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7 articles
Exhibition Review
Holbein: Capturing Character
05/2022 | 1430 | 164
Pages: 499-502
related names
Reviewer:
Foister, Susan (Foister, Susan)
Subjects
dates:
Reviewed Items
subjects:
Holbein: Capturing Character Morgan Library and Museum, New York 11th February–15th May | :
Illustrations
Attributed works:
10. Allegory of Passion, by Hans Holbein the Younger. c.1532–36. Oil on panel, 45.4 by 45.4 cm. (J. Paul Getty Museum, Los Angeles; exh. Morgan Library and Museum, New York).
Attributed works:
11. Simon George of Cornwall, by Hans Holbein the Younger. c.1535–40. Mixed technique on panel, diameter 31 cm. (Städel Museum, Frankfurt; exh. Morgan Library and Museum, New York).
Attributed works:
12. Portrait of a woman, by Hans Holbein the Younger. 1532– 34. Tempera and oil on panel, 23.2 by 19.1 cm. (Detroit Institute of Arts; exh. Morgan Library and Museum, New York).
Article
Laura Knight on display: book jackets and self-promotion in the 1920s
07/2021 | 1420 | 163
Pages: 594-603
related names
Author:
Beazley-Long, Sally (Beazley-Long, Sally)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Dust jacket for Fidelity by Susan Glaspell, design by Laura Knight. 1924. Lithograph, 19 by 13 cm. (front cover). (Private collection; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021. All rights reserved; photograph courtesy Peter Harrington Books).
Attributed works:
10. A quarrel, by Laura Knight. 1923. Aquatint, 22 by 17.5 cm. (Scottish National Gallery, Edinburgh; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021; Bridgeman Images).
Attributed works:
11. Evening, by Laura Knight. 1923. Aquatint, 22.4 by 14.9 cm. (Victoria and Albert Museum, London; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
12. A crowd, by Laura Knight. 1923. Aquatint, 10.2 by 12.7 cm. (Russell- Cotes Art Gallery and Museum, Bournemouth; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
13. Self-portrait, by Laura Knight. 1922. Lithograph, 14.9 by 13.6 cm. (Frontispiece to C. Marriott: Laura Knight: A Book of Drawings, London 1923; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
14. Self-portrait, by Laura Knight. 1922. Oil on canvas, 59.5 by 59.5 cm. (Museum of New Zealand, Te Papa Tongarewa; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021; Bridgeman Images).
Attributed works:
15. Jarrolds advertisement, The Times (8th May 1925), p.9.
Attributed works:
2. Dust jacket for Heart’s Blood by Ethel M. Kelley, design by Laura Knight. 1924. Lithograph, 19 by 13 cm. (front cover). (Private collection; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
3. Dust jacket for Strait is the Gate by André Gide, design by Laura Knight. 1924. Lithograph. 19 by 13 cm. (front cover). (Private collection; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021; photograph courtesy Ashton Rare Books).
Attributed works:
4. Front cover and spine of the dust jacket for The Glory of the Conquered by Susan Glaspell, design by Laura Knight. 1925. Lithograph, 19.5 by 14 cm. (Victoria and Albert Museum, London; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
5. Front cover and spine of the dust jacket for The Farthing Spinster by Catherine Dodd, design by Laura Knight. 1925. Lithograph. 19.5 by 14 cm. (Victoria and Albert Museum, London; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
6. The mystery man, by Laura Knight. Black ink on laid paper, 30.2 by 23.9 cm. (National Gallery of Canada, Ottawa; © reproduced with permission of The Estate of Dame Laura Knight DBE RA 2021).
Attributed works:
7. Front cover and spine of the dust jacket for Spring, by Ladislas St Reymont, design by Paul Nash. 1926. Lithograph. (Victoria and Albert Museum, London).
Attributed works:
8. Front cover and spine of the dust jacket for Summer by Ladislas St Reymont, design by Paul Nash. 1926. Lithograph. (Victoria and Albert Museum, London).
Attributed works:
9. Front cover and spine of the dust jacket for The Modern Movement in Art by R.H. Wilenski, design by Edward McKnight Kauffer. 1927. Lithograph. (Victoria and Albert Museum, London).
