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25 articles
Book Review
The Long Front of Culture: The Independent Group and Exhibition Design (An OCTOBER Book)
09/2020 | 1410 | 162
Pages: 824-825
related names
Reviewer:
Massey, Anne (Massey, Anne)
Subjects
Reviewed Items
subjects:
The Long Front of Culture: The Independent Group and Exhibition Design (An october Book) By Kevin Lotery. 384 pp. incl. 108 b. & w. ills. (MIT Press, Cambridge MA and London, 2020), £36. ISBN 978–0–262–04389–2. | :
Illustrations
Attributed works:
7. Installation view of This is Tomorrow at the Whitechapel Art Gallery, London, 1956. (Courtesy of and © Richard Hamilton Estate).
Article
Richard Hamilton at the Slade School of Fine Art (1948-51) and his ‘abstract’ paintings of the early 1950s
09/2015 | 1350 | 157
Pages: 623-630
related names
Author:
Casini, Giovanni (Casini, Giovanni)
Subjects
dates:
subjects:
Illustrations
Attributed works:
33. Particular system, by Richard Hamilton. 1951 (Private collection, on long loan to Museo Nacional Centro de Reina Sofia, Madrid)
Attributed works:
34. Respective, by Richard Hamilton. 1951 (Pallant House Gallery, Chichester)
Attributed works:
35. d'Orientation, by Richard Hamilton. 1952 (Private collection)
Attributed works:
36. Refraction, by Richard Hamilton. 1952 (Tate, London)
Attributed works:
37. Chromatic spiral, by Richard Hamilton. 1950 (Tate, London)
Attributed works:
38. Seated nude, by William Coldstream. 1952-53 (Tate, London)
Attributed works:
39. The Earl Jowitt, by William Coldstream. 1945-51 (Private collection)
Attributed works:
40. Elements from Paul Klee's Pedagogical Sketchbook reproduced in Siegfried Giedion's Mechanisation Takes Command, 1948
Attributed works:
41. Self-portrait, by Richard Hamilton. 1951 (Tate, London)
Attributed works:
42. Portrait of an equilibrist, by Paul Klee. 1927 (Museum of Modern Art, New York)
Attributed works:
43. Mask of fear, by Paul Klee. 1932 (Museum of Modern Art, New York)
Exhibition Review
Richard Hamilton
05/2014 | 1334 | 156
Pages: 328-330
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
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dates:
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subjects:
Illustrations
Attributed works:
35. Man, machine and motion, by Richard Hamilton. 2012, recreated from the 1955 original (Museo Nacional Centro de Arte Reina Sofia, Madrid; exh. ICA, London)
Attributed works:
36. Interior II, by Richard Hamilton (Tate; exh. Tate Modern, London)
Attributed works:
37. d'Orientation, by Richard Hamilton (Private collection; exh. Tate Modern, London)
Attributed works:
38. The citizen, by Richard Hamilton (Tate; exh. Tate Modern, London)
Article
Richard Hamilton’s ‘Chiara & chair’
10/2012 | 1315 | 154
Pages: 701-706
related names
Author:
Singer, Fanny (Singer, Fanny)
Subjects
dates:
subjects:
Illustrations
Attributed works:
33. The annunciation, by Richard Hamilton. 2005. Inkjet digital print, printed on an Epson Stylus Pro 9800 printer using Epson UltraChrome K3 eight-colour lightfast pigment inks on Somerset enhanced radiant white velvet paper, 44 by 44 cm. (image); 59.4 by 68 cm. (sheet). (Courtesy R. Hamilton).
Attributed works:
34. The Saensbury Wing, by Richard Hamilton. 1999-2000. Canvas, 59.7 by 82 cm. (Courtesy R. Hamilton).
Attributed works:
35. The interior of the Grote Kerk at Haarlem, by Pieter Saenredam. 1636-37. Panel, 59.5 by 81.7 cm. (National Gallery, London).
