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11 articles
Exhibition Review
Alice in Wonderland. Liverpool, Rovereto and Hamburg
02/2012 | 1307 | 154
Pages: 136-137
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Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
Carroll, Lewis
dates:
2010-2019
museums and institutions:
Tate Liverpool, Liverpool, Great Britain / Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy / Hamburger Kunsthalle, Hamburg, Germany
places:
England / Germany / Hamburg / Italy / Liverpool / Rovereto / Trento
print:
Carroll, Lewis
subjects:
Reviews / Exhibitions / Literature in art / Literature / Iconography
subjects:
Visual sources
Reviewed Items
subjects:
Alice in Wonderland Through the Visual Arts | institution: Hamburger Kunsthalle , institution: MART , institution: Tate Liverpool
Illustrations
Attributed works:
53. Alice 1941, by Max Ernst. 1941. Oil on paper mounted on canvas, 40 by 32.3 cm. (Museum of Modern Art, New York; exh. Tate Liverpool).
Attributed works:
54. Nyima 438, by Annelies Strba. 2009. Archival pigment print on canvas, 110 by 165 cm. (Courtesy of the artist and Frith Street Gallery, London; exh. Tate Liverpool).
Attributed works:
55. Alice Pleasance Liddell, Summer 1858, by Charles Lutwidge Dodgson. 1858. Photograph, 15.7 by 12.7 cm. (National Portrait Gallery, London; exh. Tate Liverpool).
Exhibition Review
René Magritte. Liverpool and Vienna
10/2011 | 1303 | 153
Pages: 686-687
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Reviewer:
Calvocoressi, Richard (Calvocoressi, Richard)
Subjects
artists:
Magritte, René
dates:
2010-2019
museums and institutions:
Tate Liverpool, Liverpool, Great Britain / Albertina, Vienna, Austria
places:
Austria / England / Liverpool / Vienna
print:
Magritte, René
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
René Magritte: The Pleasure Principle | institution: Albertina , institution: Tate Liverpool
Illustrations
Attributed works:
52. The ellipsis, by René Magritte. 1948. Canvas, 50 by 73 cm. (Royal Museums of Fine Arts of Belgium, Brussels; exh. Tate Liverpool).
Attributed works:
53. The pleasure principle, by René Magritte. 1937. Canvas, 73 by 54 cm. (Private collection; exh. Tate Liverpool).
Attributed works:
54. The eternally obvious, by René Magritte. 1948. Canvas laid on board, five panels, framed and mounted on glass: 25.5 by 19.5; 19.3 by 32; 27 by 20.2; 20.5 by 26.6; and 26 by 18 cm. (Metropolitan Museum of Art, New York; exh. Tate Liverpool).
Exhibition Review
Nam June Paik. Düsseldorf and Liverpool
03/2011 | 1296 | 153
Pages: 194-195
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Reviewer:
Griffin, Christopher (Griffin, Christopher)
Subjects
artists:
Paik, Nam June
dates:
2010-2019
museums and institutions:
Tate Liverpool, Liverpool, Great Britain / FACT Foundation for Art and Creative Technology, Liverpool, Great Britain
places:
Liverpool / England
print:
Paik, Nam June
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Nam June Paik | institution: Foundation for Art and Creative Technology , institution: Museum Kunstpalast , institution: Tate Liverpool
Illustrations
Attributed works:
83. Original score string quartet, Freiburg im Breisgau, by Nam June Paik. 1957/78. Paper in acrylic glass box with affixed strips of audio tape, 47 by 63 by 4 cm. (Private collection; exh. Tate Liverpool).
Attributed works:
84. Good morning Mr Orwell, by Nam June Paik. 1984. Single-channel colour video with sound, 38 mins. (Courtesy of Electronic Arts Intermix, New York; exh: Foundation for Art and Creative Technology, Liverpool).
Attributed works:
85. Magnet TV, by Nam June Paik. 1965. Television manipulated with a magnet, 72 by 49 by 62 cm. (Whitney Museum of American Art, New York; exh. Tate Liverpool).
