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175 articles
Obituary
Rosalind Joy Savill (1951–2024)
05/2025 | 1466 | 167
Pages: 526–7
related names
Author:
Baker, Christopher (Baker, Christopher)
Author:
Duffy, Stephen (Duffy, Stephen)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Vase ‘a tête d’éléphant’ of the first size, by Jean-Claude Duplessis. 1758. Painted and gilded soft-paste porcelain, dimensions variable. (Wallace Collection, London; Bridgeman Images).
Attributed works:
2. Detail of Dame Rosalind Joy Savill, by Lucy Anne Dickens. 2001. Chromogenic print. (© Lucy Dickens; National Portrait Gallery, London).
Article
Cristoforo de Predis at the Sforza Court
03/2025 | 1464 | 167
Pages: 206–11
related names
Author:
Schrader, Jeffrey (Schrader, Jeffrey)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Marriage of the Virgin, from the Borromeo Book of Hours, by Cristoforo de Predis. 1478 or 1486. Gouache on vellum, 10.3 by 7.6 cm. (Biblioteca Ambrosiana, Milan, S.P.42, fol.15v; Mondadori Portfolio; Bridgeman Images).
Attributed works:
2. Initial ‘A’ with Galeazzo Maria Sforza in prayer, by Cristoforo de Predis. Probably 1477. Gouache on vellum, 22.4 by 18.9 cm. (Wallace Collection, London; Bridgeman Images).
Attributed works:
3. Arms and imprese of Galeazzo Maria Sforza, from the Book of Gioacchino and Anna, by Cristoforo de Predis. 1476. Gouache on parchment, 27.3 by 19.1 cm. (Biblioteca Reale, Turin, Codice Varia 124, fol.2v; Bridgeman Images).
Attributed works:
4. St Martin with the poor and Annunciation, from the Ingressarium of Fabrizio Marliani, by Cristoforo de Predis. 1476. Illumination on parchment, 57.2 by 41.2 cm. (Museo Baroffio e del Santuario del Sacro Monte sopra Varese, inv.1000, fol.1r).
Attributed works:
5. Melanthus Cycionius, Apelles, Protogenes Caunius, Quintus Pedius, Praxiteles Graecus, Mecenas, by Joachim von Sandrart. 1683. Engraving. (From J. von Sandrart and P. Killian: L’Academia todesca della architectura, scultura & pittura, oder, Teutsche Academie der Edlen Bau- Bild- und Mahlerey-Künste, Nuremberg 1683, second part, first book, plate E; New York Public Library).
Attributed works:
6. Details of Figs.4, 3, 2 and 1, showing the various signatures of Cristoforo de Predis.
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Advertisements (front)
10/2024 | 1459 | 166
Pages: i-xix
Subjects
advertisements:
Illustrations
Attributed works:
(KJ MF MS AG FW LM AS EW) recropped landscape, by Sophie Thun (b.1985). 2022. Silver gelatin print and photogram on baryta paper in artist’s frame, 87.7 by 119.4 by 3.5 cm. [SOPHIE TAPPEINER, VIENNA/Art Basel Paris]
Attributed works:
A trial by fire, by Jenkin van Zyl (b.1993). 2024. Film, duration 10 minutes. [EDEL ASSANTI, LONDON/Frieze London]
Attributed works:
An ensign seated in a guardroom with offi cers playing cards, by acob Duck (1600– 67). Oil on canvas, 69 by 60.3 cm. [JOHNNY VAN HAEFTEN, SURREY/Frieze Masters]
Attributed works:
BALTHASAR VAN DER AST (Middelburg 1593/4 – 1657 Delft) A Still Life of Fruit in a kraak porcelain Dish, with Shells and Roses Signed, lower right, on the ledge: B. van der. Ast Oil on panel, 26⅞ x 37⅞ ins. (68.3 x 98.7 cm) Framed dimensions: 35½ x 47½ x 3⅜ ins. (90 x 120.7 x 8.5 cm) [Johnny van Haeften]
Attributed works:
Candelabre ‘night butterfly’, by Nils Alix- Tabeling (b.1991). 2023. Mixed media, 250 by 160 by 60 cm. [PUBLIC GALLERY, LONDON/Frieze London]
Attributed works:
Charles Beale, by Mary Beale (1633– 99). Late 1650s. Oil on paper, laid on panel, 31.8 by 26 cm. PHILIP MOULD & COMPANY, LONDON/Frieze Masters]
Attributed works:
