Building Santa Maria Novella:
Materials, Tradition and Invention
in Late Medieval Florence
By Elizabeth Bradford Smith. 222 pp. incl. 116 col.
+ b. & w. ills. (L’Erma di Bretschneider, Rome,
2022), €170. ISBN 978–88–913–2609–6. |
:
Illustrations
Attributed works:
3. Ground-plan of the nave of S. Maria
Novella, Florence (after E.B. Smith:
Building Santa Maria Novella, Rome 2022).
Attributed works:
4. Nave of S. Maria Novella, Florence.
1279–1355.
Publication Received
Sanctity Pictured: The Art of the Dominican and Franciscan Orders in Renaissance Italy. Edited by Trinita Kennedy, with essays by the editor, Donal Cooper, Holly Flora, Amy Neff and Janet Robson.
Plate II. A-St. Dominic, St. Catherine and St. John the Baptist. The Three Left Panels of the Retable. A Medieval Retable at Thornham Parva
Western art unattributed:
Plate II. B-Edmund, King and Martyr, St. Margaret and St. Peter Martyr. The Three Right Panels of the Retable. Height of Panels, 93.3 cm.; Average Width, 33.6 cm. A Medieval Retable at Thornham Parva
Western art unattributed:
The Crucifixion with St. Peter and St. Paul. The Three Centre Panels of a Retable. English School, c. 1300-20. Height of Panels, 93.3 cm.; Width of Central Panel, 63.5 cm.; Average Width of Side Panels, 33.6 cm. (The Church of Thornham Parva, Suffolk)
Miracle of St. Dominic; In the Brera Gallery, Milan. From a Photograph by Anderson. Two Panels from the Predella of the Altarpiece (Now in the National Gallery, No. 283) Painted by Bonozzo Gozzoli For the Confraternity of the Purification and St. Zenobius at Florence
Attributed works:
The Death of Simon Magus: In the Collection of H. M. the King at Buckingham Palace. Two Panels from the Predella of the Altarpiece (Now in the National Gallery, No. 283) Painted by Bonozzo Gozzoli For the Confraternity of the Purification and St. Zenobius at Florence