45. Reliquary bust of an unknown female saint, probably a companion of St Ursula. South Netherlands, c.1520–30. Painted and gilded oak, 42.4 cm. high. (Metropolitan Museum of Art, New York; exh. British Museum, London).
Western art unattributed:
46. Reliquary bust of St Baudime. Auvergne, 1146–78. Copper gilt over a walnut core, ivory and horn, 73 by 43 by 46 cm. (Saint-Nectaire, Auvergne; exh. British Museum, London).
Western art unattributed:
47. Reliquary chasse of St Thomas Becket. English, c.1173–80. Silver gilt with niello and glass, 5.7 by 7 by 3.4 cm. (Metropolitan Museum of Art, New York; exh. British Museum, London).
Western art unattributed:
48. Holy thorn reliquary. Paris, c.1390–97. Gold, enamel and precious stones, 30.5 cm. high. (British Museum, London).
85. Head with cogs for eyes, by David Smith. 1933. Welded metal, cement base, 37.7 by 17.1 by 14 cm. including base. (Ryda and Robert H. Levi Collection, Baltimore Museum of Art).
Attributed works:
86. Projection in space, by Antoine Pevsner. 1927. Copper alloy, 30.5 by 54.6 cm. (Baltimore Museum of Art).
Attributed works:
87. Forest, by Emil Cimiotti. 1959. Bronze, 39.3 cm. high. (Baltimore Museum of Art).
Exhibition Review
Recent exhibitions in Texas. Dallas (Andy Warhol: The Last Decade)
99. Self-portrait, by Andy Warhol. 1986. Acrylic and silkscreen ink on linen, 101.6 by 101.6 cm. (Mugrabi Collection; exh. Modern Art Museum, Fort Worth).
Article
The children in Veronese’s portraits of Iseppo and Livia da Porto
1. Livia da Porto Thiene and her daughter Deidamia, by Paolo Veronese. 1552. Canvas, 208.4 by 121 cm. (Walters Art Museum, Baltimore).
Attributed works:
2. Iseppo da Porto and his son Leonida, by Paolo Veronese. 1552. Canvas, 207 by 137 cm. (Galleria degli Uffizi, Collezione Contini Bonacossi, Florence).
Publication Received
The Cone Sisters of Baltimore. Collecting At Full Tilt
71. Gimcrack on Newmarket Heath, by George Stubbs. 1765. 101 by 193 cm. (The Woolavington Collection, Cottesbrooke Hall, Northhamptonshire; exh. Walters Museum, Baltimore).
Attributed works:
72. Finished study for the 'Third Anatomical Table of the Muscles' in The Anatomy of the Horse (1776), by George Stubbs. c.1756-58. Graphite and black chalk, 36.5 by 50.5 cm. (Royal Academy of Arts, London; exh. Walters Art Museum, baltimore).
Attributed works:
73. Whistlejacket, by George Stubbs. c1762. 292 by 246.4 cm. (National Gallery, London; exh. Walters Art Museum, Baltimore).
76. Fortitude, by Jacob Matham after Hendrick Goltzius and the Monogrammist M.Ö. 1597 (colouring 1598). Engraving with transparent washes and body colours, highlighted with gold and silver, 22.1 by 13.6 cm. (Rijksmuseum, Amsterdam; exh. Saint Louis Museum of Art).
Attributed works:
77. St Jerome in his study, by Albrecht Dürer. 1514. Engraving, 24.8 by 19.1 cm. (Baltimore Museum of Art; exh. Saint Louis Museum of Art).
Attributed works:
78. St Jerome in his study, by Albrecht Dürer and Domenicus Rottenhammer. 1514 (colouring late sixteenth century). Engraving with transparent washes and body colours, highlighted with gold, 24.8 by 19.1 cm. (Kunstsammlungen der Veste Coburg; exh. Saint Louis Museum of Art).
Western art unattributed:
75. Christ on the cross with angels. Upper German. c. 1465-75. Woodcut with transparent washes, 27.5 by 18.8 cm. (National Gallery of Art, Washington; exh. Saint Louis Museum of Art).
Exhibition Review
Columbus, Baltimore and Los Angeles: James Welling
63. 'Brussels' ('Light sources' series), by James Welling. 1996. Vegetable dye on rag paper, 68.6 by 85.1 cm. (Hallmark Photographic Collection, Kansas City; exh. Baltimore Museum of Art).
Attributed works:
64. 'Movable bridge, New York', by James Welling. 1990. Toned gelatin silver print, 55.9 by 45.7 cm. (Boijmans Van Beuningen Museum, Rotterdam; exh. Baltimore Museum of Art).
Book Review
Medieval and Renaissance Manuscripts in the Walters Art Gallery, Volume III: Belgium, 1250-1530