By using this website you agree to our Cookie policy

Search

14 articles
Exhibition Review
Shape of Light: 100 Years of Photography and Abstract Art. Tate Modern, London
10/2018 | 1387 | 160
Pages: 865-867
related names
Reviewer:
Cork, Richard (Cork, Richard)
Subjects
art literature:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
23. Vortograph, by Alvin Langdon Coburn. 1917. Gelatin silver print, 28.3 by 21.4 cm. (George Eastman House, Rochester NY; exh. Tate Modern, London).
Attributed works:
24. Homage to Kandinsky, by Marta Hoepffner. 1937. Gelatin silver print, 39.5 by 29.3 cm. (Estate Marta Hoepffner; Stadtmuseum Hofheim am Taunus; exh. Tate Modern, London).
Exhibition Review
Post-War art. Munich
04/2017 | 1369 | 159
Pages: 339-341
related names
Reviewer:
Lewison, Jeremy (Lewison, Jeremy)
Subjects
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
79. Berlin '64, by Emilio Vedova. 1964 (Fondazione Emilio e Annabianca Vedova, Venice; exh. Haus der Kunst, Munich)
Attributed works:
80. Self-portrait of Suffering, by Ibraham El-Salahi. 1961 (Iwalewahaus, Universität Bayreuth; exh. Haus der Kunst, Munich)
Attributed works:
81. Installation view of the 'Concrete Visions' section of Postwar: Art between the Pacific and the Atlantic at the Haus der Kunst, Munich)
Exhibition Review
Carl Andre
11/2014 | 1340 | 156
Pages: 778-779
related names
Reviewer:
Edwards, Randall (Edwards, Randall)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
71. Installation view of Carl Andre, Sculpture as Place: 1958-2010 showing Herm, Tau (Elemental series), Tau and right threshhold, Pyramid (square plan) and Lever, by Carl Andre
Attributed works:
72. Installation view of Carl Andre, Sculpture as Place: 1958-2010 showing Fermi, Lament for the children and Triskaidek, by Carl Andre
Attributed works:
73. The cask of meats, by Carl Andre (Eileen and Michael Cohen collection, New York; exh. Dia:Beacon, Poughkeepsie NY)
Attributed works:
74. E S S A Y O N S C U L P T U R E F O R E C G O O S E N 1964, by Carl Andre (Private collection; exh. Dia:Beacon, Poughkeepsie NY)
Advertisements
Advertisements October 2013 (front)
10/2013 | 1327 | 155
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Ben Elwes Fine Art, London. A bouquet of flowers in a porcelain vase, by Balthasar van der Ast (1593/94 - 1657). Signed lower left: .B.. vander. ast. Oil on panel, 39.1 by 29.9 cm]
Attributed works:
[C.G. Boerner, New York and Dusseldorf. Nativity, by Albrecht Durer. 1504. Engraving, 18.7 by 12.2 cm]
Attributed works:
[Carl Solway Gallery, Cincinnati. Burning bones Texas, by Albert Paley. 2012. Monoprint no 18. Ink on paper, 79.4 by 110.5 cm]
Attributed works:
[De Jonckheere, Paris. L'auberge St. Michael, by Peter Brueghel the Younger, 1619. Oil on panel, 54 by 74 cm]
Attributed works:
[Dolan/Maxwell, Philadelphia. Woman in a net, by Stanley William Hayter. 1934. Engraving, soft ground etching, and gauffrage, 21.9 by 29.8 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Guido Reni (1575-1642), La Fortuna (detail), oil on canvas, 130 x 152 cm]
Attributed works:
[Emanuel on Bayer, London. Rainfall over Prague, by Alfons Mucha. 1860-1939. 1933. Signed and dated. Pen and black ink, with black and grey wash, heightened in white and watercolour, 26.5 by 18.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Domenico Piola. Genoa, 1617 - 1703. The Triumph of Devine Wisdom over Satan, Avarice and Heresy. Oil on canvas, 150 x 200 cm (59 x 78 3/4 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovanni Battista Foggini 1652-1725 (attribute to). A pair of monumental marbles on pedestals of a Lion attacking a Horse and a Lion attacking a Bull]