Attributed works:
36. Lobby, by Richard Hamilton. 1985-87. Canvas, 175 by 250 cm. (Courtesy R. Hamilton).
Attributed works:
37. Chiara & chair, by Richard Hamilton. 2004. Inkjet digital print, printed on an Epson Stylus Pro 9600 printer using Epson Ultra-Chrome seven-colour lightfast pigment inks on Somerset paper, 60.7 by 89.2 cm. (image); 73.2 by 107.5 cm. (sheet). (Courtesy R. Hamilton).
Attributed works:
38. Hotel du Rhône, by Richard Hamilton. 2005. Oil on Fuji/Océ LightJet on canvas, 100 by 100 cm. (Courtesy R. Hamilton).
Attributed works:
39. Interior, by Richard Hamilton. 1964-65. Screenprint from eight stencils on Crisbrook paper, 49 by 63.6 cm. (image); 56.5 by 79 cm. (sheet). (Courtesy R. Hamilton).
Attributed works:
40. A Mirrorical return, by Richard Hamilton. 1998. Iris digital print, printed on Somerset paper, 53 by 66 cm. (image); 73 by 89 cm. (sheet). (Courtesy R. Hamilton).
Exhibition Review
The Mystery of Appearance. London
02/2012 | 1307 | 154
Pages: 135-136
related names
Reviewer:
Treves, Toby (Treves, Toby)
Subjects
places:
print:
print:
print:
Reviewed Items
subjects:
The Mystery of Appearance: Conversations Between Ten British Post-War Painters | institution: Haunch of Venison
Illustrations
Attributed works:
50. A woman bathing (Study after Rembrandt), by Leon Kossoff. 1982. Canvas, 58.4 by 48.3 cm. (Private collection; exh. Haunch of Venison, London).
Attributed works:
51. Girl on a Turkish sofa, by Lucian Freud. 1966. Canvas, 26.7 by 34.9 cm. (Private collection; exh. Haunch of Venison, London).
Attributed works:
52. The room Tarzana, by David Hockney. 1967. Acrylic on canvas, 243.8 by 243.8 cm. (Private collection; exh. Haunch of Venison, London).
Book Review
Le Grand Déchiffreur. Richard Hamilton sur Marcel Duchamp. Une selection d’écrits, d’entretiens et de lettres
06/2010 | 1287 | 152
Pages: 419-420
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
Reviewed Items
subjects:
Le Grand Déchiffreur. Richard Hamilton sur Marcel Duchamp. Une selection d’écrits, d’entretiens et de lettres | editor: Diserens, Corinne , editor: Tosins, Gesine
Advertisements
Advertisements April 2010 (front)
04/2010 | 1285 | 152
Pages: s.p.
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Advanced Graphic, London. Thistle still life, by Craigie Aitchison. 2007. Screenprint, 30.5 by 25.5 cm.]
Attributed works:
[Alan Cristea Gallery, London. Star spangled, by Gilian Ayres. 2009-20. Sugarlift aquatint and carborundum, 78 by 104.5 cm]
Attributed works:
[Elizabeth Harvey-Lee, Oxford. Mars, Venus and Cupid, by Lucas van Leyden. 1530. Engraving, 19 by 24.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giulio Cesare Procaccini. Bologna, 1574 - Milan, 1625. The Holy Family with the Young Saint John the Baptist. Oil on walnut wood panel, 97 x 64,5 cm (38 3/16 x 25 3/8 in)]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Lucas van Valckenborch the Elder. Leuven ca. 1533 - 1597 Frankfurt. The Babel Tower. Oil on copper, diameter: 27 cm (16. inches). Monogrammed and dated : L.V.V. 1584.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Robert Bevan. 1865-1925. Houses in Sunlight, 1915. Oil on canvas. 20 x 24 inches; 51 x 61 cm. Signed.]
Attributed works:
[Hill-Stone, New York. Salisbury cathedral: the large plate, David Lucas (1802-81) after John Constable (1776-1837). Mezzotint. Shirley 39. A progress proof close to Shirley, progress proof 'e', with the artists' names scratched below the framing line.]
