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23 articles
Book Review
The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain. By Ben Highmore
04/2018 | 1381 | 160
Pages: 353-354
related names
Reviewer:
Massey, Anne (Massey, Anne)
Subjects
art literature:
dates:
places:
Illustrations
Attributed works:
7. Machine Made America II, by John McHale. 1956. Collage reproduced on the cover of The Architectural Review, May 1957.
Exhibition Review
Eduardo Paolozzi. London
05/2017 | 1370 | 159
Pages: 415-416
related names
Reviewer:
Cornish, Sam (Cornish, Sam)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
62. Installation view of Eduardo Paolozzi at the Whitechapel Gallery, London, showing (left to right) St Sebastian I (1957, Scottish National Gallery of Modern Art, Edinburgh); Large frog (new version) (1958, British Council Collection, London); and Horrockses cocktail dress (1953, Harris Museum and Art Gallery, Preston), by Eduardo Paolozzi
Attributed works:
63. Yukio Mishima, by Eduardo Paolozzi. 1984 (Private collection; exh. Whitechapel Gallery, London)
Attributed works:
64. Collage, by Eduardo Paolozzi. 1951 (British Council Collection, London; exh. Whitechapel Gallery, London)
Book Review
Eduardo Paolozzi, J. Collins
09/2015 | 1350 | 157
Pages: 639
related names
Reviewer:
Singer, Fanny (Singer, Fanny)
Subjects
Illustrations
Attributed works:
47. Sack-o-sauce, by Eduardo Paolozzi. 1948 (Tate, London)
Exhibition Review
Eduardo Paolozzi. Chichester
10/2013 | 1327 | 155
Pages: 724-725
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
89. Newton after Blake, by Eduardo Paolozzi (Pallant House Gallery, Chichester)
Attributed works:
90. Tapestry (based on the print 'Assembling reminders for a particular purpose' from 'As is when'), by Eduardo Paolozzi (Private collection; exh. Pallant House Gallery, Chichester)
Attributed works:
91. A group of Gauls, by Eduardo Paolozzi (Estate of the artist; exh. Pallant House Gallery, Chichester)
Publication Received
Eduardo Paolozzi. Archaeology of a Used Future: Sculpture 1946–1959
07/2012 | 1312 | 154
Pages: 502
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
dates:
Reviewed Items
subjects:
Eduardo Paolozzi. Archaeology of a Used Future: Sculpture 1946–1959 | author: Selz, Peter , author: Stonard, John-Paul
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Advertisements September 2011 (front)
09/2011 | 1302 | 153
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
artists:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Agnew's, London. Metamorphic Venus 4, by William Turnbull (b.1922). 1982. Edition of six. Bronze on stone base. Height: 56.6 cm. Width: 23.5 cm]
Attributed works:
[Austin/Desmon, London. Standing figure, by Keith Vaughan (1912-77), 1948. Signed and dated: Vaughan /48. Gouache, wax crayon and black chalk on paper, 72 by 55.5 cm]
Attributed works:
[Beaux Arts, London. Fawley I, by John Piper (1903-92), 1989. Oil on canvas, 91 by 121. 5 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Henry Moore O.M., C.M. (British, 1898-1986). Shelter Drawing. Seated Mother]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Wolfgang-Adam Topffer (Geneva 1766-1847 Geneva). Scène de village avec montreur d'images (Village scene with image show). Circa 1830. Oil on canvas, 55.5 x 76 cm. (22 by 30 in)]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jan Brueghel I (1569 - 1625), Rape of Proserpine, oil on copper, 18.7 x 26 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Simone di Filippo. Simone dei Crocefissi (1355.1399). The Coronation of Mary, tempera on panel, 90 x 56 cm]
Attributed works:
[Dr. Fischer, Fine Art Auctions. Trappenseeschlosschen – 74074 Heilbronn – Germany. Augsburg, circa 1680 / Max Pechstein, 1927 / Juan Pantoja de la Cruz, 1605 / Sèvres, A.-V. Poupart, 1836/37 / Facon de Venise, circa 1600 / Wilhelm Lehmbruck, 1912/14 / Emile Gallé, Nancy, 1902.]