Chest of drawers, attributed to Philippe Pasquier (Master in 1760), France, last quarter of the 18th century. Mahogany, mahogany veneer, yew burl and ebony, chased and gilt bronze with grey-veined white marble, 86 by 126 by 61 cm. [GALERIE LÉAGE, PARIS/Frieze Masters]
Attributed works:
Classroom, by Andrew Cranston (b.1969). 2023. Distemper on canvas, 213.8 by 183.9 cm. [INGLEBY GALLERY, EDINBURGH/Frieze London]
Attributed works:
Do you realise there is a rainbow even if it’s night!?, by Petrit Halilaj (b.1986). 2023. Qilim carpet from Kosovo, Flokati, polyester, chenille wire, stainless steel and brass, dimensions variable. [CHERTLÜDDE, BERLIN/Frieze London]
Attributed works:
EVA GONZALÈS (1849–83) Portrait de fillette au chapeau, 1879–80. Oil on canvas, 24.5 × 19 cm. Estimate: CHF 18‘000/ 25‘000 [Gloggner]
Attributed works:
FEDE GALIZIA (1578–1630) Judith with the Head of Holofernes, c. 1620s Recently acquired by the National Museum of Western Art, Tokyo [Robilant and Voena]
Attributed works:
Flora totem pino, by Lucía Pizzani (b.1975). 2023. English black stoneware and white slip, 138 by 50 by 50 cm. [CECILIA BRUNSON PROJECTS, LONDON/Frieze London]
Attributed works:
Florence: the Bargello, by Antonietta Brandeis (1848–1926). Oil on panel, 25.4 by 14.6 cm. CHARLES BEDDINGTON LTD, LONDON/Frieze Masters]
Attributed works:
Folios 13v and 14r from Hours of Isabella d’Este, Use of Rome, illuminated by Gherardo (1444/45–97) and Monte di Giovanni del Fora (1448–1533). c.1490. Illuminated manuscript on vellum, 240 leaves, 13 by 8.7 cm. [DR. JÖRN GÜNTHER RARE BOOKS, BASEL/Frieze Masters]
Attributed works:
Giovanni Battista Foggini (1652–1725) The Crucifixion (detail) 1678 Red wax model in low relief 11.1 × 25 cm [Trinity Fine Art, London]
Attributed works:
Glow’ replica (mirroir1), by David Douard (b.1983). 2024. Painting, curved metal bar with aluminium casted flowers and spherical magnets, 220 by 70 by 50 cm. GALERIE CHANTAL CROUSEL, PARIS/Art Basel Paris]
Attributed works:
Guercino, The Cumaean Sibyl with a Putto, 1651 © The National Gallery, London [Waddesdon]
Attributed works:
I don’t know why nobody told you how to unfold your love I, by Dawn Ng (b.1982). 2024. Archival pigment print, 123 by 123 cm. [KATE MACGARRY, LONDON/Frize London]
Attributed works:
Italian columns, by Ben Nicholson (1894– 1982). 1965. Pen, ink, watercolour and gouache on paper, 31.7 by 24.8 cm. [STEPHEN ONGPIN FINE ART, LONDON/Frieze Masters]
Attributed works:
Lost door, by Lubaina Himid (b.1954). 2021. Acrylic on wood, 194 by 80 by 15 cm. [HOLLYBUSH GARDENS, LONDON/Frieze London]
Attributed works:
Marchiali, by Kensuke Koike (b.1980). 2022. Vintage photograph, 23.3 by 37.2 cm., framed. [SCHOENI PROJECTS, SOTHEBY’S, 34–35 NEW BOND ST, W1A/Asian Art London]
Attributed works:
Medicine Pocket, by Paddy Bedford (c.1922–2007). 1999. Natural earth pigments and synthetic binders on linen, 122 by 135 cm. [D’LAN CONTEMPORARY, MELBOURNE AND NEW YORK/Frieze Masters]
Attributed works:
Mephistopheles, by Jean-Jacques Feuchère (1807–52). 1833. Bronze, with rich red-brown patina, height 34 cm. BOWMAN SCULPTURE, LONDON/Frieze Masters]
Attributed works:
Open (amber), by Eva Gold (b.1994). 2024. Resin, aluminium, fibreglass and fluorescent light, 25 by 54.5 by 10 cm. [ROSE EASTON, LONDON/Frieze London]
Attributed works:
Pietro di Cristoforo Vannucci, called Perugino (1450–1523), Christ Crowned with Thorns and The Madonna, oil on panel, each 33.5 x 27.5 cm [Dorotheum]
Attributed works:
Plucked, by Hayv Kahraman (b.1981). 2024. Oil and acrylic on linen, 132.1 by 215.9 cm. [PILAR CORRIAS, LONDON/Art Basel Paris]
Attributed works:
Pordenone, Mary Magdalene, circa 1530-1532 Museum Boijmans Van Beuningen, Rotterdam. Loan Stichting Boijmans Van Beuningen (former Koenigs collection)
Attributed works:
