63. Seated figure, by Henry Moore. 1930. Alabaster, 46.1 by 27.7 by 19.6 cm. (Art Gallery of Ontario, Toronto; exh. Tate Britain, London).
Attributed works:
64. Head of a man, by Pablo Picasso. 1913. Oil, gouache, varnish, ink, charcoal and pencil on paper, 61.6 by 46.4 cm. (Museum of Modern Art, New York; exh. Tate Britain, London).
Attributed works:
65. Group of four women, by Pablo Picasso. Plate from Waldemar George’s monograph Pablo Picasso, Paris 1924. (Private collection).
Attributed works:
66. Bathers at the beach hut, by Pablo Picasso. 19th May 1929. Canvas, 33 by 41.5 cm. (Musée national Picasso, Paris; exh. Tate Britain, London).
Attributed works:
67. Composition (Figure), by Francis Bacon. 1933. Gouache, pastel, pencil and pen on paper, 53.5 by 40 cm. (Abello collection; exh. Tate Britain, London).
66. Blast, no.1: Review of the Great English Vortex. 20th June 1914. Cover design by Wyndham Lewis. One of four copies; Rare Books Collection, University of North Carolina, Chapel Hill.
Attributed works:
67. Crouching fawn, by Henri Gaudier-Brzeska. 1913. Bath stone, 30.4 by 25.3 cm. (Ivor Braka Ltd., London; exh. Tate Britain, London).
Attributed works:
68. Abstract composition, by Edward Wadsworth. 1915. Gouache, pen and pencil on paper, 41.9 by 34.3 cm. (Tate, London).
36. The blue night, Venice, by Arthur Melville. 1897. Watercolour, 91 by 86 cm. (Tate, London).
Attributed works:
39. Yara, by Peter Doig. 2001. Watercolour, 70.5 by 53 cm. (Ole Faarup Collection, Copenhagen; exh. Tate Britain, London).
Non-western art unattributed:
37. Lion-haired macaque (Macaca silenus), by an anonymous Chinese artist. 1820s. Watercolour, 46.6
by 59 cm. (Natural History Museum, London; exh. Tate Britain, London).
63. Witness, by Susan Hiller. 2000. Approx. 400 speakers, 10 audio tracks, each of 50–60 recordings, wires and lights, dimensions variable. (Courtesy of the artist; exh. Tate Britain, London).
Attributed works:
64. Entertainment, by Susan Hiller. 1990. Four-channel video installation with sound, 25 mins. 59
secs. (Tate, London).
Attributed works:
65. One of the series Painting blocks, by Susan Hiller. 1970–84. Canvas, dimensions variable. (Courtesy of the artist; exh. Tate Britain, London).
Exhibition Review
Contemporary exhibitions. London (Harrier and Jaguar)
44. Untitled ‘Goat’ (After Marey’s Chèvre au pas), by Francis Bacon. c.1967. Canvas, 30.5 by 35.5 cm. (Mark Borghi Fine Art, New York).
Attributed works:
45. Chèvre au pas, by Etienne-Jules Marey. c.1895. Chronophotograph. From M.F. Braive: The Era of the Photograph, London 1966, p.266.
Attributed works:
46. Movement of the hand; lifting a ball, by Eadweard Muybridge. 1887. Collotype on paper. (Corcoran Gallery of Art, Washington; exh. Tate Britain, London).
Exhibition Review
Rachel Whiteread Drawings. Los Angeles, Dallas and London
47. Girl with clasped hands, by Henry Moore. 1930. Cumberland alabaster, 38.1 by 41.5 by 15 cm. (British Council; exh. Tate Britain, London).
Attributed works:
48. Reclining figure, by Henry Moore. 1929. Brown Horton stone, 57 by 84 by 38 cm. (Leeds Museums and Galleries; exh. Tate Britain, London).
Attributed works:
49. Grey tube shelter, by Henry Moore. 1940. Pencil, wax crayon, coloured crayon, watercolour wash, pen and ink on paper, 27.9 by 38.1 cm. (Tate, London).