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39 articles
Exhibition Review
Napoleon: Power and Splendour. Virginia Museum of Fine Arts, Richmond
08/2018 | 1385 | 160
Pages: 676-678
related names
Reviewer:
Bordes, Philippe (Bordes, Philippe; Bordes, Phillipe)
Subjects
art literature:
dates:
Illustrations
Attributed works:
15. General Armand-Samuel de Marescot with his wife, Cécile, his son, Antoine-Samuel, his daughter, Joséphine-Cécile, and his motherin-law, Marie-Charlotte d’Artis de Thiézac, by Fortuné Dufau. 1806. Canvas, 240 by 195 cm. (Private collection; exh. Virginia Museum of Fine Arts, Richmond VA).
Attributed works:
16. Triumphal march of Napoleon to the Temple of Immortality, by Jean-Baptiste Regnault. 1804–05. Paper mounted on canvas, 52.4 by 93 cm. (Fralin Museum of Art, University of Virginia, Charlottesville; exh. Virginia Museum of Fine Arts, Richmond VA).
Attributed works:
17. Etruscan Scroll Vase, called the Londonderry Vase. Sèvres Imperial Manufactory, after a design by Charles Percier and Alexandre-Théodore Brongniart père, decoration by Gilbert Drouet and Christophe-Ferdinand Caron. 1813. Hard-paste porcelain with polychrome enamel decoration, gilding and ormolu mounts, height 137.2 cm. (Art Institute of Chicago).
Exhibition Review
Sèvres sculpture
03/2016 | 1356 | 158
Pages: 221-223
related names
Reviewer:
Savill, Rosalind (Savill, Rosalind)
Subjects
dates:
places:
Illustrations
Attributed works:
75. Le Repos de chasse, by Etienne-Maurice Falconet after François Boucher. 1766 (Musée Nationale de Céramique, Cité de la Céramique, Sèvres)
Attributed works:
76. Les Nymphes à la coquille, by Jean-Claude Duplessis. c.1762, modelled 1761 (Musée Nationale de Céramique, Cité de la Céramique, Sèvres)
Exhibition Review
China and Versailles [and Charlemagne]
09/2014 | 1338 | 156
Pages: 622-626
related names
Reviewer:
Pullins, David (Pullins, David)
Subjects
dates:
museums and institutions:
places:
places:
Illustrations
Attributed works:
60. Emperor Qianlong, by Charles-Eloi Asselin. c.1776. Sèvres hard-paste porcelain. 23.7 by 17.4 cm. (Musée national des châteaux de Versailles et de Trianon).
Attributed works:
61. Merchants making up packages, with a Jesuit in conversation with a Chinese man, by Queen Marie Leszczynska in collaboration with several artists under the direction of Etienne Jeaurat. 1761. Canvas, 279.1 by167.5 cm. (Château de Mouchy, Mouchy-le-Châtel; exh. Château de Versailles).
Western art unattributed:
62. Pair of Chinese celadon baluster vases in French gilt bronze mounts. 14th century (porcelain) and c.1770 (mounts), 79 cm. high. (Musée national des châteaux de Versailles et de Trianon).
Article
The Chatsworth Vases, a gift from Louis XV in 1768 to Henri Léonard Jean-Baptiste Bertin
07/2010 | 1288 | 152
Pages: 461-463
related names
Author:
Gage, Deborah (Gage, Deborah)
Subjects
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
15. Garniture de trois vases fond violet œuf montés (the Chatsworth Vases). Sèvres, 1768. Soft-paste porcelain, central vase 38.1 cm. high; side vases 27.3 cm. high. (Copyright Devonshire Collection, Chatsworth, reproduced by permission of Chatsworth Settlement Trustees).
Attributed works:
16. Pair of trial cylin­drically shaped vases fond violet. Sèvres, c.1768. Soft-paste porcelain, 17 cm. high. (Musée National de Céramique, Sèvres).
Attributed works:
17. One of a pair of vases pot pourri Pompadour. Sèvres, c.1753. Soft-paste porcelain, 43 cm. high. (Musée National de Céramique, Sèvres).
Attributed works:
18. Pair of trial vases œuf fond violet. Sèvres, c.1768. Soft-paste porcelain, 22.2 cm. high (including mounts). (Private collection, USA).
Attributed works:
19. Garniture de trois vases fond violet œuf montés (the Machault d’Arnouville Vases). Sèvres, c.1768. Soft-paste porcelain, central vase 30.5 cm. high; side vases 27.3 cm. high. (Private collection).