Post, by Juliana Huxtable (b.1987). 2022. Acrylic on printed canvas in artist’s frame, 138 by 267.5 by 7 cm. [PROJECT NATIVE INFORMANT, LONDON/Frieze London]
Attributed works:
Simone di Filippo, called Simone dei Crocifissi (Bologna, documented between 1354 -1399) Virgin and Child between Saints John the Baptist and Bartholomew (central panel); Archangel Gabriel, Saint Petronius, Saint Christopher and Saint Anthony (left panel); Virgin Annunciate, Saint Jerome, a Bishop Saint (Ambrose?) and Saint Florian (right panel) [Moretti]
Attributed works:
Stricture, by Louise Giovanelli (b.1993). 2023. Oil on canvas, diptych, each 240 by 170 cm. [GRIMM, AMSTERDAM, LONDON AND NEW YORK/Frieze London]
Attributed works:
Study for imaginative play I, by Caroline Walker (b.1982). 2024. Oil on paper, 47.5 by 61.5 cm. [STEPHEN FRIEDMAN GALLERY, LONDON AND NEW YORK/Frieze London]
Attributed works:
Tenno-ji Temple in Osaka (Osaka Tenno-ji), from the series Souvenirs of travel III (Tabi miyage dai sanshu), by Kawase Hasui (1883–1957). 1927. Woodblock print, 38.7 by 26.3 cm. [ANASTASIA VON SEIBOLD JAPANESE ART, 4 CROMWELL PLACE, SW7/Asian Art London]
Attributed works:
Triple self-portrait, by Suzanne Fabry (1904–85). c.1934. Oil on canvas, 66 by 85 cm. [WILL ELLIOTT FINE ART, LONDON/Frieze Masters]
Attributed works:
Untitled (still life), by Richard Aldrich (b.1975). 2024. Oil and wax on panel, 52.1 by 33.3 cm. [DÉPENDANCE, BRUSSELS/Art Basel Paris]
Attributed works:
Untitled, by Ana Mendieta (1948–85). 1978. Black-and-white photograph, 20.5 by 25.5 cm. GALERIE LELONG & CO., NEW YORK AND PARIS/Frieze London]
Attributed works:
Untitled, by Ana Mendieta (1948–85). 1978. Black-and-white photograph, 20.5 by 25.5 cm. [GALERIE LELONG & CO., NEW YORK AND PARIS/Art Basel Paris]
Non-western art unattributed:
Hilt of a tulwar. India, mid-to-late 17th century. Jawhar steel, total length 92.5 cm. [RUNJEET SINGH, SOTHEBY’S, 34–35 NEW BOND ST, W1A/Asian Art London]
Non-western art unattributed:
Large underglaze blue and copper red porcelain jar (guan). Yuan dynasty, c.1320–52. Porcelain, height 33 cm. [ESKENAZI LTD, 10 CLIFFORD ST, W1S/Asian Art London]
Non-western art unattributed:
Ming dynasty censer. China, c.1600. Bronze, 17.5 by 29 cm. [MICHAEL GOEDHUIS, LONDON AND YANWORTH/Frieze Masters]
Non-western art unattributed:
Model of a horse. China, Han Dynasty (206 BCE–220 AD). Bronze, height 33.5 cm. [CHRISTIE’S, KING ST, SW1Y/Asian Art London]
Western art unattributed:
Cycladic female figure. Greek, early Cycladic II, c.2600– 2500 BCE. Marble, height 17.1 cm. ARIADNE, GREENWICH CT AND LONDON/Frieze Masters]
Article
A Valencian tin-glazed and lustred dish for the Duke of Burgundy
08/2024 | 1457 | 166
Pages: 764–780
related names
Author:
Kingwill, Susannah (Kingwill, Susannah)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
11. Dish with the arms of the Duke of Burgundy. Valencian, probably Manises workshop. 1404–29. Tin-glazed earthenware with lustre decoration, diameter 47.5 cm. (Museo Lázaro Galdiano, Madrid).
Attributed works:
18. Fragment from the Arcade of the Tomb of John the Fearless and Margaret of Bavaria, by Jean de la Huerta. c.1443–55. Alabaster, 14 by 12.8 by 5.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
19. Tile fragment from the Chartreuse de Champmol decorated with the lion of Flanders, by Jean de Giron. 1383–89. Tin-glazed earthen tile decorated with a cobalt glaze, estimated dimensions of original tile 18 by 18 by 3 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
2. Detail of fol.188v of the Breviary of John the Fearless, showing the Burgundian duke (left) and duchesses’ (right) arms. Between 1413 and 1419. Illumination on parchment. (British Library, London, MS 2897).
