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23 articles
Article
A newly discovered cabinet miniature by Nicholas Hilliard
04/2024 | 1453 | 166
Pages: 340–347
related names
Author:
Goldring, Elizabeth (Goldring, Elizabeth)
Author:
Rutherford, Emma (Rutherford, Emma)
Subjects
dates:
Illustrations
Attributed works:
1. A lady, here identified as Lady Arbella Stuart, by Nicholas Hilliard. 1592. Watercolour and bodycolour on vellum, stuck down on card, 21.1 by 17.6 cm. (Private collection).
Attributed works:
2. Elizabeth I (the Ditchley Portrait), by Marcus Gheeraerts the Younger. c.1592. Oil on canvas, 241.3 by 152.4 cm. (National Portrait Gallery, London).
Attributed works:
3. Elizabeth I (an example of the ‘mask of youth’), by Nicholas Hilliard. c.1592–1603. Watercolour on vellum, 6.5 by 5.3 cm. (Victoria & Albert Museum, London).
Attributed works:
4. Detail of Fig.1, showing the floral wreath.
Attributed works:
5. Detail of Fig.1, showing the gold armillary spheres decorating the gown.
Attributed works:
6. A girl, said to depict Lady Arbella Stuart at the age of twenty-three months, by an unknown artist. ?1577. Oil on panel transferred to canvas, 75.1 by 61.5 cm. (National Trust; Hardwick New Hall, Derbyshire).
Attributed works:
7. A girl, said to depict Lady Arbella Stuart at the age of thirteen, by an unknown artist. ?1589. Oil on panel, 162.6 by 87.6 cm. (National Trust; Hardwick New Hall, Derbyshire).
Attributed works:
8. Henry Percy, 9th Earl of Northumberland, by Nicholas Hilliard. c.1595. Watercolour on vellum, 25.7 by 17.3 cm. (Rijksmuseum, Amsterdam).
Attributed works:
9. Henry Percy, 9th Earl of Northumberland, by the Hilliard workshop. c.1595. Watercolour on vellum, 5.2 by 6.4 cm. (Fitzwilliam Museum, Cambridge).
Exhibition Review
Painted Love: Renaissance Marriage Portraits
09/2023 | 1446 | 165
Pages: 1005-1007
related names
Reviewer:
Hearn, Karen (Hearn, Karen)
Subjects
dates:
Reviewed Items
subjects:
Painted Love: Renaissance Marriage Portraits Holburne Museum, Bath 26th May–1st October | :
Illustrations
Attributed works:
5. Dish painted with depiction of lovers, by Giacomo Mancini. c.1550. Tin-glazed earthenware, diameter 26.8 cm. (Victoria and Albert Museum, London; exh. Holburne Museum, Bath).
Attributed works:
6. Marriage portrait of Jakob Fugger and Sybilla Artzt, by Hans Burgkmair the Elder. 1498. Oil on panel, 51 by 75 cm. (Private collection; exh. Holburne Museum, Bath).
Attributed works:
7. Portrait of a lady, by Alesso Baldovinetti, c.1465. Tempera and oil on panel, 62.9 by 40.6 cm. (National Gallery, London; exh. Holburne Museum, Bath).
Book Review
Venus and the Arts of Love in Renaissance Florence
04/2023 | 1441 | 165
Pages: 475-476
related names
Reviewer:
Nuttall, Paula (Nuttall, Paula )
Subjects
places:
Reviewed Items
subjects:
Venus and the Arts of Love in Renaissance Florence By Rebekah Compton. 292 pp. incl. 109 col. ills. (Cambridge University Press, 2021), £75. ISBN 978–1–108–84291–4. | :
Illustrations
Attributed works:
3. Marriage casket with the Triumph of Venus, by Giovanni di Paolo (Giovanni di Paolo di Grazia). 1421. Wood and paint, diameter 29.3 cm. without handles. (RMNGrand Palais; Musée du Louvre, Paris; photograph Stéphane Maréchalle).
Article
Richard II’s broomcod collar in the Wilton Diptych: a new identification of the flowers and their significance
07/2021 | 1420 | 163
Pages: 604-606
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Detail of Fig.3, showing Richard II.
Attributed works:
2. Detail of Fig.3, showing the flowers linking the broomcods in Richard II’s collar, here identified as pimpernels.
Attributed works:
3. The Wilton Diptych. Left wing: Richard II with St Edmund, St Edward the Confessor and St John the Baptist. Right wing: the Virgin and Child with angels. French or English, c.1397–99. Tempera on oak panel, each panel 53 by 37 cm. (National Gallery, London).
Attributed works:
4. Exterior of Fig.3. Left: the royal arms of England and France impaled with the arms of Edward the Confessor with a helmet, cap of maintenance and lion passant guardant; right: the white hart lying on branches of rosemary and fern. (National Gallery, London).
