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4 articles
Article
Roman bronzes at the court of Gustavus III of Sweden: Zoffoli, Valadier and Righetti
11/2011 | 1304 | 153
Pages: 727-733
related names
Author:
Teolato, Chiara (Teolato, Chiara)
Subjects
museums and institutions:
print:
Illustrations
Attributed works:
28. Hermaphrodite, by Giacomo Zoffoli. 1768. Bronze on marble, 26 cm. high. (Nationalmuseum, Stockholm).
Attributed works:
29. The three Graces, by Luigi Valadier. c.1778. Egyptian porphyry and patinated bronze, 80.5 cm. high. (Royal Collections, Stockholm).
Attributed works:
30. Laocoön, by Giacomo Zoffoli. 1785. Bronze on marble, 44 cm. high. (Haga Palace, Royal Collections, Stockholm).
Attributed works:
31. Old centaur, by Giacomo Zoffoli. 1785. Bronze on marble, 33.5 cm. high. (National­museum, Stockholm).
Attributed works:
32. Young centaur, by Giacomo Zoffoli. 1785. Bronze on marble, 37 cm. high. (National­museum, Stockholm).
Attributed works:
33. Apollo Belvedere, attributed to Luigi Valadier. 1785. Bronze on marble, 26.5 cm. high. (Private collection).
Attributed works:
34. Apollo Belvedere, by Giacomo Zoffoli. 1785. Bronze on marble, 34 cm. high. (Nationalmuseum, Stockholm).
Attributed works:
35. Farnese Hercules, attributed to Luigi Valadier. 1785. Bronze on marble, 24 cm. high. (Royal Collections, Stockholm).
Attributed works:
37. Tripode antico di Bronzo che si conserva a Portici nel Museo Reale, in Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne ed ornamenti antichi, by Giovan Battista Piranesi. Engraving. Rome 1778.
Attributed works:
38. Design for the Divan antechamber of Gustavus III in the Royal Palace, Stockholm, by Louis Masreliez. c.1785. Ink, watercolour and pencil, 30 by 46 cm. (Kungliga Biblioteket, Stockholm).
Western art unattributed:
36. Reconstruction of the Divan antechamber of Gustavus III in the Royal Palace, Stockholm. Photograph courtesy of Alexis Daflos.
Article
'Ebenisterie' at the court of Charles of Lorraine
02/2005 | 1223 | 147
Pages: 91-99
related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
places:
Illustrations
Attributed works:
17. Charles de Lorraine, by Frans Harrewijn, c. 1750-60. Engraving and etching, 49.3 by 37 cm. (Koninklijke Bibliotheek, Prentenkabinet, Brussels).
Attributed works:
18. Folio cabinet, attributed to Joseph Baumhauer. Paris, c.1758. Oak, veneered with tulipwood and purplewood, mounted in gilt bronze, 118 by 105 by 70 cm. (Photograph: Christie's, London).
Attributed works:
19. Inkstand. Sèvres, 1758-9. Soft-paste porcelain, painted in colours and gold, tray 5.5 by 30.1 by 19.2 cm. (Wadsworth Atheneum, Hartford).
Attributed works:
20. Writing table, by Joseph Baumhauer. Paris, c.1760-65. Oak, veneered with tulipwood and inlaid with plaques of Sevres soft-plate porcelain, five of which are dated 1760; mounted in gilt bronze, 76.5 by 115.9 by 59 cm. (The National Trust, Waddesdon Manor).
Attributed works:
21. Coffee or tea table, by Bernard van Risenburgh. Paris, c.1763. Oak, painted with green varnish and inlaid with plaques of Sevres soft-paste porcelain (the lower one a nineteenth-century Minton replacement), mounted in gilt bronze, 67 by 36 by 25 cm. (Metropolitan Museum of Art, New York).
Attributed works:
22. Gaming table, by David Roentgen. Neuwied, 1775. Oak, veneered with sycamore, mahogany and other woods, 81 by 88.5 by 45 cm. (Osterreichisches Museum fur Angewandte Kunst, Vienna).
Attributed works:
23. Writing cabinet with clock, by David Roentgen and Christian I Kinzing. Neuwied, 1776. Oak and pinewood, veneered with sycamore and other woods, 369 by 152 by 88 cm. (Osterreichisches Museum fur Angewandte Kunst, Vienna).
Attributed works:
24. The Sabine women plea for peace between the Romans and the Sabines, by David Roentgen after Januarius Zick. Neuwied, 1779 (one of a pair). Elmwood, veneered with marquetry of walnut, sycamore and other woods, 360 by 373 cm. (Osterreichisches Museum fur Angewandte Kunst, Vienna).
