• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
7 articles
Exhibition Review
Liverpool Biennial. Liverpool
11/2012 | 1316 | 154
Pages: 807-808
Subscribe to read
related names
Reviewer:
Maidment, Isabella (Maidment, Isabella)
Subjects
artists:
Hatoum, Mona / Superflex / Andre, Carl / Aitken, Doug
artists:
Rosenkranz, Pamela
dates:
2010-2019
places:
England / Liverpool
subjects:
Reviews / Exhibitions / Liverpool Biennial
Illustrations
Attributed works:
78. Installation view, the Cunard Building, Liverpool, showing Liverpool to let, by Superflex. 2012. Mixed media, dimensions variable. (Commissioned by Liverpool Biennial).
Attributed works:
79. Sky arts ignition: Doug Aitken - The source, by Doug Aitken. 2012. Six-screen video projection, each 4 mins. (Courtesy of 303 Gallery, New York; Gallerie Eva Presenhuber, Zürich; Victoria Miro Gallery, London; and Regen Projects, Los Angeles). Pavilion designed by David Adjaye and Doug Aitken. (Exh. Tate Liverpool, Albert Dock, Liverpool).
Attributed works:
80. Present tense, by Mona Hatoum. 1996. Soap and glass beads, 4.5 by 299 by 241 cm. (Courtesy of the artist; exh. Liverpool Biennial).
Exhibition Review
Liverpool Biennial. Liverpool
11/2010 | 1292 | 152
Pages: 761-762
Subscribe to read
related names
Reviewer:
Griffin, Christopher (Griffin, Christopher)
Subjects
dates:
2010-2019
museums and institutions:
Liverpool Biennial
places:
Liverpool / England
print:
Contemporary art
print:
Liverpool Biennial
subjects:
Reviews / Exhibitions / Art / Commissions
Reviewed Items
subjects:
Touched | institution: Liverpool Biennial
Illustrations
Attributed works:
71. The temple of a thousand bells, by Laura Belém. 2010. Installation with sound, glass bells, nylon string, 5.1 sound system and lighting. Music composed by Fernando Rocha. (Courtesy of the artist; exh. Liverpool Biennial).
Attributed works:
72. Still from Helen Keller (and the great purging bonfire of books and unpublished manuscripts illuminating the dark), by Lars Laumann. 2010. Video projection. (Courtesy of the artist; exh. Liverpool Biennial).
Attributed works:
73. Sibling topics (section a), part of Trill-ogy comp, by Ryan Trecartin. 2009. HD video, 51 mins. (Courtesy of the artist and Elizabeth Dee Gallery, New York; exh. Liverpool Biennial).
Exhibition Review
The Liverpool Biennial. Liverpool
02/2009 | 1271 | 151
Pages: 116-118
Subscribe to read
related names
Reviewer:
Cullinan, Nicholas (Cullinan, Nicholas)
Subjects
dates:
2000-2009
museums and institutions:
Tate Liverpool, Liverpool, Great Britain / Bluecoat Gallery, Liverpool, Great Britain
museums and institutions:
Walker Art Gallery, Liverpool, Great Britain
museums and institutions:
Foundation for Art and Creative Technology, Liverpool, Great Britain / Open Eye Gallery, Liverpool, Great Britain / A Foundation, Liverpool, Great Britain
places:
Liverpool / England
print:
Liverpool Biennial
subjects:
Reviews / Exhibitions / Art / Liverpool Biennial / Modern Art
subjects:
Installations (visual works)
Reviewed Items
subjects:
The Liverpool Biennial 2008: International Festival of Contemporary Art | institution: Liverpool Biennial
Illustrations
Attributed works:
44. Turning the place over, by Richard Wilson. 2007. Installation photograph. (Exh. Cross Keys House, Liverpool)
Attributed works:
45. Gleaming lights of the souls, by Yayoi Kusama. 2008. Mixed media, 415 by 415 by 287.4 cm. (Exh. Pilkingto Space, Liverpool)
Exhibition Review
Biennial 2006. Liverpool
12/2006 | 1245 | 148
Pages: 869
Subscribe to read
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
artists:
Greenland, Martin / Macuga, Goshka
dates:
2000-2009
museums and institutions:
Walker Art Gallery, Liverpool, Great Britain / A Foundation, Liverpool, Great Britain / Coach Shed, Liverpool, Great Britain
museums and institutions:
Rochelle School, London, Great Britain
places:
London / Liverpool / England
print:
Contemporary art
subjects:
Reviews / Exhibitions / Liverpool Biennial
Reviewed Items
subjects:
Bloomberg newcontemporaries 2006 | institution: Coach Shed
subjects:
John Moores 24 | institution: Walker Art Gallery
subjects:
The International | institution: Liverpool Biennial
Illustrations
Attributed works:
75. Still from film Hieronymous Posh, by Kingpins. 2006. (Exh. Fusebox, Liverpool).
Attributed works:
76. ‘The marriage’ from the Yellow Pages (Rake’s Progress), by Chiho Kato. 2005. Digital print, 29.7 by 21 cm. (The artist; exh. Coach Shed, Liverpool).