Article
A new catalogue of French porcelain in the Royal Collection
07/2010 | 1288 | 152
Pages: 470-473
related names
Author:
Savill, Rosalind (Savill, Rosalind)
Subjects
print:
print:
Illustrations
Attributed works:
28. Flower vase. Sèvres, c.1765–68. Soft-paste porcelain, 18.7 by 30.3 cm. (Royal Collection, Windsor).
Attributed works:
29. Pair of mounted vases and covers. Sèvres, c.1782. Gilt-bronze mounts attributed to Pierre-Philippe Thomire. Hard-paste porcelain, 42.5 by 25.8 cm. (Royal Collection, Windsor).
Attributed works:
30. Cup and saucer. Sèvres, 1778–89. Hard-paste porcelain with jewelled decoration, diameter 15.5 cm. (plate); 41.5 cm. high (cup). (Royal Collection, Windsor).
Attributed works:
31. Pot pourri vase and cover. Sèvres, c.1761. Soft-paste porcelain, 46.4 by 28 cm. (Royal Collection, Windsor).
Short Notice
Samuel Scott's Sèvres vases at the Bowes Museum
06/2005 | 1227 | 147
Pages: 407-408
related names
Author:
Coutts, Howard (Coutts, Howard)
Subjects
collectors and dealers:
dates:
subjects:
Illustrations
Attributed works:
60. Pair of Adélaïde vases. Sèvres, 1846-49. Factory printed mark: LPsv46 under the gilt bronze base. Hard-paste porcelain, enamelled and gilt each 41 cm. high. (Bowes Museum, Barnard Castle).
Attributed works:
61. Design for the decoration of an Adélaïde vase, by Jules-Pierre-Michele Diéterle. 1849. Pen, ink and watercolour, dimensions unknown. (Manufacture Nationale de Sèvres; inv. no.8 1849 no.9).
Article
'Ebenisterie' at the court of Charles of Lorraine
02/2005 | 1223 | 147
Pages: 91-99
related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
places:
Illustrations
Attributed works:
17. Charles de Lorraine, by Frans Harrewijn, c. 1750-60. Engraving and etching, 49.3 by 37 cm. (Koninklijke Bibliotheek, Prentenkabinet, Brussels).
Attributed works:
18. Folio cabinet, attributed to Joseph Baumhauer. Paris, c.1758. Oak, veneered with tulipwood and purplewood, mounted in gilt bronze, 118 by 105 by 70 cm. (Photograph: Christie's, London).
Attributed works:
19. Inkstand. Sèvres, 1758-9. Soft-paste porcelain, painted in colours and gold, tray 5.5 by 30.1 by 19.2 cm. (Wadsworth Atheneum, Hartford).
Attributed works:
20. Writing table, by Joseph Baumhauer. Paris, c.1760-65. Oak, veneered with tulipwood and inlaid with plaques of Sevres soft-plate porcelain, five of which are dated 1760; mounted in gilt bronze, 76.5 by 115.9 by 59 cm. (The National Trust, Waddesdon Manor).
Attributed works:
21. Coffee or tea table, by Bernard van Risenburgh. Paris, c.1763. Oak, painted with green varnish and inlaid with plaques of Sevres soft-paste porcelain (the lower one a nineteenth-century Minton replacement), mounted in gilt bronze, 67 by 36 by 25 cm. (Metropolitan Museum of Art, New York).
Attributed works:
22. Gaming table, by David Roentgen. Neuwied, 1775. Oak, veneered with sycamore, mahogany and other woods, 81 by 88.5 by 45 cm. (Osterreichisches Museum fur Angewandte Kunst, Vienna).
Attributed works:
23. Writing cabinet with clock, by David Roentgen and Christian I Kinzing. Neuwied, 1776. Oak and pinewood, veneered with sycamore and other woods, 369 by 152 by 88 cm. (Osterreichisches Museum fur Angewandte Kunst, Vienna).
Attributed works:
24. The Sabine women plea for peace between the Romans and the Sabines, by David Roentgen after Januarius Zick. Neuwied, 1779 (one of a pair). Elmwood, veneered with marquetry of walnut, sycamore and other woods, 360 by 373 cm. (Osterreichisches Museum fur Angewandte Kunst, Vienna).
Attributed works:
25. Candelabrum (the candle-holders missing), by Michel Dewez. Brussels, c. 1776. Mid-eighteenth-century Chinese porcelain, mounted in gilt bronze, 59 by 26 by 22.8 cm. (The National Trust, Waddesdon Manor).
Attributed works:
26. Two candelabra, by Micel Dewez. Brussels, c.1776. Mid-eighteenth-century Chinese porcelain, mounted in gilt bronze, 72 cm. high. (Private collection).
Attributed works:
27. Wall-light, by Michel Dewez. Brussels, c.1775-77. Bronze, gilded and patinated, 113 by 40.6 by 21 cm. (The National Trust, Waddesdon Manor).
