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Book Review
The Endless Periphery: Toward a Geopolitics of Art in Lorenzo Lotto’s Italy (Louise Smith Bross Lecture Series)
09/2020 | 1410 | 162
Pages: 817-818
related names
Reviewer:
De Klerck, Bram (De Klerck, Bram)
Subjects
art literature:
Reviewed Items
subjects:
The Endless Periphery: Toward a Geopolitics of Art in Lorenzo Lotto’s Italy (Louise Smith Bross Lecture Series) By Stephen J. Campbell. 352 pp. incl. 172 col. ills. (University of Chicago Press, Chicago, 2019), £49. ISBN 978–0–226–48145–6. | :
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05/2018 | 1382 | 160
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Subjects
subjects:
Illustrations
Attributed works:
[Hazlitt Holland-Hibbert, London. Apricot and Pink (detail), by Bridget Riley. 2001. Oil on linen, 111.5 by 213.5 cm.]
Attributed works:
[British Museum, London. Auguste Rodin (1840–1917). The Kiss. S.174. Plaster, after 1898. Musée Rodin, Paris).]
Attributed works:
[Sphinx Fine Art, London. Portrait of a Man, Half-Length (detail), by Henri-Pierre Danloux.]
Western art unattributed:
[Yale Center for British Art, New Haven. The Paston Treasure, by unknown artist (Dutch School). c.1663. Canvas (Norwich Caste Museum and Art Gallery, Norwich).]
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04/2018 | 1381 | 160
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Moeller Fine Art Ltd, New York, United States / London Original Print Fair / Andrew Edmunds (dealer), London, Great Britain / Redfern Gallery, London, Great Britain / Print Quarterly, London / Sarah Sauvin. Old Masters and Modern Prints. Paris / Osborne Samuel Gallery, London, Great Britain / Karsten Schubert, London, Great Britain / Paragon Press, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Pratt Contemporary Art, Sevenoaks, Great Britain / Peter Finer (antique arms), London, Great Britain / Sphinx Fine Art, London, Great Britain / Master Drawings (art periodical) / Yale University Press, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Im Kinsky (auction house), Vienna, Austria / Getty Trust Publications , Great Britain / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Emanuel Von Baeyer, London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / Museum of the Order of St John, London, Great Britain / Irish Art Review / Caring for your Collection / The Art Newspaper, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm / Burlington Magazine
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subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings. James Gilray (1756–1815). The Plumb-pudding in danger. 1805. Etching & engraving 258 x 263 mm, with publisher’s watercolour]
Attributed works:
[Dorotheum. Pieter Brueghel II (1564/65-1637/38), The King Drinks (detail), signed, oil on panel, 75 x 105 cm, €700,000 – 900,000, Auction 24 April 2018]
Attributed works:
[Elizabeth Harvey-Lee. Martin de Vos (designer): The Four Seasons. The set of four engravings, c1590 (“Summer” illustrated) First state of two. With Phillips Galle’s address (“Winter” with a Gothic P watermark)]
Attributed works:
[Flowers Gallery. Ken Currie , Head in Profile, 2017]
Attributed works:
[Galerie Sismann. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Im Kinsky Auction House. Georg Raphael Donner. Venus, Vienna, c. 1738/39 lead-pewter-alloy, h. 40 cm € 50,000–100,000]
Attributed works:
[London Original Print Fair. After Dürer #26, by Ann-Marie James. 2017. Ink on paper, 35 by 27 cm. Karsten Schubert, London]
Attributed works:
[London Original Print Fair. Church and farm at Eragny, by Camille Pissarro (1830–1903). c.1890. Etching, 15.3 by 24.2 cm. Elizabeth Harvey-Lee, Oxfordshire]
Attributed works:
[London Original Print Fair. Cottage in Dorset: Wood End, by Graham Sutherland (1903–1980). 1929. Etching, 13 by 17 cm. Redfern Gallery, London]
Attributed works:
