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34 articles
Article
Denis Wirth-Miller’s studio collection
09/2023 | 1446 | 165
Pages: 976-87
related names
Author:
Günther, Katharina (Günther, Katharina)
Subjects
dates:
places:
Illustrations
Attributed works:
1 and 2. Denis Wirth-Miller’s studio, Wivenhoe. 2014. (Photographs Ben Harrison).
Attributed works:
10. Study for ‘Dog in movement’, by Denis Wirth-Miller. c.1953. Oil on canvas. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
11. Dog; walking; mastiff. Dread, by Eadweard Muybridge. (From E. Muybridge: Animal Locomotion, Philadelphia 1887, plate 704).
Attributed works:
12. Dog, by Francis Bacon. 1952. Oil on canvas, 198.1 by 137.2 cm. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; Tate Britain, London).
Attributed works:
13. Part of the floor of Francis Bacon’s studio at 7 Reece Mews, London. 1998. Photograph by Perry Ogden. (© The Estate of Francis Bacon. All rights reserved, DACS / Artimage 2023).
Attributed works:
14. Francis Bacon working material, torn-out page, folded, attached to support and inserted in plastic bag, of ‘Pugilist. Striking a blow’ from E. Muybridge: The Human Figure in Motion, London 1901 (possibly), plate 63. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; Dublin City Gallery The Hugh Lane).
Attributed works:
15. Detail of Fig.14, showing the folded page and two merged frames.
Attributed works:
16. Study from the Human Body (Man Turning on Light), 1973, by Francis Bacon. 1973. Oil and alkyd paint on canvas, 200.6 by 148.4 cm. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; private collection).
Attributed works:
3. Denis Wirth-Miller, working material, page from Maxick (Max Sick): Muscle Control or Body Development by Will-Power, London 1949, pp.93– 94, Wivenhoe 112, 22 by 13.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
4. Denis Wirth-Miller, working material, cut and mounted blackand- white photographic reproduction showing two United Nations soldiers in a trench, from S. Simmons: ‘Pusan Beach–Head’, Picture Post (5th August 1950), p.15, no.724v. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
5. Denis Wirth-Miller, working material, fragment of a page, mounted on carboard, showing a single frame from the series ‘The Walk’, ‘Some phases in the Walk of a Dog from series 14’, from E. Muybridge: Animals in Motion, London 1899, p.63, Wivenhoe 49, 15.5 by 15.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco) .
Attributed works:
6. Denis Wirth-Miller, working material, cut-out image mounted on cardboard, from ‘The Defense of Europe’, TIME: The Weekly Newsmagazine, Atlantic Overseas Edition 55:2 (April 1950), p.15, Wivenhoe 106, 25 by 18 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
7. Walking man, by Denis Wirth-Miller. c.1954. Oil on canvas, 130 by 99 cm. (© The Estate of Denis Wirth-Miller; private collection).
Attributed works:
8. Denis Wirth-Miller, working material, fragment of a page mounted on cardboard, from TIME: The Weekly Newspaper Atlantic Overseas Edition (13th June 1949), p.16, Wivenhoe 174, 25.5 by 20.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
9. Reconstitution of Francis Bacon’s studio at 7 Reece Mews, London, at Dublin City Gallery The Hugh Lane. (Photograph © Leonard de Selva; Bridgeman Images).
Exhibition Review
Souls Grown Deep Like the Rivers: Black Artists from the American South
06/2023 | 1443 | 165
Pages: 657-659
related names
Reviewer:
Rhodes, Colin (Rhodes, Colin)
Subjects
dates:
Reviewed Items
subjects:
Souls Grown Deep Like the Rivers: Black Artists from the American South Royal Academy of Arts, London 17th March–18th June | :
Illustrations
Attributed works:
23. LeBe, by Sam Doyle. Late 1970s. Paint on tin, 95.2 by 67.9 cm. (Estate of Sam Doyle; Souls Grown Deep Foundation, Atlanta; photograph Stephen Pitkin; exh. Royal Academy of Arts, London).
