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12 articles
Exhibition Review
The Avant-garde Networks of ‘Amauta’: Argentina, Mexico, and Peru in the 1920s. Blanton Museum of Art, University of Texas at Austin
05/2020 | 1406 | 162
Pages: 451-453
related names
Reviewer:
Reynolds, Ann (Reynolds, Ann)
Subjects
art literature:
places:
Reviewed Items
subjects:
The Avant-garde Networks of ‘Amauta’: Argentina, Mexico, and Peru in the 1920s Blanton Museum of Art, University of Texas at Austin 16th February–17th May | :
Illustrations
Attributed works:
22. Mayor of Chinchero, by José Sabogal. 1925. Oil on canvas, 169 by 109 cm. (Pinacoteca Municipal Ignacio Merino, Lima; exh. Blanton Museum of Art, University of Texas at Austin).
Attributed works:
24. Installation photograph of The Avantgarde Networks of Amauta: Argentina, Mexico, and Peru in the 1920s at the Blanton Museum of Art, University of Texas at Austin, 2020.
Attributed works:
25. Mexican flag, by Lola Velásquez de Cueto. 1920s. Silk tapestry made with chain stitch, 42 by 150 cm. (Private collection, Lima;   Sucesi n Mireya Cueto; photograph of Lance Aaron; exh. Blanton Museum of Art, University of Texas at Austin).
Attributed works:
Opposite 23. Allegory to the farmers, by Carlos Quízpez As n. 1928. Oil on canvas, approx. 190 by 150 cm. (Universidad Nacional de Ingenier a, Lima; exh. Blanton Museum of Art, University of Texas at Austin).
Book Review
Photography in Argentina: Contradiction and Continuity. Edited by Idurre Alonso and Judith Keller; and Revolution and Ritual: The Photographs of Sara Castrejón, Graciela Iturbide, and Tatiana Parcero. Edited by Mary Davis MacNaughton
08/2019 | 1397 | 161
Pages: 699-701
related names
Reviewer:
Martins, Luciana (Martins, Luciana)
Subjects
places:
Reviewed Items
subjects:
Photography in Argentina: Contradiction and Continuity Edited by Idurre Alonso and Judith Keller. 344 pp. incl. 130 col. + 125 b. & w. ills. (Getty Publications, Los Angeles, 2017) Photography in Argentina: Contradiction and Continuity Edited by Idurre Alonso and Judith Keller. 344 pp. incl. 130 col. + 125 b. & w. ills. (Getty Publications, Los Angeles, 2017) | :
Illustrations
Attributed works:
7. Evita, by Santiago Porter. 2009. Archival pigment print, 160 by 127 cm. (© Santiago Porter)
Book Review
Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth Century Latin American Art. By Alexander Alberro
01/2018 | 1378 | 160
Pages: 73
related names
Reviewer:
Sullivan, Edward J. (Sullivan, Edward J.; S., E. J.)
Subjects
dates:
styles:
subjects:
Illustrations
Attributed works:
8. Vibrating light (Lumière en vibration), by Julio le Parc. Installation photograph of Labyrinthe I at the Musée d’art moderne de la ville de Paris for the 1963 Paris Biennale. (Courtesy Le Parc Studio, Paris).
Exhibition Review
Caravaggio and his followers. Belo Horizonte, São Paulo and Buenos Aires
12/2012 | 1317 | 154
Pages: 873-874
related names
Reviewer:
Rowley, Neville (Rowley, Neville)
Subjects
dates:
Illustrations
Attributed works:
61. Medusa, attributed to Caravaggio. c.1597-98. Canvas mounted on wood, 44.7 cm. (diameter). (Private collection; exh. Museo Nacional de Bellas Artes, Buenos Aires).
Attributed works:
62. St John the Baptist feeding the lamb, attributed to Caravaggio. c.1600? Canvas, 78 by 122 cm. (Private collection; exh. Museo Nacional de Bellas Artes, Buenos Aires).
Attributed works:
63. St Mary Magdalene in ecstacy, by Guido Cagnacci. c.1626-27. Canvas, 86 by 72 cm. (Galleria Nazionale d'Arte Antica di Palazzo Barberini, Rome; exh. Museo Nacional de Bellas Artes, Buenos Aires).
Article
French Rococo prints and eighteenth-century altarpieces in Buenos Aires
11/2012 | 1316 | 154
Pages: 780-785
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
Illustrations
Attributed works:
41. Detail of Fig.42.
Attributed works:
42. High altar retablo, by Isidro Lorea. Before 1770. Polychrome and gilded wood, 12 by 8.45 m. (Church of S. Catalina, Buenos Aires).