Attributed works:
20. Tile fragment from the Chartreuse de Champmol decorated with the armorial bands of Burgundy, by Jean de Giron. 1383–89. Tin-glazed earthen tile decorated with a cobalt glaze, estimated dimensions of original tile 18.5 by 13 by 3 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
4. Dish with the arms of the King of France (centre), the dauphin (top), Philip the Good (lower left) and Isabella of Portugal (lower right). Valencian, probably Manises workshop, c.1456–61. Tin-glazed earthenware decorated with cobalt and lustre glazes, dimensions unknown (formerly in the Rothschild Collection; © Christie’s, London).
Attributed works:
6. The Last Supper of Solsona, by Jaume Ferrer the Elder. 1400–33. Oil on panel, 115 by 327 cm. (Museo Diocesano Y Comarcal, Solsona; Getty Images).
Attributed works:
7. Detail of Fig.6, showing the foliage motifs on a lustred dish.
Attributed works:
8. The Portinari Altarpiece, by Hugo van der Goes. 1476–79. Oil on panel, central panel 253 by 304 cm., wings each 253 by 141 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
9. Detail of the central panel of Fig.8, showing the foliate design on the arbarello. (Bridgeman Images).
Western art unattributed:
1. Dish with the arms of the Duke of Burgundy. Valencian. 1404–29. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 38.1 cm. (Wallace Collection, London).
Western art unattributed:
10. Dish with the arms of René of Anjou. Valencian, probably Manises workshop. c.1450. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 47.6 cm. (British Museum, London).
Western art unattributed:
12. Hanap decorated with the emblems of John the Fearless. French. c.1405–19. Pounced and gilded silver, height 23.7 cm. (Badisches Landesmuseum, Karlsruhe; from R. Lightbown: Secular Goldsmiths’ Work in Medieval France: A History, London 1978, plate XXIV).
Western art unattributed:
13. Bowl with the arms of the duke of Burgundy engraved on its base. French, Dijon. Second half of 14th–first third of 15th century. Hammered silver with gilded silver cast decoration, diameter 16.8 cm. (Museum of Fine Arts, Boston).
Western art unattributed:
14. Le Livre de Merveilles du Monde, fol.226. c.1410–12. Illumination on parchment, 42 by 29.8 cm. (Bibliotheque Nacional, Paris, MS Fr 2810 fol.226; Bridgeman Images).
Western art unattributed:
15. Le Livre de l’information des rois et princes, fol.81r. 1400–19. Illumination on parchment, 36 by 20.8 cm. (Bibliothèque Royale Belgique, Brussels, KRB MS 9475).
Western art unattributed:
16. Sculpted vault, Tour de Jean sans Peur. French. 1409–11. Stone. (Photograph the author).
Western art unattributed:
17. Comparison of the Wallace dish wreath (Fig.1) with the hops from Figs.14, 15, 13 and 16.
Western art unattributed:
3. Reverse of Fig.1. (Photograph the author).
Western art unattributed:
5. Dish with IHS monogram and floral pattern. Valencian, probably Manises workshop, 1430–60. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 46 cm. (Metropolitan Museum of Art, New York).
Article
‘The swing’ by Jean-Honoré Fragonard: new hypotheses
05/2024 | 1454 | 166
Pages: 446–469
related names
Author:
Jackall, Yuriko (Jackall, Yuriko)
Subjects
dates:
museums and institutions:
sources:
styles:
Illustrations
Attributed works:
1. Les hazards heureux de l’escarpolette, by Nicolas Delaunay after Jean-Honoré Fragonard. 1782. Etching and engraving. 62.1 by 45.0 cm. (sheet). (Cleveland Museum of Art).
Attributed works:
10. Menacing Cupid, by Étienne-Maurice Falconet. 1757. Marble, height 185 cm. (Rijksmuseum, Amsterdam).
Attributed works:
11. Detail of Fig.2, showing the woman gesturing on the swing.
Attributed works:
12. The Neapolitan gesture, by Jean-Baptiste Greuze. 1757. Oil on canvas, 73 by 94.3 cm. (Worcester Art Museum; Bridgeman Images).
Attributed works:
13. The sale of cupids, by Joseph-Marie Vien. 1763. Oil on canvas, 116 by 141 cm. (Château de Fontainebleau; Bridgeman Images).
Attributed works:
14. Duthé lying down, by Lié-Louis Périn-Salbreux. 1778. Oil on canvas, 65 by 75.8 cm. (Musée des beaux-arts, Reims).
Attributed works:
15. Detail of The well-loved mother, by Jean Massard after Jean- Baptiste Greuze. 1775. Engraving with etching on laid paper. (National Gallery of Art, Washington).
