1. The Immaculate Conception, by Diego Velázquez.
c.1618–19. Oil on canvas, 57.5 by 44 cm. (Private collection).
Attributed works:
2. The painting in Fig.1, photographed before cleaning in 2017.
Attributed works:
3. The Immaculate Conception, by Diego Velázquez. c.1618–19.
Oil on canvas, 135 by 101.6 cm. (National Gallery, London).
Attributed works:
4. The Immaculate Conception, by Diego Velázquez. c.1617–18.
Oil on canvas, 142 by 98.2 cm. (Fundación Focus, Seville).
Attributed works:
5. X-radiograph of the painting in Fig.1 (Private collection).
Attributed works:
6. X-radiograph of the painting in Fig.3. (National Gallery, London).
Attributed works:
7. X-radiograph of the painting in Fig.4. (Fundación Focus, Seville).
Attributed works:
8. The Immaculate Conception with donor, by Francisco Pacheco.
Signed and dated 1619. Oil on canvas, 160 by 110 cm. (Courtesy the
Cathedral Chapter, Seville).
Attributed works:
9. Education of the Virgin, here attributed to Diego Velázquez. c.1617–18.
Oil on canvas, 168 by 137 cm. (Yale University Art Gallery, New Haven).
Book Review
L’arte del dissenso: Pittura e libertinismi nell’Italia del Seicento. By Dalma Frascarelli
L’arte del dissenso: Pittura e
libertinismi nell’Italia del Seicento
By Dalma Frascarelli. 280 pp. incl. 50 col.
ills. (Giulio Einaudi Editore, Turin, 2016), |
:
Illustrations
Attributed works:
1. Flight into Egypt, by Adam Elsheimer. 1609.
Copper, 31 by 41 cm. (Alte Pinakothek, Munich;
Bridgeman Images).