Attributed works:
[Hill-Stone, New York. URS GRAF (Solothurn c.1485 - 1527/28 Basel). Two Mercenaries and a Woman with Death in a Tree. Woodcut, with extensive hand colouring of the period: 1524. Hollstein 28, only state; Major & Grandmann, Urs Graf, 151. A very fine impression in very good condition, trimmed to the border, and in places just shaved into the border. Of the greatest rarity; Hollstein cities only fourteen impressions in public collection.]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Meister der Wenzel-Scheibe (active in Austria in the 1st third of the 15th C.). Flagellation of Christ. Tempera on wood, 55.5 x 51.5 cm]
Attributed works:
[Markus Nass, Berlin. The goldsmith, by Rembrandt van Rijn. 1655. Etching, 9 by 6.7 cm.]
Attributed works:
[Mary Ryan Gallery, New York. Afternoon swimming, by David Hockney. 1980. Lithograph, 80 by 100 cm.]
Attributed works:
[Musée National de la Renaissance. Chateau D'Ecouen. The portrait of the Trojan Prince Paris acquired at the Yves Saint Laurent / Pierre Bergé sale 2009 is now on display at the Chateu of Ecouen, along with other heroes from the set designed by Leonard Limosin after Ovid's 'Heroes'.]
Attributed works:
[Royal Academy of Arts. London. Paul Sandby. The North Terrace, Windsor Castle. Looking West (detail), c.1765. Bodycolour over graphite. 379 x 545 mm.]
Attributed works:
[Simms Reed, London. Just what was it that made yesterday's homes so different, so appealing? by Richard Hamilton. 1992. Laser print in colours, 42 by 29.7 cm]
Attributed works:
[Sims Reed. Turing 6, by Eduardo Paolozzi. 2000. Screenprint in colours, 76 by 56 cm.]
Attributed works:
[The 45th London Original Print Fair. Royal Academy of Arts. Burlington House. London.. Howard Hodgkin. Night Palm, 1990 (detail). Hand-coloured etching with carborundum.]
Attributed works:
[The Fine Art Society, London. Speed, by Claude Flight. c.1922. Linocut, 22.5 by 28.5 cm]
Attributed works:
[The Old Print Shop, New York. Little penthouse, by Martin Lewis. 1931. Drypoint, recorded impression, 25.2 by 17.3 cm.]
Exhibition Review
Richard Hamilton
10/2008 | 1267 | 50
Pages: 705-707
related names
Reviewer:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Richard Hamilton. Protest Pictures 1963-2008 | institution: Inverleith House, Royal Botanical Gardens
Illustrations
Attributed works:
57. Shock and awe, by Richard Hamilton. 2007–08. Inkjet print on Hewlett-Packard Premium Canvas, 200 by 100 cm. (Collection of the artist; exh. Inverleith House, Edinburgh).
Attributed works:
58. Swingeing London 67 – poster, by Richard Hamilton. 1968. Photo-offset lithograph, 69 by 47 cm. (Collection of the artist; exh. Inverleith House, Edinburgh).
Attributed works:
59. Finn MacCool, by Richard Hamilton. 1983. Heliogravure, aquatint and engraving, 75.5 by 56.5 cm. (Collection of the artist; exh. Inverleith House, Edinburgh).
Advertisements
Advertisements September 2007 (front)
09/2007 | 1254 | 149
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Adam Williams Fine Art. New York. Portrait of a young man, by Bernardo Strozzi (1581-1644). Oil on canvas, 50 by 38cm]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Josef Albers. Placards. 1934]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Newlyn, by Ben Nicholson. 1948. Drypoint. Paper: 19.0 by 22.4 cm / Image: 15.2 by 18.4 cm. Edition of 8]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Richard Hamilton. Beatles. 2007]
Attributed works:
[Altomani & Sons. Milan and Pesaro. Allegory of the Four seasons, by Francesco Bertos (1678-1741). Carrara marble, height: 40 cm]
Attributed works:
[Boundary Gallery. London. Mother and child, by David Bomberg (1890-1957). 1920. Watercolour, 39.4 by 29.2 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008, Paris. François Jerome Chantereau (?1710-Paris, 1757). Departure for the hunt. Black chalk heightened with pastel on blue paper, 28.8x44.2 cm. Unidentified collector's mark (Lugt no.883) at lower left.]
