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9 articles
Book Review
The Metropolis in Latin America, 1830–1930: Cityscapes, Photographs, Debates
09/2022 | 1434 | 164
Pages: 942-944
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
Reviewed Items
places:
The Metropolis in Latin America, 1830–1930: Cityscapes, Photographs, Debates Edited by Idurre Alonso and Maristella Casciato. 324 pp. incl. 154 col. + 24 b. & w. ills. (Getty Research Institute, Los Angeles, 2021), £55. ISBN 978–1–60606–694–2. | :
Illustrations
Attributed works:
6. ‘Raymond Special’ on the Metlac Bridge, Mexico CityVeracruz, by Charles Betts Waite. c.1897. Gelatin silver print, 19.7 by 24.1 cm. (Getty Research Institute, Los Angeles).
Exhibition Review
Caravaggio and his followers. Belo Horizonte, São Paulo and Buenos Aires
12/2012 | 1317 | 154
Pages: 873-874
related names
Reviewer:
Rowley, Neville (Rowley, Neville)
Subjects
dates:
Illustrations
Attributed works:
61. Medusa, attributed to Caravaggio. c.1597-98. Canvas mounted on wood, 44.7 cm. (diameter). (Private collection; exh. Museo Nacional de Bellas Artes, Buenos Aires).
Attributed works:
62. St John the Baptist feeding the lamb, attributed to Caravaggio. c.1600? Canvas, 78 by 122 cm. (Private collection; exh. Museo Nacional de Bellas Artes, Buenos Aires).
Attributed works:
63. St Mary Magdalene in ecstacy, by Guido Cagnacci. c.1626-27. Canvas, 86 by 72 cm. (Galleria Nazionale d'Arte Antica di Palazzo Barberini, Rome; exh. Museo Nacional de Bellas Artes, Buenos Aires).
Article
French Rococo prints and eighteenth-century altarpieces in Buenos Aires
11/2012 | 1316 | 154
Pages: 780-785
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
Illustrations
Attributed works:
41. Detail of Fig.42.
Attributed works:
42. High altar retablo, by Isidro Lorea. Before 1770. Polychrome and gilded wood, 12 by 8.45 m. (Church of S. Catalina, Buenos Aires).
Attributed works:
43. High altar retablo, by Isidro Lorea. 1774-84. Polychrome and gilded wood, 16.5 by 8.7 m. (Cathedral, Buenos Aires).
Attributed works:
44. Pulpit, by Isidro Lorea. 1770-83. Polychrome and gilded wood, 6 m. high. (Church of S. Francisco, Buenos Aires).
Attributed works:
45. Cartouche from Second livre de cartouches Chinois dédié à Madame de Fontanieu, by Alexis Peyrotte. 1742. Engraving, 31.9 by 22.8 cm. (Musée des Arts Décoratifs, Paris).
Attributed works:
46. Detail of a cartouche from Cartouches pour estre acompangés de supports et trophées, by Pierre-Edmé Babel. Paris, mid-eighteenth century. Engraving, 44.6 by 30 cm. (Musée des Art Décoratifs, Paris).
Attributed works:
47. Cartouche from the altar table of the high altar retablo, workshop of Isidro Lorea. Before 1784. Polychrome and gilded wood. (Cathedral, Buenos Aires).
Attributed works:
48. Roman military trophy from Premier livre de differents trophées, by René-Jacques Le Charpentier. Paris, 1736. Engraving, 35 by 26.6 cm. (Musée des Arts Décoratifs, Paris).
Attributed works:
49. Roman military trophy from the back of the high altar retablo, attributed to Juan Antonio Hernández. Before 1784. Polychrome and gilded wood. (Cathedral, Buenos Aires).
Attributed works:
50. Retablo of St Martin of Tours, by Juan Antonio Hernández. c. 1791-after 1793. Polychrome and gilded wood, 12 by 6.12 m. (Cathedral, Buenos Aires).
