, by the workshop
of Ghirlandaio. 1493–94. Tempera and gold on panel, 73.5 by 170 cm.
(Victoria and Albert Museum, London).
Attributed works:
5. The story of Griselda: Part one, marriage, by the Master of the
Story of Griselda. c.1494. Oil and tempera on panel, 61.6 by 154.3 cm.
(National Gallery, London).
Attributed works:
6. The back of the panel illustrated in Fig.5, showing vertical battens
used to stabilise the panel and/or attach it to its setting. (National
Gallery, London).
Attributed works:
7. Alexander the Great, by the Master of the Story of Griselda. c.1500.
Tempera on panel, 105.4 by 50.8 cm. (The Barber Institute of Fine Arts,
University of Birmingham).
Attributed works:
8. Claudia Quinta, by Neroccio de’ Landi and the Master of the Story of
Griselda. c.1493–94. Tempera on panel, 104 by 46 cm. (National Gallery
of Art, Washington).
Attributed works:
9. Detail of Fig.10, showing Hylonome and Cylarus.
Book Review
Touching Objects: Intimate Experiences of Italian Fifteenth-Century Art, by Adrian W.B. Randolph
86. Death of Absalom, by Francesco di Stefano, called Il Pesellino. c.1452–57. Panel, 44 by 50 cm. (Musée de Tessé, Le Mans; exh. Galleria dell’Accademia, Florence).
Attributed works:
87. Battle of David and Goliath, by Francesco di Stefano, called Il Pesellino. c.1452–57. Panel, 45.5 by 179.2 cm. (National Gallery, London).
Attributed works:
88. The triumph of Fame, by Giovanni di Ser Giovanni, called Lo Scheggia. 1449. Panel, diameter 92 cm. (Metropolitan Museum of Art, New York; exh. Galleria dell’Accademia, Florence).
Love and Marriage in Renaissance Florence: The Courtauld Wedding Chests |
institution: Courtauld Gallery
Illustrations
Attributed works:
56. Chest and spalliera with the arms of Lorenzo Morelli and Vaggia Nerli (the Morelli Chest), by Biagio d’Antonio, Jacopo del Sellaio and Zanobi di Domenico. 1472. Wood, gesso tempera, oil and gilding, 205.5 by 193 cm. overall. (Courtauld Gallery, London).
Attributed works:
57. Cassone with scenes from Boccaccio’s Decameron, by Giovanni Toscani. Front panel, here dated c.1425–30; chest, a nineteenth-century reconstruction. Wood, gesso, tempera and gilding, 82.5 by 195.5 by 68.6 cm. overall. (Private collection; exh. Courtauld Gallery, London).
Attributed works:
58. The siege of Carthage and the continence of Scipio, by the Master of the Ringling Triumph. c.1460. Tempera and oil on panel, 42.5 by 130 cm. (painted surface). (Courtauld Gallery, London).
Exhibition Review
The Triumph of Marriage; Painted Cassoni of the Renaissance
68. The triumphs of Love, Chastity and Death, by Francesco Pesellino. c.1540. Panel, 45 by 157 cm. (Isabella Stewart Gardner Museum, Boston; exh. Ringling Museum of Art, Sarasota)
Attributed works:
69. The story of Cupid and Psyche, by Jacopo del Sellaio. 1470s. Panel, without frame, 59 by 178 cm. (Private collection; exh. Ringling Museum of Art, Sarasota)
Book Review
Geburt und Memoria. Zum italienischen Bildtyp der deschi da parto