Attributed works:
25. Candelabrum (the candle-holders missing), by Michel Dewez. Brussels, c. 1776. Mid-eighteenth-century Chinese porcelain, mounted in gilt bronze, 59 by 26 by 22.8 cm. (The National Trust, Waddesdon Manor).
Attributed works:
26. Two candelabra, by Micel Dewez. Brussels, c.1776. Mid-eighteenth-century Chinese porcelain, mounted in gilt bronze, 72 cm. high. (Private collection).
Attributed works:
27. Wall-light, by Michel Dewez. Brussels, c.1775-77. Bronze, gilded and patinated, 113 by 40.6 by 21 cm. (The National Trust, Waddesdon Manor).
Attributed works:
28. Two stools, attributed to Godtfried Weber, the mounts by Michel Dewez. Brussels, 1777-78. Elmwood, veneered with rosewood and Turkish hazel, mounted in gilt bronze, 47 by 59.2 by 43 cm. (With Aveline, Paris).
Attributed works:
29. The side of one of the stools in Fig.28.
Western art unattributed:
30. Photograph of the Green Salon in the Albertina, Vienna, in 1921. (From J. Folnesics: Alte Innenraume Osterreichischer Schlosser, Palaste und Wohnauser, Vienna 1921, pl. 13).
Article
The Gilt-Bronze Cartel Clocks of Charles Cressent
04/1967 | 769 | 109
Pages: 210-215+217
related names
Author:
Dell, Theodore (Dell, Theodore)
Subjects
dates:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
32. Cartel-Bracket Clock, by Charles Cressent (Type A). Gilt Bronze, 126 by 40 cm. (Musée des Arts Décoratifs, Paris.)
Attributed works:
33. Cartel Clock, by Charles Cressent (Type C). Dial Signed 'Phpe. Willemin à Metz'. Gilt Bronze, 117 by 53 cm. (William Rockhill Nelson Gallery of Art, Kansas City.)
Attributed works:
34. Cartel Clock, by Charles Cressent (Type D). Backplate Engraved 'Jean Godde L'aîsné A Paris'. Gilt Bronze; Height, 133 cm; Width, 62 cm; Depth, 39 cm. (Wrightsman Collection.)
Attributed works:
35. Detail of Cartel-Bracket Clock, by Charles Cressent (Type A). 1745-49. Gilt Bronze; Height, 130 cm. (Collection Mr Neil Phillips, Westmount, Quebec.)
Attributed works:
36. Cartel Clock, by Charles Cressent (Type B). Dial Signed 'J. Baptiste Baillon'. Gilt Bronze; Height, 89 cm. (Present Whereabouts Unknown.)
Attributed works:
37. Detail of the Clock (Type D) Reproduced in Fig.34. [Cartel Clock, by Charles Cressent (Type D). Backplate Engraved 'Jean Godde L'aîsné A Paris'. Gilt Bronze; Height, 133 cm; Width, 62 cm; Depth, 39 cm. (Wrightsman Collection.)]
Attributed works:
38. Cartel-Bracket Clock, by Charles Cressent (Type E). Dial Signed 'Robin Her. du Roy'. Gilt Bronze. (Present Whereabouts Unknown.)
Attributed works:
39. Remains of Bracket-Cartel Clock, Attributed to Charles Cressent. (Collection Larcade, Musée des Arts Décoratifs, Paris.)
Western art unattributed:
40. Cartel Clock, by an Unknown Artist. Gilt Bronze. (Formerly Collection Baron Achille Seillière; Present Whereabouts Unknown.)
Western art unattributed:
41. Bracket Clock, by an Unknown Artist. Gilt Bronze. (Present Whereabouts Unknown.)
Western art unattributed:
42. Cartel Clock, by an Unknown Artist. Gilt Bronze. (Banque de France, Paris.)
Article
The Wallace Collection and the Study of French Eighteenth-Century Bronzes d'ameublement
06/1950 | 567 | 92
Pages: 154-157
related names
Author:
Verlet, Pierre (Verlet, Pierre)
Subjects
artists:
artists:
dates:
museums and institutions:
places:
Illustrations
Western art unattributed:
2. Wall-Light of Gilt Bronze Supplied for the Grand Cabinet de la Reine at Fontainebleau in 1788. Height, 91.5 cm. (Wallace Collection.) 3. Candlestick of Gilt Bronze Made by Pitoin for the Cabinet de la Méridienne at Versailles in 1781. Height, 25.4 cm. (Wallace Collection.) 4. Wall-Light of Gilt Bronze after a Model by Martin Made in 1787. Height, 76.8 cm. (Wallace Collection.) 5. Wall-Light of Gilt Bronze Cast by Feloix and Gilded by Galle, Supplied for St Cloud in 1787. Height, 94 cm. (Wallace Collection.)