Attributed works:
51. Detail of Fig.50.
Attributed works:
52. Detail of a 'cartouche decoré', by Pierre-Edmé Babel. Paris, mid-eighteenth century. Engraving, 30.7 by 23.2 cm. (Museum für angewandte Kunst, Vienna).
Attributed works:
53. La Pêche, by Alexis Peyronne. Paris. c.1740s. Engraving, 19 by 13 cm. (Museum für angewandte Kunst, Vienna).
Attributed works:
54. Detail of Fig.55.
Attributed works:
55. Retablo of St Peter, by Juan Antonio Hernández. c.1785-90. Polychrome and gilded wood, 9 by 5.8 m. (Cathedral, Buenos Aires).
Article
The spirit of France: the 1940–46 exhibition of French art in the United States
08/2012 | 1313 | 154
Pages: 564-569
related names
Author:
Yeide, Nancy H. (Yeide, Nancy H.)
Subjects
dates:
print:
Illustrations
Attributed works:
35. Skating, by Edouard Manet. 1877. Canvas, 92 by 71.7 cm. (Harvard Art Museums, Cambridge MA).
Attributed works:
39. Two young girls at the piano, by Auguste Renoir. 1892. Canvas, 111.8 by 86.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
40. Avenue at Chantilly, by Paul Cézanne. 1887. Canvas, 81.3 by 64.8 cm. (Toledo Museum of Art OH).
Western art unattributed:
36. Installation of the exhibition of French art at the National Gallery of Art, Washington, 1941.
Western art unattributed:
38. Visitors at the opening of Masterpieces of French Art at the Art Institute of Chicago, April 1941, with Claude Monet’s Jetty at Le Havre (1868; private collection).
Western art unattributed:
7. Crowds at the opening of Masterpieces of French Art at the Art Institute of Chicago, April 1941. The large painting in the centre is The Hermitage at Pontoise (c.1867), by Camille Pissarro, lent by Justin K. Thannhauser, who later donated it to the Solomon R. Guggenheim Museum, New York. To its left is Edgard Degas’s Victoria Dubourg (c.1866–68; Toledo Museum of Art), lent by Paul Louis Weiller; to its right is Edouard Manet’s Autumn (1881), lent by the Musée des Beaux-Arts, Nancy.
Exhibition Review
Douglas Gordon. New York and Buenos Aires
09/2006 | 1242 | 148
Pages: 649-650
related names
Reviewer:
Lawrence, James (Lawrence, James)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Douglas Gordon: Timeline | institution: Malba-Colección Constantini/Museo de Arte Latinoamericano , institution: Museum of Modern Art
Illustrations
Attributed works:
78. Between darkness and light (after William Blake), by Douglas Gordon. 1997. Video installation with screen, sound, and black-and-white and colour videos, 1 hr. 47 min. loop and 2 hr. 35 min. loop, dimensions variable. Installation view at the Stedelijk Van Abbemuseum, Eindhoven, 1999. (Museum of Modern Art, New York).
Attributed works:
79. Play dead; real time, by Douglas Gordon. 2003. Video installation with two screens, monitor, and colour video, 21 min. loop and 11 min. loop, dimensions variable. Installation view at the Gagosian Gallery, New York, 2003. (Museum of Modern Art, New York).
Publication Received
La Pintura Holandesa y Flamenca (Siglos XVI al XVIII) en el Museo Nacional de Bellas Artes de Buenos Aires
11/1996 | 1124 | 138
Pages: 760
Subjects
dates:
Reviewed Items
subjects:
La Pintura Holandesa y Flamenca (Siglos XVI al XVIII) en el Museo Nacional de Bellas Artes de Buenos Aires | author: Navarro, Angel M.
Article
Manet's 'Nymphe Surprise'
04/1975 | 865 | 117
Pages: 224-227+229
related names
Author:
Farwell, Beatrice (Farwell, Beatrice)
Subjects
art literature:
artists:
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places:
sources:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
38. Nymphe Surprise, by Edouard Manet. (Museo Nacional de Bellas Artes, Buenos Aires). Photo Courtesy Juan Corradini.
Attributed works:
39. Photograph of Manet's Nymphe Surprise by Godet, 1861. Courtesy of Mrs H. T. Curtiss.
Attributed works:
40. Photograph of Manet's Nymphe Surprise by Lochard, 1883 (?). Photo Courtesy Bibliothèque Nationale, Cabinet des Estampes.
