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7 articles
Article
Ferdinando Fuga’s proposals for displaying relics in S. Maria Maggiore, Rome
08/2018 | 1385 | 160
Pages: 646-653
related names
Author:
Spila, Alessandro (Spila, Alessandro)
Subjects
places:
Illustrations
Attributed works:
1. Design for a reliquary platform for the nave of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with pink and grey watercolour on paper, 37.6 by 22.7 cm. (Instituto Nazionale di Archeologia e Storia dell’Arte (INASA) Rome, Roma XI 38, II.2).
Attributed works:
10. Elevation of the façade of the Sforza Chapel, S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with light blue and grey watercolour on paper, 25.7 by 32.5 cm. (Cooper Hewitt Smithsonian Design Museum, New York, 1901-39-2140).
Attributed works:
11. The Chapel of the Crucifix, S. Maria Maggiore, Rome. (Photograph the author).
Attributed works:
2. Designs for a reliquary platform for the nave of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with pink and grey watercolour on paper, 48.5 by 36.5 cm. (INASA, Rome, Roma XI 38, II.5).
Attributed works:
3. Elevation of the south aisle of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Brown ink with blue and grey watercolour on paper, 48.3 by 74.1 cm. (INASA, Rome, Roma XI 46, II.7).
Attributed works:
4. Cross-section of the nave and aisles of S. Maria Maggiore, Rome, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.99. Etching, 38.4 by 25.2 cm.
Attributed works:
5. Reliquary altar in the choir of S. Maria Maggiore, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.85. Etching, 38.4 by 25.2 cm.
Attributed works:
6. Plan of S. Maria Maggiore, Rome, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.56. Etching, 56.5 by 37.5 cm.
Attributed works:
7. S. Maria Maggiore, Rome, photographed in 1925. (Photograph Ludwig Preiss; private collection; © Look and Learn / Bridgeman Images).
Attributed works:
8. Interior of S. Maria Maggiore, Rome, looking west, photographed in 1925. (Photograph Ludwig Preiss; private collection; © Look and Learn / Bridgeman Images).
Attributed works:
9. Plan of part of the nave and aisles of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Brown ink with pink and grey watercolour on paper. 49 by 73.5 cm. (INASA, Rome, Roma XI 46, II.4).
Article
Art and festivities in eighteenth-century Rome: letters from a Portuguese priest, 1721–22
05/2018 | 1382 | 160
Pages: 387-393
related names
Author:
Vale, Teresa Leonor M. (Vale, Teresa Leonor M.)
Subjects
dates:
places:
Illustrations
Attributed works:
1. and 2. A mechanism to raise and lower lamps in churches, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.395r and 396v of Jesuitas, Armário Jesuítico, Livro 27; Arquivo Nacional da Torre do Tombo, Lisbon, hereafter ANTT).
Attributed works:
11. The instruments for the making of the Agnus Dei, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.385r of Jesuitas, Livro 27; ANTT).
Attributed works:
12, 13 and 14. Decorations for the Corpus Domini procession, Rome, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.403r, 403v and 404r of Jesuitas, Livro 27, ANTT).
Attributed works:
3. Piazza del Esquilino and S. Maria Maggiore, Rome, by Alessandro Specchi. 1702. Engraving, 44.5 by 68.1 cm. (Photograph Bridgeman Images).
Attributed works:
4. The altar of St Francis Xavier, Church of the Gesù, Rome, by Pietro da Cortona. 1669. (Fondo Edifici di Culto, Ministero dell’Interno, Florence; photograph Scala, Florence).
Attributed works:
5. The gallery in Palazzo Colonna, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.378v of Jesuitas, Livro 27; ANTT).
Attributed works:
6. Blessed Aloysius Gonzaga in glory, by Pierre Legros. 1697–99. Marble. (S. Ignazio, Rome).
Attributed works:
7. Charlemagne, by Agostino Cornacchini. 1725. Marble. (St Peter’s Basilica, Rome).
Attributed works:
8 and 9. The decoration of the interior of the church of S. Maria in Aracoeli on the occasion of the feast of St Elizabeth of Portugal, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.421v and 422r of Jesuitas, Livro 27 ANTT).
Western art unattributed:
10. The decoration of the interior of the church of S. Maria in Aracoeli for the feast of St Elizabeth of Portugal, July 1722. Black ink on paper, 45 by 60 cm. (Gabinetto Comunale delle Stampe, Rome, GS 3673).
Short Notice
Ferdinando Fuga and the Convent of the Stimmate in Palermo
12/1983 | 969 | 125
Pages: 749-750
related names
Author:
Garstang, Donald (Garstang, Donald)
Subjects
artists:
dates:
places:
Short Notice
An Early Project by Ferdinando Fuga for the Trevi Fountain in Rome
12/1983 | 969 | 125
Pages: 746-749+751
related names
Author:
Kieven, Elisabeth (Kieven, Elisabeth)
Author:
Pinto, John A. (Pinto, John A.; Pinto, John)
Subjects
artists:
dates:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
20. Project for the Trevi Fountain (Elevation), by Ferdinando Fuga. Signed and Dated 1723. Pen and Black Ink with Grey Wash, 63.5 by 58 cm. (Hdz. 1981/33AOZ, Kunstbibliothek, Berlin).