Attributed works:
28. Two stools, attributed to Godtfried Weber, the mounts by Michel Dewez. Brussels, 1777-78. Elmwood, veneered with rosewood and Turkish hazel, mounted in gilt bronze, 47 by 59.2 by 43 cm. (With Aveline, Paris).
Attributed works:
29. The side of one of the stools in Fig.28.
Western art unattributed:
30. Photograph of the Green Salon in the Albertina, Vienna, in 1921. (From J. Folnesics: Alte Innenraume Osterreichischer Schlosser, Palaste und Wohnauser, Vienna 1921, pl. 13).
Article
Philippe-Claude Maëlrondt, supplier to George IV
06/2004 | 1215 | 146
Pages: 386-395
related names
Author:
Bellaigue, Geoffrey de (Bellaigue, Geoffrey de)
Subjects
collectors and dealers:
dates:
places:
print:
Illustrations
Attributed works:
13. Broth basin, cover and stand (écuelle nouvelle forme). 1775. Flowers painted by J.-F. Micaud. Lot 248 of the Maëlrondt sale. Basin and cover, 13.2 by 17.9 by 15.1 cm.; stand, 2.9 by 23.5 cm. (The Royal Collection, RCIN 5686).
Attributed works:
14. Pot-pourri vase (pot-pourri Hèbert). 1763. Scene attributed to C.-N. Dodin. The mounts early nineteenth century. Lot 182 of the Maëlrondt sale. 44.2 by 28.3 by 18.7 cm. (The Royal Collection; RCIN 2361).
Attributed works:
15. Flower vase (cuvette Verdun). 1769. Scene by C.-E. Asselin. The mounts early nineteenth century. Lot 200 of the Maëlrondt sale. 13.7 by 23.7 by 11.3 cm. (The Royal Collection, RCIN 2374).
Attributed works:
16. Pot-pourri vase formed out of a sugar bowl (pot à sucre Calabre). ?1779. Marine scenes painted by C.-C. Gérard and the gilding by P.-J.-B. Vandé. The mounts early nineteenth century. Lot 213 of the Maëlrondt sale. 24.2 by 14.4 by 10.5 cm. (The Royal Collection, RCIN 58492).
Attributed works:
17. Fig.16 without the mounts, 10.2 by 10.3 cm.
Attributed works:
20. Two ewers formed out of two cups (gobelets Bouillard). 1765 and ?1769. Painted by F.-J. Aloncle and A.-J. Chappuis respectively. Lot 224 of the Maëlrondt sale. The mounts early nineteenth century. 20.8 by 9.8 by 7 cm. (The Royal Collection, RCIN 1088.1-2).
Attributed works:
21. Vase formed out of a cup (gobelet Bouillard). 1764. Birds painted by E. Evans. Mounts early nineteenth century. Lot 225 of the Maëlrondt sale. 23.5 by 9.4 by 7.6 cm. (The Royal Collection, RCIN 3595).
Attributed works:
22. Detail of Fig.21.
Attributed works:
23. Clock on a soft-paste Sèvres porcelain column surmounted by a vase (cover missing), c.1775-78, which rests on a hard-paste drum commissioned in 1813 by Maëlrondt. Mounts eighteenth and early nineteenth century. 40 by 18.6 by 18.7 cm. (The Royal Collection, RCIN 30119).
Attributed works:
24. Vase of soft-paste Sèvres porcelain (vase à anses en tire-bouchon), c.1763-65, which rests on a hard-paste drum commissioned by Maëlrondt in 1813. The mounts early nineteenth century. 32.5 by 23.1 by 18.8 cm. (The Royal Collection, RCIN 59172).
Attributed works:
25. Pot-pourri vase formed out of a ewer of soft-paste Sèvres porcelain, accompanied by its basin. 1782. Marine scenes painted by J.-L. Morin, gilding by J.-P. Boulanger. The mounts early nineteenth century. Rectangular stand of hard-paste Sèvres porcelain, 1820. Ewer, 32.5 by 16.5 by 11.2 cm.; basin, 18 by 33.9 by 22 cm. (The Royal Collection, RCIN 100254.1, 100252.1)
Attributed works:
26. Pot-pourri vase formed out of a ewer of soft-paste Sèvres porcelain. 1783. Its accompanying basin, mounted on a socle identical to that in Fig.25, is not illustrated. Camp scene painted by J.-L. Morin. The mounts early nineteenth century. Ewer, 32 by 16.3 by 11.3 cm. (The Royal Collection, RCIN 100254.2)
Attributed works:
27. Pot-pourri formed out of ewers of soft-paste Vincennes porcelain. c.1750-55. 32 by 16.2 by 11.2 cm. and 33 by 16.5 by 12 cm. Marks not known. (Blair Castle, Perthshire)
Western art unattributed:
18. Vase and cover formed out of a covered cup (gobelet a lait). c.1765-68. The mounts early nineteenth century. Lot 218 of the Maëlrondt sale. 22.2 by 13.7 by 10.8 cm. (The Royal Collection, RCIN 58491).