[London Original Print Fair. Eros (3), by Ana Maria Pacheco. 2018. Monotype heightened in mixed media, 28.5 by 35 cm. Pratt Contemporary, Sevenoaks]
Attributed works:
[London Original Print Fair. Free Fall #31, by Carol Robertson. 2018. Monoprint. Flowers Gallery, London and New York]
Attributed works:
[London Original Print Fair. Gin Lane, by William Hogarth (1697–1764). 1751. Etching and engraving, 38.3 by 32.4 cm. Andrew Edmunds, London]
Attributed works:
[London Original Print Fair. I’m Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[London Original Print Fair. Oxfordshire (on the Oxford canal), by Muirhead Bone (1876–1953). Drypoint, 15.1 by 22.9 cm. Gordon Cook, London]
Attributed works:
[London Original Print Fair. Pisa, by Ben Nicholson (1894–1992). 1951. Etching, 19.5 by 14.75 cm. Osborne Samuel, London]
Attributed works:
[London Original Print Fair. Reclining artist, by Grayson Perry. Etching, 70.3 by 102.7 cm. Paragon Press, London]
Attributed works:
[London Original Print Fair. Seated woman drying her feet, by Théophile Alexandre Steinlen (1859–1923). 1902. Etching and aquatint, 29.8 by 29.7 cm. Sarah Sauvin, Paris]
Attributed works:
[London Original Print Fair. South South-West 2, by Rachel Gracey. 2018. Lithograph, 26 by 26 cm. Zuleika Gallery, London]
Attributed works:
[Moeller Fine Art. Jean-Étienne Liotard 1702–1789. Portrait de Philibert Cramer, c. 1758. Pastel on blue paper mounted on canvas, 25 × 21 3 ⁄16 in. (63.5 × 53.8 cm). Original frame with period glass]
Attributed works:
[Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Paragon Press. Joana Vasconcelos. Ria Formosa. Colour etching with blockprinting 2017]
Attributed works:
[Pratt Contemporary. Ana Maria Pacheco, Study for Sculpture, 2018. Triptych Monotype (detail). Each sheet: 59 x 56 cm.]
Attributed works:
[Redfern Gallery. Rue de Seine, by David Hockney. 1972. Etching and aquatint, 53 by 45 cm.]
Attributed works:
[Sarah Sauvin. Jean-Étienne Liotard, Self-Portrait as a Young Man Etching, ca.1731 (Tilanus 1; Roethlisberger and Loche 18) Counterproof of an unknown 1st state (of 3). Only one other counterproof known (Fondation Custodia) Provenance: Soliman Lieutaud (Lugt 1682)] (p.v) [Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Sphinx Fine Art. Karel Dujardin, A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses (Detail)]
Attributed works:
[Zuleika Gallery. Man posing, by Lucien Freud (1922–2011). 1982. Etching, 70 by 54 cm. Edition of 50 + 15 AP]
Non-western art unattributed:
[Peter Finer. A Saddle. 15th–17th century. Eastern Tibet or Chinese. Iron, gold, silver, wood, leather and textile. 57 cm / 22.75 inches. Provenance: Private Collection UK]
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03/2008 | 1260 | 150
Pages: i-xxii
Subjects
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subjects:
Illustrations
Attributed works:
[Agnew's London, at Salon du Dessin 2008] Giovanni Francesco Barbieri, called Il Guercino (1591-1666). A seated man training a dog. Pen, brown ink and wash, 12.2 by 18.5 cm.
Attributed works:
[Agnew's London, at TEFAF Maastricht 08] Alexandre-François Desportes (1661-1743). Four studies of kittens. Oil on light brown paper, 32 by 50 cm.
Attributed works:
[Agnew's, 43 Old Bond Street, London, exhibiting at TEFAF, Maastricht, March 7th-March 16th and at the Salon du Dessin, Palais de la Bourse, Paris, April 8th-April 13th] Jacob Jordaens (1593-1678). Esau selling his birthright to Jacob. Black and red chalk, pen and brown ink, brown wash, heightened with white, 191-204 mm.
Attributed works:
[Alan Cristea Gallery at The London Original Print Fair, Wednesday 23 to Sunday 27 April 2008, Royal Academy of Arts, Burlington Gardens, London] Michael Craig Martin. Intimate Relations, Safety Pin. 2001. Screenprint.
Attributed works:
[Annely Juda Fine Art, London at TEFAF Maastricht 08] Kazuo Shiraga. Tenku. 2003. Oil on canvas, 161 by 130 cm.