Attributed works:
24. Oklahoma, by Ronald Lockett. 1995. Found sheet metal, tin, wire, paint and nails on wood, 114.3 by 117.5 by 7.6 cm. (Souls Grown Deep Foundation, Atlanta; Artist Rights Society, New York and DACS; exh. Royal Academy of Arts, London).
Attributed works:
25. Medallion, by Loretta Pettway Bennett. 2005. Cotton and twill, 215.9 by 154.9 cm. (Souls Grown Deep Foundation, Atlanta; Artist Rights Society, New York and DACS; exh. Royal Academy of Arts, London).
Book Review
Poisoned Abstraction: Kurt Schwitters between Revolution and Exile
08/2022 | 1433 | 164
Pages: 826-827
related names
Reviewer:
Williamson, Beth (Williamson, Beth)
Subjects
artists:
Reviewed Items
subjects:
Poisoned Abstraction: Kurt Schwitters between Revolution and Exile By Graham Bader. 240 pp. incl. 90 col. + 40 b. & w. ills. (Yale University Press, New Haven and London, 2021), £45. ISBN 978–0–300– 25708–3. | :
Illustrations
Attributed works:
7. Untitled (Merzcolumn), by Kurt Schwitters. c.1923–25. Paper, board, metal, plaster, wood, knit fabric, cow horn, laurel branch, torchier light and other materials on wood, dimensions unknown. Destroyed. (Sprengel Museum, Hanover; © Michael Herling and Aline Gwose).
Exhibition Review
Betye Saar: Call and Response
03/2021 | 1416 | 163
Pages: 286-287
related names
Reviewer:
Monahan, Anne (Monahan, Anne)
Subjects
artists:
dates:
Reviewed Items
subjects:
Betye Saar: Call and Response Morgan Library and Museum, New York 12th September 2020– 31st January 2021 | :
Illustrations
Attributed works:
21. The edge of ethics, by Betye Saar. 2010. Metal cage, figures, chain, glass bottle and fan coral, 26.7 by 23.5 by 14 cm. (Private collection; courtesy the artist and Roberts Projects, Los Angeles; exh. Morgan Library and Museum, New York).
Attributed works:
22. Sketchbook page for The edge of ethics, 14th January 2010. Ballpoint pen, marker and coloured pencil on paper pasted into sketchbook. (Courtesy the artist and Roberts Projects, Los Angeles; exh. Morgan Library and Museum, New York).
Attributed works:
23. Pocadonia, from the series A Secretary to the Spirits [for Ishmael Reed], by Betye Saar. 1975–78. Collage of cut and torn printed papers and Letraset border tape, with porous point pen, ink wash, watercolour and ink stamps on laminated paperboard, 38.1 by 25.4 cm. (Morgan Library and Museum, New York; photograph Janny Chiu).
Exhibition Review
Engineer, Agitator, Constructor: The Artist Reinvented
03/2021 | 1416 | 163
Pages: 283-285
related names
Reviewer:
Huber, Stephanie (Huber, Stephanie)
Subjects
dates:
styles:
Reviewed Items
subjects:
Engineer, Agitator, Constructor: The Artist Reinvented Museum of Modern Art, New York 13th December 2020–10th April 2021 | :
Illustrations
Attributed works:
19. The hand has five fingers, by John Heartfield. 1928. Lithograph, 97.8 by 74.3 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Attributed works:
20. Advertising technique 1, design for a journal cover, by Nikolai Sedelnikov. 1930. Letterpress, 29.8 by 23 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Attributed works:
Opposite 18. Electrification of the entire country, by Gustav Klutsis. c.1920. Cut-andpasted gelatin silver prints, printed and painted paper on paper with gouache, ink, and pencil, 46.5 by 27.5 cm. (Merrill C. Berman Collection, Museum of Modern Art, New York).
Exhibition Review
Picasso and Paper. Royal Academy of Arts, London
04/2020 | 1405 | 162
Pages: 348-350
related names
Reviewer:
Cowling, Elizabeth (Cowling, Elizabeth)
Subjects
artists:
dates:
Reviewed Items
museums and institutions:
Picasso and Paper Royal Academy of Arts, London 25th January–13th April | :
Illustrations
Attributed works:
23. Head of a woman, by Pablo Picasso. 4th December 1962. Pencil on cut and folded wove paper, 42 by 26.5 cm. (Musée national Picasso- Paris; exh. Royal Academy of Arts, London).
