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Exhibition Review
Charles White: A Retrospective. Museum of Modern Art, New York
11/2018 | 1388 | 160
Pages: 968-970
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related names
Reviewer:
Hylton, Richard (Hylton, Richard)
Subjects
artists:
White, Charles, 1918-1978 / Marshall, Kerry James
dates:
2010-2019
media:
Paintings / Drawings / Prints / Photographs / Book covers / Lithographs
museums and institutions:
Museum of Modern Art, New York, United States / Art Institute of Chicago, Chicago, United States / Los Angeles County Museum of Art, Los Angeles, United States
places:
United States / New York / Chicago / Los Angeles
subjects:
American painting (United States of America) / Politics / Social history / Social realism / Expressionism / Allegory / Hands (body componenents) / Magazines (periodicals) / Murals / Archives / African Americans / Slavery / Slave trade
Illustrations
Attributed works:
22. Paul Robeson (Study for Contribution of the negro to democracy in America), by Charles White. 1942–43. Carbon pencil over charcoal, with additions and corrections in white gouache, border in Wolff crayon, on cream drawing board, 63.2 by 48.4 cm. (Princeton University Art Museum, Princeton NJ; © The Charles White Archives; exh. Museum of Modern Art, New York).
Attributed works:
23. Awaken from the unknowing, by Charles White. 1961. Compressed brown and grey vine charcoal with scratching out, blending and erasing on cold-pressed illustration board, 78.7 by 142.2 cm. (Blanton Museum of Art, The University of Texas at Austin; © The Charles White Archives; exh. Museum of Modern Art, New York).
Attributed works:
24. Wanted poster series #17, by Charles White. 1971. Oil wash and pencil on poster board, 152.4 by 76.2 cm. (Flint Institute of Arts, Flint MI; © The Charles White Archives; exh. Museum of Modern Art, New York).