Attributed works:
16. Detail of Fig.2, showing the older man and the dog.
Attributed works:
17. Detail of Portrait of a young woman, by Jean-Honoré Fragonard. 1770s. Oil on canvas. (Metropolitan Museum of Art, New York).
Attributed works:
18. Detail of Woman with a dog, by Jean-Honoré Fragonard. c.1769. Oil on canvas. (Metropolitan Museum of Art, New York).
Attributed works:
19. The drunken Silenus, accompanied by nymphs and satyrs, by Willem Panneels after Peter Paul Rubens. 1632. Etching, 14.7 by 15.3 (trimmed sheet). (Metropolitan Museum of Art, New York).
Attributed works:
2. The swing, by Jean-Honoré Fragonard. 1767. Oil on canvas, 81 by 64.2 cm. (Wallace Collection, London).
Attributed works:
20. Coresus sacrificing himself to save Callirhoe, by Jean-Honoré Fragonard. 1765. Oil on canvas, 309 by 400 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
21. Photomicrograph of The swing (taken near area of foliage in lower left). Photograph taken with a Leica M60 stereomicroscope at 20x magnification by painting conservator Martin Wyld.
Attributed works:
22. Detail of The confessional, by Pierre-Étienne Moitte after Pierre- Antoine Baudouin. 1777. Etching and engraving. (Bibliothèque nationale de France, Paris).
Attributed works:
23. Photomicrograph of The swing (taken in lower-left foliage). Photograph taken with a Leica M60 stereomicroscope at 20x magnification by painting conservator Martin Wyld.
Attributed works:
24. The swing, by Jean-Honoré Fragonard. 1775–80. Oil on canvas, 215.9 by 185.5 cm. (National Gallery of Art, Washington).
Attributed works:
25. The good mother, by Jean-Honoré Fragonard. c.1773–79. Oil on canvas, 49 by 39 cm. (Private collection; Bridgeman Images).
Attributed works:
26. Detail of Fig.24, showing the positions of the figural group.
Attributed works:
27. Rest on the flight into Egypt, by Jean-Honoré Fragonard. 1781. Pen, black chalk and brown washes highlighted with watercolour on paper, 42.2 by 34 cm. (Musée du Louvre, Paris).
Attributed works:
28. L’armoire (The wardrobe), by Jean-Honoré Fragonard. 1778. Brown ink over black chalk, 34 by 46.5 cm. (Hamburger Kunsthalle).
Attributed works:
29. Le verrou (The bolt), by Jean-Honoré Fragonard. 1778. Red chalk, brush, brown ink, touches of pen and brown ink, pen and brown ink framing line, 24 by 36.5 cm. (Courtesy Christie’s, New York).
Attributed works:
3. Detail of Fig.2, showing the younger man.
Attributed works:
30. Les hazards heureux de l’escarpolette, by Nicolas Delaunay after Jean-Honoré Fragonard. 1782. Etching and engraving, 38.8 by 30.4 cm. (Artstor).
Attributed works:
31. La bonne mère, by Nicolas Delaunay after Jean-Honoré Fragonard. 1779. Etching, 67.8 by 53.6 cm (sheet). (Metropolitan Museum of Art, New York).
Attributed works:
32. Portrait of François-Marie Ménage de Pressigny. Oil on canvas, 60.5 by 49 cm. (Courtesy Galerie Noblesse des grands siècles, Paris / Valérie Pagé).
Attributed works:
33. La bascule (The see-saw), by Jean-Honoré Fragonard. c.1752. Oil on canvas, 120 by 94.5 cm. (Museo Nacional Thyssen-Bornemisza, Madrid).
Attributed works:
34. Detail of Le billet doux, by Nicolas Delaunay after Nicolas Lavreince. 1778. Etching and engraving. (National Gallery of Art, Washington).
Attributed works:
4. Detail of The swing, showing layers of yellow varnish partially removed.
Attributed works:
5. Blonde odalisque, by François Boucher. 1752. Oil on canvas, 59 by 73 cm. (Alte Pinakothek, Munich).
Attributed works:
6. Woman urinating, by François Boucher. 1760s. Oil on canvas, 51.5 by 40.5 cm. (Private collection).
Attributed works:
7. Le Matin (Morning), by Pierre-Antoine Baudouin. c.1767. Gouache over traces of graphite, paper pasted onto board, 25.9 by 19.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
8. The rising, by Jean-Honoré Fragonard. 1770. Oil on canvas, 74 by 59 cm. (© Los Angeles County Museum of Art; collection of Lynda & Stewart Resnick, Los Angeles).