Attributed works:
[Enrico Frascione, Florence. The Horse Gallicus, by Jan van Straet (1523-1605). Pencil on paper, 21 by 30 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Montelatici, called Cecco Bravo. Florence, 1601 - Innsbruck, 1661. Ulysses and Nausicaa. Oil on canvas, 97 x 135 cm (38 3/16 x 53 1/8 in)]
Attributed works:
[Galerie Gloggner Luzern. Hochbuhlstrasse 1. CH-6003. Luzern. Pierre Bonnard (1867 - 1947). "Nature morte et paysage". Gouache and watercolour, 49 x 32 cm]
Attributed works:
[Galleria Il Quadrifoglio, Milan. Portrait of a man, by Jacopo Folchi (1502-6). Oil on wood, 114.3 by 85 cm]
Attributed works:
[Jonathan Clark, London. Your physique, by Eduardo Paolozzi (1924-2005). Signed and dated lower right. Collage on paper, 35.5 by 22.8 cm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Frans Francken II (detail)]
Attributed works:
[MOMA, New York. Willem de Kooning. Excavation, 1950. Oil and enamel on canvas.]
Attributed works:
[Moretti Fine Art, Florence, London and New York. A bishop St and St Bartholomew, by Andrea Bonaiuti (c.1345 - 50 - 79). 157 by 75 cm]
Attributed works:
[Offer Waterman & Co. 11 Langton Street. London. Sir Eduardo Paolozzi, R.A. 1924-2005, A.G.5, 1958, bronze, 40 by 15 ins]
Attributed works:
[Offer Waterman, London. Untitled (lemon), by Diarmuid Kelley (b. 1972). 2011. Oil on linen. 35.6 by 27.9 cm]
Attributed works:
[Osborne Samuel, London. Six forms in a circle, by Barbara Hepworth (1903-73). 1967. Edition of 7. Polished bronze, 33.7 by 60 cm]
Attributed works:
[P.E. Audap and F. Mirabaud. 42 Boulevard Malesherbes. Paris. Giacomo GUARDI (1764-1835), "Venice, Piazza San Marco", "Venice, Rialto Bridge". Pair of panels, 18 x 30,5 cm.]
Attributed works:
[P.E. Audap and F. Mirabaud. 42 Boulevard Malesherbes. Paris. Lucas CRANACH the Elder (1472-1553), "The Nymph of the Spring". Oil on panel, signed with the folded wings flying serpent, 48,5 x 74,2 cm]
Attributed works:
[Piano Nobile, London. Linked figures, by Kenneth Armitage (1916-2002). Signed and dated 1949/84. Bronze with brown green patination, 99 by 83 by 28 cm]
Attributed works:
[Redfern Gallery, London. The June of youth, by Leon Underwood (1890-1975). 1933). Signed, dated, titled and numbered II, from an edition of four. Terracotta, 60 by 38 by 26 cm]
Attributed works:
[Robilant + Voena, London and Milan. View of the Arno with the Ponte Santa Trinita, by Tomas Patch (1725-82). Oil on canvas, 85 by 170.5 cm]
Attributed works:
[Salamon & Co. Palazzo Cicogna. Via San Damiano 2. Milano. Luca Cambiaso (Moneglia 1527 - 1585 El Escorial. Saint Jerome in the Desert. Pen and Brown ink. 242 x 270 mm (9 1/2 x 10 5/8 in)]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico. London. Giovanni Battista Foggini (1652-1725). Il Posquino (Menelaus with the body of Patroclus). Bronze, rich warm brown patina with golden red lacquer]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Alessandro Algardi (Bologna 1598 - Rome 1654). Christ Resurrected. Terracotta. Height: 52 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Charles Baudelaire, Les fleures du mal, Paris, 1857. Presentation copy for Edmond Texier.]
