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6 articles
Article
Sickert’s coster girls: some American connections
06/2022 | 1431 | 164
Pages: 582-585
related names
Author:
Farey, Luke (Farey, Luke)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
12. Louie (or Flower girl), by Walter Sickert. 1911. Oil on canvas, 38.1 by 30.5 cm. (Private collection; courtesy Christie’s; Bridgeman Images).
Attributed works:
13. Le Corsage Violet, by Walter Sickert. 1907–08. Oil on canvas, 50.8 by 40.2 cm. (Private collection).
Attributed works:
14. Lou! Lou! I Love You, by Walter Sickert. 1911. Lithograph, 33.2 by 22 cm. (Tate Archive).
Attributed works:
15. The hat-pin, by Walter Sickert. 1907–08. Black and white chalk with transfer grid in red ink on paper, 33.5 by 26 cm. (Courtesy Duncan Miller Fine Arts).
Attributed works:
16. Mother and Daughter, by Walter Sickert. 1911. Oil on canvas, 46.2 by 35.5 cm. (Private collection; courtesy Bonhams).
Article
The Lavoisiers by David: technical findings on portraiture at the brink of revolution
09/2021 | 1422 | 163
Pages: 780-791
related names
Author:
Centeno, Silvia A. (Centeno, Silvia A.)
Author:
Mahon, Dorothy (Mahon, Dorothy)
Author:
Pullins, David (Pullins, David)
Subjects
Illustrations
Attributed works:
1. Antoine-Laurent and Marie-Anne Pierrette Paulze Lavoisier, by Jacques-Louis David. 1788. Oil on canvas, 259.7 by 194.8 cm. (Metropolitan Museum of Art, New York).
Attributed works:
10. Chapeau à la Tarare, by A.-B. Duhamel Jean-Florent Defraine. 1787. Hand-coloured engraving, 17.9 by 19.9 cm. Detail of plate 2 from La Magasin des Modes Nouvelles 36 (10th November 1787). (Rijksmuseum, Amsterdam).
Attributed works:
10. Chapeau à la Tarare, by A.-B. Duhamel Jean-Florent Defraine. 1787. Hand-coloured engraving, 17.9 by 19.9 cm. Detail of plate 2 from La Magasin des Modes Nouvelles 36 (10th November 1787). (Rijksmuseum, Amsterdam).
Attributed works:
11. Marie-Antoinette and her children, by Elisabeth Vigée Le Brun. 1787. Oil on canvas, 275 by 216.5 cm. (Châteaux de Versailles et de Trianon, Versailles).
Attributed works:
12. Louis-Elisabeth de France and her son, by Adélaïde Labille- Guiard. 1788. Oil on canvas, 275 by 160 cm. (Châteaux de Versailles et de Trianon, Versailles).
Attributed works:
13. Detail of Salon of 1787, by Pietro Antoni Martini. 1787. Etching with engraving, 35.6 by 50.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
14. Alphonse Leroy, by Jacques-Louis David. 1783. Oil on canvas, 72 by 91 cm. (Musée Fabre, Montpellier).
Attributed works:
15. The Chabanel family, by Antoine Vestier. 1786. Oil on canvas, 165.3 by 220.5 cm. (Private collection).
Attributed works:
16. An architect and his family, by Marguerite Gérard. c.1788–89. Oil on panel, 30.5 by 24.1 cm. (Baltimore Museum of Art).
Attributed works:
17. The poorly defended rose, by Michel Garnier. 1789. Oil on canvas, 46.2 by 37.6. (Minneapolis Institute of Art).
Attributed works:
18. Experiments in respiration, by Marie-Anne Pierrette Paulze Lavoisier. c.1790. Graphite, pen and ink on paper. (Private collection).
Attributed works:
2. Infra-red reflectogram (IRR) of Fig.1. (Department of Paintings Conservation, Metropolitan Museum of Art, New York).
Attributed works:
3. Combined elemental distribution map for lead (white) and mercury (red) obtained by macro X-ray fluorescence (MA-XRF). (Department of Scientific Research, Metropolitan Museum of Art, New York).
Attributed works:
4. A line drawing, produced by tracing information obtained by IRR and XRF, suggesting the appearance of the portrait before J.-L. David made significant changes to the composition.
Attributed works:
5. Charles-Alexandre de Calonne, by Elisabeth Vigée Le Brun. 1784. Oil on canvas, 155.5 by 130.3 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2021).