Attributed works:
9. Detail of Fig.2, showing the gesture of the sculpture of Cupid.
Short Notice
Titian’s ‘Perseus and Andromeda’: a missing link in the chain of provenance
06/2023 | 1443 | 165
Pages: 620-622
related names
Author:
Gunn, Ann (Gunn, Ann)
Subjects
artists:
museums and institutions:
subjects:
Illustrations
Attributed works:
1. Perseus and Andromeda, by Titian. 1554–56. Oil on canvas, 230 by 243 cm. (Wallace Collection, London; Bridgeman Images).
Book Review
Frans Hals: The Male Portrait
06/2022 | 1431 | 164
Pages: 627-628
related names
Reviewer:
Buvelot, Quentin (Buvelot, Quentin)
Subjects
artists:
museums and institutions:
Reviewed Items
subjects:
Frans Hals: The Male Portrait By Lelia Packer with contributions by Ashok Roy. 130 pp. incl. 60 col. ills. (Philip Wilson Publishers, London, 2021), £20. ISBN 978–1–78130–110–4. | :
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Advertisements (front)
05/2022 | 1430 | 164
Pages: i-xxvii
Subjects
advertisements:
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Illustrations
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000 [Camper Dabernat]
Attributed works:
Attributed to ROSALBA CARRIERA, 1675 – Venice – 1757 Portrait of a Woman Wearing a Zendale Bodycolor on ivory (?) pasted on board. Height: 7 cm. Length: 5 cm With a signature: J.E. Liotard f lower left [Ratton and Ladrière]
Attributed works:
Beautiful night, by Louise Bourgeois (1911–2010). 1994. Lithograph, 52.7 by 70.5 cm. [MARLBOROUGH, LONDON]
Attributed works:
Bullfighting, by Germaine Richier (1902–59). 1953. Bronze, 116 by 54 by 101 cm. [Galerie de la Béraudière, Brussels]
Attributed works:
Chuquicamata Copper Mine Overburden #2, Calama, Chile, by Edward Burtynsky. 2017. Archival Pigment Print, 121.9 by 162.6 cm. (© Edward Burtynsky; courtesy Flowers Gallery, London, and Metivier Gallery, Toronto).[Photo London]
Attributed works:
Count Ugolino in the Tower of Hunger, by Pelagio Palagi (1775– 1860). Pen, brown ink, wash and white highlights, 38 by 53.3 cm. [MAURIZIO NOBILE, BOLOGNA, PARIS, MILAN]
Attributed works:
CV 2 01, by Charlotte Verity (b. 1954). 2022. Watercolour monotype, 33 by 40.8 cm. [KARSTEN SCHUBERT, LONDON]
Attributed works:
Disappointed soul, by Ferdinand Hodler (1853–91). 1891. Ink, oil and coloured chalks, 49.5 by 35.5 cm. [ARNOLDI-LIVIE, MUNICH]
Attributed works:
Doryphoros, after Polykleitos. Greece. c.1st century AD. Marble, 70 by 55 by 27 cm. [Galerie Chenel, Paris]
Attributed works:
Eternal Queen (cobalt blue), by Bradley Theodore (b. 1990). 2022. Etching with relief printing, 83.5 by 80.2 cm. [MANIFOLD EDITIONS, LONDON]
Attributed works:
Experiment on electrical stimulation of muscle – weeping woman, plate 50 from Mécanisme de la Physionomie Humaine (1862), by Guillaume-Benjamin- Amand Duchenne de Boulogne. 1855–56. Albumen print from a glass negative, 23.8 by 17.5 cm. (Robert Hershkowitz Ltd, London).[Photo London]
Attributed works:
Flow desk, by Wendell Castle (1932–2018). 2009. Stained cherry wood, 86.4 by 165 by 67 cm. [Friedman Benda, New York and Los Angeles]
Attributed works:
Giovanna Garzoni (1600 - 1670). Still life with pears, an almond and a fly. Gouache and watercolor on vellum. 14.2 x 19.3 cm. Estimate: € 60,000. [Bassenge]
Attributed works:
Hats, Father’s Day picnic, Seattle, WA, by William Heick. 1951. Gelatin silver print, 38.1 by 45.7 cm (© 2021 William Heick; courtesy Peter Fetterman Gallery, Santa Monica).[Photo London]
Attributed works:
HENDRICK GOLTZIUS (1558–1617) Pluto, after Polidoro da Caravaggio Pen and brown ink and brown wash, heightened with white, over an underdrawing in black chalk, on blue paper 264 x 170 mm. (103⁄8 x 65⁄8 in.)[Stephen Ongpin]
Attributed works:
Kyubigitsune, by Hiromitsu Takahashi (b. 1959). 2016. Stencil, 76 by 49 cm. [HANGA TEN, LONDON]