Attributed works:
[Galerie Kodl. Vitezna 11, Praha5. Mala Strana. Praha. Emil Filla (1882-1953). Lying nude. 1932. Oil on canvas. 98.5 x 139 cm]
Attributed works:
[Galerie Kodl. Vitezna 11, Praha5. Mala Strana. Praha. Jindřich Štýrský(1899-11942). Roots. 1934. Oil on canvas, 63 x 57 cm]
Attributed works:
[Galerie Kodl. Vitezna 11, Praha5. Mala Strana. Praha. Václav Brožík (1851-1901). Black Strawberries. c.1899. Oil on wood, 100 x 80 cm]
Attributed works:
[Goya Contemporary, Baltimore. Etilon, by Imi Knoebel. 2001-09. Edition no.5 of 5. Acrylic Painted on synthetic paper, 51 by 51 cm.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Born 1931. Persian Palace, 1984. Oil on canvas. 70 3/4 x 61 3/4 inches; 180 x 156.5 cm]
Attributed works:
[Hazlitt, Holland-Hibbert, London. Persian Palace, by Bridget Riley (b-1931). 1984. Oil on linen, 180 by 156.5 cm]
Attributed works:
[Hill-Stone, New York. Portrait of Grinling Gibbons, by John Smith, after Sir Godfrey Knellwer (c.1654-c.1720). The first of two states. Mezzotint, 34.3 by 26 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jacques-Edme Dumont 1761 - Paris - 1844. A unique assembly of 101 terracotta modelli, measuring between 2 and 7 cm, displayed in a printers typecase]
Attributed works:
[John Szoke, New York. Portrait of Jacqueline, by Pablo Picasso. 1959. Edition of 50. Linocut, 63.5 by 53.3 cm]
Attributed works:
[Johnny Van Haeften Ltd, London. A still life of a laid with a basket of fruit and vegetable, by Jacob Van Hulsdonck (1582-1674). 1625. Oil on panel, 71 by 104 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Fra Filippo Lippi (1406-1469). Madonna with Child. Tempera on wood, partial gilded, 81 x 62 cm.]
Attributed works:
[Michael Altman Fine Art & Advisory Service, LLC. John Singer Sargent (1856-1925). A Gust of Wind (detail). c.1883. Oil on canvas, 24 1/4 x 15 inches (61.6 x 38.1 cm)]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Cyril Power. The Tube Station, c.1932. Linocut, from the edition of 60, 25.8 x 29.5 cm]
Attributed works:
[Otto Naumann Ltd, New York. Zenobie discovered by the shepherds, by Felix-Henri Giacomotti. Signed lower right. Oil on canvas, 146.5 by 113 cm]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Ana Maria Pacheco. Homage to Neruda I, 2013. Monotype, 54.6 x 69 cm]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. Homage to Neruda XI, by Ana Maria Pacheco. 2013. One of eleven original monotype reproduced in Canto General, Artist's Book. Monotype, 54.6 by 69 cm]
Attributed works:
[R.S. Johnson Fine Art, Chicago. A Man of War between two armed gallerys (1st state), by Pieter Bruegel. 1565. Engravings, 22.6 by 29.4 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Edward Power. The Tube Station, c.1923. Linocut 25.8 x 29.5 cm]
Attributed works:
[Redfern Gallery. London. Village fair, by Lill Tschudi. 1934. Edition of 50. Linocut, 25.5 by 30.6 cm]
Attributed works:
[Robilant + Voena, London and Milan. Lamentation over the dead Christ, by Anthony Van Dyck (1599-1641). Oil on canvas.]
Attributed works:
[Robilant + Voena, London. Bianco, by Agostino Bonalumi (b.1935). Fiberglass. Height: 180 cm. Width: 200 cm. Depth: 180 cm. Gallery exhibition: Bonalumi: all the shapes of space 1958-1976. 4th October - 15th Novemberr]
Attributed works:
[Ruiz-Healy Art. San Antonio, Texas and New York City. Pedro Friedeberg, Perros Rojo, 1991.]