Exhibition Review
Picasso: Peace and Freedom. Liverpool
07/2010 | 1288 | 152
Pages: 489-490
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Reviewer:
Griffin, Christopher (Griffin, Christopher)
Subjects
artists:
Picasso, Pablo
dates:
2010-2019
museums and institutions:
Tate Liverpool, Liverpool, Great Britain
places:
Liverpool / England
print:
Picasso, Pablo
subjects:
Exhibitions / Reviews
Reviewed Items
subjects:
Picasso: Peace and Freedom | institution: Louisiana Museum for Moderne Kunst , institution: Tate Liverpool
Illustrations
Attributed works:
44. The charnel house, by Pablo Picasso. 1945. Canvas, 199.8 by 250.1 cm. (Museum of Modern Art, New York; exh. Tate Liverpool).
Attributed works:
45. Monument to the Spaniards who died for France, by Pablo Picasso. 1945–47. Canvas, 195 by 120 cm. (Museo Nacional Centro de Arte Reina Sofía, Madrid; exh. Tate Liverpool).
Attributed works:
46. The rape of the Sabine women (after David), by Pablo Picasso. 1962. Canvas, 97 by 130 cm. (Centre Georges Pompidou, Paris; exh. Tate Liverpool).
Exhibition Review
Klimt. Liverpool
08/2008 | 1265 | 150
Pages: 562-563
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Reviewer:
Topp, Leslie (Topp, Leslie)
Subjects
artists:
Klimt, Gustav
dates:
2000-2009
museums and institutions:
Tate Liverpool, Liverpool, Great Britain
places:
Liverpool / England
print:
Klimt, Gustav
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Gustav Klimt: Painting, Design and Modern Life in Vienna 1900 | institution: Tate Liverpool
Illustrations
Attributed works:
45. Detail from a copy of The Beethoven frieze, after Gustav Klimt. 1984 (original 1901–02). Casein, gold foil, chalk, graphite and plaster with decorative applications, 2–2.15 by 34.14 m. (Belvedere, Vienna; exh. Tate Liverpool).
Attributed works:
46. Interior in the Villa Henneberg on the Hohe Warte, Vienna, showing Klimt’s Portrait of Marie Henneberg of 1901–02. Interior designed by Josef Hoffman. c.1900–01. Anonymous photograph (The Studio, July 1904). (Tate Liverpool).
Attributed works:
47. Nuda Veritas, by Gustav Klimt. 1899. Canvas, 252 by 56.2 cm. (Österreichisches Theatermuseum, Vienna; exh. Tate Liverpool).
Exhibition Review
Marie-Louise von Motesiczky. Liverpool
08/2006 | 1241 | 148
Pages: 560-562
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Reviewer:
Behr, Shulamith (Behr, Shulamith)
Subjects
artists:
Motesiczky, Marie-Louise von
dates:
2000-2009
museums and institutions:
Tate Liverpool, Liverpool, Great Britain / Museum Giersch der Goethe-Universität, Frankfurt am Main, Germany / Wien Museum, Vienna, Austria / Southampton City Art Gallery, Southampton, Great Britain
places:
Vienna / Southampton / London / Germany / Frankfurt / England / Austria
print:
Motesiczky, Marie-Louise von
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Marie-Louise von Motesiczky 1906–1996: The Painter/Die Malerin | institution: Museum Giersch der Goethe-Universität , institution: Southampton City Art Gallery , institution: Tate Liverpool , institution: Wien Museum
Illustrations
Attributed works:
47. View from the window, Vienna, by Marie-Louise von Motesiczky. 1925. Canvas, 62.5 by 31 cm. (Tate, London; exh. Tate Liverpool).
Attributed works:
48. Self-portrait with red hat, by Marie-Louise von Motesiczky. 1938. Oil and charcoal on canvas, 50.7 by 35.5 cm. (Marie-Louise von Motesiczky Charitable Trust, London; exh. Tate Liverpool).
Attributed works:
49. Henriette M, by Marie-Louise von Motesiczky. 1961. Canvas, 80 by 75 cm. (Manchester Art Gallery; exh. Tate Liverpool).
Exhibition Review
Sarah Lucas. Zürich, Hamburg and Liverpool
02/2006 | 1235 | 148
Pages: 137–138
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Reviewer:
Falconer, Morgan (Falconer, Morgan)
Subjects
artists:
Lucas, Sarah
dates:
2000-2009
museums and institutions:
Tate Liverpool, Liverpool, Great Britain / Kunsthaus Zürich, Zürich, Switzerland / Kunstverein in Hamburg, Hamburg, Germany
places:
Switzerland / Zürich / Liverpool / Hamburg / Germany / England
print:
Lucas, Sarah
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Sarah Lucas: Exhibitions and Catalogue Raisonné 1989–2005 | institution: Kunsthalle , institution: Kunstverein in Hamburg , institution: Tate Liverpool
Illustrations
Attributed works:
72. Beyond the pleasure principle, by Sarah Lucas. Mattress, lights, coffin, clothes rail and bucket, 145 by 193 by 216 cm. (Tate, London; exh. Tate Liverpool).