Attributed works:
24. Violin, by Pablo Picasso. Autumn 1912. Laid paper, wallpaper, newspaper, wove wrapping paper and glazed black wove paper, cut and pasted onto cardboard, with pencil and charcoal, 65 by 50 cm. (Musée national Picasso- Paris; exh. Royal Academy of Arts, London).
Attributed works:
25. Women at their toilette, by Pablo Picasso. Winter 1937–38. Collage of cut-out wallpapers with gouache on paper pasted onto canvas, 299 by 448 cm. (Musée national Picasso- Paris; exh. Royal Academy of Arts, London).
Exhibition Review
Cut and Paste: 400 Years of Collage Scottish National Gallery of Modern Art (Modern Two), Edinburgh
09/2019 | 1398 | 161
Pages: 776-779
related names
Reviewer:
Thompson, Susannah (Thompson, Susannah)
Subjects
artists:
subjects:
Illustrations
Attributed works:
31. Scrapbook, by Mary Watson. 1821. Cut-up newspapers, printed illustrations and handwritten text, sheet 21 by 15 cm. (Manchester Metropolitan University; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
32. Still from Doll clothes, by Cindy Sherman. 1975. 16mm film transferred to video, 2 mins 22 secs. (Courtesy the artist and Metro Pictures, New York; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
33. Pretty girl, by Linder. 1977. Magazine with collage, 24 by 18.5 cm. (Courtesy the artist and Modern Art, London; exh. Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
The Nature of Arp
05/2019 | 1394 | 161
Pages: 431-433
related names
Reviewer:
Robertson, Eric (Robertson, Eric)
Subjects
artists:
dates:
Illustrations
Attributed works:
26. Ptolemy I, by Jean (Hans) Arp. 1953. Plaster, 102.9 by 52.7 by 43.2 cm. (University of California, Los Angeles; exh. Peggy Guggenheim Collection, Venice).
Attributed works:
27. Maimed and stateless, by Jean (Hans) Arp. 1936. Newspaper and papier-mâché, 17.1 by 18.3 by 25 cm. (Peggy Guggenheim Collection, Venice).
Attributed works:
28. Plant-hammer (terrestrial forms), by Jean (Hans) Arp. 1916. Painted wood, 62 by 50 by 8 cm. (Gemeentemuseum Den Haag; exh. Peggy Guggenheim Collection, Venice).
Exhibition Review
Franz West
05/2019 | 1394 | 161
Pages: 433-436
related names
Reviewer:
Riddle, Emily (Riddle, Emily)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
29. Passstücke mit Box und Video, by Franz West. 1996. Metal, plaster, plastic, wood, acrylic paint, fabric, monitor and video. Four sculptures: 104 by 20 by 36 cm.; 100 by 27 by 34 cm.; 103 by 40 by 17 cm.; and 97 by 29 by 30 cm. (Grässlin Collection, St Georgen; exh. Tate Modern, London).
Attributed works:
30. Installation view of Franz West at Tate Modern, London, 20th February– 2nd June 2019. (Photograph Luke Walker).
Attributed works:
31. Installation view of Franz West at Tate Modern, London, 20th February– 2nd June 2019, showing Eo Ipso (1987). (Photograph Luke Walker).
Exhibition Review
Lost, Loose and Loved: Foreign Artists in Paris 1944–1968
04/2019 | 1393 | 161
Pages: 336-339
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
dates:
Illustrations
Attributed works:
20. Fire! Fire!, by Enrico Baj. 1963–64. Oil and meccano on fabric, 128.6 by 97.2 cm. (Tate, London; exh. Museo Nacional Centro de Arte Reina Sofía, Madrid).
Attributed works:
21. Composition, by Wols. 1948. Canvas, 80.3 by 81 cm. (Museo Nacional Centro de Arte Reina Sofía, Madrid)
Attributed works:
22. The school new-par-yorkis, by Erró. 1959. Canvas, 120 by 200 cm. (Artist’s collection; exh. Museo Nacional Centro de Arte Reina Sofía, Madrid).
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