Western art unattributed:
19. Fig.18 without the mounts, 13.5 by 10.2 cm.
Short Notice
Sèvres Porcelain Given by Charles X in 1825 to the Duke of Northumberland
03/1993 | 1080 | 135
Pages: 215-219
related names
Author:
Shifman, Barry (Shifman, Barry)
Subjects
collectors and dealers:
dates:
subjects:
Illustrations
Attributed works:
59. Detail of Vase in Fig.63. [Vase (Vase Médicis), Decorated by Etienne Charles Leguay, Pierre Huard (Or Huart), and Antoine-Gabriel Boullemier Jeune. 1822-24. Sèvres Hard-Paste Porcelain, Polychrome Enamel Decoration, Gilding, Gilt-Bronze Mounts, Marble Base, 147.32 cm. High. (Duke of Northumberland Collection, Syon House, Middlesex).]
Attributed works:
60. Detail of Vase in Fig.63. [Vase (Vase Médicis), Decorated by Etienne Charles Leguay, Pierre Huard (Or Huart), and Antoine-Gabriel Boullemier Jeune. 1822-24. Sèvres Hard-Paste Porcelain, Polychrome Enamel Decoration, Gilding, Gilt-Bronze Mounts, Marble Base, 147.32 cm. High. (Duke of Northumberland Collection, Syon House, Middlesex).]
Attributed works:
61. Preliminary Drawing of Vase Médicis in Fig.63, by Jean-Charles-François Leloy. 1822. Pen, Pencil and Water-Colour, 59.7 by 49.4 cm. (Archives, Manufacture nationale de Sèvres, Sèvres).
Attributed works:
62. Detail of Vase in Fig.63. [Vase (Vase Médicis), Decorated by Etienne Charles Leguay, Pierre Huard (Or Huart), and Antoine-Gabriel Boullemier Jeune. 1822-24. Sèvres Hard-Paste Porcelain, Polychrome Enamel Decoration, Gilding, Gilt-Bronze Mounts, Marble Base, 147.32 cm. High. (Duke of Northumberland Collection, Syon House, Middlesex).]
Attributed works:
63. Vase (Vase Médicis), Decorated by Etienne Charles Leguay, Pierre Huard (Or Huart), and Antoine-Gabriel Boullemier Jeune. 1822-24. Sèvres Hard-Paste Porcelain, Polychrome Enamel Decoration, Gilding, Gilt-Bronze Mounts, Marble Base, 147.32 cm. High. (Duke of Northumberland Collection, Syon House, Middlesex).
Attributed works:
64. Clock (Pendule trois époques d'un jour d'Eté à Paris en MDCCXXIII), Plaques Decorated by Jean-Charles Develly, Charles-Antoine Didier Fils, and François-Antoine Boullemier aîné. 1823. Sèvres Hard-Paste Porcclain, Polychrome Enamel Decoration, Gilding, Gilt-Bronze Mounts, 72.39 cm. High; 36.83 cm. Wide. (Duke of Northumberland Collection, Syon House, Middlesex).
Attributed works:
65. Detail of Clock in Fig.64 (Le Matin, au marché aux fleurs), by Jean-Charles Develly.
Attributed works:
66. Detail of Clock in Fig.64 (Le Milieu de la Journée. Promenade aux Champs Elysées), by Jean-Charles Develly.
Attributed works:
67. Detail of Clock in Fig.64 (Le Soir, au boulevard du théâtre des Variétés), by Jean-Charles Develly.
Western art unattributed:
68. Picture Gallery at Northumberland House, London. Unidentified Artist. c.1870. Water-Colour, 54.6 by 77.5 cm. (Duke of Northumberland Collection, Syon House, Middlesex).
Book Review
Vincennes and Sevres Porcelain. Catalogue of the Collections of the J. Paul Getty Museum [and: Musee du Louvre. Department des Objets d'Art. Catalogue des Porcelaines Francaises; The Forsyth Wickes Collection in the Museum of Fine Arts, Boston]
03/1993 | 1080 | 135
Pages: 223-224
related names
Reviewer:
Préaud, Tamara (Préaud, Tamara)
Subjects
museums and institutions:
museums and institutions:
places:
Reviewed Items
subjects:
Vincennes and Sevres Porcelain. Catalogue of the Collections of the J. Paul Getty Museum; Musee du Louvre. Department des Objets d'Art. Catalogue des Porcelaines Francaises; The Forsyth Wickes Collection in the Museum of Fine Arts, Boston | author: Adrian Sassoon , author: Munger, Jeffrey , author: Plinval de Guillebon, Régine de
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