Attributed works:
[Salamon & co, Milan. Florence, view of Piazza della Signoria, by Thomas Patch (1725-82). Pen, brush and coloured inks over traces of pencil, 20.3 by 38.4 cm]
Attributed works:
[Salamon Fine Old Master Paintings and Drawings. Palazzo Cicogna. Via San Damiano 2. Milano. Giovanni Fattori (Livorno 1825 - 1908 Florence). Napoleon III Receives a Dispatch by Princess Eugenia near Lonat. Pen and brush, colored inks over traces of black chalk on paper; 46.5 x 369 mm. (18 1/4 x 14 1/2 in)]
Attributed works:
[Simon Theobald. 16 Savile Row, 1st Floor, Beddington Suite. London. Edvard Munch, Melancholie III, 1902]
Attributed works:
[Sotheby’s & Co. 76, rue de Faubourg Saint-Honoré. Paris. An important Italian pietre dure marquetery panel depicting the Allegory of Architecture. Florence, Galleria dei Lavori, circa 1754. Drawing by Giuseppe Zocchi (Fiesole 1711-Firenze 1767), in giltbronze frame, made by Bombicci in 1754]
Attributed works:
[Sperone Westwater, New York. Marble word list 2013, by Robert Barry. Marble, Variable dimensions.]
Attributed works:
[Sperone Westwater, New York. Nixes mate, by Carl Andre. 1922. Western red cedar, 8 timbers. Height: 90 cm. Width: 120 cm. Depth: 120 cm]
Attributed works:
[Sperone Westwater. 257 Bowery. New York. Carl Andre. June Field, 1975]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. The rape of Proserpina, attributed to François Girardon. (1690-1700). Bronze, brown patina with traces of red lacquer. Height: 105 cm]
Attributed works:
[Trinity Fine Art, London. The Farnese Hercules, by Gaspero Bruschi (1710-1780). White hard-paste porcelain on base of painted and gilded wood. Height: 82 cm]
Attributed works:
[Walter Padovani, Milano. Portrait of Count Nicola Demidov and Portrait of Countess Elisabetta Demidova, née Stroganova, by Adamo Tadolini (1788-1868). Signed: A. TADOLINI F. A pair of sculptures in statuary marble from Carrara. Height: 31 cm. Width: 19 cm. Depth: 15 cm]
Attributed works:
[Walter Padovani. Via Santo Spirito, 26/A. Milano. Marco Antonio Prestinari (Claino 1570 ca, - Milan 1621). Hercules and the Nemean lion. Terracotta, height cm 52]
Non-western art unattributed:
[Galerie Meyer Oceanic Art, Paris. Spirit mask. Turubu Village Village, Papua New-Guinea. c.1930. Height: 44 cm. Width: 17 cm. Depth: 10 cm]
Western art unattributed:
[Mullany, London. Angel with tambourine, Lombardy, mid-15th century. Walnut with original polychrome and gilding]
Western art unattributed:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. After Hieronymus BOSCH. The Ship of Depravity, 1559]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A french model of a 12-pouder bronze cannon on its original field carriage, circa 1694]
Western art unattributed:
[Sphinx Fine Art. 125 Kensington Church Street. London. Flemish school, seventeenth century. A mimetic Landscape (detail)]
Western art unattributed:
[TATE Britain, London. Anon. Christ before Pilate (detail) c.1400-25]
Exhibition Review
Liverpool Biennial. Liverpool
11/2012 | 1316 | 154
Pages: 807-808
related names
Reviewer:
Maidment, Isabella (Maidment, Isabella)
Subjects
dates:
places:
Illustrations
Attributed works:
78. Installation view, the Cunard Building, Liverpool, showing Liverpool to let, by Superflex. 2012. Mixed media, dimensions variable. (Commissioned by Liverpool Biennial).
Attributed works:
79. Sky arts ignition: Doug Aitken - The source, by Doug Aitken. 2012. Six-screen video projection, each 4 mins. (Courtesy of 303 Gallery, New York; Gallerie Eva Presenhuber, Zürich; Victoria Miro Gallery, London; and Regen Projects, Los Angeles). Pavilion designed by David Adjaye and Doug Aitken. (Exh. Tate Liverpool, Albert Dock, Liverpool).
Attributed works:
80. Present tense, by Mona Hatoum. 1996. Soap and glass beads, 4.5 by 299 by 241 cm. (Courtesy of the artist; exh. Liverpool Biennial).