Attributed works:
73. Two fried eggs and a kebab, by Sarah Lucas. 1992. 151 by 89.5 by 102 cm. Table, fried eggs and a kebab. (Private collection; exh. Tate Liverpool).
Attributed works:
74. Eating a banana, by Sarah Lucas. 1990. Photograph, 74.9 by 81.9 cm. (Private collection; exh. Tate Liverpool).
Exhibition Review
Summer of Love. Liverpool, Frankfurt and Vienna
11/2005 | 1232 | 147
Pages: 768-770
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Reviewer:
Anfam, David (Anfam, David)
Subjects
dates:
2000-2009 / 1960-1969
museums and institutions:
Kunsthalle, Vienna, Austria / Schirn Kunsthalle, Frankfurt, Germany / Tate Liverpool, Liverpool, Great Britain
places:
Vienna / Germany / Frankfurt / Liverpool / England / Austria
print:
1960-1979
subjects:
Exhibitions / Reviews / Posters / Abstract art / Avant-garde / Modern Art / Pop art / Optical art
Reviewed Items
subjects:
Summer of Love: Art of the Psychedelic Era | institution: Kunsthalle , institution: Schirn Kunsthalle , institution: Tate Liverpool
Illustrations
Attributed works:
52. Glow, by Bernard Cohen. 1965. 213.4 by 274.3 cm (Arts Council Collection, Hayward Gallery, London; exh. Schirn Kunsthalle, Frankfurt)>
Attributed works:
53. Love me I'm an ugly failure, by Martin Sharp. 1967. Poster, 74.5 by 49.5 cm. (The artist; exh. Schirn Kunsthalle, Frankfurt).
Attributed works:
54. Neon rose #6, blues project, by Victor Moscoso. Poster, 51 by 37.5 cm. (Peter Golding Inspirational Times Collection; exh. Schirn Kunsthalle, Frankfurt).
Attributed works:
55. Video disque 2: YOR, by Peter Sedgley. 1968. Screen print on spun aluminium disc, 76 cm. diam. (The artist; exh. Schirn Kunsthalle, Frankfurt).
Exhibition Review
Richard Wentworth. Liverpool
05/2005 | 1226 | 147
Pages: 344-245
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related names
Reviewer:
Whitfield, Sarah (Whitfield, Sarah; Whitfield, Mrs)
Subjects
artists:
Wentworth, Richard
dates:
2000-2009
museums and institutions:
Tate Liverpool, Liverpool, Great Britain
places:
Liverpool / England
print:
Wentworth, Richard
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Richard Wentworth | institution: Tate Liverpool
Illustrations
Attributed works:
43. Tantamount, by Richard Wentworth. 2005. Rouleau of straw with tensile barriers. (Courtesy of the artist and Lisson Gallery, London; exh. Tate Liverpool).
Attributed works:
44. Mirror, mirror, by Richard Wentworth. 2003. Galvanised steel, laminated glass and assorted dictionaries. (Courtesy of the artist and Lisson Gallery, London; exh. Tate Liverpool).
Exhibition Review
Liverpool Biennial. Liverpool
11/2004 | 1220 | 146
Pages: 776-778
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related names
Reviewer:
Godfrey, Tony (Godfrey, Tony)
Subjects
dates:
2000-2009
places:
England / Liverpool
print:
Liverpool Biennial
subjects:
Reviews / Exhibitions / Liverpool Biennial
Reviewed Items
subjects:
Bloomberg New Contemporaries | institution: Coach Shed
subjects:
Independent | :
subjects:
International 2004 | institution: Tate Liverpool
subjects:
John Moores 23. | institution: Walker Art Gallery
Illustrations
Attributed works:
84. Slump/fear (orange/black), by Alexis Harding. 2004. Oil and gloss paint, 192 by 183 cm. (The artist; exh. The Walker, Liverpool).
Attributed works:
85. Close to the sea, by Yang Fudong. 2004. Photographic projection with sound. (The artist; exh. FACT, Liverpool).
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