Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Bartolomé Esteban Murillo (1617-1682). The Vision of St. Francis of Paola. Oil on canvas, 74x57 1/2 ins]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Domenikos Theotokopoulos, El Greco (Candia, Crete 1541-1614 Toledo). The Baptism of Christ. Oil on panel laid down onto panel, shaped top, made up into a rectangle. 9 1/4 x 7 1/8in. (23.5x18.1 cm)]
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Bernardino di Bosio Zaganelli. Cotignola, documented from 1495-Imola 1515. Christ on the Cross with Saint Jerome and an Augustinian Saint. Oil on wood panel, 13 3/8 x 10 13/16 in. (34x27,5 cm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Ottavio Maria Leoni (circa 1578-1630). Portrait of a Young WOman. Black chalk, on faded blue paper. 21.3x14cm (8 3/8 x 5 1/2in)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Luzio Romano. Active 1528-1573 Rome. Studies of Grotesques. Drawing in pen and brown ink with brown and blue-grey wash. With colour notations added by the artist at the right-hand panel. The artist collaborated with Raphael in the Loggie and the Sala di Constantino. 271x209mm]
Attributed works:
[Jonkers. 24 Hart Street. Henley on Thames. [Helen] Beatrix Potter (1866-1943). Two exceptional early watercolours depicting some of the earliest conceptual images of Peter Rabbit and Benjamin Bunny. Each 127x88 mm. c. 1893.]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Aert van der Neer. Moonlit Dutch landscape. Oil on wood, 50 x 70,5 cm.]
Attributed works:
[Liliane Fredericks. Marco Marchetti, called Marco da Faenza (Faenza Before 1528-1588 Faenza). Study of a Soldier for the Massacre of the Innocents. Pen and brown ink and wash (197x137mm)]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. John 'Warwick' Smith. 1749-1831. An Alpine Lake. Watercolour. 12 1/2 x 17 inches; 312x432 mm. On the original line-wash mount painted in the 1780s.]
Attributed works:
[Museo Thyssen-Bornemisza. Madrid. Paul Gauguin. The Vision after the Sermon, 1888. National Gallery of Scotland, Edimburgo.]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NU 10021. Polidoro Caldara da Caravaggio, Madonna and CHild, circa 1524-27. Oil on panel, 21 by 16 1/4 (53.3 by 41.5 cm).]
Attributed works:
[Senger Bamberg. Karoòonensttasse 8, Bamberg, Germany. Georg Anton Urlaub (1713 Thungersheim near to Wurzburg - 1759 Wurzburg). The Evangelist Matthew. Pen, brown; brown washed; heightened with white; graphite on a grey-green paper, 23x19cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Raffaello Sanzio, called Raphael. Urbino 1483-1520 Rome. Recto: Head of a child. Verso: study of a vessel, probably an incense burner. Red chalk over stylus (recto). Pen and brown ink (verso). Arched top. 114 by 93 mm]
Attributed works:
[The Burlington Magazine. December 2004 Annual Sculpture issue. Alfred Wolmark, by Gaudier-Brzeska. 1913. Bronze. Scottish National Gallery of Modern Art, Edinburgh.]
Attributed works:
[The Burlington Magazine. December 2004 Annual Sculpture issue. St. Peter, by Pierre-Etienne Monnot. 1708-11. Marble. St. John Lateran, Rome.]
Attributed works:
[The Burlington Magazine. Detail of Coronation of the Virgin, by Raphael. Panel transferred to canvas, 267 by 163 cm. (Pinacoteca Vaticana, Rome)]
Attributed works:
[Trafalgar Galleries. 35 Bury Street, St. James’s. London. Jacopo Tintoretto (Venise 1519-1594). Portrait of a man standing three quarter length wearing full armour and carrying a helmet. Oil on canvas, 122 x 99.5 cm (48x39 1/4 inches) (painted c. 1560-1570)]
Western art unattributed:
[Stiebel. New York, Upper Eastside. Pair of Bronze Doorknockers, Venetian, early 17th Century.]
