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5 articles
Article
Henri Matisse’s stained-glass window ‘La Rosace’ (1954)
09/2013 | 1326 | 155
Pages: 612-620
related names
Author:
Daniels, Rebecca (Daniels, Rebecca)
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Illustrations
Attributed works:
26. Union Church, Pocantico Hills, Tarrytown, New York, by Ludwig W. Eisinger (Photograph by the author)
Attributed works:
28. La Rosace, maquette for the stained-glass window in the Union Church, Pocantico Hills, Tarrytown, New York, by Henry Matisse (Private collection, London)
Attributed works:
31. Photograph of Henri Matisse sitting in front of his Egyptian hanging in his villa at Vence, by Henri Cartier-Bresson. 1943-44 (Fondation Henri Cartier-Bresson, Paris)
Attributed works:
32. Photograph of Matisse's bedroom with the maquette for La Rosace pinned to the wall. 1954 (Rockefeller Archive Center, New York)
Attributed works:
34. Photograph of La Rosace, stained-glass window by Henri Matisse and Paul Bony. Union Church, Pocantico Hills, Tarrytown, New York (Rockefeller Archive Center, New York)
Non-western art unattributed:
29. Chinese papercut in the form of a rosette. Sinkiang. From J. Warner: Chinese Papercuts, Hong Kong 1978, p.11
Non-western art unattributed:
30. Detail of an Egyptian hanging. Nineteenth century (Private collection)
Non-western art unattributed:
33. Vase. Chinese, Qing Dynasty, Kangxi period, late seventeenth-early eighteenth century (John D. Rockefeller Jr bequest, Metropolitan Museum of Art, New York)
Western art unattributed:
27. Photograph of the interior of the Union Church showing the window prior to Matisse's commission (Rockefeller Archive Center, New York)
Article
Oskar Schlemmer’s ‘Bauhaustreppe’, 1932: part II
09/2010 | 1290 | 152
Pages: 595-602
related names
Author:
Stonard, John-Paul (Stonard, John-Paul)
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Illustrations
Attributed works:
28. Bauhaustreppe, by Oskar Schlemmer. 1932. Canvas, 161 by 113 cm. (Museum of Modern Art, New York; digital image 2009 Scala Archives, Florence; copyright the Oskar Schlemmer Estate and Archive, Oggebbio; and 2010 estate of Oskar Schlemmer, Munich).
Attributed works:
29. Wettlauf, by Oskar Schlemmer. 1930. Canvas, 160.6 by 96.5 cm. (Wadsworth Atheneum, Hartford CT).
Attributed works:
36. Detail of The three Graces, by Raphael. 1504. Panel, 17 by 17 cm. (Musée Condé, Chantilly).
Attributed works:
37. Detail of Fig.28.
Western art unattributed:
30. Interior of Philip Johnson’s apartment, furniture by Mies van der Rohe and Lilly Reich, showing Bauhaustreppe. New York, 1933. Gelatin silver print, 21 by 26 cm. (Getty Research Institute, Philip Johnson papers).
Western art unattributed:
31. Installation view of the exhibition Bauhaus 1919–1928 at the Museum of Modern Art, New York, showing model of Bauhaus. 1938. (Museum of Modern Art Archives, reel 14/616).
Western art unattributed:
32. Installation view of exhibition Bauhaus 1919–1928 at the Museum of Modern Art, New York, including Bauhaustreppe. From The Bulletin of the Museum of Modern Art 6/5 (December 1938). (Museum of Modern Art Archives, CE II.1.40.5.1.2).
Western art unattributed:
33. Press clipping of ‘The Bauhaus Steps’. From ‘Bauhaus Exhibit at Smith Gallery’, Republican (8th March 1939). (Museum of Modern Art Archives, reel 14/660).
Western art unattributed:
34. Installation view of exhibition Bauhaus 1919–1928 at Cleveland Museum of Art, showing Bauhaustreppe. (Museum of Modern Art Archives, reel 14/630).
Western art unattributed:
35. Photograph of an advertising banner for the exhibition Bauhaus 1919–1933: Workshops for Modernity, Museum of Modern Art, New York. 2009. (Photograph courtesy of Marcie Muscat).
Article
Art History Reviewed VII: Alfred H. Barr, Jr.’s ‘Matisse. His Art and His Public’, 1951
01/2010 | 1282 | 152
Pages: 36-39
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Author:
Elderfield, John (Elderfield, John)
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Illustrations
Attributed works:
52. (From left) René d’Harnoncourt, Mme Henri Bonnet, Alfred J. Barr, Jr., Jean Daridan of the French Embassy and Nelson Rockefeller at the opening of the exhibition Henri Matisse: A Retrospective at the Museum of Modern Art, New York, in 1951. (Museum of Modern Art Photographic Archive; photograph by Leo Trachtenberg). With The geranium, by Henri Matisse. 1906. Canvas, 100.3 by 81.5 cm. (Art Institute of Chicago).
Exhibition Review
Twentieth-century exhibitions. New York
03/2005 | 1224 | 147
Pages: 208-210
related names
Reviewer:
Beechey, James (Beechey, James)
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dates:
Reviewed Items
subjects:
Art in the Mirror: The Counterproofs of Mary Cassatt | institution: Adelson Galleries
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Galerie St Etienne - 65 Anniversary, Part I and II | institution: Galerie St Etienne
subjects:
Maillol and American | institution: Marlborough Gallery
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Milton Avery: Onrushing Waves | institution: Knoedler & Co
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Picasso - Beckmann/Beckmann - Picasso | institution: Richard L. Feigen & Co
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What's Modern? | institution: Gagosian Gallery (Chelsea)
Illustrations
Attributed works:
75. The soldier's dream, by Max Beckmann. 1942. 90.8 by 195.6 cm. (Private collection; exh. Richard L. Feigen, New York).
Attributed works:
76. Onrushing wave, by Milton Avery. 1958. 137.2 by 182.8 cm. (Milton Avery Trust; exh. Knoedler, New York).
Attributed works:
77. Reine Lefebvre with blond baby and Sara holding a cat, by Mary Cassatt. Counterproof, c.1905-15, of an original pastel, c.1902. Japan pape, 80 by 59 cm. (Exh. Adelson Galleries, New York).
Attributed works:
Monument to Cézanne, by Aristide Maillol. 1912-25. Lead, 145 by 222 by 85 cm. (Exh. Marlborough Gallery, New York).
Book Review
Alfred H. Barr, Jr. and the Intellectual Origins of the Museum of Modern Art
11/2002 | 1196 | 144
Pages: 699-700
related names
Reviewer:
Schubert, Karsten (Schubert, Karsten)
Subjects
art literature:
Reviewed Items
subjects:
Alfred H. Barr, Jr. and the Intellectual Origins of the Museum of Modern Art | author: Kantor, Sybil Gordon