By using this website you agree to our Cookie policy

Search

18 articles
Article
Castiglione Olona: a new chronology for the frescos of the Collegiata
07/2023 | 1444 | 165
Pages: 696–711
related names
Author:
Dalvit, Giulio (Dalvit, Giulio)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Stories of the Virgin Mary, St Lawrence and St Stephen, by Masolino, Vecchietta and Paolo Schiavo (attributed). c.1433–44. Fresco. (Apse, Collegiate Church, Castiglione Olona; photograph Franco Canziani).
Attributed works:
10. Detail from St Catherine destroying the idols, by Masolino, showing the Emperor Maxentius. c.1428. Fresco. (Chapel of St Catherine, S. Clemente, Rome; Scala Archives).
Attributed works:
11. Stories of St Lawrence, attributed to Paolo Schiavo (lunette) and Vecchietta (lower registers). c.1433–43 and 1442–44 respectively. Fresco. (Apse, Collegiate Church, Castiglione Olona; photograph Franco Canziani).
Attributed works:
12. Stories of St Stephen, attributed to Paolo Schiavo (lunette and middle register) and Vecchietta (steps and lower register). c.1433–43 (lunette and middle register) and 1442–44 (steps and lower register). Fresco. (Apse, Collegiate Church, Castiglione Olona; photograph Franco Canziani).
Attributed works:
13. Stories of St Stephen, attributed to Paolo Schiavo (lunette and middle register) and Vecchietta (stone ground and lower register). c.1433–43 (lunette and middle register) and 1442–44 (stone ground and lower register). Fresco. (Apse, Collegiate Church, Castiglione Olona; photograph Franco Canziani).
Attributed works:
14. Trinity (lunette), attributed to Paolo Schiavo. c.1433–43. Fresco. Donors and self-portrait (lower registers), by Vecchietta. 1442–44. Fresco. (Apse, Collegiate Church, Castiglione Olona; photograph Franco Canziani).
Attributed works:
15. Stories of St Lawrence, attributed to Paolo Schiavo (lunette) and Vecchietta (lower registers). c.1433–43 and 1442–44 respectively. Fresco. (Apse, Collegiate Church, Castiglione Olona; photograph Franco Canziani).
Attributed works:
16. Stories of the Virgin Mary, by Masolino. c.1433–44. Fresco. (Vault of the apse, Collegiate Church, Castiglione Olona; photograph Franco Canziani).
Attributed works:
17. Triptych of the Virgin and Child, St Lawrence and St Stephen, by Caronese masters. c.1432–43[?]. Stone with nineteenth-century polychromy. (Chapel of S. Clemente, Collegiate Church, Castiglione Olona; photograph Francesco Bini).
Attributed works:
18. High altar of the Collegiate Church, by Ugo Zuecca. 1930. Gelatin silver print, 18 by 24 cm. (Raccolte Fotografiche del Castello Sforzesco, Civico Archivio Fotografico, Comune di Milano).
Attributed works:
19. Donors, by Vecchietta. c.1442–44. Fresco. (Chapel of St Martin, Palazzo Branda, Castiglione Olona; photograph Francesco Bini).
Attributed works:
2. Stories of St John the Baptist, by Masolino. c.1433–43. Fresco (detached). (Chapel of St John, later Baptistery, Castiglione Olona; photograph Franco Canziani).
Attributed works:
20. St John the Baptist in the wilderness (predella panel from the S. Lucia dei Magnoli polyptych), by Domenico Veneziano. c.1445(?). Tempera on panel, 28.4 by 31.8 cm. (National Gallery of Art, Washington).
Attributed works:
21. St John in the wilderness, by Masolino. c.1433–43. Fresco. (Chapel of St John, later Baptistery, Castiglione Olona; photograph Nathaniel Silver).
Attributed works:
22. Lionello d’Este, by Pisanello. 1441. Tempera and mixed media on panel, 19.6 by 29.2 cm. (Pinacoteca dell’Accademia Carrara, Bergamo).
