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3 articles
Book Review
The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain. By Ben Highmore
04/2018 | 1381 | 160
Pages: 353-354
related names
Reviewer:
Massey, Anne (Massey, Anne)
Subjects
art literature:
dates:
places:
Illustrations
Attributed works:
7. Machine Made America II, by John McHale. 1956. Collage reproduced on the cover of The Architectural Review, May 1957.
Supplement
The Independent Group: Towards a Redefinition
04/1987 | 1009 | 129
Pages: 232-242
related names
Author:
Massey, Anne (Massey, Anne)
Subjects
art literature:
art literature:
art literature:
artists:
artists:
artists:
artists:
dates:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
15. Fisherman and Wife, by Eduardo Paolozzi. 1946. Pen and Ink, 76.8 by 61 cm. (Tate Gallery, London).
Attributed works:
17. 1950, Aspects of British Art at the ICA, Dover St; Work by Richard Hamilton at Far Right.
Attributed works:
19. Table in the ICA Bar, by Eduardo Paolozzi and Terence Conran. 1950, Concrete and Metal.
Attributed works:
23. Invitation Card for Opposing Forces, Designed by Toni del Renzio.
Western art unattributed:
16. Cover of the Catalogue for 40,000 Years of Modern Art, Held at the ICA 1948-49.
Western art unattributed:
18. James Joyce Exhibition at the ICA, 1950.
Western art unattributed:
20. The Critic David Sylvester with Sir Philip Hendy, Director of the National Gallery, at the Opening of the ICA Gallery, Dover St, 1950.
Western art unattributed:
21. Sir Roland Penrose (Left) Talking to Guests at the Opening of the ICA Gallery, Dover St, 1950.
Western art unattributed:
22. Peter Watson and Graham Sutherland (Right) at the Opening of the ICA Gallery, Dover St, 1950.
Western art unattributed:
24. Invitation Card for Man, Machine and Motion, Exhibition Organised by Richard Hamilton with Reyner Banham, 1955.