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3 articles
Book Review
The Sobieski Hours: A Most Beautiful Manuscript from the British Royal Collection. Facsimile edition. Commentary by Jenny Stratford and Jane Roberts
12/2018 | 1389 | 160
Pages: 1068-1070
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Reviewer:
Law-Turner, Frederica C.E. (Law-Turner, Frederica C.E.)
Subjects
artists:
Bedford Master / Bedford Master Workshop
dates:
1400-1449 / 1430-1440
media:
Manuscripts / Illuminated manuscripts / Miniatures (paintings)
museums and institutions:
Windsor Castle, Windsor, Great Britain / Royal Collection, (Great Britain)
places:
Great Britain / Windsor / France / Paris
subjects:
Books of hours / Facsimiles / Illuminators / Illuminations / Tempera / Workshops (Organisations) / Attributions / Patronage / Style / Saints / Margaret, Saint / Databases / Electronic publishing
Illustrations
Attributed works:
2. Pilgrims travelling to Mont-Saint-Michel, from the Sobieski Hours. 1430s. Egg tempera on vellum, 27.5 by 18 cm. (Windsor Castle, Royal Library; f.204v; Royal Collection Trust / © Her Majesty Queen Elizabeth II 2018).
Book Review
Parmigianino's 'Madonna of St Margaret'
09/1983 | 966 | 125
Pages: 523+542-543+545-546
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Author:
Ekserdjian, David (Ekserdjian, David; E., D.)
Subjects
artists:
Parmigianino
dates:
1500-1549
museums and institutions:
Pinacoteca Nazionale, Bologna, Italy
places:
Italy / Bologna
subjects:
Italian painting / Margaret, Saint
subjects:
Drawings / Iconography
subjects:
Saints
Illustrations
Attributed works:
20. Preparatory Drawing for Madonna of Saint Margaret, by Parmigianino. Red Chalk Heightened with White, 28.3 by 20.7 cm. (Uffizi, Florence).
Attributed works:
21. Madonna of Saint Margaret, Here Identified as Virgin and Child with Saints Margaret, Benedict and Jerome, and an Angel, by Parmigianino. Panel, 222 by 147 cm. (Pinacoteca Nazionale, Bologna).
Attributed works:
22. Noli Me Tangere, by Correggio. Panel, 130 by 103 cm. (Museo del Prado, Madrid).
Attributed works:
23. Madonna of Saint Margaret, by Francesco Rosaspina, after Lost Drawing by Parmigianino. Crayon Manner Engraving, 26.7 by 20 cm.
Article
A Medieval Retable at Thornham Parva
09/1933 | 366 | 63
Pages: 98-101
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Author:
Lillie, W. W. (Lillie, W. W.)
Subjects
buildings:
Saint Mary's Church, Thornham Parva, Great Britain
dates:
1300-1349
places:
England / Suffolk
subjects:
British painting / Retables
subjects:
Christian iconography / Saints / Dominic, Saint / Peter, Saint / Jesus Christ: Crucifixion
subjects:
Patronage / Dominicans
subjects:
Early English / Medieval
subjects:
Paul, Saint / Peter Martyr, Saint
subjects:
Catherine of Alexandria, Saint / John the Baptist, Saint
subjects:
Edmund, Saint / Margaret, Saint
Illustrations
Western art unattributed:
Plate II. A-St. Dominic, St. Catherine and St. John the Baptist. The Three Left Panels of the Retable. A Medieval Retable at Thornham Parva
Western art unattributed:
Plate II. B-Edmund, King and Martyr, St. Margaret and St. Peter Martyr. The Three Right Panels of the Retable. Height of Panels, 93.3 cm.; Average Width, 33.6 cm. A Medieval Retable at Thornham Parva
Western art unattributed:
The Crucifixion with St. Peter and St. Paul. The Three Centre Panels of a Retable. English School, c. 1300-20. Height of Panels, 93.3 cm.; Width of Central Panel, 63.5 cm.; Average Width of Side Panels, 33.6 cm. (The Church of Thornham Parva, Suffolk)