Book Review
Stone Fidelity: Marriage and Emotion in Medieval Tomb Sculpture
04/2021 | 1417 | 163
Pages: 381-382
related names
Reviewer:
Fehrmann, Antje (Fehrmann, Antje)
Subjects
subjects:
Reviewed Items
subjects:
Stone Fidelity: Marriage and Emotion in Medieval Tomb Sculpture By Jessica Barker. 354 pp. incl. 33 col. + 63 b. & w. ills. (Boydell Press, Woodbridge, 2020),  50. ISBN 978–1–78327–271–6. | :
Article
Fruit of love: Van Dyck’s ‘James Stuart, Duke of Richmond’ in the Louvre and its afterlife
06/2020 | 1407 | 162
Pages: 492-501
related names
Author:
Sanzsalazar, Jahel (Sanzsalazar, Jahel)
Subjects
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
1. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by Anthony van Dyck. Here dated to 1637. Oil on canvas, 107 by 84 cm. (Musée du Louvre, Paris; RMN Grand-Palais, Paris).
Attributed works:
10. The quince, by Pierre Eskrich, from Emblemes d’Alciat, Lyon 1549. Engraving, 19 by 13 cm. (Biblioth que national de France, Paris).
Attributed works:
11. Mary Villiers, Lady Herbert of Shurland, by Anthony van Dyck. c.1636– 37. Oil on canvas, 101 by 83.8 cm. (Timken Museum of Art, San Diego).
Attributed works:
12. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, attributed to Auguste Renoir after Anthony van Dyck. Oil on canvas, 116 by 89 cm. (Private collection).
Attributed works:
13. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by Thomas Couture after Anthony van Dyck. Pencil on paper, 9.1 by 12.2 cm. (Musée du Louvre, Paris, album RF 9106, fol.33; RMN Grand-Palais, Paris).
Attributed works:
14. Self-portrait in a white shirt, by Henri Fantin-Latour. 1859. Oil on canvas, 101 by 83.5 cm. (Musée de Grenoble).
Attributed works:
2. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by Anthony van Dyck. Here dated before 1637. Oil on canvas, 99.7 by 160 cm. (Kenwood House, London; Bridgeman Images).
Attributed works:
3. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by Anthony van Dyck. Here dated after 1637. Oil on canvas, 215.9 by 127.6 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
4–6, left to right, details of Figs 1, 2 and 3, showing the face of James Stuart.
Attributed works:
7. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, after Anthony van Dyck. After 1637. Oil on canvas, diameter 59.8 cm. (Location unknown).
Attributed works:
8. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, by the studio of Anthony van Dyck. After 1637. Oil on canvas, 101.5 by 75 cm. (Private collection, formerly at Ickworth House, Suffolk;   RKD; Courtesy Sotheby's, New York).
Attributed works:
9. James Stuart, 4th Duke of Lennox and future 1st Duke of Richmond, after Anthony van Dyck. After 1637. Oil on canvas, 101.5 by 81 cm. (Antony House, Cornwall;   National Trust Images).
Article
New light on Pierre Bonnard’s wife and model Marthe
05/2020 | 1406 | 162
Pages: 412-419
related names
Author:
Whelan, Lucy (Whelan, Lucy)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Man and woman, by Pierre Bonnard. 1900. Oil on canvas, 115 by 72.3 cm. (Musée d’Orsay, Paris; RMN Grand-Palais).
Attributed works:
2. Diary sketches, by Pierre Bonnard. Pages of his Agenda 1928 dated 21st–24th March 1928. Pencil on paper, page 13.5 by 7.5 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
3. Woman with dog (Mme Bonnard and her dog Ubu), by Pierre Bonnard. 1906. Oil on wood panel 36.5 by 45 cm. (Musée des Beaux-Arts, Reims).
Attributed works:
4. The window, by Pierre Bonnard. 1925. Oil on canvas, 108.6 by 88.6 cm. (Tate, London).
Attributed works:
5. The bath, by Pierre Bonnard. 1925. Oil on canvas, 86 by 120 cm. (Tate, London).
Attributed works:
6 and 7. Illustrations for Marie, by Pierre Bonnard. 1898. Process prints, page 18.5 by 11.6 cm. (Repr. in P. Nansen: Marie, dessins de Pierre Bonnard, Paris 1898, pp.29 and 35 respectively; Bibliothèque national de France, Paris).
Attributed works:
8. Studio of Pierre Bonnard, Le Cannet, France, by Henri Cartier- Bresson. 1944. Gelatin silver print, 27 by 17.4 cm. (Fondation Henri Cartier-Bresson, Paris; Henri Cartier-Bresson / Magnum Photos).
Book Review
The Ormesby Psalter: Patrons and Artists in Medieval East Anglia. By Frederica C.E. Law-Turner
10/2018 | 1387 | 160
Pages: 876-877
related names
Reviewer:
Panayotova, Stella (Panayotova, Stella)
Subjects
artists:
dates:
Illustrations
Western art unattributed:
1. The Beatus opening, Ormesby Psalter. c.1310–30. Parchment, 37.7 by 25 cm. (Bodleian Library, Oxford, MS Douce 366, fol.9v).
Article
Ribera between Rome and Naples: new documentary evidence
10/2015 | 1351 | 157
Pages: 682-683
related names
Author:
D'Alessandro, Domenico Antonio (D'Alessandro, Domenico Antonio)
Author:
Porzio, Giuseppe (Porzio, Giuseppe)
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dates:
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