Attributed works:
Large head of Jacqueline wearing a hat, by Pablo Picasso (1881– 1973). 1962. Linocut, signed, 64 by 53 cm. [FREDERICK MULDER LTD, LONDON]
Attributed works:
Mallow leaf, by Albertus Jonas Brandt (1788–1821). Pencil and brown ink, 35.2 by 8 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM]
Attributed works:
Marc Chagall (French/Russian, 1887-1985) Esquisse pour "Les fiancés à l'oiseau" (Le mariage), circa 1960 Pastel, oil, India ink, and pencil on paper 15-3/4 x 10-7/8 inches (sheet) Estimate: $80,000 - $120,000 [Heritage Auctions]
Attributed works:
MICHELANGELO BUONARROTI (1475-1564) A nude man (after Masaccio) and two figures behind, 1496 or slightly after pen and two shades of brown ink, brown wash 33 × 20 cm (13 × 7 7/8 in.) Estimate on request [Christie's]
Attributed works:
Montagne Sainte-Victoire, by Paul Cézanne (1839–1906). Watercolour on paper, 28 by 40 cm. [STEPHEN ONGPIN FINE ART, LONDON]
Attributed works:
Nicolas Robert, Chouette effraie, collection M & Mme Pierre Rosenberg. © Photography : Suzanne Nagy. Design : Olivier Andreotti (Toluca Studio) [Salon du Dessin]
Attributed works:
Ocean Park #23, by Richard Diebenkorn (1922–93). 1969. Oil and charcoal on canvas, 236.2 by 205.7 cm. [Berggruen Gallery, San Francisco]
Attributed works:
Painting, by Pierre Soulages (b.1919). 1974. Oil on canvas, 202 by 256 cm. [Applicat-Prazan, Paris]
Attributed works:
Paul-Elie RANSON Limoges 1861 – Paris 1909 Nude in the forest, circa 1905. Pastel on grey laid paper, 470 × 370 mm [Paul Prouté]
Attributed works:
Piglet goes shopping, by Keith Haring (1958–90). 1989. Acrylic on canvas, 182.9 by 243.8 cm. Robilant + Voena, London
Attributed works:
Princesse Maleine, by Léon Spilliaert (1881–1946). 1903. Pencil, ink and wash, 15.5 by 19 cm. [AMBROISE DUCHEMIN, PARIS]
Attributed works:
Red caryatid on a black ground, by Amedeo Modigliani (1884– 1920). c.1913–14. Pencil and gouache on card, 62.5 by 42.5 cm. [David Tunick Inc., New York]
Attributed works:
Royal mask. Kingdom of Bekom, Cameroon 19th century. Wood, copper and kaolin, height 45 cm. [Galerie Bernard Dulon, Paris]
Attributed works:
Sailors’ holiday, by Lill Tschudi (1911–2004). 1932. Linocut, 20 by 26 cm [OSBORNE SAMUEL, LONDON]
Attributed works:
Scarlet ibis, by Nicolas Robert (1614–85). Watercolour and gouache on vellum with gold edging, 30.5 by 21.2 cm. [DE BAYSER, PARIS]
Attributed works:
Southern sunrise, Collioures, by Karen Keogh. 2020. Etching, 19.5 by 16 cm. [EAMES FINE ART, LONDON]
Attributed works:
Still life, by Giorgio Morandi (1890–1964). 1948. Oil on canvas, 33 by 50 cm. [Galleria d’Arte Maggiore, Bologna]
Attributed works:
Stone gorillas, by Francois-Xavier Lalanne (1927–2008). c.1983. Burgundy stone (pierre d’Euville), 76 by 60 by 58–60 cm. [Galerie Lefebvre, New York]
Attributed works:
Street scene, near a canal, in a Dutch city, by Johannes Huibert Prins (1757–1806). Watercolour, brown and Indian ink with black pencil, 31.4 by 21 cm. [GALERIE PAUL PROUTÉ, PARIS]
Attributed works:
Study of a human body after Ingres, by Francis Bacon (1909–92). 1982. Lithograph, 88 by 60.5 cm. [MARLBOROUGH, LONDON]
Attributed works:
Study of three heads, by Mauro Gandolfi (1764–1834). Pen and ink, 23.2 by 18.7 cm. [ROMANO FINE ARTS, FLORENCE]
Attributed works:
Sur le trône act1 tms2 from the series The blue moon of Ouagadougou, by Saïdou Dicko. 2021. Paint on archival pigment print on Hahnemühle Fine Art Baryta 325g. (© Saïdou Dicko and A  karis, Paris).[Photo London]
Attributed works:
The golf player, by Rembrandt van Rijn (1606–69). 1654. Original etching, 9.6 by 14.5 cm. [ELIZABETH HARVEY-LEE, OXFORDSHIRE]
Attributed works:
The Holy Family, by Giovanni Battista Tiepolo (1696–1770). Pen, brown ink and wash, 27.7 by 20 cm. [GRÄSSLE – HÄRB – NUTI, MUNICH AND LONDON]