Attributed works:
[Walker Art Gallery. Liverpool. Paul Sérusier, La pluie sur la route (detail), 1893, private collection]
Attributed works:
[Whitford Fine Art, London. Chariot, by Clive Barker (b. 1940). 1974. Edition of 7. Chrome plated brass and bronze, 19 by 23 cm]
Attributed works:
[William Westan Gallery, London. Fruit and bowl, by Patrick Caulfield (1936-2005). 1979/80. Signed in pencil. Screenprint, 83.9 by 59.6 cm]
Western art unattributed:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Early Italian Bowl. Silver, parcel-gilt. Naples ca. 1500. Diameter: 28 cm, weight 270 g. A similar bowl in the painting Sacred and Profane Love by Titian 1515. Galleria Borghese, Rome]
Western art unattributed:
[Guido Bartolozzi Antichità, Florence. Two sculptures of dogs. Tuscany, the first half of the nineteenth century, Marble, Height: 93 cm. Bases: 85 by 40 cm]
Western art unattributed:
[Piva & Cie, Milan. A pair of carved walnut tables, with Verona marble tops. Each, 81 by 99 by 54.5 cm]
Western art unattributed:
[Wannenes. Palazzo Gianfigliazzi. Lungarno Corsini 4. Florence. Palazzo del Melograno. Piazza Campetto 2. Genoa. L'arte del Vasajo. Important Italian maiolica from a private collection]
Article
Paolozzi in America
09/2011 | 1302 | 153
Pages: 591-596
related names
Author:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
dates:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
38. St Sebastian no.2, by Eduardo Paolozzi. 1957. Bronze, 215.3 cm. high. (Solomon R. Guggenheim Museum, New York; photograph copyright Nathan Rosenberg; courtesy of the Conway Library, Courtauld Institute, London).
Attributed works:
39. Jason, by Eduardo Paolozzi. 1956. Bronze, 168.9 cm. high. (Museum of Modern Art, New York; photograph copyright David Farrell; courtesy of the Conway Library, Courtauld Institute, London).
Attributed works:
40. Box-headed figure, by Eduardo Paolozzi. 1958. Bronze, 120.1 cm. high. (Alan and Janet Wurtzburger Collection, Baltimore Museum of Art; photograph courtesy of the Conway Library, Courtauld Institute, London).
Attributed works:
41. Wax model for Figure, by Eduardo Paolozzi. 1958–59. 180.3 cm. high. Presumed destroyed in casting. (Photograph Betty Parsons Archive, Archives of American Art, Washington).
Attributed works:
43. Installation photograph of exhibition of works by Eduardo Paolozzi at Betty Parsons Gallery, New York, 1962. From left to right: FSZP (1957); Forms on a bow (1948–49); Monkey man (1958); Triple fuse (1960); and Tower of tears (1961). (Photograph Betty Parsons Archive, Archives of American Art, Washington).
Attributed works:
44. Triple fuse, by Eduardo Paolozzi. 1960. Bronze, 63.5 cm. high. (Location unknown; photograph Betty Parsons Archive, Archives of American Art, Washington).
Attributed works:
47. Detail of Tyrannical tower crowned with thorns of violence, shown with the Houses of Parliament, London, in the background. (Photograph Betty Parsons Archive, Archives of American Art, Washington).
Western art unattributed:
42. Installation photograph of exhibition of works by Eduardo Paolozzi at Betty Parsons Gallery, New York, 1960. From left to right: Little king (1958); Large frog (1958); Jason (1956); and Head (1957). (Photograph Betty Parsons Archive, Archives of American Art, Washington).
Western art unattributed:
45. Cover of exhibition catalogue Eduardo Paolozzi, Betty Parsons Gallery, New York, March–April 1960, showing Japanese war god. 1958. Bronze, 152.4 cm. high. (Albright-Knox Art Gallery, Buffalo).
Western art unattributed:
46. Cover of exhibition catalogue Eduardo Paolozzi, Betty Parsons Gallery, New York, April–May 1962, showing Tyrannical tower crowned with thorns of violence. 1961. Bronze, 72.5 cm. high. (Scottish National Gallery of Modern Art, Edinburgh).
Western art unattributed:
48. Installation photograph of a display of Eduardo Paolozzi’s works at the Museum of Modern Art, New York, 1964. From left to right: Lotus (1963); Wittgenstein at casino (1963); and The world divides into facts (1963). (Photograph courtesy of the Conway Library, Courtauld Institute, London).