Attributed works:
[Arturo Cuéllar, Bürglistrasse 18, Zürich, Switzerland, exhibiting at the Salon du Dessin, Paris, 9-13th April 2008] Giovanni Battista Piazzetta (1682 Venedig 1754). Head of a Turk, c.1740. Black chalk, heightened with white, 35.5 by 24.5 cm. On the reverse, bottom right the number '29' is inscribed in pencil.
Attributed works:
[Arturo Cuéllar, Zürich, at Salon du Dessin 2008] Giovanni Battista Tiepolo (1696-1770). Head of a young man facing left, looking upward. Red chalk, highlighted with white chalk on paper. 23 by 19 cm.
Attributed works:
[Bernard Steinitz, 9 rue du Cirque, 16 avenue Matignon, Paris] A rare pair of gilded wood consoles. Italy, circa 1750-1760. H. 94 cm. (37 in.), W. 181 cm. (71½ in.), D. 86.5 cm. (34 in.). An important pair of patinated vases by Lechesne. France, circa 1850-1860. H. 96 cm. (37½ in.), W. 87 cm. (34½ in.)
Attributed works:
[Bonhams, 101 New Bond Street, London. The Sculpture Sale, Tuesday 15 April] Sir Alfred Gilbert, MVO, RA (English, 1854-1934). An important patinated bronze bust of Ignace Jan Paderewski, 1891, cast 1934. Estimate: £40,000-60,000.
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Marignan, Paris, 11 quai Voltaire, Paris] Polidoro da Caravaggio (c.1499-c.1543). A view of the Basilica of Maxentius and Constantine in Rome. Brown wash and pencil, 19.7 by 26.3 cm.
Attributed works:
[David & Constance Yates, New York at TEFAF Maastricht 08] Wilhelm Pascal (1813-after 1848). Funerary monument. Inscribed front edge of gase: RUDOLPHE BENECKE VON GROEDITZBERG / GEB: DEN 10 AUGUST 1809 IN BERLIN / GEST: DEN 15 DECEMBER 1832 IN PIZA. Inscribed rear edge of base: W.P.f.1834. Marble, 34.3 by 43.6 cm.
Attributed works:
[Dickinson, New York & London at TEFAF Maastricht 08] Joan Miró. Personnages dans un paysage. Signed centre righ: Miró. Inscribed on verso: personnages/dans/un/paysage, and dated in pencil on stretcher: 26/VII/73. Oil on canvas, 89 by 116 cm.
Attributed works:
[Didier Aaron & Cie., Paris, London & New York, at TEFAF Maastricht 08] Jacques-Charles Oudry (1720-1778). Hunting still life with game overlooked by a dog. Signed and dated lower right: J.C.Oudry./F.1764. Oil on canvas, 130 by 99 cm.
Attributed works:
[Flavia Ormond Fine Arts, 3 Netherton Grove, London, at Salon du Dessin, 9th-13th April, 2008, Palais de la Bourse, Place de la Bourse, Paris and The Grosvenor House Art & Antiques Fair, 12th-18th June, 2008, Grosvenor House, Park Lane, London] Ben Nicholson (Denham, Buckinghamshire 1894-1982 London). Palazzo Ducale, Urbino, 1959. Pencil and pink wash on paper, 620 x 470 mm. (24⅔ x 18½ inches).
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris, exhibiting at TEFAF Maastricht, 7-16 March 2008] Andrea di Nerio (Arezzo, documented from 1331-† before 1387). Virgin and Child. Circa 1331. Tempera, gold and silver on panel. 80 x 62 cm. (picture surface: 62.5 x 51.5 cm.). Original engaged frame.
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris, exhibiting at TEFAF, Maastricht 7-17 March 2008] Giacomo Francesco Cipper called Il Todeschini (Feldkirch, Voralberg, 1664-Milan 1736). Peasants' Banquet with Young Flute Player. Oil on canvas, 144 x 114 cm. (56 11/16 x 44⅞ in.)
Attributed works:
[Galerie G. Sarti, Paris at TEFAF Maastricht 08] Liberale da Verona (Verona, circa 1445-between 1527 and 1529). Christ at the column. Tempera and oil on panel, 55.4 by 45.2 cm.
Attributed works:
[Galleria Silvano Lodi & Due, Milan at TEFAF Maastricht 08] Sebastiano Ricci (1659-1734) David with the head of Goliath (detail). Oil on canvas, 118.5 by 90 cm.