Exhibition Review
Carl Andre. London
09/2000 | 1170 | 142
Pages: 582-584
related names
Reviewer:
Potts, Alex (Potts, Alex)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
45. Installation Shot Showing Carl Andre's Glarus Copper Galaxy, 1995. Copper, 220 cm. Diameter. (Kunsthaus, Zurich; Exh. Whitechapel Art Gallery, London); Kristall, 1996. Lead, 144 Elements, 10 by 10 by 10 cm. and 10 by 10 by 120 cm. (Konrad Fischer, Düsseldorf; Exh. Whitechapel Art Gallery, London); and Tin Ribbon, 1969. Tin, Approx. 9.7 by 188 cm. (Paula Cooper Gallery, New York; Exh. Whitechapel art Gallery, London).
Attributed works:
46. Installation Shot Showing Carl Andre's Armadillo, (Foreground), 1998. Western Red Cedar, 23 Timbers, 30 by 30 by 90 cm. Each; 90 by 305 cm. Overall (Konrad Fischer, Düsseldorf; Exh. White-Chapel Art Gallery, London); And Karlsplatz, 1992. Western Red Cedar, 84 Timbers, 30 by 30 by 90 cm. Each; 90 by 390 by 870 cm. Overall (Flick Collection, Zurich; Exh. Whitechapel Art Gallery, London).
Attributed works:
47. Wolke, by Carl Andre (Detail). 1996. Lead, 144 Elements, 10 by 10 by 10 cm. Each; 10 cm. by Variable Overall Dimensions (Konrad Fischer, Düsseldorf; Exh. Whitechapel Art Gallery, London).
Exhibition Review
Carl Andre and Alison Wilding. Edinburgh and Skipton Castle
12/1998 | 1149 | 140
Pages: 848-850
related names
Reviewer:
Potts, Alex (Potts, Alex)
Subjects
artists:
artists:
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
83. 12 Isohedra, by Carl Andre. 1998. Limestone, Each Block 21 by 13.5 by 8.5 cm. (Exh. Royal Botanic Garden, Edinburgh).
Attributed works:
84. 12 Isohedra, by Carl Andre. 1998. Limestone, Each Block 21 by 13.5 by 8.5 cm. (Exh. Royal Botanic Garden, Edinburgh).
Attributed works:
85. Désormais, by Alison Wilding with Harbour in the Foreground. 1998. Alabaster and Mixed Media. (Skipton Castle).
Western art unattributed:
86. Désormais, Seen from the Entrance to the Chapel.
Exhibition Review
Carl Andre. Oxford
07/1996 | 1120 | 138
Pages: 474-475
related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
40. Convex Ash Pyramid, by Carl Andre. 1959, Remade 1995. Wood, 180 by 90 by 90 cm. (Conrad Fischer Collection; Exh. Museum of Modern Art, Oxford).
Attributed works:
41. 25 Cedar Scatter, by Carl Andre. 1992. Western Red Cedar, Dimensions Variable. (Exh. Museum of Modern Art, Oxford).
Attributed works:
42. Sand-Lime Instar, by Carl Andre. 1966, Remade in 1995. Sand-Lime Brick, 14 by 447 by 724 cm. (Exh. Museum of Modern Art, Oxford).
Exhibition Review
'Upholding the Bricks'. Channel 4
05/1991 | 1058 | 133
Pages: 331-332
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
25. A View in Tintern Abbey from the Film Upholding the Bricks.
Attributed works:
26. Raymond Baxter with Carl Andre's Equivalent VI in Upholding the Bricks.
Advertisements
Advertisements September 1989 (front)
09/1989 | 1038 | 131
Pages: i-xlviii
Subjects
advertisements:
artists:
artists:
artists:
subjects:
Illustrations
Attributed works:
[Alex Wengraf Limited, The Old Knoll Elliot Hill, London] Amour se Plaignant à Venus d'une piqûre d'abeille by Jacques-Edme Dumont (1761-1844) Terracotta Height 17 cm.
Attributed works:
[Anthony d'Offray Gallery, 9 Dering Street New Bond Street, London] Jackson Pollock Black Pouring Over Colour c. 1952 Oil on Specially Prepared Canvas on Panel 20 × 24 Inches
Attributed works:
[Brooke Alexander, 59 Wooster Street, New York] Ulrich Ruckriem, Installation, Palacio de Cristal, Madrid, April-June 1989. Photograph: Ulrich Gambke, München
Attributed works:
[Bruno Scardeoni, 54 Via Nasa, Lugano] Jusepe de Ribera ( Játiva, 1591 - Napoli, 1652) Philosopher (?)Signed and Dated
Attributed works:
[Bruton Gallery, Somerset], "Penelope" Intermediate Height: 47¼ in (120 cm)
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf and 61 East 77th St, New York] Wilhelm Lehmbruck. Etching. (1912). Petermann 27 II (ofIII).
