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2 articles
Article
François Boucher and the art of conchology
04/2016 | 1357 | 158
Pages: 254-263
related names
Author:
Mulherron, Jamie (Mulherron, Jamie)
Subjects
Illustrations
Attributed works:
14. Perseus and Andromeda, etched by François Boucher and finished in burin by Pierre Aveline. 1734 (British Museum, London)
Attributed works:
15. Frontispiece by Claude Duflos after François Boucher to E.-F. Gersaint: Catalogue raisonné de Coquilles et autres Curiosités Naturelles, Paris 1736 (Courtesy Ader, Paris)
Attributed works:
16. Frontispiece to A.-J. Dezallier d'Argenville: L'Histoire Naturelle Eclaircie dans deux de ses parties principales, La Lithologie et la Conchyliologie, dont l'une traite de pierres et l'autre des coquillages, Paris 1742, by Pierre Quentin Chedel after François Boucher (Private collection)
Attributed works:
17. Vis, plate 14 in A.-J. Dezallier d'Argenville: L'Histoire Naturelle Eclaircie dans deux de ses parties principales, La Lithologie et la Conchyliologie, dont l'une traite de pierres et l'autre des coquillages, Paris 1742 (Private collection)
Attributed works:
18. Pourpres, plate 19 in A.-J. Dezallier d'Argenville: L'Histoire Naturelle Eclaircie dans deux de ses parties principales, La Lithologie et la Conchyliologie, dont l'une traite de pierres et l'autre des coquillages, Paris 1742 (Private collection)
Attributed works:
19. Oreilles de Mer, plate 7 in A.-J. Dezallier d'Argenville: L'Histoire Naturelle Eclaircie dans deux de ses parties principales, La Lithologie et la Conchyliologie, dont l'une traite de pierres et l'autre des coquillages, Paris 1742 (Private collection)
Attributed works:
20. Murex ou Rochers, plate 17 in A.-J. Dezallier d'Argenville: L'Histoire Naturelle Eclaircie dans deux de ses parties principales, La Lithologie et la Conchyliologie, dont l'une traite de pierres et l'autre des coquillages, Paris 1742 (Private collection)
Attributed works:
21. Murex ou Rochers, plate 18 in A.-J. Dezallier d'Argenville: L'Histoire Naturelle Eclaircie dans deux de ses parties principales, La Lithologie et la Conchyliologie, dont l'une traite de pierres et l'autre des coquillages, Paris 1742 (Private collection)
Attributed works:
22. Triton and nereid holding up a shell and a triton blowing a conch, plate 5 from the Premier Livre de Fontaines, by Gabriel Huquier after François Boucher. 1736 (Victoria and Albert Museum, London)
Attributed works:
23. Detail of Three putti sitting on dolphins and two tritons, plate 7 from the Second Livre de Fontaines, by Pierre Aveline after François Boucher. 1736 (Private collection)
Attributed works:
24. Rocaille, by Claude Duflos after François Boucher. Arabesque from a set of five designs for leaves of a folding screen. 1737 (Metropolitan Museum of Art, New York)
Attributed works:
25. Frontispiece to F. Bonanni: Recreatio Mentis et Oculis In Observatione Animalium Testaceorum, Curiosis Naturae Inspectoribus, Rome 1684 (Private collection)
Attributed works:
26. Murex senis appendicibus canaliculatis decorus, from F. Bonanni: Recreatio Mentis et Oculis In Observatione Animalium Testaceorum, Curiosis Naturae Inspectoribus, Rome 1684 (Private collection)
Attributed works:
27. Detail of The birth of Venus, by François Boucher. 1741 (Nationalmuseum, Stockholm)
Attributed works:
28. Study for a triton holding a shell, by François Boucher. 1752 (Staatliche Kunstsammlungen, Weimar)
Attributed works:
29. Detail of The setting of the sun, by François Boucher. 1752 (Wallace Collection, London)
Attributed works:
30. Detail of the frontispiece, by Antonio Pazzi after Giovanni Domenico Campiglia, to N. Gualtieri: Index Testarum Conchyliorum, Florence 1742 (Private collection)
Attributed works:
31. Detail of The setting of the sun, by François Boucher. 1752 (Wallace Collection, London)
Attributed works:
32. Holy water stoup formed of a giant clam shell and a base made by Jean-Baptiste Pigalle. 1745 (Saint-Sulpice, Paris)
Attributed works:
33. Detail of The rising of the sun, by François Boucher. 1753 (Wallace Collection, London)
Attributed works:
34. Study for a triton, by François Boucher. 1752 (Art Institute of Chicago)
Attributed works:
35. Detail of Juno commands Aeolus to unleash the winds, by François Boucher (Kimbell Art Museum, Fort Worth)
Attributed works:
36. Detail of Venus on the waves, by François Boucher. 1769 (J. Paul Getty Museum, Los Angeles)
Attributed works:
37. Murex maximus, by Teresa Mogalli, plate 34 in N. Gualtieri: Index Testarum Conchyliorum, Florence 1742 (Private collection)
Article
The Ecclesiastical Hat in Heraldry and Ornament before the Beginning of the 17th Century
03/1913 | 120 | 22
Pages: 338-344
related names
Author:
Beck, Egerton (Beck, Egerton; B., E.; Beck, E.)
Subjects
dates:
places:
subjects:
Illustrations
Western art unattributed:
Figure 1. Figure of a cardinal on horseback taken from Bonanni's 'Gerarchia'.
Western art unattributed:
Figure 10. A hat from the shield of William Harrington, canon of S. Pauls and protonotary, as reproduced in a manuscript form the library of Herald's College.
Western art unattributed:
Figure 2. A drawing of the cardinals journeying to the council of Constance in 1414.
Western art unattributed:
Figure 3. A cardinal's hat reproduced by Briquet from a watermark of the end of 15th century.
Western art unattributed:
Figure 4. The cardinal's hat placed over a cardinal' shield with fifteen tassels hanging from it on either side.
Western art unattributed:
Figure 5. The hat from the tomb of Cardinal Bulcano.
Western art unattributed:
Figure 6. The hat from the tomb of Cardinal Stefaneschi.
Western art unattributed:
Figure 7. The arms of the English Cardinal Morton.
Western art unattributed:
Figure 8. The arms of the English Cardinal Wolsey.
Western art unattributed:
Figure 9. A 15th century tile from the Jeronymite abbey of S. Jeroni de Cotalba, near Gandia.