Attributed works:
[Hazlitt Holland-Hibbert, 38 Bury Street, St James's, London] Christopher Nevinson (1889-1946). Night Arrivals. Autumn 1915. Ink and grey wash, 6⅝ x 9⅞ inches (16.8 x 25.3 cm.). Signed.
Attributed works:
[Ketterer Kunst, Prinzregentenstr. 61, München, Germany. Auction on 5 April in Hamburg] Lady Laura Theresa Alma-Tadema. Satisfaction. Oil on panel, 65 x 44.5 cm. (25.5 x 17.5 in.) Estimate: €15,000-20,000, US$ 22,000-29,000, £11,000-15,000.
Attributed works:
[López de Aragón, Madrid at TEFAF Maastricht 08] Jan Brueghel the Younger (1601-1678) and Hendrick van Balen (1575-1632) Allegory of Air and Fire. Oil on panel, 46.3 by 59.7 cm.
Attributed works:
[Marlborough Fine Art, London & Zürich at TEFAF Maastricht 08] Frank Auerbach (born 1931). To the Studios II. 1985. Oil on canvas, 121.9 by 121.9 cm.
Attributed works:
[Moretti, Piazza degli Ottaviani, 17/r, Firenze, recently acquired by the Museo di San Marco in Florence] Guido di Pietro, called Fra Angelico (Vicchio del Mugelli, c.1395-Rome, 1455). St Vincent Ferrer and a Dominican Saint.
Attributed works:
[Otto Naumann Ltd., New York, at TEFAF Maastricht 08] Domenico Zampieri, il Domenichino (1581-1641). The Pietà. Dated lower left: m.dciii. Inscribed on versoL NANN{?}. Oil on copper, 52.4 by 39.1 cm.
Attributed works:
[Paul Prouté S.A., 74 rue de Seine, Paris, exhibiting at the Salon du Dessin, Paris, 9-13 April 2008] Salvator Rosa (Arnella 1615-Rome 1673). A wooded landscape with travellers on a path. Pen and ink, 210 x 291 mm.
Attributed works:
[Paul Prouté, Paris, at Salon du Dessin 2008] Hubert Robert (1733-1808). Park with an Italian villa. Red chalk, 43.8 by 33.8 cm.
Attributed works:
[Sotheby's Important Furniture, Sculptures & Works of Art. Auction in Paris, 9 April 2008] An important giltbronze-mounted Chinese lacquer and Vernis Martin bureau plat stamped I.DUBOIS. Louis XV, circa 1745-1750. Estimate: €700,000-900,000.
Attributed works:
[The Burlington Magazine] Jean-Auguste-Dominique Ingres. Portrait of Cornélie Bonnard. 1828. Pencil, 32.6 by 24.4 cm. (Louvre, Paris)
Attributed works:
[The Burlington Magazine] William Scott. Soldier and girl sleeping (detail). 1942. Canvas, 40.6 by 50.8 cm. (Imperial War Museum, London).
Attributed works:
[Thomas Le Claire, Elbchausee 386, Hamburg, exhibiting at the Salon du Dessin, April 9-13, 2008, Palais de la Bourse, Paris] Andrea Sacchi (1599 Nettuno-Rome 1661). Virgin and Child with Seven Saints. Red chalk, heightened with white, and squared with black chalk, 315 x 243 mm.
Attributed works:
[Thomas Le Claire, Hamburg, at Salon du Dessin 2008] John Russell RA (1745-1806). Portrait of Francesco Bartolozzi, RA (1727-1815). 1789. Pastel, 59.8 x 44.5 cm.
Attributed works:
[W.M.Brady & Co., 22 East 80th Street, New York, exhibiting at the Salon du Dessin, April 9-13, 2008] Emilie Mediz-Pelikan (Vöcklabruck 1861-1908 Dresden). Donauschiffer (Sailor on the Danube). 1900. Signed and dated, lover right, 10. Oktober 1900 / E. Pelikan. Pencil. colored chalks and gouache on green paper. 19½ x 19⅞ inches (495 x 520 mm).