Attributed works:
43. High altar retablo, by Isidro Lorea. 1774-84. Polychrome and gilded wood, 16.5 by 8.7 m. (Cathedral, Buenos Aires).
Attributed works:
44. Pulpit, by Isidro Lorea. 1770-83. Polychrome and gilded wood, 6 m. high. (Church of S. Francisco, Buenos Aires).
Attributed works:
45. Cartouche from Second livre de cartouches Chinois dédié à Madame de Fontanieu, by Alexis Peyrotte. 1742. Engraving, 31.9 by 22.8 cm. (Musée des Arts Décoratifs, Paris).
Attributed works:
46. Detail of a cartouche from Cartouches pour estre acompangés de supports et trophées, by Pierre-Edmé Babel. Paris, mid-eighteenth century. Engraving, 44.6 by 30 cm. (Musée des Art Décoratifs, Paris).
Attributed works:
47. Cartouche from the altar table of the high altar retablo, workshop of Isidro Lorea. Before 1784. Polychrome and gilded wood. (Cathedral, Buenos Aires).
Attributed works:
48. Roman military trophy from Premier livre de differents trophées, by René-Jacques Le Charpentier. Paris, 1736. Engraving, 35 by 26.6 cm. (Musée des Arts Décoratifs, Paris).
Attributed works:
49. Roman military trophy from the back of the high altar retablo, attributed to Juan Antonio Hernández. Before 1784. Polychrome and gilded wood. (Cathedral, Buenos Aires).
Attributed works:
50. Retablo of St Martin of Tours, by Juan Antonio Hernández. c. 1791-after 1793. Polychrome and gilded wood, 12 by 6.12 m. (Cathedral, Buenos Aires).
Attributed works:
51. Detail of Fig.50.
Attributed works:
52. Detail of a 'cartouche decoré', by Pierre-Edmé Babel. Paris, mid-eighteenth century. Engraving, 30.7 by 23.2 cm. (Museum für angewandte Kunst, Vienna).
Attributed works:
53. La Pêche, by Alexis Peyronne. Paris. c.1740s. Engraving, 19 by 13 cm. (Museum für angewandte Kunst, Vienna).
Attributed works:
54. Detail of Fig.55.
Attributed works:
55. Retablo of St Peter, by Juan Antonio Hernández. c.1785-90. Polychrome and gilded wood, 9 by 5.8 m. (Cathedral, Buenos Aires).
Article
The spirit of France: the 1940–46 exhibition of French art in the United States
08/2012 | 1313 | 154
Pages: 564-569
related names
Author:
Yeide, Nancy H. (Yeide, Nancy H.)
Subjects
dates:
print:
Illustrations
Attributed works:
35. Skating, by Edouard Manet. 1877. Canvas, 92 by 71.7 cm. (Harvard Art Museums, Cambridge MA).
Attributed works:
39. Two young girls at the piano, by Auguste Renoir. 1892. Canvas, 111.8 by 86.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
40. Avenue at Chantilly, by Paul Cézanne. 1887. Canvas, 81.3 by 64.8 cm. (Toledo Museum of Art OH).
Western art unattributed:
36. Installation of the exhibition of French art at the National Gallery of Art, Washington, 1941.
Western art unattributed:
38. Visitors at the opening of Masterpieces of French Art at the Art Institute of Chicago, April 1941, with Claude Monet’s Jetty at Le Havre (1868; private collection).
Western art unattributed:
7. Crowds at the opening of Masterpieces of French Art at the Art Institute of Chicago, April 1941. The large painting in the centre is The Hermitage at Pontoise (c.1867), by Camille Pissarro, lent by Justin K. Thannhauser, who later donated it to the Solomon R. Guggenheim Museum, New York. To its left is Edgard Degas’s Victoria Dubourg (c.1866–68; Toledo Museum of Art), lent by Paul Louis Weiller; to its right is Edouard Manet’s Autumn (1881), lent by the Musée des Beaux-Arts, Nancy.
Exhibition Review
Douglas Gordon. New York and Buenos Aires
09/2006 | 1242 | 148
Pages: 649-650
related names
Reviewer:
Lawrence, James (Lawrence, James)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Douglas Gordon: Timeline | institution: Malba-Colección Constantini/Museo de Arte Latinoamericano , institution: Museum of Modern Art
Illustrations
Attributed works:
78. Between darkness and light (after William Blake), by Douglas Gordon. 1997. Video installation with screen, sound, and black-and-white and colour videos, 1 hr. 47 min. loop and 2 hr. 35 min. loop, dimensions variable. Installation view at the Stedelijk Van Abbemuseum, Eindhoven, 1999. (Museum of Modern Art, New York).