Attributed works:
[Chapman Gallery, 14-18 Neal Street Covent Garden, London] Bernard Meadows, Head of Wounded Bird, 1959. 34″ High, Bronze
Attributed works:
[Christie's, 8 King Street, St James, London] A Monumental Mid-19th Century English Marble Statue of the Eagle Slayer by John Bell, 245cm (96½ in) High. Estimate: £40,000-60,000
Attributed works:
[Colnaghi, 14 Old Bond Street, London and 21 East 67th Street, New York] Justus Sustermans, Antwerp 1597-Florence 1681. Portrait of a Dignitary. Canvas: 201.3 × 115.6 cms.
Attributed works:
[David Koetser Gallery, 37 Talstrasse, Zurich] Cornelis de Heem (Leiden 1631-1695 Antwerp). Canvas, 64 × 51 cm. Signed
Attributed works:
[Edward R. Lubin, 3 East 75 Street, New York] Painted Terracotta Deposition Figure, Joseph of Arimathaea, by Ubaldo Gandolfi, Bologna, Circa 1775-80, H. 62 cm.
Attributed works:
[Front cover] Construction in Space: Soaring, by Naum Gabo. 1929-30. Painted Brass and Wood, and Plexiglass, 112 cm. High. (Leeds City Art Gallery).
Attributed works:
[Frost & Reed Ltd, 16 Old Bond Street, London] Camille Pissarro. 'La Cuisinière'. 16 × 9 Inches From an Exhibition of Fine Impressionist Pictures to be Held in November
Attributed works:
[Galerie d'Arenberg, 14 Rue aux Laines, Brussels] Bust of Monseigneur Antoine Triest, Bishop of Ghent, Marble, H: 73 cm, Signed: "H. ME. DV. Qvesnoy Brux. Fec." Probably Conceived in Rome in 1642 by François Duquesnoy (1594-1643) and Executed by His Brother Jérôme (1602-1654).
Attributed works:
[Galerie Lingenauber, Schwerinstrasse 38, Dusseldorf] Giovanni Battista Moroni (Albino before 1524 - 1578 Bergamo) Portrait of a man 47 × 39.5 cm.
Attributed works:
[Galerie Patrice Bellanger, 198 boulevard Saint Germain, Paris] Paul Heermann (c 1663-1732). German (Active Dresden, Leipzig and Prague). Two Putti Fighting, Circa 1720. Marble, Inscribed on Base: P. Hermann / inv e fec / Base: 30 × 25 cm - Height: 72 cm
Attributed works:
[Galerie Siegfried Billesberger, Billesberger Hof, Moosinning/Munich] Pierre Alexandre Wille (Paris 1748-1821 Paris). A Lively Market Scene. Watercolour, Pen and Brown Ink over Pencil. 195 × 271 mm. Signed and Dated Lower Right. 'P. A. Wille del. 1814'.
Attributed works:
[Gallery Charles & Andre Bailly, 25 Quai Voltaire, Paris]Tableau de Famille 224 × 175 cm. Salon of 1767 n° 76 Diderot of Salon 1767. Itself Reproduced in the Watercolour by Gabriel de Saint-Aubin Showing the Salon of 1767. Guillaume Voiriot
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] Design for Five Decorative Roundels Art, Education, Health, Building, Architecture, Pencil & Wash, $6frac{3}{4}$ × 10 Inches
Attributed works:
[Heim Gallery,59 Jermyn Street, London] William Dobson 1610-1646. John, 1st Lord Byron
Attributed works:
[Hodsoll Mckenzie, 50&91 Pimlico Road, London] A Mahogany Sideboard with Inlaid Ebony Decoration. George Bullock. English. c. 1825.