Attributed works:
[W.M.Brady & Co., New York, at Salon du Dessin 2008] Simone Cantarini (1612-1648). Jupiter, Neptune and Pluto paying homage to the Borghese coat of arms. Red chalk, 29.5 by 43 cm.
Attributed works:
[Waddington Galleries Ltd., London at TEFAF Maastricht 08] Patrick Caulfield (1936-2005). Still life on a table. 1964. Oil on board, 121.9 by 160 cm.
Non-western art unattributed:
[Rupert Wace Ancient Art Ltd., London at TEFAF Maastricht 08] An Egyptian wood and bronze striding Ibis. Late Dynastic Period, 664-332 BC. Height: 34 cm.
Western art unattributed:
[Flavia Ormond Fine Arts, London, at Salon du Dessin 2008] Roman school, late 17th century. Mercury and Argos. Inscribed in pen and brown ink on the verso: Orig. di Carlo Marati n. 353, and numbered: R. 33-2d. Pen and brown ink, brown wash, over black chalk, 21 by 25.9 cm.
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Advertisements November 2004 (Front)
11/2004 | 1220 | 146
Pages: i-xx
Subjects
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Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Bartolomé Esteban Murillo (1617-1682). The Vision of St. Francis of Paola. Oil on canvas, 74x57 1/2 ins]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Domenikos Theotokopoulos, El Greco (Candia, Crete 1541-1614 Toledo). The Baptism of Christ. Oil on panel laid down onto panel, shaped top, made up into a rectangle. 9 1/4 x 7 1/8in. (23.5x18.1 cm)]
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Bernardino di Bosio Zaganelli. Cotignola, documented from 1495-Imola 1515. Christ on the Cross with Saint Jerome and an Augustinian Saint. Oil on wood panel, 13 3/8 x 10 13/16 in. (34x27,5 cm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Ottavio Maria Leoni (circa 1578-1630). Portrait of a Young WOman. Black chalk, on faded blue paper. 21.3x14cm (8 3/8 x 5 1/2in)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Luzio Romano. Active 1528-1573 Rome. Studies of Grotesques. Drawing in pen and brown ink with brown and blue-grey wash. With colour notations added by the artist at the right-hand panel. The artist collaborated with Raphael in the Loggie and the Sala di Constantino. 271x209mm]
Attributed works:
[Jonkers. 24 Hart Street. Henley on Thames. [Helen] Beatrix Potter (1866-1943). Two exceptional early watercolours depicting some of the earliest conceptual images of Peter Rabbit and Benjamin Bunny. Each 127x88 mm. c. 1893.]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Aert van der Neer. Moonlit Dutch landscape. Oil on wood, 50 x 70,5 cm.]
Attributed works:
[Liliane Fredericks. Marco Marchetti, called Marco da Faenza (Faenza Before 1528-1588 Faenza). Study of a Soldier for the Massacre of the Innocents. Pen and brown ink and wash (197x137mm)]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. John 'Warwick' Smith. 1749-1831. An Alpine Lake. Watercolour. 12 1/2 x 17 inches; 312x432 mm. On the original line-wash mount painted in the 1780s.]
Attributed works:
[Museo Thyssen-Bornemisza. Madrid. Paul Gauguin. The Vision after the Sermon, 1888. National Gallery of Scotland, Edimburgo.]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NU 10021. Polidoro Caldara da Caravaggio, Madonna and CHild, circa 1524-27. Oil on panel, 21 by 16 1/4 (53.3 by 41.5 cm).]
Attributed works:
[Senger Bamberg. Karoòonensttasse 8, Bamberg, Germany. Georg Anton Urlaub (1713 Thungersheim near to Wurzburg - 1759 Wurzburg). The Evangelist Matthew. Pen, brown; brown washed; heightened with white; graphite on a grey-green paper, 23x19cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Raffaello Sanzio, called Raphael. Urbino 1483-1520 Rome. Recto: Head of a child. Verso: study of a vessel, probably an incense burner. Red chalk over stylus (recto). Pen and brown ink (verso). Arched top. 114 by 93 mm]
Attributed works:
[The Burlington Magazine. December 2004 Annual Sculpture issue. Alfred Wolmark, by Gaudier-Brzeska. 1913. Bronze. Scottish National Gallery of Modern Art, Edinburgh.]