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Advertisements April 2010 (front)
04/2010 | 1285 | 152
Pages: s.p.
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Advanced Graphic, London. Thistle still life, by Craigie Aitchison. 2007. Screenprint, 30.5 by 25.5 cm.]
Attributed works:
[Alan Cristea Gallery, London. Star spangled, by Gilian Ayres. 2009-20. Sugarlift aquatint and carborundum, 78 by 104.5 cm]
Attributed works:
[Elizabeth Harvey-Lee, Oxford. Mars, Venus and Cupid, by Lucas van Leyden. 1530. Engraving, 19 by 24.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giulio Cesare Procaccini. Bologna, 1574 - Milan, 1625. The Holy Family with the Young Saint John the Baptist. Oil on walnut wood panel, 97 x 64,5 cm (38 3/16 x 25 3/8 in)]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Lucas van Valckenborch the Elder. Leuven ca. 1533 - 1597 Frankfurt. The Babel Tower. Oil on copper, diameter: 27 cm (16. inches). Monogrammed and dated : L.V.V. 1584.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Robert Bevan. 1865-1925. Houses in Sunlight, 1915. Oil on canvas. 20 x 24 inches; 51 x 61 cm. Signed.]
Attributed works:
[Hill-Stone, New York. Salisbury cathedral: the large plate, David Lucas (1802-81) after John Constable (1776-1837). Mezzotint. Shirley 39. A progress proof close to Shirley, progress proof 'e', with the artists' names scratched below the framing line.]
Attributed works:
[Hill-Stone, New York. URS GRAF (Solothurn c.1485 - 1527/28 Basel). Two Mercenaries and a Woman with Death in a Tree. Woodcut, with extensive hand colouring of the period: 1524. Hollstein 28, only state; Major & Grandmann, Urs Graf, 151. A very fine impression in very good condition, trimmed to the border, and in places just shaved into the border. Of the greatest rarity; Hollstein cities only fourteen impressions in public collection.]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Meister der Wenzel-Scheibe (active in Austria in the 1st third of the 15th C.). Flagellation of Christ. Tempera on wood, 55.5 x 51.5 cm]
Attributed works:
[Markus Nass, Berlin. The goldsmith, by Rembrandt van Rijn. 1655. Etching, 9 by 6.7 cm.]
Attributed works:
[Mary Ryan Gallery, New York. Afternoon swimming, by David Hockney. 1980. Lithograph, 80 by 100 cm.]
Attributed works:
[Musée National de la Renaissance. Chateau D'Ecouen. The portrait of the Trojan Prince Paris acquired at the Yves Saint Laurent / Pierre Bergé sale 2009 is now on display at the Chateu of Ecouen, along with other heroes from the set designed by Leonard Limosin after Ovid's 'Heroes'.]
Attributed works:
[Royal Academy of Arts. London. Paul Sandby. The North Terrace, Windsor Castle. Looking West (detail), c.1765. Bodycolour over graphite. 379 x 545 mm.]
Attributed works:
[Simms Reed, London. Just what was it that made yesterday's homes so different, so appealing? by Richard Hamilton. 1992. Laser print in colours, 42 by 29.7 cm]
Attributed works:
[Sims Reed. Turing 6, by Eduardo Paolozzi. 2000. Screenprint in colours, 76 by 56 cm.]
Attributed works:
[The 45th London Original Print Fair. Royal Academy of Arts. Burlington House. London.. Howard Hodgkin. Night Palm, 1990 (detail). Hand-coloured etching with carborundum.]
Attributed works:
[The Fine Art Society, London. Speed, by Claude Flight. c.1922. Linocut, 22.5 by 28.5 cm]
Attributed works:
[The Old Print Shop, New York. Little penthouse, by Martin Lewis. 1931. Drypoint, recorded impression, 25.2 by 17.3 cm.]
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Advertisements October 2009 (front)
10/2009 | 1279 | 151
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Agnew’s. 8 Grafton Street. London. Bartolomeo Schedoni (1578-1615). The Holly Family with the infant St. John Baptist. Oil on walnut, 13 7/8 x 10 ins (35.5 x 25.5 cm)]
Attributed works:
[August Laube, Zurich. Old bearded man in a high fur cap, with eyes closed, by Rembrandt van Rijn (1606-69). Etching.]
