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70 articles
Exhibition Review
Oscar Rejlander: Artist Photographer. J. Paul Getty Museum, Los Angeles
06/2019 | 1395 | 161
Pages: 505-508
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related names
Reviewer:
Keller, Corey (Keller, Corey)
Subjects
artists:
Rejlander, Oscar Gustave
dates:
2010-2019
museums and institutions:
J. Paul Getty Museum, Los Angeles, United States / National Gallery of Canada, Ottawa, Canada
subjects:
Photography / Portraits / Victorian art / Social history / Working Class
Illustrations
Attributed works:
14. Two ways of life (Hope in repentance), by Oscar Gustave Rejlander. 1857. Albumen silver print, 21.8 by 40.8 cm. (Moderna Museet, Stockholm; exh. J. Paul Getty Museum, Los Angeles).
Attributed works:
15. [Self-portrait with a parrot], by Oscar Gustave Rejlander. c.1865. Albumen silver print, 37.4 by 27.6 cm. (Private collection; exh. J. Paul Getty Museum, Los Angeles).
Attributed works:
16. Please give us a copper, by Oscar Gustave Rejlander. c.1866–68. Albumen silver print, 17.9 by 12.6 cm. (Princeton University Art Museum; exh. J. Paul Getty Museum, Los Angeles).
Exhibition Review
Brothers in Art: Drawings by Watts and Leighton. Compton. Pre-Raphaelites on Paper: Victorian Drawings from the Lanigan Collection. Ottawa & London
05/2016 | 1358 | 158
Pages: 387–89
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Reviewer:
Owens, Susan (Owens, Susan)
Subjects
artists:
Leighton, Frederic, First Baron Leighton of Stretton / Watts, George Frederic
dates:
2010-2019
museums and institutions:
Watts Gallery, Compton , Great Britain / Leighton House, London, Great Britain / National Gallery of Canada, Ottawa, Canada
places:
Ottawa / London / England / Compton / Canada
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
56. Self-portrait study (known as 'Fear'), by George Frederic Watts. c.1835-36 (Watts Gallery, Compton)
Attributed works:
57. Portrait of Virginia Pattle, by George Frederic Watts. c.1849 (Watts Gallery, Compton)
Attributed works:
58. Study for 'The Return of Persephone': drapery for Demeter, by Frederic Leighton. c.1890 (Leighton House Museum, London; exh. Watts Gallery, Compton)
Attributed works:
59. King Pelles' daughter bearing the vessel of the Sanc Graal, by Frederick Sandys. 1861 (Lanigan Collection, Saskatoon; exh. Watts Gallery, Compton)
Attributed works:
60. Samson and Delilah, by Henry Holiday. c.1859-61 (Lanigan Collection, Saskatoon; exh. Watts Gallery, Compton)
Exhibition Review
Monet: A Bridge to Modernity
01/2016 | 1354 | 158
Pages: 069–070
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related names
Reviewer:
MacDuffee, Allison (MacDuffee, Allison)
Subjects
artists:
Monet, Claude
dates:
2010-2019
museums and institutions:
National Gallery of Canada, Ottawa, Canada
places:
Ottawa / Canada
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
92. Le Pont de bois, by Claude Monet. 1872 (VKS Art Inc., Ottawa; exh. National Gallery of Canada, Ottawa)
Attributed works:
93. The Railroad Bridge at Argenteuil, by Claude Monet. 1873 (John G. Johnson Collection, Philadelphia Museum of Art; exh. National Gallery of Canada, Ottawa)
Attributed works:
94. The Port at Argenteuil, by Claude Monet. c.1872 (Musée d'Orsay, Paris; exh. National Gallery of Canada, Ottawa)
Exhibition Review
Elisabeth Vigée Le Brun
12/2015 | 1353 | 157
Pages: 875-876
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related names
Reviewer:
Walczak, Gerrit (Walczak, Gerrit)
Subjects
artists:
Vigée-LeBrun, Elisabeth Louise
dates:
2010-2019
museums and institutions:
Grand Palais, Paris, France / Metropolitan Museum of Art, New York, United States / National Gallery of Canada, Ottawa, Canada
places:
Paris / Ottawa / United States / New York / France / Canada
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
67. Anne de Rabaudy de Montoussin, comtesse de Cérès (?), by Elisabeth Vigée Le Brun. 1784 (Toledo Museum of Art; exh. Grand Palais, Paris)
Attributed works:
68. Hubert Robert, by Elisabeth Vigée Le Brun. 1788 (Musée du Louvre, Paris; exh. Grand Palais, Paris)
Book Review
John Ruskin: Artist and Observer, C. Newall, with contributions by C. Baker, C. Shields and I. Jeffrey
05/2015 | 1346 | 157
Pages: 351-352
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Reviewer:
Wildman, Stephen (Wildman, Stephen)
Subjects
artists:
Ruskin, John
dates:
2010-2019
museums and institutions:
Scottish National Portrait Gallery, Edinburgh, Great Britain / National Gallery of Canada, Ottawa, Canada
subjects:
Exhibition catalogues / Drawings / Prints / British / Artists' writings / Art criticism
Publication Received
Charles Marville: Photographer of Paris. By Sarah Kennel, with essays by Anne de Mondenard, Peter Barberie, Françoise Reynaud and Joke de Wolf
09/2014 | 1338 | 156
Pages: 613
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related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
artists:
Marville, Charles
dates:
1820-1869 / 1870-1879 / 2010-2019
museums and institutions:
National Gallery of Art, Washington, United States / Metropolitan Museum of Art, New York, United States / National Gallery of Canada, Ottawa, Canada
places:
France / Paris
subjects:
Photography / French / Exhibition catalogues / Biographies
Book Review
Pour l’amour de l’art. Artistes et amateurs français à Rome au XVIIIe siècle
05/2013 | 1322 | 155
Pages: 333
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related names
Reviewer:
Bordes, Philippe (Bordes, Philippe; Bordes, Phillipe)
Subjects
dates:
1720-1729 / 1730-1739 / 1740-1749 / 1750-1779 / 1780-1789
dates:
2010-2019
museums and institutions:
National Gallery of Canada, Ottawa, Canada / Musée des Beaux-Arts, Caen, France
places:
Rome
subjects:
Exhibition catalogues / Artists / French / Patronage
Exhibition Review
Caravaggio and his Roman followers. Ottawa and Fort Worth
09/2011 | 1302 | 153
Pages: 634-635
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related names
Reviewer:
Spear, Richard E. (Spear, Richard E.)
Subjects
dates:
2010-2019
museums and institutions:
National Gallery of Canada, Ottawa, Canada / Kimbell Art Museum, Fort Worth, United States
places:
United States / Ottawa / Fort Worth / Canada
print:
Caravaggio, Michelangelo Merisi da
print:
Caravaggesque
subjects:
Caravaggio, Michelangelo Merisi da
subjects:
Caravaggesque
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Caravaggio and his Followers in Rome | institution: Kimbell Art Museum , institution: National Gallery of Canada
Illustrations
Attributed works:
102. St John the Baptist, by Tanzio da Varallo. c.1627–29. Canvas, 165.1 by 114 cm. (Philbrook Museum of Art, Tulsa; exh. National Gallery of Canada, Ottawa).
Attributed works:
103. St John the Baptist, by Juan Bautista Maíno. c.1608–10. Canvas, 130 by 102 cm. (Kunstmuseum, Basel; exh. National Gallery of Canada, Ottawa).
Western art unattributed:
101. St Augustine, by an anonymous painter. Before 1638. Canvas, 120 by 99 cm. (Private collection; exh. National Gallery of Canada, Ottawa).
Exhibition Review
Bernini and Baroque portrait sculpture. Los Angeles, Ottawa and Florence
03/2009 | 1272 | 151
Pages: 194-196
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related names
Reviewer:
McPhee, Sarah (McPhee, Sarah)
Subjects
artists:
Bernini, Gian Lorenzo
dates:
2000-2009
museums and institutions:
National Gallery of Canada, Ottawa, Canada / J. Paul Getty Museum, Los Angeles, United States / Museo Nazionale del Bargello, Florence, Italy
places:
United States / Los Angeles / Ottawa / Italy / Florence / Canada
print:
Bernini, Gian Lorenzo
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Bernini and the Birth of Baroque Portrait Sculpture | institution: J. Paul Getty Museum , institution: Museo Nazionale del Bargello , institution: National Gallery of Canada
Illustrations
Attributed works:
73. Portrait of Cardinal Alessandro Damasceni Peretti Montalto, by Gian Lorenzo Bernini. 1622–23. Marble, 79 cm. high. (with socle). (Kunsthalle, Hamburg; exh. National Gallery of Canada, Ottawa).
