• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
3 articles
Publication Received
This Was Tomorrow: Pop Art in Great Britain. Edited by Ralf Beil and Uta Ruhkamp.
06/2018 | 1383 | 160
Pages: 526-527
Subscribe to read
related names
Reviewer:
Stratton, Rachel (Stratton, Rachel)
Subjects
art literature:
Alloway, Lawrence
artists:
Boty, Pauline / Haworth, Jann / Smithson, Alison / Smithson, Peter Denham / Caulfield, Patrick
artists:
Cordell, Magda
dates:
1950-1999 / 2010-2019
media:
Paintings / Sculpture
museums and institutions:
Kunstmuseum, Wolfsburg, Germany
places:
Germany / Wolfsburg
places:
Great Britain
subjects:
British painting / British sculpture / Pop art / Exhibition catalogues / Gender
Illustrations
Attributed works:
8. Donuts, Coffee, and Comics, by Jann Haworth. 1962–63. Stuffed fabric of assorted pattern and colour, approx. 65 by 69 by 54 cm. (Wolverhampton Art Galleries, courtesy the artist).
Book Review
The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain. By Ben Highmore
04/2018 | 1381 | 160
Pages: 353-354
Subscribe to read
related names
Reviewer:
Massey, Anne (Massey, Anne)
Subjects
art literature:
Banham, Reyner / Alloway, Lawrence
artists:
McHale, John / Turnbull, William, b. 1922 / Henderson, Nigel / Smithson, Alison / Smithson, Peter Denham / Paolozzi, Eduardo
dates:
1950-1959
media:
Paintings / Photographs / Collages / Architecture
museums and institutions:
Institute of Contemporary Arts (ICA), London, Great Britain
places:
Great Britain
subjects:
British painting / British sculpture / British architecture / Brutalist / Pop art / Independent Group
Illustrations
Attributed works:
7. Machine Made America II, by John McHale. 1956. Collage reproduced on the cover of The Architectural Review, May 1957.
Supplement
The Independent Group: Towards a Redefinition
04/1987 | 1009 | 129
Pages: 232-242
Subscribe to read
related names
Author:
Massey, Anne (Massey, Anne)
Subjects
art literature:
Alloway, Lawrence
art literature:
Read, Herbert (H. R.)
art literature:
Banham, Reyner
artists:
Penrose, Roland
artists:
Independent Group
artists:
Smithson, Peter Denham
artists:
Smithson, Alison
artists:
Henderson, Nigel
artists:
Renzio, Toni del
artists:
Hamilton, Richard
artists:
Paolozzi, Eduardo
dates:
1950-1959
museums and institutions:
Institute of Contemporary Arts (ICA), London, Great Britain
subjects:
Independent Group
subjects:
Modern Art / Exhibitions
subjects:
Watson, Peter
subjects:
British painting / British sculpture
Illustrations
Attributed works:
15. Fisherman and Wife, by Eduardo Paolozzi. 1946. Pen and Ink, 76.8 by 61 cm. (Tate Gallery, London).
Attributed works:
17. 1950, Aspects of British Art at the ICA, Dover St; Work by Richard Hamilton at Far Right.
Attributed works:
19. Table in the ICA Bar, by Eduardo Paolozzi and Terence Conran. 1950, Concrete and Metal.
Attributed works:
23. Invitation Card for Opposing Forces, Designed by Toni del Renzio.
Western art unattributed:
16. Cover of the Catalogue for 40,000 Years of Modern Art, Held at the ICA 1948-49.
Western art unattributed:
18. James Joyce Exhibition at the ICA, 1950.
Western art unattributed:
20. The Critic David Sylvester with Sir Philip Hendy, Director of the National Gallery, at the Opening of the ICA Gallery, Dover St, 1950.
Western art unattributed:
21. Sir Roland Penrose (Left) Talking to Guests at the Opening of the ICA Gallery, Dover St, 1950.
Western art unattributed:
22. Peter Watson and Graham Sutherland (Right) at the Opening of the ICA Gallery, Dover St, 1950.
Western art unattributed:
24. Invitation Card for Man, Machine and Motion, Exhibition Organised by Richard Hamilton with Reyner Banham, 1955.