Attributed works:
[C. & J. Goodfriend, New York. Standard bearer in a landscape, Heinrich Aldegrever (1502-58/61). 1540. Engraving, 118 by 77 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Anton Maria Vassallo. Genoa 1617/1618 - Milan 1680. Medea rejuvenating Esone. Oil on canvas, 60 x 81 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Domenico Zampieri, il Domenichino. Saint John the Evangelist. Oil on canvas, 102 x 78 1/2 in. (259x199.4 cm)]
Attributed works:
[Courtesy of Hill-Stone, Inc, New York. Evening thou bringest all, by Henry Fuseli (1741-1825). 1802. Pen lithograph, 22.3 by 31.5 cm]
Attributed works:
[David Tunick, New York. Engraved passion, by Albrecht Durer (1471-1528). 1507-12 (1513 for no.16, Meder 18). Complete set of sixteen engravings, each 11.7 x 7.4 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Faccini. Bologna, c. 1575/1576 - 1602. Portrait of Virginio Guicciardini. Oil on canvas, 90 x 80,5 cm (39 x 31 11/16 in)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Francesco Monti (1685-1768). A Sketch for a ceiling. Oil on canvas, 39.5 x 57 cm (15 1/2 x 22 1/2 in)]
Attributed works:
[Joseph Friedman Ltd. Sir Thomas Lawrance, P.R.A. (1769-1830). John Philip Kemble as Cato (1812). Oil on canvas. 104 x 70 1/2 in (254 x 177.8 cm)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Giovanni Bettista Tiepolo (1696-1770). Presentation of the Rosary. Oil on cardboard, 72x34 cm. Modelletto for the ceiling of the Gesuati church in Venice.]
Attributed works:
[Paul McCarron Fine Prints and Drawings. New Jersey. Five butterflies, by Wenceslaus Hollar (1607-77). 1646. Etching, 8.1 by 11.9 cm]
Attributed works:
[Paul Prouté, Paris. Le coiffeur, programme from "Le Théatre Libre", by Henri Toulouse Lautrec (1864-1901). 1893. Lithograph, 22.4 by 16.1 cm.]
Attributed works:
[Pia Gallo, New York. Westminster Bridge, by Felix Buhot, (1847-98). 1884. Etching and drypoint, 28 by 39.4 cm]
Attributed works:
[Sims Reed, London. Le Lézard aux plumes d'or, by Joan Mirò. 1971. Edition of 150. Lithograph printed in colours.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sir Anthony Van Dyck. Self Portrait.]
Attributed works:
[Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Exceptional pair of boxwood and ebony consoles attributed to Andrea Brustolon (1662-1732). Italy, Venice, early 18th century. Height: 88 cm (34 1/2 in). Width: 99 cm (39 in). Depth: 56 cm (22 in).]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Detail of the monument of Mary Victoria and George Nathaniel Curzon, by Bertram Mackennal. 1907-13. Serravezza marble on black marble plinth. c. 200 by 160 by 130 cm. (All Saint's Church, Kadlestone, Derbyshire.)]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Madonna della Misericordia, attributed to Bartolomeo Bon and workshop. c. 1440-41. Istrian stone with traces of paint and gilding. 251.5 by 208.3 cm (Victoria and Albert Museum, London.)]
Attributed works:
[The Burlington Magazine. 14-16 Duke's Road. London. Scandal relief, by Charles Sargeant Jagger. 1930. Bronze, 161 by 149 cm (Victoria and Albert Museum)]
Attributed works:
[The Fine Art Society, London. Returning to the trenches, by C.R.W. Nevison (1889-1946). Edition of 75. Drypoint, 51.2 by 76.8 cm]
Attributed works:
[The International Art Fair for FIne Prints. The Park Avenue Armory. New York. Augustin Hirschvogel (1503-1553), Courtyard of a Castle. Etching. 1546.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giambologna (1529-1608). Prometheus. Gilt bronze.]
