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41 articles
Exhibition Review
Picasso and Modern British Art. London and Edinburgh
05/2012 | 1310 | 154
Pages: 358-359
related names
Reviewer:
Whitfield, Sarah (Whitfield, Sarah; Whitfield, Mrs)
Subjects
artists:
dates:
print:
Reviewed Items
subjects:
Picasso and Modern British Art | institution: Scottish National Gallery of Modern Art , institution: Tate Britain
Illustrations
Attributed works:
63. Seated figure, by Henry Moore. 1930. Alabaster, 46.1 by 27.7 by 19.6 cm. (Art Gallery of Ontario, Toronto; exh. Tate Britain, London).
Attributed works:
64. Head of a man, by Pablo Picasso. 1913. Oil, gouache, varnish, ink, charcoal and pencil on paper, 61.6 by 46.4 cm. (Museum of Modern Art, New York; exh. Tate Britain, London).
Attributed works:
65. Group of four women, by Pablo Picasso. Plate from Waldemar George’s monograph Pablo Picasso, Paris 1924. (Private collection).
Attributed works:
66. Bathers at the beach hut, by Pablo Picasso. 19th May 1929. Canvas, 33 by 41.5 cm. (Musée national Picasso, Paris; exh. Tate Britain, London).
Attributed works:
67. Composition (Figure), by Francis Bacon. 1933. Gouache, pastel, pencil and pen on paper, 53.5 by 40 cm. (Abello collection; exh. Tate Britain, London).
Exhibition Review
John Martin. Newcastle and London
03/2012 | 1308 | 154
Pages: 209-210
related names
Reviewer:
Postle, Martin (Postle, Martin)
Subjects
dates:
subjects:
Reviewed Items
subjects:
John Martin: Apocalypse | institution: Laing Art Gallery , institution: Tate Britain
Illustrations
Attributed works:
33. The fall of Babylon, by John Martin. 1819. Canvas, 155 by 244 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
34. The great day of his wrath, by John Martin. 1851–53. Canvas, 196.5 by 303.2 cm. (Tate Britain, London).
Attributed works:
35. Sadak in search of the waters of oblivion, by John Martin. 1812. Canvas, 183.2 by 131.1 cm. (Saint Louis Art Museum; exh. Tate Britain, London).
Exhibition Review
Vorticism. Durham NC, Venice and London
09/2011 | 1302 | 153
Pages: 615-616
related names
Reviewer:
Watney, Simon (Watney, Simon)
Subjects
dates:
print:
Reviewed Items
subjects:
The Vorticists: Manifesto For A Modern World | institution: Nasher Museum of Art, Duke University , institution: Peggy Guggenheim Collection , institution: Tate Britain
Illustrations
Attributed works:
66. Blast, no.1: Review of the Great English Vortex. 20th June 1914. Cover design by Wyndham Lewis. One of four copies; Rare Books Collection, University of North Carolina, Chapel Hill.
Attributed works:
67. Crouching fawn, by Henri Gaudier-Brzeska. 1913. Bath stone, 30.4 by 25.3 cm. (Ivor Braka Ltd., London; exh. Tate Britain, London).
Attributed works:
68. Abstract composition, by Edward Wadsworth. 1915. Gouache, pen and pencil on paper, 41.9 by 34.3 cm. (Tate, London).
Exhibition Review
Watercolour. London
05/2011 | 1298 | 153
Pages: 341-342
related names
Reviewer:
Fenwick, Simon (Fenwick, Simon)
Subjects
dates:
museums and institutions:
places:
print:
Reviewed Items
subjects:
Watercolour | institution: Tate Britain
Illustrations
Attributed works:
36. The blue night, Venice, by Arthur Melville. 1897. Watercolour, 91 by 86 cm. (Tate, London).
Attributed works:
39. Yara, by Peter Doig. 2001. Watercolour, 70.5 by 53 cm. (Ole Faarup Collection, Copenhagen; exh. Tate Britain, London).
Non-western art unattributed:
37. Lion-haired macaque (Macaca silenus), by an anonymous Chinese artist. 1820s. Watercolour, 46.6 by 59 cm. (Natural His­tory Museum, London; exh. Tate Britain, London).