Attributed works:
[Jason McCoy inc, 41East 57 Street, New York] Arshile Gorky. Untitled, 1946-47. Pencil and Crayon on Paper, 14½ × 21½
Attributed works:
[Leslie Hindman Auctioneers, 215 Qest Ohio Street, Chicago] A Highly Important Silver-Gilt Empire Table Service, Reputedly a Gift from Napoleon to his Sister, Pauline Bonaparte Borghese, Will be among the Highlights of the William J. Stoecker Collection to be Offered October 14. The Service, Retailed by Martin Guillaume Biennais and Supplied by the Workshops of Biennais, Pierre Benoit Lorillon and Francois Dominique Naudin and Augmented by Pietro Paolo Spagna, Contains 168 Pieces. The Stoecker Sale Features a Collection of English and Continental Stirrup Cups. Notable among Those Photographed Is a Paul Storr Stirrup Cup in the Form of an Eland's Head, London, 1835, a James Barelay Hennell Stirrup Cup in the Form of a Fox Head, London, 1877. and a Pair of George III Sheffield Plate Stirrup Cups, Sheffield, Circa 1790, Chased in the Form of Fox Masks.
Attributed works:
[Leslie Hindman Auctioneers, 215 West Ohio Street, Chicago] Included in the William J. Stoecker Collection is a selection of British watercolors, paintings, drawings and prints. Featured among them is this Dante Gabriel Rossetti "The Gate of Memory," watercolor, gouache and crayon, signed with the monogram lower right, dated 1864 and titled lower left, on verso is a pencil study for Dantis Amor, $13frac{3}{4}$ × 10½ inches. "A Scene from Comus," a watercolor by Samuel Palmer, signed lower right, 21¼ × 29½ inches, will be among the highlights of the Stoecker sale. Other British watercolors include works by George Henry Andrews. Samuel Atkins, Henry Edridge, Thomas Gainsborough, Basil Nightengale, William Richardson, John Warwick Smith, and others. This John Sell Cotman Watercolor Entitled "Entrance to the Valley of Lauterbrunnen from Interlaken" Signed Lower Center and Dated 1831, 12½ × 18½ Inches, will be among the Large Selection of British Watercolors on October 14. Other British Artists of Note Whose Works Are Featured in the Sale Include This William Alexander "The Pagoda at Lin-Tsin Fon," Watercolor and Ink, Signed Lower Centerm, 11 × $16frac{3}{4}$ Inches
Attributed works:
[Marlborough, 6 Albemarle Street, London] Christopher Couch, Man Standing and Woman on Bed, 1989. Oil on Canvas 90 × 95 in./228.6 × 241.3 cm
Attributed works:
[Newhouse Galleries Inc, 19 East 66th Street, New York] Frans Hals, (1581/5-1666). Portrait of Adrianus Tegularius. Oil on Panel, $11frac{3}{8}$ × 9¼ Inches (28.8 × 23.5 cm)
Attributed works:
[Perrin, 98 Faubourg Saint Honore, Paris] Sébastien LECLERC (1637-1714). French School, Astronomy Instruments. Pen and Brown Ink, with Wash over Black Chalk. H. 12,5 cm; L. 27,5 cm. Signed: 'Leclerc Fecit'
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London and 113 East 79th Street, New York] Sir Thomas Lawrence, P. R. A., Portrait of Dr. John Willis, 1829-1830 Oil on Canvas, 96 by 62 Inches (236 by 145 cm)
Attributed works:
[Sotheby's 34-35 New Bond Street, London] A Mannerist Bronze Faun by Adrien de Vries, Circa 1610-15, 77 cm (31in.) High.
Attributed works:
[Stair Sainty Matthiesen 42 East 74 Street, New York]Thomas Couture (Senlis 1815-1879 Villiers-le-Bel). Romains de la Decadence. Charcoal and Pencil on Paper: 13¼ × 23 inches (33.5 × 58.5 cms).
Attributed works:
[The 16th International Antiques Fair, Florence (Gallery Lingenauber, Schweringstrasse 38, Dusseldorf] Jacob Isaak van Ruisdael, Landscape with Farm Buildings. Oil on Canvas, 85 × 105 cms.
Attributed works:
[The 16th International Antiques Fair, Florence (Thos. Agnew & Sons 43 Old Bond Street, London)] Federico Barocci (Urbino 1526-1612). The Annunciation. Etching, Engraving and Drypoint, c. 1584-88.
Attributed works:
[The 16th International Art Fair, Florence ( Bernheimer Fine Arts, 32 St George Street, London] A North Italian Walnut and Marquetry Commode. Workshop of Maggiolini. Late 18th Century. Height: 92.5 cm. Width: 131 cm. Depth: 60 cm.