Attributed works:
6. Madame Élisabeth, by Adélaïde Labille-Guiard. 1787. Oil on canvas, 146.7 by 155 cm. (Private collection).
Attributed works:
7. Sketch for Charles-Roger, Prince de Bauffremont, by Adélaide Labille-Guiard. 1789–91. Oil on canvas, 34 by 23 cm. (Musée Nissim de Camondo, Paris).
Attributed works:
8. Baronne de Crussol Florensac, by Elisabeth Vigée Le Brun. 1785. Oil on canvas, 113.8 by 84 cm. (Musée des Augustins, Toulouse).
Attributed works:
9. Chapeau à la Basile, by A.-B. Duhamel Jean-Florent Defraine. 1787. Hand-coloured engraving, 18.2 by 10.2 cm. Detail of plate 3 from La Magasin des Modes Nouvelles 31 (20th September 1787). (Rijksmuseum, Amsterdam).
Article
Turbans in the Strozzi Chapel: Filippino Lippi and the Mamluk embassies to Florence
10/2020 | 1411 | 162
Pages: 860-864
related names
Author:
Cevizli Gatward, Antonia (Cevizli Gatward, Antonia)
Subjects
dates:
media:
places:
subjects:
Illustrations
Attributed works:
1. Detail of The Assumption, by Filippino Lippi. 1488–93. Fresco. (Carafa Chapel, S. Maria Sopra Minerva, Rome).
Attributed works:
2. Detail of St Philip’s expulsion of the dragon, by Filippino Lippi. 1487–1502. Fresco. (Strozzi Chapel, S. Maria Novella, Florence).
Attributed works:
4. The arrest and trial of St Mark, by Giovanni Mansueti. 1499. Oil on panel, 164 by 146 cm. (Fürstlich Gemäldegalerie, Liechtenstein Museum).
Attributed works:
5. St George baptising the pagans, by Vittore Carpaccio. 1507–08. Oil and tempera on canvas, 141 by 285 cm. (Scuola di San Giorgio degli Schiavoni, Venice).
Non-western art unattributed:
3. Ottomans besieging the Mamluks from Damascus. Ottoman, c.1521– 24. (From Selimname, Topkapı Sarayı Museum, Istanbul, MS. H. 1597-98, fol.235r; T.C. Cumhurbaşkanlığı Milli Saraylar İdaresi Başkanlığı).
Short Notice
Recent Museum Acquisitions: Mid-Nineteenth-Century Bonnets (London Museum)
10/1967 | 775 | 109
Pages: 588-589
related names
Author:
Halls, Zillah (Halls, Zillah)
Subjects
dates:
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Western art unattributed:
59. Three Bonnets, Worn by Queen Victoria in the Mid-Nineteenth Century. (London Museum; Gift of H. R. H. Princess Marina.)
Article
The Mitre and Tiara in Heraldry and Ornament: I-The Mitre
07/1913 | 124 | 23
Pages: 221-224
related names
Author:
Beck, Egerton (Beck, Egerton; B., E.; Beck, E.)
Subjects
dates:
places:
subjects:
subjects:
Article
The Ecclesiastical Hat in Heraldry and Ornament before the Beginning of the 17th Century
03/1913 | 120 | 22
Pages: 338-344
related names
Author:
Beck, Egerton (Beck, Egerton; B., E.; Beck, E.)
Subjects
dates:
places:
subjects:
Illustrations
Western art unattributed:
Figure 1. Figure of a cardinal on horseback taken from Bonanni's 'Gerarchia'.
Western art unattributed:
Figure 10. A hat from the shield of William Harrington, canon of S. Pauls and protonotary, as reproduced in a manuscript form the library of Herald's College.
Western art unattributed:
Figure 2. A drawing of the cardinals journeying to the council of Constance in 1414.
Western art unattributed:
Figure 3. A cardinal's hat reproduced by Briquet from a watermark of the end of 15th century.
Western art unattributed:
Figure 4. The cardinal's hat placed over a cardinal' shield with fifteen tassels hanging from it on either side.
Western art unattributed:
Figure 5. The hat from the tomb of Cardinal Bulcano.
Western art unattributed:
Figure 6. The hat from the tomb of Cardinal Stefaneschi.
Western art unattributed:
Figure 7. The arms of the English Cardinal Morton.
Western art unattributed:
Figure 8. The arms of the English Cardinal Wolsey.
Western art unattributed:
Figure 9. A 15th century tile from the Jeronymite abbey of S. Jeroni de Cotalba, near Gandia.