Attributed works:
74. Portrait of the dwarf in the service of the Duke of Créquy, by François du Quesnoy. 1633–34. Marble, 49 cm. high. (with socle). (Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome; exh. National Gallery of Canada, Ottawa).
Attributed works:
75. Portrait of Costanza Bonarelli, by Gian Lorenzo Bernini. 1636–38. Marble, 72 cm. high. (Museo Nazionale del Bargello, Florence; exh. National Gallery of Canada, Ottawa).
Attributed works:
76. Portrait of Maria Cerri Capranica, here attributed to the circle of Algardi. c.1640. Marble, 90 cm. high. (J. Paul Getty Museum, Los Angeles; exh. National Gallery of Canada, Ottawa).
Article
Reconstructing Veronese’s Petrobelli altarpiece
01/2009 | 1270 | 151
Pages: 4-13
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related names
Author:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
artists:
Veronese, Paolo
dates:
1550-1649
dates:
2000-2009
museums and institutions:
Dulwich Picture Gallery, London, Great Britain / National Gallery of Scotland, Edinburgh, Great Britain / National Gallery of Canada, Ottawa, Canada / Blanton Museum of Art, Austin, United States
patrons:
Petrobelli, Antonio / Petrobelli, Girolamo
print:
Veronese, Paolo
subjects:
Italian painting / Altarpieces / Reconstructions / Fragments / Identification / Provenance / Collections, Public / Exhibitions
subjects:
Lost works / Damage to works of art
subjects:
Restoration (process) / Conservation
Illustrations
Attributed works:
1. St Jerome and Girolamo Petrobelli (before the 1948–53 restoration), by Paolo Veronese. c.1563. Canvas, 227.2 by 120 cm. (Dulwich Picture Gallery, London).
Attributed works:
10. Reconstruction of Veronese’s Petrobelli altarpiece, by Peter and Linda Murray. 1977. (Dulwich Picture Gallery, London).
Attributed works:
12. Head of St Michael, by Paolo Veronese. c.1563. Canvas, 41 by 32.1 cm. (Blanton Museum of Art, Austin, Texas).
Attributed works:
13. Reconstruction of Veronese’s Petrobelli altarpiece, by Stephen Gritt and Xavier F. Salomon. 2008.
Attributed works:
2. St Anthony Abbot and Antonio Petrobelli (before the 1958 restoration), by Paolo Veronese. c.1563. Canvas, 199.5 by 120.8 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
3. Dead Christ supported by angels, by Paolo Veronese. c.1563. Canvas, 221 by 250.5 cm. (National Gallery of Canada, Ottawa).
Attributed works:
4. Reconstruction of Veronese’s Petrobelli altarpiece, by Stanley Cursiter. 1932. (National Gallery of Canada, Ottawa).
Attributed works:
5. Reconstruction of Veronese’s Petrobelli altarpiece, by Eric Brown. 1933. (National Gallery of Scotland, Edinburgh).
Attributed works:
6. Reconstruction of Veronese’s Petrobelli altarpiece, by Stanley Cursiter. 1933. (National Gallery of Canada, Ottawa).
Attributed works:
7. St Jerome and Girolamo Petrobelli (after restoration), by Paolo Veronese. c.1563. Canvas, 227.2 by 120 cm. (Dulwich Picture Gallery, London).
Attributed works:
8. Reconstruction of Veronese’s Petrobelli altarpiece, by William Dale. 1952. (National Gallery of Canada, Ottawa).
Attributed works:
9. St Anthony Abbot and Antonio Petrobelli (after restoration), by Paolo Veronese. c.1563. Canvas, 199.5 by 120.8 cm. (National Gallery of Scotland, Edinburgh).
Western art unattributed:
11. Dead Christ supported by angels, by an anonymous Italian painter. Seventeenth century. Canvas, dimensions unknown. (S. Giuseppe, Lendinara).
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