Attributed works:
The painter and his model, by Pablo Picasso (1881–1973). 1963. Oil on canvas, 73 by 116 cm. [Van de Weghe, New York]
Attributed works:
Théodore Géricault (Rouen 1791 - 1824 Paris) Various Male Figures in Movement, a Horse and Rider, c. 1817 Pen in brown ink, 18.4 x 25.5 cm [Arnoldi-Livie]
Attributed works:
Tiziano Vecellio, called Titian, The Penitent Magdalen, oil on canvas, 96.7 x 115 cm, Auction: 11 May 2022 [Dorotheum]
Attributed works:
Untitled, by Key Sato (1906–78). 1969. Ink, 25 by 32 cm. [LOUIS & SACK, PARIS]
Attributed works:
Up Town I, by Vanessa Jackson (b. 1953). 2022. Screenprint, 50.3 by 125.3 cm. [ADVANCED GRAPHICS, LONDON]
Attributed works:
Winter woman, by Wenceslaus Hollar (1607–77). 1643. Engraved print with etching, 36.1 by 25.8 cm. [DANIEL CROUCH RARE BOOKS, LONDON]
Non-western art unattributed:
Lot 9 An Elamite appliqué of silver with bull’s head and cloisonné work with stone inlays, late 3rd - early 2nd millennium B.C. [Hermann Historica]
Western art unattributed:
LIMOGES, SECOND HALF 13th CENTURY A GILT-COPPER PYXIS REPRESENTING THE VIRGIN AND CHILD 13 1/2 in. (34.5 cm.) high Provenance: F. Spitzer Collection; V. Martin Le Roy Collection; J.-J. Marquet de Vasselot Collection, thence by descent. Estimate: €500,000 - 700,000 [Christie's]
Western art unattributed:
Lot 52 A Roman marble statue of Hermanubis with features of Alexander the Great, 1st - 2nd century [Hermann Historica]
Western art unattributed:
Lot 59 A Roman bronze urn with profound epigram in sophisticated calligraphy, 1st - 2nd century [Hermann Historica]
Western art unattributed:
Lot 88 A North Germanic jewellery bracteate (B-bracteate) of gold, late 5th - early 6th century A.D. [Hermann Historica]
Exhibition Review
Inspiring Walt Disney: The Animation of French Decorative Arts
05/2022 | 1430 | 164
Pages: 504-507
related names
Reviewer:
Choi, Kee Il Jr (Choi, Kee Il Jr)
Subjects
dates:
Reviewed Items
subjects:
Inspiring Walt Disney: The Animation of French Decorative Arts Wallace Collection, London 6th April–16th October | :
Illustrations
Attributed works:
16. Cinderella looking into a mirror, concept art for Cinderella, by Mary Blair. 1940s. Gouache, graphite and ink on board, 30.5 by 25.4 cm. (© Walt Disney Animation Research Library; exh. Wallace Collection, London).
Attributed works:
17. Tower vase with cover (vase en tour), attributed to Étienne Maurice Falconet, Sèvres Porcelain Manufactory. c.1762. Enamelled soft-paste porcelain, 52.1 by 22.9 by 22.9 cm. (Huntington Library, Art Museum and Garden, San Marino; exh. Wallace Collection, London).
Attributed works:
18. Cogsworth, concept art for Beauty and the Beast (1991), by Peter J. Hall. 1989. Marker and gouache on paper, 60.6 by 45.7 cm. (© Walt Disney Animation Research Library; exh. Wallace Collection, London).
Article
The provenance of ‘Het Steen’ and ‘The rainbow landscape’ by Rubens
04/2022 | 1429 | 164
Pages: 333-341
related names
Author:
Davis, Lucy (Davis, Lucy)
Author:
Muñoz-Rojas, Natalia (Muñoz-Rojas, Natalia)
Subjects
places:
subjects:
Illustrations
Attributed works:
1. A view of Het Steen in the early morning, by Peter Paul Rubens. Probably 1636. Oil on oak, 131.2 by 229.2 cm. (National Gallery, London).
Attributed works:
2. The rainbow landscape, by Peter Paul Rubens. Probably 1636. Oil on oak, 135.6 by 235 cm. (Wallace Collection, London).
Attributed works:
3. Cardinal Bandinello Sauli, his secretary and two geographers, by Sebastiano del Piombo. 1516. Oil on panel, 121.8 by 150.4 cm. (National Gallery of Art, Washington).
Attributed works:
4. Courtyard of Palazzo Balbi, by Jean Honoré Fragonard. 1761. Drawing, 20.2 by 29.1 cm. (British Museum, London).
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