Attributed works:
1. Immaculate Conception, here attributed to Alonso Cano. c.1628–29.
Oil on canvas, 148.7 by 96 cm. (Private collection).
Attributed works:
10. Detail of Fig.6, showing the Immaculate Conception.
Attributed works:
11. Immaculate Conception with Miguel Cid, by Francisco Pacheco.
1619. Oil on canvas, 160 by 110 cm. (Cathedral of St Mary, Seville).
Attributed works:
12 and 13. Details of Fig.1 showing cherubs painted over angels in the
top corners.
Attributed works:
14. Mary Magdalene de’ Pazzi, by Alonso Cano. c.1628–29. Oil on
canvas, 116 by 55 cm. (Museum of Fine Arts, Seville).
Attributed works:
15. The drawing shown in Fig.6 with the surviving paintings from
the altarpiece superimposed.
Attributed works:
2. St Francis of Borja, by Alonso Cano. 1624. Oil on canvas, 186 by 120
cm. (Museum of Fine Arts, Seville).
Attributed works:
3. The Crucified Christ appears to St Teresa, by Alonso Cano. c.1628–29.
Oil on canvas, 99 by 43.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
4. Christ the Saviour appears to St Teresa, by Alonso Cano. c.1628–29.
Oil on canvas, 99 by 43.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
5. Christ bearing the Cross (Via Dolorosa), by Alonso Cano. c.1628–29.
Oil on canvas, 166.5 by 101 cm. (Worcester Art Museum, Worcester MA).
Attributed works:
6. Preparatory drawing for an altarpiece with Christ bearing the Cross
(Via Dolorosa) and the Immaculate Conception, by Alonso Cano. c.1628–
29. Pencil, pen and brown ink on paper, 38.9 by 27.9 cm. (Félix Palacios
Remondo collection, Zaragoza).
Attributed works:
7. Detail of Fig.9, showing the upper part of the body and head.
Attributed works:
8. Detail of Fig.1, showing the upper part of the body and head.
Attributed works:
9. Immaculate Conception, by Diego Velázquez. c.1622. Oil on canvas,
142 by 98.2 cm. (Fundación Focus, Seville).