Attributed works:
[The Burlington Magazine. December 2004 Annual Sculpture issue. St. Peter, by Pierre-Etienne Monnot. 1708-11. Marble. St. John Lateran, Rome.]
Attributed works:
[The Burlington Magazine. Detail of Coronation of the Virgin, by Raphael. Panel transferred to canvas, 267 by 163 cm. (Pinacoteca Vaticana, Rome)]
Attributed works:
[Trafalgar Galleries. 35 Bury Street, St. James’s. London. Jacopo Tintoretto (Venise 1519-1594). Portrait of a man standing three quarter length wearing full armour and carrying a helmet. Oil on canvas, 122 x 99.5 cm (48x39 1/4 inches) (painted c. 1560-1570)]
Western art unattributed:
[Stiebel. New York, Upper Eastside. Pair of Bronze Doorknockers, Venetian, early 17th Century.]
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Advertisements June 2004 (Front)
06/2004 | 1215 | 146
Pages: i-xxx
Subjects
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subjects:
Illustrations
Attributed works:
[Adrian Sassoon, London. The Yellow Bedspread, 2002, by Michael Flynn. Waldenburg (Walbrzych) porcelain]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. François Boucher (1703-1770). Rest on the Flight into Egypt. Pen and brown ink with pink and brown washes, 209 x 245mm]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. The infant Romulus and two studies of a man's left arm, by Carlo Maratta (1625-1713). Black, red and white chalk on blue paper, 260 x 343 mm. Inscribed 'di Carlo Maratti' on the mount.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: A George III satinwood, Tulipwood, crossbanded demi-lune Commode possibly attributable to Mayhew and Ince.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Opposite above: Giovanni Francesco Barbieri, called Il Guercino (1591-1666). Recto: The Return of the Prodigal Son. Verso: Sketches of clouds for an arched composition, 261 x 207 mm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Pictured: John Constable, RA. A sketch of East Bergholt from East Bergholt House, inscribed '10 augst 1811' (upper left), oil on canvas laid on panel, 12.5 x 19.5 cm]
Attributed works:
[Brian Haughton Antiques. A scalloped Worcester dessert plate, painted by Jeffryes Hammett O'Neale with the fable of the fox and the stork, c. 1768-70)]
Attributed works:
[Browse & Derby. Danseuse attachant le cordon de son maillot, by Edgar Degas (1834-1917). Bronze, stamped with signature and foundry mark A.A. Height: 431 mm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Giovanni Domenico Tiepolo (Venice 1727-1804). Punchinello's wedding procession. Black chalk, pen and brown ink, brown wash. 14 x 18 1/2 in. (354 x 472 mm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. La Scuola San Marco, by Francesco Guardi (1712-93).]
Attributed works:
[Crispian Riley-Smith. Exhibiting at John Mitchell & Son. A landscape with cattle, sheep and herders, by Jacob van Stry (1756-1815). Pencil, pen and black ink with framming lines, 350 x 472 mm. Signed 'J:van Stry']
Attributed works:
[David Jones Fine Art, exhibiting at Derek Johns Ltd, London. Two Nude Putti, by Bartholomé Esteban Murillo (1618-82). Pen and brown ink, 135 x 95mm.]
Attributed works:
[David Jones, 19 Kestrel Avenue, Herne Hill, London. Caspar Freisinger (1550/55-1599), Christ on the Road to Calvary. Pen and brown ink, brown and pink wash, 127 x 182 mm]
Attributed works:
[Dickinson & son. 108 Wigmore St., London, W. Caryatid, 1913, by Amedeo Modigliani (1884-1920). Signed and inscribed lower left 'à Tibaut bien amicalement / modigliani'. Wotercolour and pencil heightened with whiteon paper laid down on card, 432 x 264 mm]
Attributed works:
[Didier Aaron & cie 118 Fbg Saint Honoré. Paris. 32 East 67th Street. New York. 21 Ryder Street. London. Head of a Lady with a Diadem and strings of pearls tied to her hair' (recto): Head of a Lady looking to the left (verso), by Nicolas-Guy Brenet (1728-92). Black chalk heightned with white, 455 x 280 mm]
Attributed works:
[Dragesco Cramoisan, France. Very rare pair of Sévres hard-paste biscuit busts of King Louis XVI and Queen Marie-Antoniette, modelled in 1785 by the leading sculptor Louis-Simon Boizot. These examples can be dated c. 1785-90]
Attributed works:
[Felder. London. W1. Sir D.Y. Cameron RA, RSA (1865-1945). The Walds of Rannoch. Oil on canvas, 21x30 cm]
Attributed works:
[Garton & Co. Exhibiting at Pitcher / Brandt. Study for a mural in DIeter Keller's house in Stuttgart, No. 1, by Oskar Schlemmer (1888-1943). 1940. Crayon and pencil, 205 x 298 mm.]
