Faire parler les pierres: Sculptures
médiévales de Notre-Dame
Musée de Cluny – Musée national
du Moyen Âge, Paris
19th November 2024–16th March 2025 |
:
Illustrations
Western art unattributed:
4. Bearded head.
c.1230. Painted
limestone, 21
by 20 by 18 cm.
(Inrap, Paris;
exh. Musée de
Cluny, Paris).
Western art unattributed:
5. Corner block
with Aaron(?).
c.1230. Painted
limestone, 80
by 56 by 40 cm.
(Inrap, Paris;
exh. Musée de
Cluny, Paris).
Western art unattributed:
6. Jamb figure
of St Paul. c.1145.
Limestone, 135
by 45 by 36 cm.
(Musée de
Cluny, Paris).
Book Review
French Gothic Ivories: Material Theologies and the Sculptor’s Craft
French Gothic Ivories: Material
Theologies and the Sculptor’s Craft
By Sarah M. Guérin. 334 pp. incl. numerous
col. + b. & w. ills. (Cambridge University
Press, 2022), £90. ISBN 978–1–316–51100–8. |
:
Illustrations
Attributed works:
2. Descent from the cross, central part of
Deposition. c.1260–70. Ivory, height 20 cm.
(Musée du Louvre, Paris; Bridgeman Images).
Book Review
Toulouse 1300–1400: L’éclat d’un gothique méridional
Toulouse 1300–1400: L’éclat d’un
gothique méridional
Edited by Béatrice de Chancel-Bardelot
and Charlotte Riou. 320 pp. incl. 240 col. ills.
(Réunion des musées nationaux – Grand Palais,
Paris, 2022), €39. ISBN 978–2–7118–7501–6. |
:
Illustrations
Western art unattributed:
1. Jean Tissendier with a model of the
Rieux Chapel. French (Toulouse), c.1333–43.
Limestone, with paint and gilding, 132.5 by 60
by 42 cm. (Musée des Augustins, Toulouse).
Western art unattributed:
2. Detail of St Paul. French (Toulouse), c.1333–
43. Limestone, with paint and gilding, 185 by 63
by 45 cm. (Musée des Augustins, Toulouse).
Barbarossa: Die Kunst der
Herrschaft
Edited by Petra Marx. 304 pp. incl. 278
col. + 9 b. & w. ills. (LWL-Landesmuseum
für Kunst und Kultur, Münster, and
Michael Imhof Verlag, Petersberg, 2022),
€39.95. ISBN 978–3–7319–1260–6. |
:
Illustrations
Western art unattributed:
7. So-called
baptismal basin
of Emperor
Frederick I
Barbarossa.
Western Germany
or Rhineland
(Cologne), mid-
12th century.
Gilded silver,
diameter 24.2
cm. (Kunstgewerbemuseum,
Berlin).
Western art unattributed:
8. Cappenberg emphasise the cosmopolitan character
head. Western
Germany, perhaps
Hildesheim, c.1160.
Gilded bronze
and niello, height
31.4 cm. (St John
the Evangelist,
Cappenberg).
Western art unattributed:
9. Copy of the
effigy of Count
Gottfried of
Cappenberg with
the Cappenberg
Head. Sandstone,
222 by 109 cm.
(St John the
Evangelist,
Cappenberg).
Article
Medieval and Renaissance enamels and other works of art in the Wyvern Collection
4. Badge of St Margaret. Probably eastern France, second half of the
fifteenth century. Alloy of gold and copper, 5.9 by 4 cm. (The Wyvern
Collection).
Attributed works:
6. Horn, by Léonard Limosin. Limoges, 1538. Enamel painted on copper
with silver fittings, mounted on a cow’s horn, length 30.5 cm. (The
Wyvern Collection).
Attributed works:
7. Head of the Virgin. Northern Spain, c.1270–1300. Wood, paint,
gilding and gesso, height 59 cm. (The Wyvern Collection).
Attributed works:
8. Head of the mourning Virgin. France (Paris or Normandy),
c.1530–40. Clear glass painted with stipple shading, leaded in a
later setting, 13.5 by 11.5 cm. (The Wyvern Collection).
Western art unattributed:
1. Phylactery. Mosan, c.1160–70. Champlevé enamel on copper
with gilding, vernis brun, rock crystal and gems on a wooden core,
22.5 by 22 cm. (The Wyvern Collection).
Western art unattributed:
2. Chrismatory. Anglo-Saxon, c.800, and Carolingian, late 9th
century. Repoussé copper-alloy sheets with gilding and silver on
an oak core, height 15.6 cm. (The Wyvern Collection).
Western art unattributed:
3. Plaque. England, c.1180–1200. Champlevé enamel on copper with
gilding, height 5.7 cm. (The Wyvern Collection).
Western art unattributed:
5. Travelling chalice. Lower Rhine (probably Cologne), c.1240–50. Silver,
parcel-gilt, with filigree, pearls and semi-precious stones, height 8.2 cm.
(The Wyvern Collection).
La sculpture gothique 1140–1430
By Pierre-Yves Le Pogam. 440 pp. incl. 371 col. +
b. & w. ills. (Éditions Hazan, Paris, 2020), €185.
ISBN 978–2–7541–1045–7. |
:
Book Review
The Velislav Bible, Finest Picture-Bible of the Late Middle Ages: ‘Biblia Depicta’ as Devotional, Mnemonic and Study Tool
The Velislav Bible, Finest Picture-Bible of
the Late Middle Ages: ‘Biblia Depicta’ as
Devotional, Mnemonic and Study Tool
Edited by Lenka Panušková. 336 pp. incl. numerous
col. ills. (Amsterdam University Press, Amsterdam,
2018), £123. ISBN 978–94–6298–044–0. |
:
Book Review
Eloquent Bodies: Movement, Expression, and the Human Figure in Gothic Sculpture
Eloquent Bodies: Movement,
Expression, and the Human Figure
in Gothic Sculpture
By Jacqueline E. Jung. 340 pp. incl. 211 col. +
322 b. & w. ills. (Yale University Press, New
Haven and London, 2020), £60.
ISBN 978–0–300–21401–7. |
:
Illustrations
Attributed works:
3. Faces of Wise and Foolish Virgins,
seen from the ground and in natural light,
arranged to show heightening of emotional
expressions. Magdeburg, c.1240–50.
(Photographs Jacqueline E. Jung).