Exhibition Review
Susan Hiller. London
04/2011 | 1297 | 153
Pages: 270-271
related names
Reviewer:
Spalding, Frances (Spalding, Frances)
Subjects
artists:
dates:
museums and institutions:
places:
print:
Reviewed Items
subjects:
Susan Hiller | institution: Tate Britain
Illustrations
Attributed works:
63. Witness, by Susan Hiller. 2000. Approx. 400 speakers, 10 audio tracks, each of 50–60 recordings, wires and lights, dimensions variable. (Courtesy of the artist; exh. Tate Britain, London).
Attributed works:
64. Entertainment, by Susan Hiller. 1990. Four-channel video instal­lation with sound, 25 mins. 59 secs. (Tate, London).
Attributed works:
65. One of the series Painting blocks, by Susan Hiller. 1970–84. Canvas, dimensions variable. (Courtesy of the artist; exh. Tate Britain, London).
Exhibition Review
Contemporary exhibitions. London (Harrier and Jaguar)
01/2011 | 1294 | 153
Pages: 52-54
related names
Reviewer:
Major, George (Major, George)
Subjects
artists:
dates:
museums and institutions:
places:
print:
subjects:
Reviewed Items
subjects:
Harrier and Jaguar | institution: Tate Britain
Exhibition Review
Contemporary exhibitions. London (Turner Prize)
01/2011 | 1294 | 153
Pages: 52-54
related names
Reviewer:
Major, George (Major, George)
Subjects
dates:
museums and institutions:
places:
print:
Reviewed Items
subjects:
Turner Prize | institution: Tate Britain
Exhibition Review
Eadweard Muybridge. Washington, London and San Francisco
12/2010 | 1293 | 152
Pages: 817-819
related names
Reviewer:
Harrison, Martin (Harrison, Martin)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Eadweard Muybridge | institution: Corcoran Gallery of Art , institution: San Francisco Museum of Modern Art , institution: Tate Britain
Illustrations
Attributed works:
44. Untitled ‘Goat’ (After Marey’s Chèvre au pas), by Francis Bacon. c.1967. Canvas, 30.5 by 35.5 cm. (Mark Borghi Fine Art, New York).
Attributed works:
45. Chèvre au pas, by Etienne-Jules Marey. c.1895. Chronophotograph. From M.F. Braive: The Era of the Photograph, London 1966, p.266.
Attributed works:
46. Movement of the hand; lifting a ball, by Eadweard Muybridge. 1887. Collotype on paper. (Corcoran Gallery of Art, Washington; exh. Tate Britain, London).
Exhibition Review
Rachel Whiteread Drawings. Los Angeles, Dallas and London
09/2010 | 1290 | 152
Pages: 626-627
related names
Reviewer:
Craft, Catherine (Craft, Catherine)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Rachel Whiteread Drawings | institution: Hammer Museum , institution: Nasher Sculpture Center , institution: Tate Britain
Illustrations
Attributed works:
66. Untitled (Double mattress yellow), by Rachel Whiteread. 1991. Pencil, ink, acrylic and watercolour on graph paper, 29.5 by 42 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
67. Stairs, by Rachel Whiteread. 1995. Correction fluid on black paper, 29.5 by 21 cm. (Private collection; exh. Tate Britain, London).
Exhibition Review
Henry Moore. London
05/2010 | 1286 | 152
Pages: 340-342
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
dates:
museums and institutions:
places:
subjects:
Reviewed Items
subjects:
Henry Moore | institution: Tate Britain
Illustrations
Attributed works:
47. Girl with clasped hands, by Henry Moore. 1930. Cumberland alabaster, 38.1 by 41.5 by 15 cm. (British Council; exh. Tate Britain, London).
Attributed works:
48. Reclining figure, by Henry Moore. 1929. Brown Horton stone, 57 by 84 by 38 cm. (Leeds Museums and Galleries; exh. Tate Britain, London).
Attributed works:
49. Grey tube shelter, by Henry Moore. 1940. Pencil, wax crayon, coloured crayon, watercolour wash, pen and ink on paper, 27.9 by 38.1 cm. (Tate, London).
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