Exhibition Review
John Heartfield: Photography Plus Dynamite
10/2020 | 1411 | 162
Pages: 878-881
related names
Reviewer:
Kriebel, Sabine (Kriebel, Sabine)
Subjects
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
John Heartfield: Photography Plus Dynamite Akademie der Künste, Berlin 2nd June–23rd August | :
Illustrations
Attributed works:
1. Installation view of a portrait of John Heartfield from the 1960s and Marcel Odenbach’s twochannel video installation at the Akademie der Künste, Berlin, 2020. (Photograph Roman März).
Attributed works:
2. Cover of Kurt Tucholsky’s Deutschland, Deutschland über alles, by John Heartfield. 1929. (© The Heartfield Community of Heirs / VG Bild-Kunst, Bonn 2020; Akademie der Künste, Berlin).
Attributed works:
3. Rifles, bayonets, daggers, cannons and hand, collection of cutout photographic material amassed by Heartfield, undated. 46 individual pieces, 1925–68, gelatin silver print, cut out. (Akademie der Künste, Berlin; photograph N.N.).
Exhibition Review
Charles White: A Retrospective. Museum of Modern Art, New York
11/2018 | 1388 | 160
Pages: 968-970
related names
Reviewer:
Hylton, Richard (Hylton, Richard)
Subjects
dates:
Illustrations
Attributed works:
22. Paul Robeson (Study for Contribution of the negro to democracy in America), by Charles White. 1942–43. Carbon pencil over charcoal, with additions and corrections in white gouache, border in Wolff crayon, on cream drawing board, 63.2 by 48.4 cm. (Princeton University Art Museum, Princeton NJ; © The Charles White Archives; exh. Museum of Modern Art, New York).
Attributed works:
23. Awaken from the unknowing, by Charles White. 1961. Compressed brown and grey vine charcoal with scratching out, blending and erasing on cold-pressed illustration board, 78.7 by 142.2 cm. (Blanton Museum of Art, The University of Texas at Austin; © The Charles White Archives; exh. Museum of Modern Art, New York).
Attributed works:
24. Wanted poster series #17, by Charles White. 1971. Oil wash and pencil on poster board, 152.4 by 76.2 cm. (Flint Institute of Arts, Flint MI; © The Charles White Archives; exh. Museum of Modern Art, New York).
Article
'Powerful emotive agents': the association between Ben Nicholson and John Piper
10/2007 | 1255 | 149
Pages: 694-703
related names
Author:
Spalding, Frances (Spalding, Frances)
Subjects
dates:
print:
Illustrations
Attributed works:
38. 1933 (collage), by Ben Nicholson. 1933. Oil, collage and pencil on canvas, 85 by 67.4 cm. (Private collection).
Attributed works:
39. Abstract construction, by John Piper. 1934. Oil, sand and wood on board, 51.4 by 61.5 cm. (Whitworth Art Gallery, University of Manchester).
Attributed works:
40. 1935 (white relief), by Ben Nicholson. Oil on mahogany board, 98.9 by 164.9 cm. (Tate, London).
Attributed works:
41. Cover design for the first issue of Axis, by John Piper. c.1934–35. (Private collection).
Attributed works:
42. Painting 1935, by John Piper. 1935. Canvas on board, 39.4 by 29.2 cm. (National Museum and Galleries of Wales, Cardiff).
Attributed works:
43. Forms on dark blue, by John Piper, 1936 (Piper estate), hanging in Bowman’s furniture shop, Camden Town, London, 1936.
Attributed works:
44. ‘1938 (faster air services)’, by Ben Nicholson. 1938. Poster for Imperial Airways, 98.2 by 60.4 cm. (Victoria and Albert Museum, London).
Attributed works:
45. Cover of brochure for Imperial Airways, by John Piper. c.1937. 15.4 by 9.2 cm. (Private collection).
Attributed works:
46. Knowlton, Dorset, by John Piper. 1938. Ink and collage, 37.8 by 46.5 cm. (Private collection).
Attributed works:
47. The Royal Pavilion, Brighton, by John Piper. 1939. Ink and wash on paper, 39 by 54.5 cm. (Private collection).
Attributed works:
48. Dungeness, by John Piper. 1938. Collage of cut papers with black ink, 50 by 38 cm. (Private collection).
Attributed works:
49. 1934 (white relief), by Ben Nicholson. 1934. Oil on carved board, 20 by 25 cm. (Private collection; photograph courtesy Christie’s Images, London).
Publication Received
Penguin by Design. A Cover Story 1935–2005
06/2006 | 1239 | 148
Pages: 420
Subjects
Reviewed Items
subjects:
Penguin by Design. A Cover Story 1935–2005 | author: Baines, Phil