Attributed works:
21. Project for the Trevi Fountain (Plan), by Ferdinando Fuga. 1723. Pen and Ink with Brown Wash, 42.5 by 61.6 cm. (FN 1196/18519, Gabinetto Nazionale delle Stampe, Rome).
Attributed works:
22. Plan for the Lateran Façade, by Ferdinando Fuga. 1722. Pen and Grey Wash, 64.8 by 76.7 cm. (FN 13865, Gabinetto Nazionale delle Stampe, Rome).
Article
The Furnishings of the Villa Favorita in Resina
04/1979 | 913 | 121
Pages: 226+228-243+245
related names
Author:
González-Palacios, Alvar (González-Palacios, Alvar; Palacios, Alvar González-)
Subjects
artists:
artists:
artists:
dates:
places:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
38. A Lady of the Viennese Court, by a Painter Active during the late Eighteenth Century. 75 by 56 cm. (Quirinal Palace, Rome).
Attributed works:
39. A Lady of the Viennese Court, by a Painter Active during the Late Eighteenth Century. 75 by 56 cm. (Quirinal Palace, Rome).
Attributed works:
40. Piano topografico del Real Bosco di Capodimonte, Here Attributed to Luigi Marchese. Water-Colour, 90 by 60 cm. (Museo di Capodimonte, Naples).
Attributed works:
41. Piano topografico della Reale Riserva del Pantano di Varcaturo, Here Attributed to Luigi Marchese. Water-Colour, 90 by 60 cm. (Private Collection).
Attributed works:
46. Drawings for Six Armchairs, by Carlo Vanvitelli. Water-Colour. (Staatliche Museen, Kunstbibliothek, Berlin).
Attributed works:
55. Oval Guéridon, Possibly Designed by Giovanni Mugnai. From the Stanza dei Pampani, Villa Favorita. Before 1795. Gilt Wood with Bronze Fittings, the Top in Petrified Wood and Amethyst; 88 by 106 by 82 cm. (Pallazzo dei Normanni, Palermo).
Attributed works:
56. Design for a Corner Console-Table, by Giovanni Mugnai. Formerly in the Stanza degli arazzi, Villa Favorita. Amethyst and Lapis-Lazuli; Diagonally 52.5 cm. (Museum, Caserta).
Attributed works:
62. Detail from an Unidentified Harbour (?Messina), by Philipp Hackert. (Museo di San Martino, Naples).
Attributed works:
65. The Harbour of Bisceglie, by Philipp Hackert. Dated 1790. c. 144 by 122 cm. (Museo di San Martino, Naples).
Attributed works:
66. The Harbour of Palermo, by Philipp Hackert. Dated 1791. Original Frame. c. 144 by 122 cm. (Reggia, Caserta).
Attributed works:
67. The Harbour of Otranto, by Philipp Hackert. Dated 1792. c. 144 by 122 cm. (Museo di San Martino, Naples).
Attributed works:
68. The Marina Piccola in Sorrento, by Philipp Hackert. Dated 1794. c. 144 by 122 cm. (Museo di San Martino, Naples).
Attributed works:
69. The Harbour and the Bay of Messina from the Palazzo del Senato, by Philipp Hackert. Dated 1791. c. 144 by 122 cm. (Museo di San Martino, Naples).
Attributed works:
70. The Scogli dei Ciclopi (Or Faraglioni di Trezza), by Philipp Hackert. Dated 1793. (Museo di San Martino, Naples).
Western art unattributed:
37. The Back Façade of the Villa Favorita, Painted on a Vase Made Towards the End of the Eighteenth Century in the Real Fabbrica della Porcellana, Naples. (Private Collection).
Western art unattributed:
42. A Wall of the Galleria, Villa Favorita. Mirror Frame, 150 cm Wide; Space below, 96 cm High.
Western art unattributed:
43. Stucco Decoration of the Galleria, Villa Favorita.
Western art unattributed:
44. An Overdoor of the Galleria, Villa Favorita.
Western art unattributed:
45. Marble Floor in 'opus sectile' from the Galleria, Villa Favorita, Originally from the Palace of Tiberius in Capri. (Museo di Capodimonte, Naples).
Western art unattributed:
47. Console-Table from the Galleria, Villa Favorita (Originally under the Mirror in Fig. 42). Painted and Gilt Walnut, 92 by 136 cm. (Museo di Capodimonte, Naples).
Western art unattributed:
48. Sofa and Armchairs from the Galleria, Villa Favorita. Painted and Gilt Walnut; Sofa, 95 by 175 by 55 cm. (Museo di Capodimonte, Naples).