Attributed works:
[Crane Kalman Gallery. London. Construction, by Edward Burra (1905-76). c. 1950. Gouache on paper, 72.4 by 104.1 cm]
Attributed works:
[Duncan R. Miller Fine Arts. London. Red and green relationships, by William Johnstone OBE., LLD (1897-1981). 1962. Oil on canvas, 63.5 by 76 cm]
Attributed works:
[Enrico Frascione. Florence. Christ in the Garden of Gethsemane, by Giovan Francesco Barbieri known as Il Guercino (1591-1666). Pen, ink and sepia watercolour on beige paper, 30 by 24 cm.]
Attributed works:
[Fondantico di Tiziana Sassoli e C. Bologna. The Elderly Farmer, by Giovanni Andrea Donducci Known as Il Mastelletta (Bologna 1575-1655). Oil on canvas, 113 by 152.]
Attributed works:
[Gagosian. 6-24 Britannia Street. London. Epiphany, 1964. Richard Hamilton.]
Attributed works:
[Gillian Jason. London. Flowers, early summer, by David Bomberg. 1936. Oil on canvas, 91.4 by 70 cm]
Attributed works:
[Gimpel Fils. London. Opus O.632 Transformation of A.D. No.3, by Alan Davie. 1970. Oil on canvas, 122 by 153 cm]
Attributed works:
[Grassi Studio. New York. Crucifixion, by Ercole Procaccini il Vecchio (1515-1595). Oil on canvas, 48 by 34 cm]
Attributed works:
[Grosvenor Gallery. London. Girl, by Reg Butler (1913-81). 1954. Cast bronze in an edition of 8, with a black patina, 52 cm high]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Walter Sickert. 1860-1942. The Horses of St. Mark's, 1901. Oil on paper laid on panel. 19 3/4 x 15 1/2 inches: 50.2 x 39.4 cm. Signed.]
Attributed works:
[JPMorgan CHase Art Collection. Josef Albers. Homage to the Square: In Late Red, 1959, oil on masonite, 101.6 x 101.6 cm.]
Attributed works:
[Karsten Shubert. 5-8 Lower John Street, London. John Stezaker, Marriage (Film portrait collage) XXXII, 2007]
Attributed works:
[Keith Chapman. London. Winston Churchill, by Sir Jacob Epstein (1880-1959). 1946. Bronze, 31 cm high.]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Ambrosius Bosschaert II (Middelburg 1609-1645 Utrecht). Still life with fruits, shells and insects. 1630. Oil on panel. Monogrammed and dated. 38.2 x 50.2 cm.]
Attributed works:
[Moretti. Piazza Ottaviani 17/r, 50123 Florence. 43 New Bond Street. London. 24 East 80th Street. New York. Giovan Girolamo Savoldo. Brescia, c. 1480-Venice, post 1540. St. Dominic and St. Veneranda St. Anthony Abbot and st. Vincent Ferrer. Oil on canvas, 149.5x49cm (each)]
Attributed works:
[Museo Thyssen-Bornemisza. Madrid. Vincent Van Gogh. Two figures in a wood (detail), 1890. Cincinnati Art Museum, legacy of Mary E. Johnston.]
Attributed works:
[Osborne Samuel. London. Neapolitan bathers, by Keith Vaughan. (1912-1977). 1951. Oil on board, 63 by 48 cm]
Attributed works:
[Piacenti Art Gallery. Florence. Madonna with Child, by Jacopo Amigoni (1682-1752). Oil on canvas, 66.5 by 52.7 cm.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Richard Hamilton. I'm Dreaming of a Black Christmas (Lullin 82). Screenprint on collotype in colours, 1971.]
