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2 articles
Article
Buenos Aires Cathedral in the eighteenth century
08/2019 | 1397 | 161
Pages: 638-647
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
Illustrations
Attributed works:
1. Interior of Buenos Aires Cathedral, by Carlos Enrique Pellegrini. c.1830. Watercolour on paper, 39.5 by 28 cm. (Museo Nacional de Bellas Artes, Buenos Aires).
Attributed works:
10. High altarpiece, Buenos Aires Cathedral, by Isidro Lorea. 1774–84. Polychrome and gilded wood, 16.5 by 8.7 m. (Photograph the author).
Attributed works:
11. Below Holy Week in Buenos Aires Cathedral, by Julio Pelvilain after a drawing by Jean-Léon Pallière. 1830. Lithograph, 18.8 by 29.3 cm. (Museo Historico Nacional, Buenos Aires).
Attributed works:
12. Oculus window, S. Agata in Trastevere, Rome, by Giacomo Onorato Recalcati. Begun 1710. (Photograph the author).
Attributed works:
14. Pulpit (one of a pair) in Buenos Aires Cathedral, by Juan Antonio Gaspar Hernández. 1790. Polychrome and gilded wood. (Photograph the author).
Attributed works:
15. Façade of the fourth cathedral of Buenos Aires, by Andrea Bianchi. 1727. Ink and watercolour on paper, 57 by 56 cm. (Archivo General de Indias, Seville).
Attributed works:
16. Plan and elevation for an unexecuted façade for the fifth cathedral of Buenos Aires, by José Custodio Sáa y Faría. 1788. Ink and watercolour on paper, 70.5 by 50 cm. (Archivio di Stato di Reggio Emilia; photograph courtesy Giuliano Ferrari).
Attributed works:
4. Buenos Aires Cathedral. (Photograph Hermis/Alamy Stock Photo).
Attributed works:
5. Church of Santa Catalina, Buenos Aires, by Giovanni Battista Primoli and others. 1727–45. (Photograph Jeffrey Isaac Greenberg/ Alamy Stock Photo).
Attributed works:
6. Section of Buenos Aires Cathedral with projected vestibule and towers, by José Custodio Sáa y Faría. 1788. Ink and watercolour on paper, 56 by 87.5 cm. (Archivio di Stato di Reggio Emilia; photograph courtesy Giuliano Ferrari).
Attributed works:
7. Plan and elevation of Buenos Aires Cathedral, by Antonio Masella. 1755. Ink on paper, 38 by 46 cm. (Archivo General de Indias, Seville).
Attributed works:
8. Dome of Buenos Aires Cathedral, by Manuel Álvarez de Rocha. Begun 1771. (Photograph the author).
Attributed works:
9. The Plaza, or Great Square of Buenos Ayres, from E.E. Vidal: Picturesque illustrations of Buenos Ayres and Monte Video, London 1820. Hand coloured aquatint, 39.7 by 31.7 (Getty Research Institute, Los Angeles).
Western art unattributed:
13. Stucco angel over one of the doorways between the side chapels in Buenos Aires Cathedral. Before 1778. (Photograph the author).
Western art unattributed:
2. Interior of Buenos Aires Cathedral. Before 1899. Photograph, 24 by 18 cm. (Academia Nacional de Bellas Artes, Buenos Aires).
Western art unattributed:
3. Interior of Buenos Aires Cathedral. Before 1899. Photograph, 20 by 16 cm. (Academia Nacional de Bellas Artes, Buenos Aires).
Article
French Rococo prints and eighteenth-century altarpieces in Buenos Aires
11/2012 | 1316 | 154
Pages: 780-785
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
Illustrations
Attributed works:
41. Detail of Fig.42.
Attributed works:
42. High altar retablo, by Isidro Lorea. Before 1770. Polychrome and gilded wood, 12 by 8.45 m. (Church of S. Catalina, Buenos Aires).
Attributed works:
43. High altar retablo, by Isidro Lorea. 1774-84. Polychrome and gilded wood, 16.5 by 8.7 m. (Cathedral, Buenos Aires).
Attributed works:
44. Pulpit, by Isidro Lorea. 1770-83. Polychrome and gilded wood, 6 m. high. (Church of S. Francisco, Buenos Aires).
Attributed works:
45. Cartouche from Second livre de cartouches Chinois dédié à Madame de Fontanieu, by Alexis Peyrotte. 1742. Engraving, 31.9 by 22.8 cm. (Musée des Arts Décoratifs, Paris).
Attributed works:
46. Detail of a cartouche from Cartouches pour estre acompangés de supports et trophées, by Pierre-Edmé Babel. Paris, mid-eighteenth century. Engraving, 44.6 by 30 cm. (Musée des Art Décoratifs, Paris).
Attributed works:
47. Cartouche from the altar table of the high altar retablo, workshop of Isidro Lorea. Before 1784. Polychrome and gilded wood. (Cathedral, Buenos Aires).
Attributed works:
48. Roman military trophy from Premier livre de differents trophées, by René-Jacques Le Charpentier. Paris, 1736. Engraving, 35 by 26.6 cm. (Musée des Arts Décoratifs, Paris).
Attributed works:
49. Roman military trophy from the back of the high altar retablo, attributed to Juan Antonio Hernández. Before 1784. Polychrome and gilded wood. (Cathedral, Buenos Aires).
Attributed works:
50. Retablo of St Martin of Tours, by Juan Antonio Hernández. c. 1791-after 1793. Polychrome and gilded wood, 12 by 6.12 m. (Cathedral, Buenos Aires).
Attributed works:
51. Detail of Fig.50.
Attributed works:
52. Detail of a 'cartouche decoré', by Pierre-Edmé Babel. Paris, mid-eighteenth century. Engraving, 30.7 by 23.2 cm. (Museum für angewandte Kunst, Vienna).
Attributed works:
53. La Pêche, by Alexis Peyronne. Paris. c.1740s. Engraving, 19 by 13 cm. (Museum für angewandte Kunst, Vienna).
Attributed works:
54. Detail of Fig.55.
Attributed works:
55. Retablo of St Peter, by Juan Antonio Hernández. c.1785-90. Polychrome and gilded wood, 9 by 5.8 m. (Cathedral, Buenos Aires).