Western art unattributed:
49. Marble Floor in 'opus sectile' from the Galleria, Villa Favorita, Originally from the Palace of Tiberius in Capri. (Museo di Capodimonte, Naples).
Western art unattributed:
50. Armchair, Perhaps from the Stanza Etrusca, Villa Favorita. Walnut, Repainted; 80 by 47 by 50 cm. (Palazzina Cinese, Palermo).
Western art unattributed:
51. Chair in the Etruscan Style. Neapolitan, Late Eighteenth Century. 83 by 54 by 46 cm. (Palazzina Cinese, Palermo).
Western art unattributed:
52. Chair, from the Stanza dei Pampani, Villa Favorita. Gilt and Painted Wood, 95 by 50 by 46 cm. (Reggia, Caserta).
Western art unattributed:
53. Sofa, from the Stanza dei Pampani, Villa Favorita. Gilt and Painted Wood, 95 by 172 by 60 cm. (Reggia, Caserta).
Western art unattributed:
54. Chair. Neapolitan, Late Eighteenth Century. Gilt and Painted Wood. (Formerly Art Market, Rome).
Western art unattributed:
57. Detail of the Guéridon in Fig. 59. Painting on Parchment. [Guéridon, from the Stanza della Marina, Villa Favorita. Carved and Gilt Wood, Gilt Bronze and Mahogany; 96 by 65 cm. (Palazzina Cinese, Palermo).]
Western art unattributed:
58. Ottoman Upholstered in Embroidered Silk. (Old Photograph.) (Palazzina Cinese, Palermo.)
Western art unattributed:
59. Guéridon, from the Stanza della Marina, Villa Favorita. Carved and Gilt Wood, Gilt Bronze and Mahogany; 96 by 65 cm. (Palazzina Cinese, Palermo).
Western art unattributed:
60. Hagar and the Angel, Tapestry from the Stanza degli Arazzi, Villa Favorita. 350 by 130 cm. Restored in Naples in 1779. (Museo di Capodimonte, Naples).
Western art unattributed:
61. Hagar and Ishmael, Tapestry from the Stanza degli Arazzi, Villa Favorita. 350 by 157 cm. Restored in Naples in 1779. (Museo di Capodimonte, Naples).
Western art unattributed:
63. A Wall of the Stanza lunga alla Cinese, Villa Favorita, Resina).
Western art unattributed:
64. Detail of Fig. 63. [A Wall of the Stanza lunga alla Cinese, Villa Favorita, Resina).]
Article
Naples under The Bourbons, 1734-1805
04/1979 | 913 | 121
Pages: 207-208+211
related names
Author:
Blunt, Anthony (A. B.; A. F. B) (Blunt, Anthony (A. B.; A. F. B); Blunt, Anthony Frederick; Blunt, Professor; Blunt, A. F.; A. F. B.; B., A.)
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Article
Bernardino Ludovisi - II: The Later Work
09/1968 | 786 | 110
Pages: 494-501
related names
Author:
Enggass, Robert (Enggass, Robert)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
10. Tomb of Giorgio Spinola, by Bernardino Ludovisi. 1744. White and Polychromed Marbles, Gesso, Bronze. (S. Salvatore alle Coppelle, Rome, Left Aisle.)
Attributed works:
11. Unidentified Pope, by Bernardino Ludovisi. c.1743-44. Travertine. (S. Maria Maggiore, Rome, on Top of the Façade.)
Attributed works:
12. Detail of Fig.10.
Attributed works:
13. Detail of Fig.10.
Attributed works:
14. Detail from Putto with Globe, by Bernardino Ludovisi. c.1748. Marble. (S. Ignazio, Rome, Chapel of St Louis Gonzaga, to Right of Sarcophagus.)
Attributed works:
15. Glory of Angels, by Bernardino Ludovisi. 1747. Marble, Gilt Bronze and Stucco. (S. Apollinare, Rome, Presbytery.)
Attributed works:
16. Angel Bearing Lilies, by Bernardino Ludovisi. c.1748. Marble. (S. Ignazio, Rome, Chapel of St Louis Gonzaga, on Balustrade, to the Left.)
Attributed works:
17. Angel Bearing Lilies, by Bernardino Ludovisi. c.1748. Marble. (S. Ignazio, Rome, Chapel of St Louis Gonzaga, on Balustrade, to the Right.)
Attributed works:
18. Monument of Maria Rospigliosi Salviati, by Bernardino Ludovisi. 1749. White and Coloured Marbles. (SS. Apostoli, Rome, Colonna Chapel 3rd Chapel to the Left, on the Right Wall.)
Attributed works:
19. Detail of Fig.18.
Attributed works:
9. Giovanni Patrizj Offers His Riches to the Pope, by Bernardino Ludovisi. 1743. Marble. (S. Maria Maggiore, Rome, in the Narthex.)