Article
The 'Bunk' collages of Eduardo Paolozzi
04/2008 | 1261 | 150
Pages: 238-249
related names
Author:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
dates:
Illustrations
Attributed works:
22. Evadne in green dimension, by Eduardo Paolozzi. 1952. Collage, 33.1 by 25.4 cm. (Victoria and Albert Museum, London)
Attributed works:
23. A new brand of brilliance, by Eduardo Paolozzi. 1972. Lithograph, 29 by 41 cm. (After 1947 collage, whereabouts unknown)
Attributed works:
24. You can’t beat the real thing, by Eduardo Paolozzi. 1951. Collage, 35.7 by 24 cm. (Victoria and Albert Museum, London)
Attributed works:
25. It’s daring it’s audacious, by Eduardo Paolozzi. 1949. Collage, 32.5 by 24.5 cm. (Krazy Kat Arkive, Victoria and Albert Museum, London)
Attributed works:
26. Fantastic weapons contrived, by Eduardo Paolozzi. 1972. Lithograph, 26 by 35 cm. (After 1952 collage, whereabouts unknown)
Attributed works:
27. Butterfly, by Eduardo Paolozzi. 1946. Collage. (Whereabouts unknown)
Attributed works:
28. Lotterie, by Eduardo Paolozzi. 1947. Collage. (Whereabouts unknown)
Attributed works:
29. I was a rich man’s plaything, by Eduardo Paolozzi. 1947. Collage, 35.9 by 23.8 cm. (Tate, London)
Attributed works:
30. Fun helped them fight, by Eduardo Paolozzi. 1947 [1948]. Collage, 25.6 by 17.6 cm. (Victoria and Albert Museum, London)
Attributed works:
31. Will man outgrow the earth?, by Eduardo Paolozzi. 1972. Lithograph, 24 by 32 cm. (After 1952 collage, 36.3 by 25.7 cm, Victoria and Albert Museum, London)
Attributed works:
32. Was this metal monster master or slave?, by Eduardo Paolozzi. 1952. Collage, 36.2 by 24.8 cm. (Tate, London)
Attributed works:
33. Vogue gorilla with Miss Harper, by Eduardo Paolozzi. 1950. Collage, 19.5 by 32.5 cm. (Krazy Kat Arkive, Victoria and Albert Museum, London)
Attributed works:
34. Trigger assembly removal, by Eduardo Paolozzi. 1972. Lithograph, 25 by 38 cm. (After 1950 collage, whereabouts unknown)
Attributed works:
35. ‘Strobe-Strip’ photographs of Winnie Garret, by Phillipe Halsman, from US Camera (1950)
Attributed works:
36. Yours till the boys come home, by Eduardo Paolozzi. 1951. Collage, 36.2 by 24.8 cm. (Tate, London)
Attributed works:
38. See them? A baby’s life is not all sunshine!, by Eduardo Paolozzi. 1948. Collage, 28 by 38 cm. (Krazy Kat Arkive, Victoria and Albert Museum, London)
Attributed works:
39. Take-off, by Eduardo Paolozzi. 1950. Collage, 34.5 by 23.5 cm. (Dean Gallery, Scottish National Gallery of Modern Art, Edinburgh)
Attributed works:
40. You’ll soon be congratulating yourself!, by Eduardo Paolozzi. 1949. Collage, 30.5 by 23 cm. (Victoria and Albert Museum, London)
Attributed works:
41. Real gold, by Eduardo Paolozzi. 1950. Collage, 35.6 by 23.5 cm. (Tate, London)
Attributed works:
42. Refreshing and delicious, by Eduardo Paolozzi. 1949. Collage, 39.4 by 27.9 cm. (Collection Jeffery Sherwin)
Attributed works:
43. Double-page spread from the Yale Iron scrapbook, by Eduardo Paolozzi. (Krazy Kat Arkive, Victoria and Albert Museum, London)
Attributed works:
44. Hi-Ho, by Eduardo Paolozzi. 1947. Collage, 37.9 by 24 cm. (Victoria and Albert Museum, London)
Western art unattributed:
37. Double-page spread from US Camera (1950) showing source material for Paolozzi’s Take-off
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