Attributed works:
[H. Blairman & Sons Ltd. 119 Mount Street. London. Enamel vase on stand by Charles Lepec (born 1830). French (Paris), circa 1867.]
Attributed works:
[H. Blairman & Sons Ltd. A pair of bronze 'Atlas' candelabra, designed and manufactured by Benjamin Lewis Vulliamy. English, c. 1815.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Edward Burra. 1905-1975. Three Sailors at a Bar, 1930. Watercolour. 26x19 inches: 67.3 x 48.2 cm. Signed and dated]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Helicoid in Sphere, 1938, by Barbara Hepworth (1903-75). Lignum vitae on original base, Height: 25.5 cm]
Attributed works:
[James Hyman, Fine Art. 6 Manson’s yard. Duke Street, St. James’s. London. Patrick Heron (1920-1999). Blues with Brown Area. Oil on canvas. 1962. h 76.2 cm (30in) w 121.9 cm (48in)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. The Arch of Janus, with the Church of San Giorgio in Velabro, by Giovanni Antonio Canal, called Canaletto. Pen, brown ink and grey wash over an underdrawing in graphite, 153 x 256 mm]
Attributed works:
[John Lishawa. 42 Vicarage Crescent, London. Dirk van Baburen (1595-1624). Taste. Oil on canvas: 104.4 x 84 cm]
Attributed works:
[John Whitehead. Sévres biscuit group La Fete au Chateau or La Fidélité Modéle. After Falconet. Incised B for Bachelier. c. 1767-73. Height: 8 inches (21cm)]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Peter Codde. (1500-Amsterdam-1678). An interior with a Lady seated at a virginal, seen from behind, a viola da gamba resting beside her. On panel. 16 7/8 x 13 in. 42.8 x 32.9 cm]
Attributed works:
[Kate de Rothschild, exhibiting at Didier Aaron Ltd. Study of a lady reclining in a chair, by René-François-Xavier Prinet (1861-1946). Black, red and white chalks with Prinet's atelier stamp on the verso.]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. A man in profile seen from above, by Adolph von Menzel (1815-1905). Carpenter's pencil and stumping, 311x234 mm. Signed and dated, lower left, A. Menzel / 86.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. William Turner of Oxford. 1789-1862. An April shower. Binsey Ferry near Oxford looking towards Port Meadow. Watercolour. 18 x 27 inches; 455 x 685 mm. Signed, also signed and inscribed recto.]
Attributed works:
[Mallett, 40 New Bond St., London. An eighteenth-century green glass chandelier, attributed to John Blades. English, c. 1790. Height: 183cm. Width: 101.5 cm]
Attributed works:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. Sévres Seauz à Glaces, c. 1796. Soft-paste porcelain. Height: 9 inches (24.5 cm). Diameter: 8 inches (22 cm). Blue painted and gilt marks for Sévres, the painters Bouillat and Girard, the gilder Vincent.]
Attributed works:
[N & I Franklin. 11 Bury Street. St. James’s. London. A pair of George III Silver-gilt mounted ostrich egg cups and covers. Marker's mark John Robinson, the heraldic finials modelled as the crest of Greville for George 2nd Earl of Warwick made in London in 1812.]
Attributed works:
[Offer Waterman & Co. London. 2nd Bus, by Allen Jones (b 1937). Oil on canvas in three parts, 121.8 x 152.3 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A Trompe L'Oil of a leading staff, a partizan, a Matchlock musket, a longbow, a fowling piece and other weaponry hanging on a wall, by Jacobus Biltius (1633-81). Dutch school. Oil on canvas, 169.5 x 344 cm. Signed and dated 1666.]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. Flemish School, circa 1605. A highly important view of the between the English Fleet and the Spanish Armada the launching on English fireships on the Spanish Fleet off Calais, with troops holding an English standard in the foreground and Queen Elizabeth I on horseback attended by a Nobleman, possibly the Early of Leicester, beyond. Gouache on vellum heightened with gold: 14 x 35 cm (5 1/2 x 13 3/4 inches).]
