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10 articles
Exhibition Review
‘The Immensity of the Universe’ in the Art of Giovanna Garzoni
09/2020 | 1410 | 162
Pages: 799-802
related names
Reviewer:
Greenfield, Ingrid Anna (Greenfield, Ingrid Anna )
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
‘The Immensity of the Universe’ in the Art of Giovanna Garzoni Palazzo Pitti, Florence 28th May–28th June 2020 | :
Illustrations
Attributed works:
10. Self-portrait as Apollo, by Giovanna Garzoni. c.1618– 20. Tempera on parchment, 42 by 33 cm. (Palazzo del Quirinale, Rome; exh. Palazzo Pitti, Florence).
Attributed works:
11. Porcelain vase with tulips and a pear, by Giovanna Garzoni. c.1648– 53. Tempera on parchment, 66.7 by. 49.8 cm. (Gallerie degli Uffizi, Florence; exh. Palazzo Pitti, Florence).
Attributed works:
12. Plate with plum, jasmine and walnuts, by Giovanna Garzoni. c.1655– 62. Tempera on parchment, 23.5 by 38.5 cm. (Gallerie degli Uffizi, Florence; exh. Palazzo Pitti, Florence).
Exhibition Review
Forgotten Masters: Indian Painting for the East India Company. Wallace Collection, London
04/2020 | 1405 | 162
Pages: 341-344
related names
Reviewer:
Weekes, Ursula (Weekes, Ursula )
Subjects
artists:
dates:
Reviewed Items
subjects:
Forgotten Masters: Indian Painting for the East India Company Wallace Collection, London 4th December 2019–19th April | :
Illustrations
Attributed works:
16. Lesser adjutant, by an unknown artist. c.1775–85. Ink and watercolour on paper, 61 by 40.6 cm. (Private collection; exh. Wallace Collection, London).
Attributed works:
17. A station palanquin with an army officer, by Yellapah of Vellore. c.1828. Opaque watercolour on paper, 35 by 50 cm. (British Library, London; exh. Wallace Collection, London).
Article
Interpreting Arcimboldo: grotesque parodies or serious jokes?
05/2018 | 1382 | 160
Pages: 368-375
related names
Author:
Kaufmann, Thomas Dacosta (Kaufmann, Thomas Dacosta)
Subjects
art literature:
dates:
media:
Illustrations
Attributed works:
1. Spring, by Giuseppe Arcimboldo. After 1563. Canvas, 66 by 50 cm. (Museo de Real Academia de Bellas Artes de San Fernando, Madrid; exh. Museo de Bellas Artes, Bilbao).
Attributed works:
10. A reindeer, by Giuseppe Arcimboldo. 1562. 25.8 by 22.2 cm. (Staatliche Kunstsammlungen, Dresden; BPK).
Attributed works:
2. Flora, by Giuseppe Arcimboldo. c.1589. Panel, 74.5 by 57.5 cm. (Private collection, Madrid; courtesy Fundación March; exh. Museo de Bellas Artes, Bilbao).
Attributed works:
3. Flora Meretrix, by Giuseppe Arcimboldo. c.1590. Panel, 80.5 by 61 cm. (Private collection, Madrid; courtesy Fundación March; exh. Museo de Bellas Artes, Bilbao).
Attributed works:
4. Winter, by Giuseppe Arcimboldo. 1563. Canvas, 66.6 cm by 50.5 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
5. Winter, here attributed to an imitator of Arcimboldo. c.1590. Panel, 67.8 by 56.2 cm. (Bavarian State Collections, Munich; exh. Gallerie Nazionale di Arte Antica di Roma, Palazzo Barberini, Rome).
Attributed works:
6. Summer, by Giuseppe Arcimboldo. 1563. Canvas, 67 by 50.8 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
7. Archduchess Magdalena, here attributed to a contemporary of Arcimboldo. c.1563. Canvas, 43.7 by 32.8 cm. (Kunsthistorisches Museum, Vienna; exh. National Museum of Western Art, Tokyo, and Palazzo Barberini, Rome).
Attributed works:
8. Tree of Jesse, by Giuseppe Meda and Giuseppe Arcimboldo. 1556. Fresco (Monza Cathedral).
Attributed works:
9. Nature studies, by Giuseppe Arcimboldo and others. Inscribed with dates 1553 and 1572. 36.1 by 48.7 cm. (Österreichische Nationalbibliothek, Handschriftensammlung, Vienna).
