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93 articles
Exhibition Review
Charles Rennie Mackintosh: Making the Glasgow Style. Kelvingrove Art Gallery and Museum, Glasgow
08/2018 | 1385 | 160
Pages: 681-684
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related names
Reviewer:
Donnelly, Max (Donnelly, Max)
Subjects
artists:
Mackintosh, Charles Rennie / Thomson, Alexander / McNair, James Herbert / Macdonald, Frances / Macdonald, Margaret, 1865-1933 / Lutyens, Edwin Landseer / King, Jessie Marion / Logan, George / Walton, George
artists:
Newbery, Francis H. / Davidson, Peter Wylie / Morton, William Gibson / Wyse, Henry Taylor / Morris, Talwin / Salmon, James II / Gillespie, John Gaff
buildings:
Glasgow School of Art, Glasgow, Great Britain
dates:
2010-2019
media:
Architecture / Interiors / Furniture / Stained glass / Mosaics / Drawings / Posters / Watercolours / Textiles / Ceramics / Bookbindings / Videos / Photographs
museums and institutions:
Kelvingrove Art Gallery and Museum, Glasgow, Great Britain / Walker Art Gallery, Liverpool, Great Britain
places:
Great Britain / Glasgow / Liverpool
subjects:
Scottish architecture / British architecture / Art Nouveau / Natural disasters / Destruction / Damage to works of art / Symbolist movement / Tables (support furniture) / Screens (furniture) / Cabinets (furniture) / Metalworking / Metalworkers / Celtic / Chairs
Illustrations
Attributed works:
22. Book binding for L’Evangile de L’Enfance de Notre Seigneur Jésus Christ, by Jessie M. King. c.1900–01. Tooled vellum with gilding, 30.6 cm by 23.5 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Attributed works:
23. Stencil card for the decoration of the Hill House, Helensburgh, designed by Charles Rennie Mackintosh and made by Guthrie & Wells. 1904. Card and paint, 54 cm by 41.5 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Attributed works:
24. Water sprite, designed by William Gibson Morton and probably made by William Stewart. 1895– 96. Leaded coloured glass, 72 cm by 64.2 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Exhibition Review
Francis Bacon. Monaco and Bilbao; Liverpool and Stuttgart
10/2016 | 1363 | 158
Pages: 845-847
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Reviewer:
Cappock, Margarita (Cappock, Margarita)
Subjects
artists:
Bacon, Francis, 1909-1992
dates:
2010-2019
museums and institutions:
Grimaldi Forum, Monte Carlo, Monaco / Staatsgalerie, Stuttgart, Germany / Guggenheim Museum Bilbao, Bilbao, Spain / Tate Liverpool, Liverpool, Great Britain
places:
Stuttgart / Spain / Monaco / Liverpool / Germany / England / Bilbao
places:
Monte Carlo
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
82. Fragment of a Crucifixion, by Francis Bacon. 1950 (Van Abbemuseum, Eindhoven; exh. Grimaldi Forum, Monaco. © The Estate of Francis Bacon. All rights reserved. DACS 2016)
Attributed works:
83. Triptych, by Francis Bacon. 1967 (Hirshhorn Museum and Sculpture Garden, Washington DC; exh. Staatsgalerie Stuttgart. © The Estate of Francis Bacon. All rights reserved. DACS 2016)
Exhibition Review
Pre-Raphaelites: Beauty and Rebellion. Liverpool
05/2016 | 1358 | 158
Pages: 390–91
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Reviewer:
Sloan, Rachel (Sloan, Rachel)
Subjects
dates:
2010-2019
museums and institutions:
Walker Art Gallery, Liverpool, Great Britain
places:
Liverpool / England
subjects:
Reviews / Exhibitions / Pre-Raphaelite Brotherhood / Pre-Raphaelite / Patronage
Illustrations
Attributed works:
61. Isabella, by John Everett Millais. 1849 (National Museums Liverpool; exh. Walker Art Gallery, Liverpool)
Attributed works:
62. The rainbow, by William Davis. c.1858 (National Museums Liverpool; exh. Walker Art Gallery, Liverpool)
Exhibition Review
Geta Brătescu
09/2015 | 1350 | 157
Pages: 644-646
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Reviewer:
Kemp-Welch, Klara (Kemp-Welch, Klara)
Subjects
artists:
Brătescu, Geta
dates:
2010-2019
museums and institutions:
Tate Liverpool, Liverpool, Great Britain
places:
England / Liverpool
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
53. Medeic callisthenic moves II, by Geta Brătescu. 1980-81 (Tate London; exh. Tate Liverpool)
Attributed works:
54. Towards White, by Geta Brătescu. 1979 (National Museum of Contemporary Art, Bucharest; exh. Tate Liverpool)
Exhibition Review
Andy Warhol
04/2015 | 1345 | 157
Pages: 283-284
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Reviewer:
Bracewell, Michael (Bracewell, Michael)
Subjects
artists:
Warhol, Andy
dates:
2010-2019
museums and institutions:
Tate Liverpool, Liverpool, Great Britain / Modern Art Oxford, Oxford, Great Britain / Birmingham Museum and Art Gallery, Birmingham, Great Britain
places:
Liverpool / England / Birmingham / Oxford
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
56. Installation image from Transmitting Andy Warhol, Tate Liverpool, showing Exploding plastic inevitable, by Andy Warhol (Tate Liverpool)
Attributed works:
57. Debbie Harry: Rockbird. Album sleeve by Andy Warhol (The Andy Warhol Foundation for the Visual Arts, New York; exh. Tate Liverpool)
Attributed works:
58. Time magazine cover of Michael Jackson, by Andy Warhol. 19th March 1984
Attributed works:
59. Installation image of the upper gallery of Love is Enough at Modern Art Oxford, showing (left) Shirley Temple (unknown photographer); and (right) Marilyn Tapestry (Andy Warhol) hung on William Morris wallpaper
Article
Two Mondrian exhibitions
08/2014 | 1337 | 156
Pages: 529-533
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Author:
Lewison, Jeremy (Lewison, Jeremy)
Subjects
artists:
Mondrian, Piet / Nicholson, Ben
dates:
2010-2019
museums and institutions:
Turner Contemporary, Margate, Great Britain / Tate Liverpool, Liverpool, Great Britain
places:
Margate / Liverpool / England
subjects:
Reviews / Exhibitions
subjects:
Dutch painting / Colour / Studios (work spaces) / Displays
Illustrations
Attributed works:
35. Composition in oval with colour planes 2, by Piet Mondrian (Gemeentemuseum, The Hague; exh. Turner Contemporary, Margate)
Attributed works:
36. The red mill, by Piet Mondrian (Gemeentemuseum, The Hague; exh. Turner Contemporary, Margate)
Western art unattributed:
37. Reconstruction at Tate Liverpool of Mondrian's studio at 26 rue du Départ, Paris, based on photographs by Paul Delbo, 1926
Exhibition Review
Chagall. Zurich and Liverpool
10/2013 | 1327 | 155
Pages: 725-727
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Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
artists:
Chagall, Marc
dates:
2010-2019
museums and institutions:
Tate Liverpool, Liverpool, Great Britain / Kunsthaus Zürich, Zürich, Switzerland
places:
Zürich / Switzerland / Liverpool / England
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
92. Homage to Gogol, by Marc Chagall (Museum of Modern Art, New York; exh. Tate Liverpool)
Attributed works:
93. Homage to Apollinaire, by Marc Chagall (Van Abbemuseum, Eindhoven; exh. Tate Liverpool)
Attributed works:
94. Love on the stage, by Marc Chagall (State Tretyakov Gallery, Moscow; exh. Tate Liverpool)
Exhibition Review
Glam: The performance of style
05/2013 | 1322 | 155
Pages: 350-351
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Reviewer:
Boaden, James (Boaden, James)
Subjects
dates:
1970-1979 / 2010-2019
museums and institutions:
Tate Liverpool, Liverpool, Great Britain
places:
Liverpool / England
subjects:
Reviews / Exhibitions / Music / Fashion / Film (cinema) / British / American (United States of America) / Swiss / German / Art / Cultural history
Illustrations
Attributed works:
51. Celebration? Real life, by Marc Camille Chaimowicz (Migros Museum für Gegenwartskunst, Zürich, exh. Tate Liverpool)
Attributed works:
52. John Rothermel in a fashion pose (Cockette), by Peter Hujar (Courtesy of the Peter Hujar Archive, LLC and Pace/MacGill Gallery, New York; exh. Tate Liverpool)
Exhibition Review
Liverpool Biennial. Liverpool
11/2012 | 1316 | 154
Pages: 807-808
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Reviewer:
Maidment, Isabella (Maidment, Isabella)
Subjects
artists:
Hatoum, Mona / Superflex / Andre, Carl / Aitken, Doug
artists:
Rosenkranz, Pamela
dates:
2010-2019
places:
England / Liverpool
subjects:
Reviews / Exhibitions / Liverpool Biennial
Illustrations
Attributed works:
78. Installation view, the Cunard Building, Liverpool, showing Liverpool to let, by Superflex. 2012. Mixed media, dimensions variable. (Commissioned by Liverpool Biennial).
