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Article

Ferdinando Fuga’s proposals for displaying relics in S. Maria Maggiore, Rome

08/2018 | 1385 | 160

Pages: 646-653

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related names

Author:

Spila, Alessandro (Spila, Alessandro)

Subjects

art literature:

Lanciani, Rodolfo / De Angelis, Paolo, act. 1621

artists:

Fuga, Ferdinando / Brunelleschi, Filippo

buildings:

Santa Maria Maggiore, Rome, Italy

dates:

1700-1799 / 1740-1749 / 1750-1759

media:

Architecture / Architectural drawings / Architectural components / Funerary structures / Reliquaries / Interiors

museums and institutions:

Istituto Nazionale per la Grafica, Rome, Italy / Santa Maria Maggiore, Rome, Italy

patrons:

Benedict XIV, Pope, 1675-1758 / Paul V, Pope, 1552-1621

places:

Italy / Rome

subjects:

Italian architecture / Religious architecture / Churches / Chapels / Restoration (process) / Patronage / Commissions / Interior spaces / Relics / Altars / Columns (architectural components) / Corbels / Staircases / Naves / Ciboria (structures)

Illustrations

Attributed works:

1. Design for a reliquary platform for the nave of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with pink and grey watercolour on paper, 37.6 by 22.7 cm. (Instituto Nazionale di Archeologia e Storia dell’Arte (INASA) Rome, Roma XI 38, II.2).

Attributed works:

10. Elevation of the façade of the Sforza Chapel, S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with light blue and grey watercolour on paper, 25.7 by 32.5 cm. (Cooper Hewitt Smithsonian Design Museum, New York, 1901-39-2140).

Attributed works:

11. The Chapel of the Crucifix, S. Maria Maggiore, Rome. (Photograph the author).

Attributed works:

2. Designs for a reliquary platform for the nave of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with pink and grey watercolour on paper, 48.5 by 36.5 cm. (INASA, Rome, Roma XI 38, II.5).

Attributed works:

3. Elevation of the south aisle of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Brown ink with blue and grey watercolour on paper, 48.3 by 74.1 cm. (INASA, Rome, Roma XI 46, II.7).

Attributed works:

4. Cross-section of the nave and aisles of S. Maria Maggiore, Rome, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.99. Etching, 38.4 by 25.2 cm.

Attributed works:

5. Reliquary altar in the choir of S. Maria Maggiore, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.85. Etching, 38.4 by 25.2 cm.

Attributed works:

6. Plan of S. Maria Maggiore, Rome, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.56. Etching, 56.5 by 37.5 cm.

Attributed works:

7. S. Maria Maggiore, Rome, photographed in 1925. (Photograph Ludwig Preiss; private collection; © Look and Learn / Bridgeman Images).

Attributed works:

8. Interior of S. Maria Maggiore, Rome, looking west, photographed in 1925. (Photograph Ludwig Preiss; private collection; © Look and Learn / Bridgeman Images).

Attributed works:

9. Plan of part of the nave and aisles of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Brown ink with pink and grey watercolour on paper. 49 by 73.5 cm. (INASA, Rome, Roma XI 46, II.4).

Article

Giotto's Use of Architecture in 'The Expulsion of Joachim' and 'The Entry into Jerusalem' at Padua

07/1973 | 844 | 115

Pages: 439-447+449

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related names

Author:

White, John (White, John)

Subjects

artists:

Giotto

artists:

Arnolfo di Cambio

buildings:

Cappella degli Scrovegni, Padua, Italy

buildings:

Basilica San Clemente, Rome, Italy

dates:

1300-1349

places:

Italy / Padua

subjects:

Italian painting / Italian architecture

subjects:

Visual sources / Ciboria (structures)

subjects:

Bible stories / Joachim

subjects:

Composition (artistic arrangement)

Illustrations

Attributed works:

44. The Expulsion of Joachim, by Giotto. (Arena Chapel, Padua.)

Attributed works:

45. The Presentation of the Virgin, by Giotto. (Arena Chapel, Padua.)

Attributed works:

51. The Entry into Jerusalem, by Giotto. (Arena Chapel, Padua.)

Attributed works:

52. The Carrying of the Cross, by Giotto. (Arena Chapel, Padua.)

Attributed works:

53. Detail from Bird's-Eye Reconstruction of the Palace of Diocletian, Split, by Hébrard.

Attributed works:

54. Reconstruction of the Porta Ferrea, Palace of Diocletian, Split, by Hébrard.

Attributed works:

58. Detail from The Last Judgement, by Giotto. (Arena Chapel, Padua.)

Western art unattributed:

46. Interior of S. Clemente, Rome.

Western art unattributed:

47. Choir Enclosure, S. Clemente, Rome.

Western art unattributed:

48. Detail from Choir Enclosure, S. Clemente, Rome.

Western art unattributed:

49. Detail from Choir Enclosure, S. Clemente, Rome.

Western art unattributed:

50. Detail from Choir Enclosure, S. Clemente, Rome.

Western art unattributed:

55. Gatehouse Arch and Outer Gate of the Porta Ferrea, Seen from the Interior, Palace of Diocletian, Split.

Western art unattributed:

56. Ground-Plan of the Palace of Diocletian, Split (Ward-Perkins).

Western art unattributed:

57. The Arena Chapel, Padua.

Western art unattributed:

59. Porta Venere, Spello (Umbria.)

Western art unattributed:

60. Castel del Monte (Apulia.)

Article

The Ciborium Mosaics of Parenzo

10/1945 | 511 | 87

Pages: 238+240-245

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related names

Author:

Demus, Otto (Demus, Otto; Demus, O.)

Subjects

dates:

1250-1299

places:

Italy / Croatia / Poreč / Venice

subjects:

Mosaics / Ciboria (structures) / Mary, Virgin: Annunciation / Saints / Iconography / Venetian

Illustrations

Western art unattributed:

Plate I. A-Ciborium of 1277. Front. (Cathedral, Parenzo). The Ciborium Mosaics of Parenzo

Western art unattributed:

Plate I. B-The Story of Joseph. Western Half of the Third Cupola of St. Mark's, Venice. 1270-80. The Ciborium Mosaics of Parenzo

Western art unattributed:

Plate II. A-St. Maurus. Ciborium of 1277. (Cathedral, Parenzo). The Ciborium Mosaics of Parenzo

Western art unattributed:

Plate II. B-St. Projectus. Ciborium of 1277. (Cathedral, Parenzo). The Ciborium Mosaics of Parenzo

Western art unattributed:

Plate III. A-Pharao's Dream. About 1270. (St. Mark's, Venice). The Ciborium Mosaics of Parenzo

Western art unattributed:

Plate III. B-Joseph and His Brethren. About 1280. (St. Mark's, Venice). The Ciborium Mosaics of Parenzo

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