Attributed works:
[The 16th International Art Fair, Florence (Bruno Scardeoni, Via Nassa 54, Lugano] Piero Faccini (Bologna c. 1562-1602). The Annunciation. Oil on Canvas, 36 × 24.5 cms.
Attributed works:
[The 20th Century British Art Fair, London ( The Scottish Gallery, 28 Cork Street, London)] S. J. Peploe Tulips c. 1922 Oil on canvas 21½×18 ins. Signed.
Attributed works:
[The 20th century British Art Fair, London (Gillian Jason Gallery 42 Inverness Street, London)]Frank Dobson R. A. Sleeping Nude c. 1940 Black Chalk on Pink Paper 12½×19 ins.
Attributed works:
[The 20th century British Art Fair, London (Peter Nahum, 5 Ryder street, London)] Reginald Brill 1902-74. The Philosopher. Signed, Ink Drawing on White Paper 48×20 ins. (122×51 cms.).
Attributed works:
[The Park Lane Antiques Fair, London ( Donohoe, 1-7 Davies Mews, London)] Ale Jug, by David King; Dublin 1706. Silver 28 ozs Troy (ex. Collection Viscount Kemsley).
Attributed works:
[The Park Lane Antiques Fair, London (Crawley & Asquith, 16 Savile Row, London)] Lago d'Averno. By Jacob-Philipp Hackert (1737-1807) Oil on Canvas. 127 × 198 cms.
Attributed works:
[The Sladmore Gallery, 32 Bruton Place, Berkeley Square, London]Theseus Slaying the Centaur by Antoine Louis Barye (1796-1875). Height: 20″ incl. Base
Attributed works:
[Thomas Le Claire kunsthandel, Elbchaussee 156, Hamburg] Francesco Vecellio (Ca.1475 Pieve di Cadore 1560). Madonna and Child, Pen and Brown Ink, Brown Washes, and White Heightening on Grey-Blue Paper. 168 × 77mm.
Attributed works:
[Thos. Agnew and sons Ltd, 43 Old Bond Street, London] Alessandro Algardi (1598-1654). Virgin and Child, Bronze, 48.3 cm high
Attributed works:
[Venator & Hanstein KG, Cacilienstrasse 48, Koln] From a Sketchbook by van Bloemen with 255 Views of the City of Rome, Circa 1700
Attributed works:
[Veronique Maxe - Albert Benamou, 33 avenue Matignon, Paris] Auguste Rodin (1840-1917) ·L'Âge d'airain (1877) fonte Thiebaud à patine brune, 1895. 66 × 18 cm.
Attributed works:
[Wartski, 14 Grafton Street, London] Variations on a Theme. Three diamond head-ornaments by Fabergé. Each is contained within its original fitted case. The cyclamen tiara converts to a necklace and is accompanied by a matching brooch. The central ornament of the tiara mounted on a blue enamel band is detachable to form a brooch. Photographed under life size.
Western art unattributed:
[Bader Ancient Medieval and Renaissance Art, Via Cesare Cantu 3, Lugano] Blessing Christ, Alabaster with Original Polychromy Picardy, Amiens, 14th Cent. Height 59 cm
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris]"Le miracle de San Galgano". Tablette de la Gabelle générale de la commune de Sienne, janvier à juillet 1325. Bois peint, 39 × 26 cm
Western art unattributed:
[Galerie Neuse, Contrescarpe 14, Bremen] St. Christopher. A Late Gothic Limewood Goldsmith's Model South German, ca. 1480, 38.5 cm High
Western art unattributed:
[Nella Longari, Via Bigli 15, Milan]"Italian Master" (Valle Padana XIII cent) Initial "S" San Silvestro Tempera Illuminated on vellum 90 × 75 mm. Cut to Shape in Excellent Conditions
Western art unattributed:
[Seago, 22 Pimlico Road, London]A Large and Impressive 19th-Century English Terra-Cotta Garden Vase, Complete with Original Pedestal, Circa 1850.
Western art unattributed:
[The Park Lane Antiques Fair ( Maria Andipa 162 Walton Street, London)] Prophet Ezekial, an Iconstasis Panel. Moscow c. 1600.
Western art unattributed:
[The Park Lane Antiques Fair, London ( W.R. Harvey 5 Old Bond Street, London)] A Fine Regency Period Carved Gilt and Decorated Console Table, Circa 1810.
load more