Attributed works:
23. Detail of Scene of the Brazen Serpent, by Vecchietta and assistants, showing a head in profile. 1446–49. (Old Sacristy, Complesso Museale di S. Maria della Scala, Siena; courtesy The Frick Collection, New York).
Attributed works:
25. Self-portrait, by Vecchietta. 1442–44. Fresco. (Apse, Collegiate Church, Castiglione Olona; photograph Franco Canziani).
Attributed works:
26. Man in a blue cap, by Jan van Eyck. c.1430s. Oil on panel, 22.5 by 16.6 cm. (Brukenthal National Museum, Sibiu).
Attributed works:
3. Decoration of the Castiglioni palatine chapel, by Vecchietta. c.1442–44. Fresco. (Chapel of St Martin, Palazzo Branda, Castiglione Olona; photograph Franco Canziani).
Attributed works:
4. Vision of the Blessed Sorore, by Vecchietta. 1441. Fresco. (Pellegrinaio di mezzo, Complesso Museale di S. Maria della Scala, Siena; Scala Archives).
Attributed works:
5. Masolino’s signature in the vault of the apse of the Collegiate Church, Castiglione Olona. 1433–43. (Photograph Franco Canziani).
Attributed works:
8. Detail from Encounter between Melchizedek and Abraham after the liberation of Lot, by Vecchietta and assistants, showing Melkizedek. 1446–49. Fresco. (Old Sacristy, Complesso Museale di S. Maria della Scala, Siena; courtesy The Frick Collection, New York).
Attributed works:
9. Detail from the Stoning of St Stephen, attributed to Paolo Schiavo, showing a bystander. c.1433–44. Fresco. (Apse, Collegiate Church, Castiglione Olona; photograph Franco Canziani).
Western art unattributed:
24. Chandelier. Flanders (Dinant) or Germany (Nuremberg). c.1420–40. Brass, 120 by 110 cm. (Collegiate Church, Castiglione Olona).
Western art unattributed:
6. The date mccccxxx (1435) in the vault of the Baptistery, Castiglione Olona, by an anonymous restorer, c.1859–70. Medium unknown. (Photograph Franco Canziani).
Western art unattributed:
7. Graffito by an anonymous writer. 1447. Incision on fresco. (Bottom register, apse, Collegiate Church, Castiglione Olona; photograph the author).
Book Review
De Filarete a Riccio: Bronzes italiens de la Renaissance (1430–1550)
02/2023 | 1439 | 165
Pages: 208-209
related names
Reviewer:
Avery, Charles (Avery, Charles)
Subjects
museums and institutions:
Reviewed Items
subjects:
De Filarete a Riccio: Bronzes italiens de la Renaissance (1430–1550) By Philippe Malgouyres. 720 pp. inc. 1270 col. + b. & w. ills. (Musée du Louvre Éditions and Mare et Martin, Paris, 2020), €65. ISBN 978–2–36222–006–7. | :
Article
Margaret van Eyck, a house called ‘The Wild Sea’ and Jan van Eyck’s posthumous workshop
02/2022 | 1427 | 164
Pages: 120-129
related names
Author:
De Meester, Toon ( De Meester, Toon)
Author:
Dumolyn, Jan (Dumolyn, Jan)
Author:
Jones, Susan (Jones, Susan; Jones, Susan Frances)
Author:
Leloup, Ward (Leloup, Ward)
Author:
Speecke, Mathijs (Speecke, Mathijs)
Subjects
dates:
places:
Illustrations
Attributed works:
1. The Virgin and Child with St Barbara, St Elizabeth and Jan Vos, by Jan van Eyck, possibly with workshop. c.1441–43. Oil on masonite, transferred from panel, 47.3 by 61.3 cm. (Frick Collection, New York).
Attributed works:
2. St Jerome in his study, by the workshop of Jan van Eyck. c.1442. Oil on linen paper on panel, unframed 20.6 by 13.3 cm. (Detroit Institute of Arts; © KIK-IRPA, Brussels).
