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40 articles
Exhibition Review
Keith Haring. Tate Liverpool
10/2019 | 1399 | 161
Pages: 852-855
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Reviewer:
Boaden, James (Boaden, James)
Subjects
artists:
Haring, Keith
dates:
2010-2019
museums and institutions:
Tate Liverpool, Liverpool, Great Britain
places:
New York
subjects:
American art / Politics / Popular culture / LGBT / Subcultures / Street art
Illustrations
Attributed works:
1. Keith Haring in subway car, (New York), by Tseng Kwong Chi. c.1983. (Courtesy Muna Tseng Dance Projects, Inc.; © Keith Haring Foundation; exh. Tate Liverpool).
Attributed works:
2. Untitled, by Keith Haring. 1983. Acrylic on vinyl tarpaulin, 173 by 170 cm. (Courtesy Laurent Strouk; exh. Tate Liverpool).
Attributed works:
3. Untitled, by Keith Haring. 1985. Chalk on paper, 205 by 102 cm. (BvB Collection, Geneva; exh. Tate Liverpool).
Attributed works:
4. Ignorance = fear, by Keith Haring. 1989. Poster, 66 by 114.1 cm. (Noirmontartproduction, Paris; exh. Tate Liverpool).
Exhibition Review
Fernand Léger: New Times, New Pleasures. Tate Liverpool
03/2019 | 1392 | 161
Pages: 230-233
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Reviewer:
Dalwood, Dexter (Dalwood, Dexter)
Subjects
artists:
Léger, Fernand
dates:
2010-2019
media:
Paintings / Lithographs / Illustrations
museums and institutions:
Tate Liverpool, Liverpool, Great Britain
styles:
Cubist
Illustrations
Attributed works:
1. Leisure – Homage to Louis David, by Fernand Léger. 1948–49. Canvas, 154 by 185 cm. (Centre Pompidou, Paris; exh. Tate Liverpool).
Attributed works:
2. Trois femmes sur fond rouge, by Fernand Léger. 1927. Canvas, 138.5 by 95.5 cm. (Musée d’Art Moderne et contemporain de Saint-Étienne Métropole; exh. Tate Liverpool).
Attributed works:
3. Essential joys, new pleasures. Pavilion of Agriculture, Paris, International Exhibition, by Fernand Léger and Charlotte Perriand. 1937/2011. Acrylic paint, collage and print on paper on board, 350 by 941 cm. (Museo Nacional Centro de Arte Reina Sofía, Madrid; © ADAGP, Paris and DACS, London; exh. Tate Liverpool).
Publication Received
Glenn Ligon: Encounters and Collisions. Edited by Glenn Ligon, with contributions by Greg Bordowitz, Alex Farquharson and Francesco Manacorda
03/2017 | 1368 | 159
Pages: 230
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Reviewer:
Sykes, Rebecca (Sykes, Rebecca)
Subjects
artists:
Ligon, Glenn
dates:
2010-2019
museums and institutions:
Nottingham Contemporary, Nottingham, Great Britain / Tate Liverpool, Liverpool, Great Britain
subjects:
Exhibition catalogues / Artists' writings / American painting (United States of America) / Curators
Exhibition Review
Francis Bacon. Monaco and Bilbao; Liverpool and Stuttgart
10/2016 | 1363 | 158
Pages: 845-847
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Reviewer:
Cappock, Margarita (Cappock, Margarita)
Subjects
artists:
Bacon, Francis, 1909-1992
dates:
2010-2019
museums and institutions:
Grimaldi Forum, Monte Carlo, Monaco / Staatsgalerie, Stuttgart, Germany / Guggenheim Museum Bilbao, Bilbao, Spain / Tate Liverpool, Liverpool, Great Britain
places:
Stuttgart / Spain / Monaco / Liverpool / Germany / England / Bilbao
places:
Monte Carlo
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
82. Fragment of a Crucifixion, by Francis Bacon. 1950 (Van Abbemuseum, Eindhoven; exh. Grimaldi Forum, Monaco. © The Estate of Francis Bacon. All rights reserved. DACS 2016)
Attributed works:
83. Triptych, by Francis Bacon. 1967 (Hirshhorn Museum and Sculpture Garden, Washington DC; exh. Staatsgalerie Stuttgart. © The Estate of Francis Bacon. All rights reserved. DACS 2016)
Exhibition Review
Jackson Pollock
10/2015 | 1351 | 157
Pages: 723-725
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Reviewer:
Anfam, David (Anfam, David)
Subjects
artists:
Pollock, Jackson
dates:
2010-2019
museums and institutions:
Tate Liverpool, Liverpool, Great Britain / Dallas Museum of Art, Dallas, United States
places:
United States / London / England / Dallas
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
51. Number 34, 1949, by Jackson Pollock. 1949 (Munson-Williams-Proctor Arts Institute, Utica NY; exh. Tate Liverpool)
Attributed works:
52. Untitled (black and white polyptych), by Jackson Pollock. c.1950 (Benesse Holdings Inc., Japan; exh. Tate Liverpool)
Attributed works:
53. Portrait and a dream, by Jackson Pollock. 1953 (Dallas Museum of Art; exh. Tate Liverpool)
Attributed works:
54. Number 5, 1952, by Jackson Pollock. 1952 (Modern Art Museum of Fort Worth; exh. Tate Liverpool)
Exhibition Review
Geta Brătescu
09/2015 | 1350 | 157
Pages: 644-646
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Reviewer:
Kemp-Welch, Klara (Kemp-Welch, Klara)
Subjects
artists:
Brătescu, Geta
dates:
2010-2019
museums and institutions:
Tate Liverpool, Liverpool, Great Britain
places:
England / Liverpool
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
53. Medeic callisthenic moves II, by Geta Brătescu. 1980-81 (Tate London; exh. Tate Liverpool)
Attributed works:
54. Towards White, by Geta Brătescu. 1979 (National Museum of Contemporary Art, Bucharest; exh. Tate Liverpool)
Exhibition Review
Andy Warhol
04/2015 | 1345 | 157
Pages: 283-284
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Reviewer:
Bracewell, Michael (Bracewell, Michael)
Subjects
artists:
Warhol, Andy
dates:
2010-2019
museums and institutions:
Tate Liverpool, Liverpool, Great Britain / Modern Art Oxford, Oxford, Great Britain / Birmingham Museum and Art Gallery, Birmingham, Great Britain
places:
Liverpool / England / Birmingham / Oxford
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
56. Installation image from Transmitting Andy Warhol, Tate Liverpool, showing Exploding plastic inevitable, by Andy Warhol (Tate Liverpool)
Attributed works:
57. Debbie Harry: Rockbird. Album sleeve by Andy Warhol (The Andy Warhol Foundation for the Visual Arts, New York; exh. Tate Liverpool)
Attributed works:
58. Time magazine cover of Michael Jackson, by Andy Warhol. 19th March 1984
Attributed works:
59. Installation image of the upper gallery of Love is Enough at Modern Art Oxford, showing (left) Shirley Temple (unknown photographer); and (right) Marilyn Tapestry (Andy Warhol) hung on William Morris wallpaper
Article
Two Mondrian exhibitions
08/2014 | 1337 | 156
Pages: 529-533
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Author:
Lewison, Jeremy (Lewison, Jeremy)
Subjects
artists:
Mondrian, Piet / Nicholson, Ben
dates:
2010-2019
museums and institutions:
Turner Contemporary, Margate, Great Britain / Tate Liverpool, Liverpool, Great Britain
places:
Margate / Liverpool / England
subjects:
Reviews / Exhibitions
subjects:
Dutch painting / Colour / Studios (work spaces) / Displays
Illustrations
Attributed works:
35. Composition in oval with colour planes 2, by Piet Mondrian (Gemeentemuseum, The Hague; exh. Turner Contemporary, Margate)
Attributed works:
36. The red mill, by Piet Mondrian (Gemeentemuseum, The Hague; exh. Turner Contemporary, Margate)
Western art unattributed:
37. Reconstruction at Tate Liverpool of Mondrian's studio at 26 rue du Départ, Paris, based on photographs by Paul Delbo, 1926
Exhibition Review
Chagall. Zurich and Liverpool
10/2013 | 1327 | 155
Pages: 725-727
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Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
artists:
Chagall, Marc
dates:
2010-2019
museums and institutions:
Tate Liverpool, Liverpool, Great Britain / Kunsthaus Zürich, Zürich, Switzerland
places:
Zürich / Switzerland / Liverpool / England
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
92. Homage to Gogol, by Marc Chagall (Museum of Modern Art, New York; exh. Tate Liverpool)
Attributed works:
93. Homage to Apollinaire, by Marc Chagall (Van Abbemuseum, Eindhoven; exh. Tate Liverpool)
Attributed works:
94. Love on the stage, by Marc Chagall (State Tretyakov Gallery, Moscow; exh. Tate Liverpool)
Exhibition Review
Glam: The performance of style
05/2013 | 1322 | 155
Pages: 350-351
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Reviewer:
Boaden, James (Boaden, James)
Subjects
dates:
1970-1979 / 2010-2019
museums and institutions:
Tate Liverpool, Liverpool, Great Britain
places:
Liverpool / England
subjects:
Reviews / Exhibitions / Music / Fashion / Film (cinema) / British / American (United States of America) / Swiss / German / Art / Cultural history
Illustrations
Attributed works:
51. Celebration? Real life, by Marc Camille Chaimowicz (Migros Museum für Gegenwartskunst, Zürich, exh. Tate Liverpool)
Attributed works:
52. John Rothermel in a fashion pose (Cockette), by Peter Hujar (Courtesy of the Peter Hujar Archive, LLC and Pace/MacGill Gallery, New York; exh. Tate Liverpool)
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