Attributed works:
79. Play dead; real time, by Douglas Gordon. 2003. Video installation with two screens, monitor, and colour video, 21 min. loop and 11 min. loop, dimensions variable. Installation view at the Gagosian Gallery, New York, 2003. (Museum of Modern Art, New York).
Publication Received
La Pintura Holandesa y Flamenca (Siglos XVI al XVIII) en el Museo Nacional de Bellas Artes de Buenos Aires
11/1996 | 1124 | 138
Pages: 760
Subjects
dates:
Reviewed Items
subjects:
La Pintura Holandesa y Flamenca (Siglos XVI al XVIII) en el Museo Nacional de Bellas Artes de Buenos Aires | author: Navarro, Angel M.
Article
Manet's 'Nymphe Surprise'
04/1975 | 865 | 117
Pages: 224-227+229
related names
Author:
Farwell, Beatrice (Farwell, Beatrice)
Subjects
art literature:
artists:
dates:
places:
sources:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
38. Nymphe Surprise, by Edouard Manet. (Museo Nacional de Bellas Artes, Buenos Aires). Photo Courtesy Juan Corradini.
Attributed works:
39. Photograph of Manet's Nymphe Surprise by Godet, 1861. Courtesy of Mrs H. T. Curtiss.
Attributed works:
40. Photograph of Manet's Nymphe Surprise by Lochard, 1883 (?). Photo Courtesy Bibliothèque Nationale, Cabinet des Estampes.
Attributed works:
41. Susannah (Here Reproduced in Reverse), by Vorstermann, after Rubens. Photo Courtesy Metropolitan Museum of Art, New York.
Attributed works:
42. Detail from La Pêche, by Edouard Manet. 1860-61. (Metropolitan Museum of Art, New York, Purchase, 1957, Mr and Mrs Richard J. Bernhard). Photo Courtesy Metropolitan Museum of Art, New York.
Attributed works:
43. Nymph and Satyr, by Marcantonio Raimondi (B. XIV.245. 325, D. 123). Photo Courtesy Metropolitan Museum of Art, New York.
Attributed works:
44. Callisto in Her Retirement (Here Reversed), by R. Earlom after Van Dyck. Photo Courtesy Metropolitan Museum of Art, New York.
Article
Paintings by Goya in the Buenos Aires Museum
01/1965 | 742 | 107
Pages: 10-16
related names
Author:
Gudiol, José (Gudiol, José; Gudiol i Ricart, José; Ricart, José Gudiol i; Gudiol Ricart, J.; Gudiol, Josep)
Subjects
dates:
subjects:
subjects:
Illustrations
Attributed works:
15. Bandits Attacking a Group of People, by Francisco de Goya. Canvas, c.71.1 by 101.5 cm. (Museum of Fine Arts, Bucnos Aires.)
Attributed works:
16. A Burning Building, by Francisco de Goya. Canvas, c.71.1 by 101.5 cm. (Museum of Fine Arts, Buenos Aires.)
Attributed works:
17. A Village Dance, by Francisco de Goya. Canvas, c.71 1 by 101.5 cm. (Museum of Fine Arts, Buenos Aires.)
Attributed works:
18. Detail from Bandits Attacking a Group of People Reproduced in Fig.15. [Bandits Attacking a Group of People, by Francisco de Goya. Canvas, c.71.1 by 101.5 cm. (Museum of Fine Arts, Bucnos Aires.)]
Attributed works:
19. Procession of Penitents, by Francisco de Goya. Canvas, c.50.8 by 61 cm. (Museum of Fine Arts, Buenos Aires.)
Attributed works:
20. A Village Procession, by Francisco de Goya. Canvas. (Bührle Collection, Zurich.)
Attributed works:
21. St Joseph of Calasanz before the Crucified Christ, by Francisco de Goya. Canvas. (Berriz Collection, Saragossa.)
Attributed works:
22. Mass of Thanksgiving on the Birth of a Child, by Francisco de Goya. Canvas, (Museum, Agen.)
Attributed works:
23. Town on a Rock, by Francisco de Goya. Canvas. (Metropolitan Museum of Art, New York.)
Attributed works:
24. A Village Dance. Copy of the Goya Reproduced in Fig.17, by Eugenio Lucas. Canvas. (Carles Collection, Barcelona.)
Attributed works:
25. Battle beside a Bridge, by Eugenio Lucas after Goya. Canvas. (Carles Collection, Barcelona.)
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