Attributed works:
3. Virgin and Child with a kneeling cleric. South Netherlandish, 15th century. Silverpoint on prepared paper with areas of light yellow wash, 13.4 by 10.2 cm. (Germanisches Nationalmuseum, Nuremberg).
Attributed works:
4. Virgin and Child with a kneeling cleric. South Netherlandish, 15th century. Silverpoint on prepared paper with areas of light yellow wash, 27.8 by 18 cm. (Graphische Sammlung Albertina, Vienna).
Attributed works:
5. Detail of Panoramic map of Bruges, by Marcus Gerards, showing the city centre. ‘A’ marks the location of the Sint Gillisnieuwstraat (now called the Gouden-Handstraat) and ‘B’ the location of the Oostmeers. North is towards the lower left. 1562. Modern coloured offset of a copper engraving assembled from ten sheets, 177 by 100 cm. (www. kaartenhuisbrugge.be/Kaart).
Attributed works:
6. Detail of the map in Fig.5, showing Van Eyck’s house on the Sint Gillisnieuwstraat, now called the Gouden-Handstraat.
Attributed works:
7. Margaret van Eyck, by Jan van Eyck. 1439. Oil on oak panel, including the frame 41.3 by 34.5 cm. (Groeningemuseum, Bruges; © KIK-IRPA, Brussels).
Attributed works:
8. Detail of the map in Fig.5, showing the Oostmeers. ‘A’ marks the row of houses between the Zonnekemeers; ‘B’ marks the Cowgate; ‘C’ marks the Wijngaard.
Book Review
The Sobieski Hours: A Most Beautiful Manuscript from the British Royal Collection. Facsimile edition. Commentary by Jenny Stratford and Jane Roberts
12/2018 | 1389 | 160
Pages: 1068-1070
related names
Reviewer:
Law-Turner, Frederica C.E. (Law-Turner, Frederica C.E.)
Subjects
dates:
Illustrations
Attributed works:
2. Pilgrims travelling to Mont-Saint-Michel, from the Sobieski Hours. 1430s. Egg tempera on vellum, 27.5 by 18 cm. (Windsor Castle, Royal Library; f.204v; Royal Collection Trust / © Her Majesty Queen Elizabeth II 2018).
Article
The provenance and function of a tabernacle by Paolo Schiavo in the Fitzwilliam Museum, Cambridge
09/2017 | 1374 | 159
Pages: 693-696
related names
Author:
Chen, Andrew (Chen, Andrew)
Subjects
artists:
dates:
media:
patrons:
places:
subjects:
Illustrations
Attributed works:
2. Tabernacle, with Madonna of humility and Funeral of a member of a flagellant fraternity, by Paolo Schiavo, c. 1440s (Fitzwilliam Museum, Cambridge)
Attributed works:
3. Detail of Fig. 2
Attributed works:
5. Detail of Fig. 2
Attributed works:
6. Man of Sorrows with the instruments of the Passion, by Niccoló di Pietro Gerini, c. 1404 (Gallerie dell'Accademia, Florence)
Attributed works:
Statute book of the Compagnia di S. Bernardo, Badia di Settimo. Sixteenth-century copy of the 1450 statutes. (Archivio di Stato, Florence, Capitoli delle Compagnie Religiose sopprese da Pietro Leopoldo, 639)
Article
The Ghent Altarpiece: new thoughts on its original display
02/2015 | 1343 | 157
Pages: 74-84
related names
Author:
Steyaert, Griet (Steyaert, Griet)
Subjects
dates:
Illustrations
Attributed works:
1. Ghent altarpiece, current presentation (closed position), by Hubert and Jan van Eyck (St Bavo's Cathedral, Ghent)
Attributed works:
15. Sacramental tower, by Matthijs de Layens (Church of St Peter, Louvain)
Attributed works:
16. Steps in the original frames of the Ghent Altarpiece illustrated in Figs. 1 and 2
Attributed works:
17. Deësis, by Jan Gossaert (Museo del Prado, Madrid)
Attributed works:
18. Reliquary shrine (open position), attributed to Jean de Touyl (The Cloisters, New York)