Article
François Boucher and the art of conchology
04/2016 | 1357 | 158
Pages: 254-263
related names
Author:
Mulherron, Jamie (Mulherron, Jamie)
Subjects
Illustrations
Attributed works:
14. Perseus and Andromeda, etched by François Boucher and finished in burin by Pierre Aveline. 1734 (British Museum, London)
Attributed works:
15. Frontispiece by Claude Duflos after François Boucher to E.-F. Gersaint: Catalogue raisonné de Coquilles et autres Curiosités Naturelles, Paris 1736 (Courtesy Ader, Paris)
Attributed works:
16. Frontispiece to A.-J. Dezallier d'Argenville: L'Histoire Naturelle Eclaircie dans deux de ses parties principales, La Lithologie et la Conchyliologie, dont l'une traite de pierres et l'autre des coquillages, Paris 1742, by Pierre Quentin Chedel after François Boucher (Private collection)
Attributed works:
17. Vis, plate 14 in A.-J. Dezallier d'Argenville: L'Histoire Naturelle Eclaircie dans deux de ses parties principales, La Lithologie et la Conchyliologie, dont l'une traite de pierres et l'autre des coquillages, Paris 1742 (Private collection)
Attributed works:
18. Pourpres, plate 19 in A.-J. Dezallier d'Argenville: L'Histoire Naturelle Eclaircie dans deux de ses parties principales, La Lithologie et la Conchyliologie, dont l'une traite de pierres et l'autre des coquillages, Paris 1742 (Private collection)
Attributed works:
19. Oreilles de Mer, plate 7 in A.-J. Dezallier d'Argenville: L'Histoire Naturelle Eclaircie dans deux de ses parties principales, La Lithologie et la Conchyliologie, dont l'une traite de pierres et l'autre des coquillages, Paris 1742 (Private collection)
Attributed works:
20. Murex ou Rochers, plate 17 in A.-J. Dezallier d'Argenville: L'Histoire Naturelle Eclaircie dans deux de ses parties principales, La Lithologie et la Conchyliologie, dont l'une traite de pierres et l'autre des coquillages, Paris 1742 (Private collection)
Attributed works:
21. Murex ou Rochers, plate 18 in A.-J. Dezallier d'Argenville: L'Histoire Naturelle Eclaircie dans deux de ses parties principales, La Lithologie et la Conchyliologie, dont l'une traite de pierres et l'autre des coquillages, Paris 1742 (Private collection)
Attributed works:
22. Triton and nereid holding up a shell and a triton blowing a conch, plate 5 from the Premier Livre de Fontaines, by Gabriel Huquier after François Boucher. 1736 (Victoria and Albert Museum, London)
Attributed works:
23. Detail of Three putti sitting on dolphins and two tritons, plate 7 from the Second Livre de Fontaines, by Pierre Aveline after François Boucher. 1736 (Private collection)
Attributed works:
24. Rocaille, by Claude Duflos after François Boucher. Arabesque from a set of five designs for leaves of a folding screen. 1737 (Metropolitan Museum of Art, New York)
Attributed works:
25. Frontispiece to F. Bonanni: Recreatio Mentis et Oculis In Observatione Animalium Testaceorum, Curiosis Naturae Inspectoribus, Rome 1684 (Private collection)
Attributed works:
26. Murex senis appendicibus canaliculatis decorus, from F. Bonanni: Recreatio Mentis et Oculis In Observatione Animalium Testaceorum, Curiosis Naturae Inspectoribus, Rome 1684 (Private collection)
Attributed works:
27. Detail of The birth of Venus, by François Boucher. 1741 (Nationalmuseum, Stockholm)
Attributed works:
28. Study for a triton holding a shell, by François Boucher. 1752 (Staatliche Kunstsammlungen, Weimar)
Attributed works:
29. Detail of The setting of the sun, by François Boucher. 1752 (Wallace Collection, London)
Attributed works:
30. Detail of the frontispiece, by Antonio Pazzi after Giovanni Domenico Campiglia, to N. Gualtieri: Index Testarum Conchyliorum, Florence 1742 (Private collection)
Attributed works:
31. Detail of The setting of the sun, by François Boucher. 1752 (Wallace Collection, London)
Attributed works:
32. Holy water stoup formed of a giant clam shell and a base made by Jean-Baptiste Pigalle. 1745 (Saint-Sulpice, Paris)
Attributed works:
33. Detail of The rising of the sun, by François Boucher. 1753 (Wallace Collection, London)
Attributed works:
34. Study for a triton, by François Boucher. 1752 (Art Institute of Chicago)
Attributed works:
35. Detail of Juno commands Aeolus to unleash the winds, by François Boucher (Kimbell Art Museum, Fort Worth)
Attributed works:
36. Detail of Venus on the waves, by François Boucher. 1769 (J. Paul Getty Museum, Los Angeles)
Attributed works:
37. Murex maximus, by Teresa Mogalli, plate 34 in N. Gualtieri: Index Testarum Conchyliorum, Florence 1742 (Private collection)
Exhibition Review
Un Museo di Antichità nella Padova del Cinquecento. La raccolta di Marco Mantova Benavides all’Università di Padova, I. Favaretto and A. Menegazzi, eds.