Attributed works:
41. Susannah (Here Reproduced in Reverse), by Vorstermann, after Rubens. Photo Courtesy Metropolitan Museum of Art, New York.
Attributed works:
42. Detail from La Pêche, by Edouard Manet. 1860-61. (Metropolitan Museum of Art, New York, Purchase, 1957, Mr and Mrs Richard J. Bernhard). Photo Courtesy Metropolitan Museum of Art, New York.
Attributed works:
43. Nymph and Satyr, by Marcantonio Raimondi (B. XIV.245. 325, D. 123). Photo Courtesy Metropolitan Museum of Art, New York.
Attributed works:
44. Callisto in Her Retirement (Here Reversed), by R. Earlom after Van Dyck. Photo Courtesy Metropolitan Museum of Art, New York.
Article
Paintings by Goya in the Buenos Aires Museum
01/1965 | 742 | 107
Pages: 10-16
related names
Author:
Gudiol, José (Gudiol, José; Gudiol i Ricart, José; Ricart, José Gudiol i; Gudiol Ricart, J.; Gudiol, Josep)
Subjects
dates:
subjects:
subjects:
Illustrations
Attributed works:
15. Bandits Attacking a Group of People, by Francisco de Goya. Canvas, c.71.1 by 101.5 cm. (Museum of Fine Arts, Bucnos Aires.)
Attributed works:
16. A Burning Building, by Francisco de Goya. Canvas, c.71.1 by 101.5 cm. (Museum of Fine Arts, Buenos Aires.)
Attributed works:
17. A Village Dance, by Francisco de Goya. Canvas, c.71 1 by 101.5 cm. (Museum of Fine Arts, Buenos Aires.)
Attributed works:
18. Detail from Bandits Attacking a Group of People Reproduced in Fig.15. [Bandits Attacking a Group of People, by Francisco de Goya. Canvas, c.71.1 by 101.5 cm. (Museum of Fine Arts, Bucnos Aires.)]
Attributed works:
19. Procession of Penitents, by Francisco de Goya. Canvas, c.50.8 by 61 cm. (Museum of Fine Arts, Buenos Aires.)
Attributed works:
20. A Village Procession, by Francisco de Goya. Canvas. (Bührle Collection, Zurich.)
Attributed works:
21. St Joseph of Calasanz before the Crucified Christ, by Francisco de Goya. Canvas. (Berriz Collection, Saragossa.)
Attributed works:
22. Mass of Thanksgiving on the Birth of a Child, by Francisco de Goya. Canvas, (Museum, Agen.)
Attributed works:
23. Town on a Rock, by Francisco de Goya. Canvas. (Metropolitan Museum of Art, New York.)
Attributed works:
24. A Village Dance. Copy of the Goya Reproduced in Fig.17, by Eugenio Lucas. Canvas. (Carles Collection, Barcelona.)
Attributed works:
25. Battle beside a Bridge, by Eugenio Lucas after Goya. Canvas. (Carles Collection, Barcelona.)
Book Review
Picturesque Illustrations of Buenos Ayres and Monte Video, Consisting of 24 Views; Accompanied by Descriptions of the Scenery and of the Costumes, Manners, etc., of the Inhabitants of Those Cities and Their Environs
08/1944 | 497 | 85
Pages: 207
related names
Reviewer:
Gere, John (Gere, John; Gere, J. A.; G., J. A.; G., J.)
Subjects
Reviewed Items
subjects:
Picturesque Illustrations of Buenos Ayres and Monte Video, Consisting of 24 Views; Accompanied by Descriptions of the Scenery and of the Costumes, Manners, etc., of the Inhabitants of Those Cities and Their Environs | author: Vidal, E. E.