Attributed works:
19. Detail of Fig. 2 showing the paintedrepresentation of strips of gold metal, attached by rows of nails covering the edges of the step
Attributed works:
2. Fig. 1 in open position
Attributed works:
3. Ghent altarpiece in St Bavo's Cathedral, by Pierre François De Noter (Rijksmuseum, Amsterdam)
Attributed works:
6. Detail of the Seven Sacraments, attributed to Rogier van der Weyden (Royal Museum of Fine Arts, Antwerp)
Western art unattributed:
10. (Right). Fig. 9 in closed position
Western art unattributed:
11. Detail of the reverse of Fig. 9 in open position
Western art unattributed:
12. Tower retable of St John the Evangelist (open position). Southern Netherlands, c. 1480-90 (Museu Nacional d'Art de Catalunya, Barcelona)
Western art unattributed:
13. Tower retable with Joachim and Joseph from the Society of Rhetoricians 'Leliekens uyten Dale' (open position). Anonymous, c.1500-25 (Formerly Church of St Leonard, Zoutleeuw; now untraced)
Western art unattributed:
14. Fig. 13 in closed position
Western art unattributed:
20. Transverse section through the Vijd chapel (published by Dhanens, see note 12), with a diagram of the proposed reconstruction (open position)
Western art unattributed:
21. Plan of the two eastern piers of the Vijd chapel, one free standing and the other joined to the wall (published by Dhanens, see note 12), with a diagram of the proposed reconstruction (open position)
Western art unattributed:
22. Scale model (1:10) illustrated in Fig. 4
Western art unattributed:
4. Bird's eye view of the scale model (1:10) of the proposed reconstruction of the Ghent Altarpiece with the upper tier being a hexagonal tower retable (open position). Included are the plinth and the lower part of the baldachin from the tower retable, an altar, a space allowing for a possible predella and the two eastern piers of the Vijd chapel (one free standing and the other joined to the wall)
Western art unattributed:
5. Kleiner Dom (open position). Cologne school, c.1355-70 (Bayerisches Nationalmuseum, Munich)
Western art unattributed:
7. (Left). Scale model (1:10) illustrated in Fig. 4 in closed position
Western art unattributed:
8. (Right). Scale model (1:10) illustrated in Fig. 4
Western art unattributed:
9. (Left). Tower retable with scenes from the life of Christ (open position). Southern Netherlands of Paris, c. 1395 (Museum Mayer van den Bergh, Antwerp)
Article
The Linck Hours: a forgotten Paris Book of Hours by the workshop of the Bedford Master
12/2014 | 1341 | 156
Pages: 797-801
related names
Author:
Pfändtner, Karl-Georg (Pfändtner, Karl-Georg)
Subjects
dates:
Illustrations
Attributed works:
10. The meeting at the golden gate of Jerusalem, by the Master of the Linck Hours (Bayerische Staatsbibliothek, Munich)
Attributed works:
11. Annunciation, by the Master of the Linck Hours (Bayerische Staatsbibliothek, Munich)
Attributed works:
12. Visitation, by the Master of the Linck Hours (Bayerische Staatsbibliothek, Munich)
Attributed works:
13. King David in prayer, by the Master of the Linck Hours (Bayerische Staatsbibliothek, Munich)
Attributed works:
14. Crucifixion, by the Master of the Linck Hours (Bayerische Staatsbibliothek, Munich)
Attributed works:
15. Pentecost, by the Master of the Linck Hours (Bayerische Staatsbibliothek, Munich)
Attributed works:
17. Ex libris of the Bavarian court library pasted into the Linck Hours, by Raphael Sadeler (Bayerische Staatsbibliothek, Munich)
Attributed works:
8. Coat of arms of the Linck family, by the workshop of Jörg Breu the Younger (Bayerische Staatsbibliothek, Munich)
Attributed works:
9. Coat of arms of the Haug family, by the workshop of Jörg Breu the Younger (Bayerische Staatsbibliothek, Munich)
Western art unattributed:
16. Blind stamp on the binding of the Linck Hours with St Afra. Augsburg, first half of the sixteenth century (Bayerische Staatsbibliothek, Munich)
Exhibition Review
Medieval sculpture in Utrecht. Utrecht and Aachen
02/2013 | 1319 | 155
Pages: 122-123
related names
Reviewer:
Williamson, Paul (Williamson, Paul)
Subjects
Illustrations
Western art unattributed:
60. Epitaph with the Virgin and Child, St James the Greater, St Jerome and a canon. Utrecht (Centraal Museum, Utrecht; exh. Museum Catharijneconvent, Utrecht)
Western art unattributed:
61. Head of the Virgin or a saint. Utrecht (Museum Catharijneconvent, Utrecht)
Article
Sassetta and the Guglielmi Piccolomini altarpiece in Siena
03/2010 | 1284 | 152
Pages: 162-171
related names
Author:
Brüggen Israëls, Machtelt (Brüggen Israëls, Machtelt)
Subjects
artists:
artists:
dates:
places:
print:
Illustrations
Attributed works:
30. Map of Siena, by Francesco Vanni, printed by Pieter de Jode the Elder. c.1595. Key: I. S. Pietro in Castelvecchio; II. via del Casato; III. Palazzo Guglielmi; IV. Palazzo Bichi; V. S. Agostino.
Attributed works:
32. (Left). St Catherine of Siena, by Liberale da Verona. 1470s. Fresco, c.280 by 90 cm. (S. Pietro in Castelvecchio, Siena).
Attributed works:
33. (Centre). St Bartholomew, by Sassetta. 1449–50. Tempera and traces of gold on panel, 139.5 by 45.5 cm. (Pinacoteca Nazionale, Siena).
Attributed works:
34. (Right). St Francis, by Sano di Pietro. c.1451–55. Tempera and traces of gold on panel, 138.8 by 45 cm. (Pinacoteca Nazionale, Siena).
Attributed works:
35. Annunciation to the shepherds, by Sano di Pietro, perhaps following a design by Sassetta. c.1451–55. Tempera and gold on panel, 54.5 by 69 cm. (Pinacoteca Nazionale, Siena).
Attributed works:
36. God the Father blessing, by Sassetta. 1449–50. Tempera, silver and traces of gold on panel, 62.2 by 39.8 cm. (Museo Diocesano d’Arte Sacra, Oratorio di S. Bernardino, Siena).
Attributed works:
37. Back of the panel in Fig.36.
Attributed works:
38. Sts Hugh (of Cluny or Lincoln?) and John the Baptist and Sts Peter and John the Evangelist, by Sano di Pietro. 1450s. Tempera and traces of gold on panel, each panel c.135.5 by 73 cm. (Pinacoteca Nazionale, Siena).
Attributed works:
39. Angel of the Annunciation, by Sano di Pietro. 1450s. Tempera and gold on panel, diameter 41.5 cm. (Museo Diocesano d’Arte Sacra, Oratorio di S. Bernardino, Siena).
Western art unattributed:
29. S. Pietro in Castelvecchio, Siena.
Western art unattributed:
31. Memorial plaque of Giovanni di Bartolomeo Guglielmi with the Piccolomini coat of arms. 1453. White marble, 60.5 by 44 cm. (S. Pietro in Castelvecchio, Siena).
Book Review
Conrad Laib. Ein spätgotischer Maler aus Schwaben in Salzburg
02/2010 | 1283 | 152
Pages: 103
related names
Reviewer:
Evans, Mark (Evans, Mark)
Subjects
artists:
dates:
print:
Reviewed Items
subjects:
Conrad Laib. Ein spätgotischer Maler aus Schwaben in Salzburg | author: Köllermann, Antje-Fee
load more