03/2015 | 1344 | 157
Pages: 196
related names
Reviewer:
Warren, Jeremy (Warren, Jeremy)
Subjects
collectors and dealers:
subjects:
Book Review
The Art of Thomas Bewick, D. Donald
01/2015 | 1342 | 157
Pages: 36-37
related names
Reviewer:
Postle, Martin (Postle, Martin)
Subjects
artists:
Illustrations
Attributed works:
36. Zebra, illustration to A General History of Quadrapeds, by Isaac Nicholson after Thomas Bewick (Tate, London)
Publication Received
The Duchess’s Shells: Natural History Collecting in the Age of Cooke’s Voyages. By Beth Fowkes Tobin.
12/2014 | 1341 | 156
Pages: 827-828
related names
Reviewer:
Longstaffe-Gowan, Todd (Longstaffe-Gowan, Todd; Gowan, Todd Longstaffe-)
Subjects
Book Review
Slavery, Sugar, and the Culture of Refinement. Picturing the British West Indies 1700–1840
03/2010 | 1284 | 152
Pages: 188
related names
Reviewer:
Brockington, Grace (Brockington, Grace)
Subjects
dates:
places:
print:
subjects:
Reviewed Items
subjects:
Slavery, Sugar, and the Culture of Refinement. Picturing the British West Indies 1700–1840 | author: Kriz, Kay Dian
Illustrations
Attributed works:
48. Market day, Roseau, Dominica, by Agostino Brunias. c.1780. Canvas, 35.6 by 46.4 cm. (Yale Center for British Art, Paul Mellon Collection, New Haven)
Exhibition Review
Amazing rare things. London
07/2008 | 1264 | 150
Pages: 485-486
related names
Reviewer:
Darley, Gillian (Darley, Gillian)
Subjects
dates:
places:
Reviewed Items
subjects:
Amazing Rare Things: The Art of Natural History in the Age of Discovery | institution: Queen's Gallery, Buckingham Palace
Illustrations
Attributed works:
59. Common or spectacled caiman (Caiman crocodilus) and South American false coral snake (Anilius scytale), by Maria Sibylla Merian. c.1705–10. Watercolour, bodycolour and gum arabic on vellum, 34.6 by 49.6 cm. (Royal Library, Windsor Castle; exh. Queen’s Gallery, London).
Attributed works:
60. Passenger pigeon (Ectopistes migratoria) and turkey oak (Quercus laevis), by Mark Catesby. c.1722–26. Watercolour and bodycolour heightened with gum arabic over pen and brown ink, 26.9 by 36.3 cm. (Royal Library, Windsor Castle; exh. Queen’s Gallery, London).
Western art unattributed:
58. Gemstones and amulets, by an unidentified artist. c.1630. Watercolour and bodycolour with some silver and gold paint over black chalk, 39.3 by 24.4 cm. (Royal Library, Windsor Castle; exh. Queen’s Gallery, London).
Book Review
The Paper Museum of Cassiano dal Pozzo. Series B: Natural History, Part II. Fungi
07/2007 | 1252 | 149
Pages: 496-497
related names
Reviewer:
Reitsma, Ella (Reitsma, Ella)
Subjects
collectors and dealers:
Reviewed Items
subjects:
The Paper Museum of Cassiano dal Pozzo. Series B: Natural History, Part II. Fungi | author: Freedberg, David , author: Pegler, David
Illustrations
Western art unattributed:
39. Melanoleuca strictipes (Karsten), by an anonymous draughtsman. 1627. Watercolour and bodycolour over black chalk, 32.4 by 22.5 cm. (Library of the Institut de France, Paris).