10. Psyche rescued by nymphs, by Jean-Baptiste-Marie Pierre. 1750. Canvas, 83.8 by 115.5 cm. (Birmingham Museums and Art Gallery).
Attributed works:
11. Venus disarming Cupid, by François Boucher. c.1751. Canvas, 130 by 93.5 cm. (Collection of Lynda and Stewart Resnick, Los Angeles).
Attributed works:
12. L’Amour désarmé, by Etienne Fessard, after François Boucher. 1761. Etching, with engraving, 40.2 by 26.6 cm. From A. Ananoff: Boucher, Lausanne and Paris 1976, II, p.76, no.375/1, fig.1097.
Attributed works:
13. Copy of Fig.11. (Photograph reproduced in T. Carr Howe, Jr.: Salt Mines and Castles: The Discovery and Restitution of Looted European Art, New York 1946, facing p.161).
Attributed works:
14. Detail of dove’s wing on the tacking strip of Fig.11. (Photograph by the author).
Attributed works:
6. Nymphs adorning Cupid, by Jean-Baptiste-Marie Pierre. Mid-1750s. Canvas, 89.5 by 134 cm. (Château de Menars).
Attributed works:
7. Cupid and Psyche, by Jean-Baptiste-Marie Pierre. Mid-1750s. Canvas, 89 by 134 cm. (Château de Menars).
Attributed works:
8. Installation view of Fig.6 at the Château de Menars. (Photograph by the author).
Attributed works:
9. Installation view of Fig.7 at the Château de Menars. (Photograph by the author).
Article
Rubens’s ‘Nymphs and satyrs’ in the Prado: observations on its genesis and meaning
1. Nymphs and satyrs, by Peter Paul Rubens. c.1638–40. Canvas, 136 by 165 cm. (Museo del Prado, Madrid).
Attributed works:
2. Nymphs and satyrs, after Peter Paul Rubens. c.1615. Panel, 95 by 120 cm. (Whereabouts unknown)
Attributed works:
3. Nymphs and satyrs, after Peter Paul Rubens. Canvas, 274.5 by 329 cm. (Whereabouts unknown).
Attributed works:
4. Seated nymph seen from behind, by Willem Panneels, after Peter Paul Rubens. c.1628–30. Black and red chalk on yellowish paper, 27.9 by 24.7 cm. (Statens Museum for Kunst, Copenhagen).
Attributed works:
5. X-radiograph of Fig.1
Attributed works:
7. Silenus leaning against a tree trunk, by Peter Paul Rubens. 1605/06–08. Black chalk, 39.5 by 26.5 cm. (Musée des Beaux-Arts, Orléans).
Western art unattributed:
6. Crouching Venus, anonymous Roman variant of Hellenistic type. (Museo Nazionale delle Terme, Rome).
38. Nymphe Surprise, by Edouard Manet. (Museo Nacional de Bellas Artes, Buenos Aires). Photo Courtesy Juan Corradini.
Attributed works:
39. Photograph of Manet's Nymphe Surprise by Godet, 1861. Courtesy of Mrs H. T. Curtiss.
Attributed works:
40. Photograph of Manet's Nymphe Surprise by Lochard, 1883 (?). Photo Courtesy Bibliothèque Nationale, Cabinet des Estampes.
Attributed works:
41. Susannah (Here Reproduced in Reverse), by Vorstermann, after Rubens. Photo Courtesy Metropolitan Museum of Art, New York.
Attributed works:
42. Detail from La Pêche, by Edouard Manet. 1860-61. (Metropolitan Museum of Art, New York, Purchase, 1957, Mr and Mrs Richard J. Bernhard). Photo Courtesy Metropolitan Museum of Art, New York.
Attributed works:
43. Nymph and Satyr, by Marcantonio Raimondi (B. XIV.245. 325, D. 123). Photo Courtesy Metropolitan Museum of Art, New York.
Attributed works:
44. Callisto in Her Retirement (Here Reversed), by R. Earlom after Van Dyck. Photo Courtesy Metropolitan Museum of Art, New York.
A-The Fall of Phaethon. Canvas, 64 cm. by 56.8 cm.; B-Apollo and the Nymph Daphne. Canvas, 64 cm. by 32.4 cm.; C-Pan and a Sleeping Nymph. Canvas, 64 cm. by 32.4 cm. (Worcester Art Museum, U. S. A.). Three Pictures by Il Sodoma
Article
Odds and Ends-I. North Italian Sculptor-Circa 1520
Plate II. Reliefs in the Victoria and Albert Museum; By Benvenuto Cellini (?). (B) "La Nymphe de Fontainebleau" of the Louvre, Bronzed Cast. (C) Cupid Unveiling a Sleeping Nymph; Terra-Cotta. Odds and Ends-I. Benvenuto Cellini
Western art unattributed:
Plate I. (A) "Mucius Scævola", Marble, North Italian, c. 1520 (The Museum, Wiesbaden). Odds and Ends-I. North Italian Sculptor, Circa 1520