Attributed works:
[The Italian Cultural Institute. 8 Storey's Gate, London. Francesco Gonzales. The Grey Series, a portrait of Sir Denis Mahon and other new paintings.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Baccio Bandinelli. 1493-1560. Monumental bust of a young man. Marble. Height 77cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. E. Blackwell. Herbal book. 6 volumes, 1757-73]
Attributed works:
[Waddington Galleries. 11 Cork Street. London. Josef Albers, Homage to the Square (JAAF 1976.1.372), 1953, 18x18 in/ 45.7x45.7 cm, oil on masonite]
Attributed works:
[Whitford Fine Art, London. Gravy for the Navy again, by Peter Phillips (b.1939). Oil on canvas, 36 by 36 cm]
Attributed works:
[Wilson Stephens Fine Art. London. Nude figures, by Duncan Grant (1885-1978). 1928. Pen on paper, 12.7 by 20 cm]
Western art unattributed:
[Galleria Nella Longari. Milan. Head of a putto, Florentine sculptor of the early sixteenth century. Marble, height: 19cm]
Western art unattributed:
[The 25th Florence Biennale. Photograph of Palazzo Corsini sull'Arno.]
Western art unattributed:
[The 25th Florence Biennale. The late seventeenth century Throne Room, Palazzo Corsini, Florence. Photograph.]
Article
Pop in the Age of Boom: Richard Hamilton's 'Just what is it that makes today's homes so different, so appealing?'
09/2007 | 1254 | 149
Pages: 607-620
related names
Author:
Stonard, John-Paul (Stonard, John-Paul)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
12. Just what is it that makes today's homes so different, so appealing?, by Richard Hamilton. 1956. Collage of printed materials and gouache, 25.7 by 24.5 cm. (Sammlung Zundel, Kunsthalle Tübingen).
Attributed works:
13. Catalogue for the exhibition This is Tomorrow, Whitechapel Art Gallery, 1956, showing two-page spread designed by Richard Hamilton, including the collage Just what is it...
Attributed works:
14. '12 Posters for This is Tomorrow', reproduced in Architectural Design (September 1956), p.304. Included are the posters designed by John McHale (top row, second from left) and Richard Hamilton (top row, third from left) for Group Two.
Attributed works:
15. Machine made America II, by John McHale. 1956. Cover for Architectural Review (24th May 1957).
Attributed works:
16. Shoe-Life Stories, by John McHale. c.1955. Double-page spread from collage book, mixed media, 25.1 by 41.5 cm. (John McHale archive, Yale Center for British Art, New Haven).
Attributed works:
17. Suggested design for the Group Two contribution to the catalogue of This is Tomorrow, by John McHale. (Richard Hamilton archive).
Attributed works:
18. Photograph of an East End shop front, by Nigel Henderson. 1949-53. Reproduced in V. Walsh: Nigel Henderson. Parallel of Life and Art, London 2001. p.52.
Attributed works:
19. This is Tomorrow, perspective of exhibition, by Richard Hamilton. 1956. Collage and ink on paper, 30.5 by 47 cm. (Staatsgalerie, Stuttgart).
Attributed works:
20. See, hear, smell, touch, by Richard Hamilton. 1956. Collage, 21 by 22.1 cm. (Museum Ludwig, Cologne).
Attributed works:
29. Dada Siegt, by Raoul Hausmann. 1920. Photomontage and collage with water-colour on paper, 60 by 43 cm. (Private Collection).
Western art unattributed:
21. Advertisement for Armstrong Royal Floors. Reproduced in Ladies' Home Journal (June 1955).
Western art unattributed:
22. '100 Mile High Portrait of Earth', double-page feature published in Life (5th September 1955).
Western art unattributed:
23. Advertisement for Stromberg-Carlson television manufacturer. Reproduced in Life (10th January 1955).
Western art unattributed:
24. Advertisement of Young Romance 26 (1949), included in Young Love 15 (1950), p.23. (Collection of Harry Mendryk; © Joe Simon and Jack Kirby).
Western art unattributed:
25. Advertisement for Ford Fairlane. Reproduced in Fortune magazine (February 1955).
Western art unattributed:
26. Advertisement for Hoover Constellation. Reproduced in Ladies' Home Journal (June 1955).
Western art unattributed:
27. Advertisement for Armour Star Ham. Reproduced in Look (20th April 1954).
Western art unattributed:
28. Irwin 'Zabo' Koszewski. Photograph by Bruce Bellas. Reproduced in Tomorrow's Man (September 1954).
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