Attributed works:
77. Before Vermeer’s clouds, by Martin Greenland. 2006. Canvas, 121.5 by 152.5 cm. (The artist; exh.Walker Art Gallery, Liverpool).
Exhibition Review
Liverpool Biennial. Liverpool
11/2004 | 1220 | 146
Pages: 776-778
Subscribe to read
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
dates:
2000-2009
places:
England / Liverpool
print:
Liverpool Biennial
subjects:
Reviews / Exhibitions / Liverpool Biennial
Reviewed Items
subjects:
Bloomberg New Contemporaries | institution: Coach Shed
subjects:
Independent | :
subjects:
International 2004 | institution: Tate Liverpool
subjects:
John Moores 23. | institution: Walker Art Gallery
Illustrations
Attributed works:
84. Slump/fear (orange/black), by Alexis Harding. 2004. Oil and gloss paint, 192 by 183 cm. (The artist; exh. The Walker, Liverpool).
Attributed works:
85. Close to the sea, by Yang Fudong. 2004. Photographic projection with sound. (The artist; exh. FACT, Liverpool).
Exhibition Review
Biennial. Liverpool
11/2002 | 1196 | 144
Pages: 701-703
Subscribe to read
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
dates:
2000-2009
places:
England / Liverpool
subjects:
Liverpool Biennial
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
51. Villa Victoria, by Tatsuruo Bashi. 2002. Mixed media installation. (The artist; exh. Liverpool Biennial).
Attributed works:
52. Petite, by Dominique Gonzalez-Foerster. 2001. Video installation. (The artist; exh. Tate Liverpool).
Attributed works:
53. The Volksboutique accounting archive, by Christine Hill. 2002. Installation. (Henry Moore Foundation Contemporary Projects; exh. Pleasant Street School, Liverpool).
Attributed works:
54. Waylon Saul (detail), by Stephen Powers. 2001. Installation. (Henry Moore Foundation Contemporary Projects; exh. Pleasant Street School, Liverpool).
Attributed works:
55. Super star fucker - Andy Warhol text painting, by Peter Davies. 2002. Acrylic, 254 by 213 cm. (Walker Art Gallery, Liverpool).
Advertisements
Advertisements August 1999 (front)
08/1999 | 1157 | 141
Pages: i-iv
Subscribe to read
Subjects
advertisements:
Galerie Koller (auctioneers), Zurich, Switzerland
advertisements:
Harvey Miller Publishers, London, Great Britain
advertisements:
Liverpool Biennial
advertisements:
Artinsure (BGIL), London, Great Britain
advertisements:
Master Drawings (art periodical)
advertisements:
Hall & Knight Ltd., New York, United States
advertisements:
Whitfield Fine Art, London, Great Britain
advertisements:
Michael Tollemache Ltd., London, Great Britain
advertisements:
Didier Aaron, Inc, New York, United States
advertisements:
Otto Naumann, New York, United States
advertisements:
The Burlington Magazine
advertisements:
Colnaghi, London, Great Britain
advertisements:
Biennale Internazionale d'Antiquariato (Italy: Florence)
artists:
Zoffany, Johann
artists:
Raphael / Wtewael, Joachim
subjects:
Advertisements
Illustrations
Attributed works:
The Three Graces, by Raphael. c. 1517-18. Red Chalk with Some Stylus Underdrawing, 20.3 by 25.8 cm. (Royal Collection, Windsor Castle; Exh. Queen's Gallery, London).
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] John Zoffany, R. A. (1733-1810), Portrait of John Moody in the Character of Father Foigard in "The Beaux' Stratagem". Oil on Canvas; 88 × 59 cm.
Attributed works:
[Galerie Koller, Hardturmstrasse 102, Zurich, Switzerland] Joachim Anthonisz. Wtewael (Utrecht 1566-1638). The Apulian Shepherd. Signed 'J. M...WTE'. Oil on Copper. 15,5 × 20,5 cm. Ca. 1595-1602. Sale September 9, 1999.