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5 articles
Article
Biagio Rebecca draws the London Opera House: London’s King’s Theatre in the 1790s
05/2019 | 1394 | 161
Pages: 364-373
related names
Author:
Burden, Michael (Burden, Michael)
Subjects
dates:
media:
museums and institutions:
Illustrations
Attributed works:
1. The auditorium of the Opera House, London, by Biagio Rebecca. c.1793. Pen and ink and watercolour on paper, 66.5 by 54 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II 2019).
Attributed works:
2. An Inside View of the Opera House, by J. Page after R. Arnold, published in Carlton House Magazine (1792). Engraving, 12.4 by 20.6 cm. (Victoria and Albert Museum, London).
Attributed works:
3. The Opera House, by A.C. Pugin after Thomas Rowlandson, hand coloured by J. Black, published in R. Ackermann: Microcosm of London, London 1808–10 (1809). Engraving with acquatint, 26.6 by 33.3 cm. (The Bodleian Library, Oxford).
Attributed works:
4. Opera House or King’s Theatre at the Hay-Market, by James Storer after Anthony van Assen, published by Harrison & Co. 1795. Etching, 10.5 by 14 cm. (Victoria and Albert Museum, London).
Attributed works:
5. The Concert Room, The Opera House, London, attributed to Biagio Rebecca. c.1793. Pen and ink and watercolour on paper, 59.9 by 79.5 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II 2019)
Attributed works:
7. The Prince of Wales as ‘The Modern Atlas’, by Isaac Cruikshank, published by S.W. Fores. 1791. Hand coloured etching, 25.3 by 37.6 cm. (Victoria and Albert Museum, London).
Attributed works:
8. The Opera House and the Concert Room, London, as completed 1794, by J. Willis after A.C. Pugin, published by John Weale, c.1800. Engraving, 13 by 22.3 cm. (Private collection).
Western art unattributed:
6. The Opera House, Haymarket, London. After 1794. Watercolour on paper, 20.6 by 32.7 cm. (British Museum, London).
Article
Ferdinando Fuga’s proposals for displaying relics in S. Maria Maggiore, Rome
08/2018 | 1385 | 160
Pages: 646-653
related names
Author:
Spila, Alessandro (Spila, Alessandro)
Subjects
places:
Illustrations
Attributed works:
1. Design for a reliquary platform for the nave of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with pink and grey watercolour on paper, 37.6 by 22.7 cm. (Instituto Nazionale di Archeologia e Storia dell’Arte (INASA) Rome, Roma XI 38, II.2).
Attributed works:
10. Elevation of the façade of the Sforza Chapel, S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with light blue and grey watercolour on paper, 25.7 by 32.5 cm. (Cooper Hewitt Smithsonian Design Museum, New York, 1901-39-2140).
Attributed works:
11. The Chapel of the Crucifix, S. Maria Maggiore, Rome. (Photograph the author).
Attributed works:
2. Designs for a reliquary platform for the nave of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with pink and grey watercolour on paper, 48.5 by 36.5 cm. (INASA, Rome, Roma XI 38, II.5).
Attributed works:
3. Elevation of the south aisle of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Brown ink with blue and grey watercolour on paper, 48.3 by 74.1 cm. (INASA, Rome, Roma XI 46, II.7).
Attributed works:
4. Cross-section of the nave and aisles of S. Maria Maggiore, Rome, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.99. Etching, 38.4 by 25.2 cm.
Attributed works:
5. Reliquary altar in the choir of S. Maria Maggiore, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.85. Etching, 38.4 by 25.2 cm.
Attributed works:
6. Plan of S. Maria Maggiore, Rome, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.56. Etching, 56.5 by 37.5 cm.
Attributed works:
7. S. Maria Maggiore, Rome, photographed in 1925. (Photograph Ludwig Preiss; private collection; © Look and Learn / Bridgeman Images).
Attributed works:
8. Interior of S. Maria Maggiore, Rome, looking west, photographed in 1925. (Photograph Ludwig Preiss; private collection; © Look and Learn / Bridgeman Images).
Attributed works:
9. Plan of part of the nave and aisles of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Brown ink with pink and grey watercolour on paper. 49 by 73.5 cm. (INASA, Rome, Roma XI 46, II.4).
Publication Received
Das Interieur in der Malerei
09/2010 | 1290 | 152
Pages: 623
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
print:
subjects:
Reviewed Items
subjects:
Das Interieur in der Malerei | author: Schütz, Karl
Article
‘The gem of the Palace’: Queen Victoria’s Audience Room at Windsor Castle
12/2009 | 1281 | 151
Pages: 824-829
related names
Author:
Roberts, Hugh (Roberts, Hugh)
Subjects
artists:
places:
Illustrations
Attributed works:
11. Realised design for the Queen’s Audience Room, Windsor Castle, by John Thomas. 1861. Watercolour, 39.7 by 29.3 cm. (Royal Collection, RCIN 919808).
Attributed works:
12. The Queen’s Audience Room looking north, by A.-A.-E. Disdéri. 1867. Photograph, 22.6 by 28.1 cm. (Royal Collection, RCIN 2100100).
Attributed works:
13. The Queen’s Audience Room, by Joseph Nash. 1845. Watercolour, 29.6 by 35.4 cm. (Royal Collection, RCIN 919807).
Attributed works:
14. The Queen’s Audience Room, elevation of east wall (preliminary design), by John Thomas. Signed and dated 2nd August 1860. Pen and watercolour, 51.3 by 67.3 cm. (Royal Collection, RCIN 740188a).
Attributed works:
15. The Queen’s Audience Room, design for curtains and pelmet, by John Thomas. c.August 1860. Pencil, 54 by 72.7 cm. (Royal Collection, RCIN 740188f).
Attributed works:
16. The Queen’s Audience Room, design for chimney­piece, grate, fender and candle-brackets, by John Thomas(?). August 1860? Pencil and wash, 42 by 38.5 cm. (Library Drawings and Archives Collections, Royal Institute of British Architects, London).
Western art unattributed:
17. The Queen’s Audience Room, east door, detail of porcelain plaques painted with Poetry and Jurisprudence after Raphael (Windsor Castle).
Western art unattributed:
18. The Queen’s Audience Room, porcelain plaque painted with the insignia of the Order of the Garter (Windsor Castle).
Western art unattributed:
19. The Queen’s Audience Room, north door, inset with porcelain plaques painted with the armorials of Queen Victoria and Prince Albert (Windsor Castle).
Western art unattributed:
20. The Queen’s Audience Room, glazed giltwood frame containing twenty-two enamel miniatures of the Stuart dynasty (Windsor Castle)