Attributed works:
79. Sky arts ignition: Doug Aitken - The source, by Doug Aitken. 2012. Six-screen video projection, each 4 mins. (Courtesy of 303 Gallery, New York; Gallerie Eva Presenhuber, Zürich; Victoria Miro Gallery, London; and Regen Projects, Los Angeles). Pavilion designed by David Adjaye and Doug Aitken. (Exh. Tate Liverpool, Albert Dock, Liverpool).
Attributed works:
80. Present tense, by Mona Hatoum. 1996. Soap and glass beads, 4.5 by 299 by 241 cm. (Courtesy of the artist; exh. Liverpool Biennial).
Article
Robert Anning Bell in Liverpool, 1895–99: the Arts and Crafts movement and the creation of a civic culture
05/2012 | 1310 | 154
Pages: 345-350
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Author:
Eden, Alice (Eden, Alice)
Subjects
artists:
Bell, Robert Anning
dates:
1890-1899
places:
Liverpool
print:
Bell, Robert Anning
subjects:
Arts and Crafts movement / British painting / Biographies / British sculpture / Art schools / British architecture / Book illustrations / Study and teaching
Illustrations
Attributed works:
53. Poster for the Liverpool University School of Architecture and Applied art, by Robert Anning Bell. Published in The Sphinx (20th Dec­ember 1894), p.60. Lithograph, in three sections, printed in black, 77 by 81.5; 104.5 by 81.5; 99 by 81.5 cm. (Walker Art Gallery, Liverpool).
Attributed works:
54. Music by the water, by Robert Anning Bell. 1900. Watercolour and gouache on paper, 38.7 by 54.0 cm. (Tate, London).
Attributed works:
55. The listeners, by Robert Anning Bell. 1906. Watercolour on paper, 49.5 by 74.9 cm. (Tate, London).
Attributed works:
56. King and Queen of Hearts frieze, by Robert Anning Bell, Fanny Lister and Enid Jackson. c.1896. Oil with gilt gesso on canvas, on board in three sections, 71 by 240; 68.5 by 148; 70 by 148 cm. (Walker Art Gallery, Liverpool).
Attributed works:
58. Nebuchadnezzar window, designed by Robert Anning Bell. Installed 1911. Stained glass. (Mostyn School Chapel, Merseyside; photograph courtesy of Suzi Grenfell).
Attributed works:
59. The echo, by Robert Anning Bell. 1915. Watercolour on paper, 56 by 77 cm. (Walker Art Gallery, Liverpool).
Attributed works:
60. Spring revel, by Robert Anning Bell. 1916. Canvas, 77 by 184 cm. (Lady Lever Art Gallery, Port Sunlight).
Western art unattributed:
52. Robert Anning Bell, by an unknown photographer. 1900–10. Bromide print, 70 by 46 cm. (National Portrait Gallery, London).
Western art unattributed:
57. A photograph from the performance of The Queen of Hearts which Bell produced with his students in 1895 for ‘The Athletic Fund Entertainment’, reproduced in The Sphinx (February 1895). (Courtesy of the University of Liverpool Library, Special Collections).
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