Attributed works:
[Renaissance Bronzes. 77 Pimlico Road, London. The dancing faun. Massimiliano Soldani Benzi. Blenheim Palace. Date 1711. Height: 1.42 metres.]
Attributed works:
[Robilant + Voena. 13Dover Street, London W1S 4LN. Giovanni Migliara. Alessandria 1785-1837 Milan. Washerwomen and Gentleman Among Classical Ruins, A Church Beyond (detail). Oil on canvas. 47 x 89 cm, 18 1/2 x 35 in]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A pair of Sévres glass coolers from the Du Barry service, circa 1771.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Francesco Bertos, Italian, active 1693-1739. A pair of large venetian allegorical bronze groups. 112 cm. 44in. and 108cm. 42 1/2in.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Madonna and Child, by Polidoro Caldara, called Polidoro da Caravaggio (1499-1543).]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Raffaello Sanzio, called Raphael. Urbino 1483-1520 Rome. Recto: Head of a child. Verso: study of a vessel, probably an incense burner. Red chalk over stylus (recto). Pen and brown ink (verso). Arched top. 114 by 93 mm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Frederico Barocci (Urbino 1535-1612). Study of the head of a child, with studies of the leg of a child and of a woman (recto); two studies of Psyche, after the Antique (verso). Black chalk and pastel (recto); pen and brown ink, brown wash (verso), 265 x 208 mm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. The Doge's Palace, Venice, by Edward Lear (1812-88). Pencil, pen and brown ink and watercolour, 295 x 485 mm. Signed, inscribed and dated: nov. 16. Sunset./ Venice. 1865 (27) (lower right), and with colour notes.]
Non-western art unattributed:
[Gregg Baker Asian Art. A six-fold paper screen painted in ink and colour on a gold ground with insects and pampas grass amongst which the sun is setting. Japan, Edo period, 17th century, 110.5 x 245cm]
Western art unattributed:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A Sévres Royal plate from the 'Service arabesque', 1783. 9 7/8 in. (25.1 cm.) wide]
Western art unattributed:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. Sévres biscuit group of 'Africa'. Designed in 1791, dated 1817. Height: 15 ins (36cm). Diameter: 9 ins (22cm). Marks: impressed 'Sévres' on base, front. incised 'Mas 11.av.DS' on base rear.]
Western art unattributed:
[Martin F. Bonham-Carter, Ltd. 27 Ansdell Street, Kensington. London W8 5BN. St. Cloud Hound, c. 1735. Height: 4 inches (12.2 cm). Depth: 3 inches (8.5 cm)]
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Advertisements January 2003 (front)
01/2003 | 1198 | 145
Pages: i-xvi
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Adam Williams Fine Art Ltd., 50 East 78th Street, New York, New York] Lorenzo Lippi (c.1606-1665) The Creation of Music Oil on canvas: 86 x 72 cm (33⅞ x 28⅜ in)
Attributed works:
[Aldega-Gordon, New York, New York] Head of a Man by Marco Benefial (1684-1764). Black chalk, 89 by 99 cm. Disegni Italiani, xvi-xx Secoli at Gelabert Gallery. January 23rd - February 1st.
Attributed works:
[Christie's, 20 Rockefeller Plaza, New York, New York] Alessandro Casolani (Siena 1552-1606) The Holy Family with the Infant Saint John the Baptist oil on panel, circular 42 in. diameter (106.6 cm.) Estimate: US$200,000-300,000 (£129,000-193,550)
Attributed works:
[Christie's, 20 Rockefeller Plaza, New York, New York] The Holy Family with the Infant St. John the Baptist, by Alessandro Casolani
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Francesco Guardi 1712 - Venice - 1793 A View of the Square of St. Mark's, Venice - The Façade of the Torre dell'Orologio, to the right the left hand side of the Duomo, figures and tents in the Piazza Painted ca. 1785, oil on canvas, 34.5 x 43.1 cm
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Still Life of a Basket of Fruit with Grapes, Pomegranates, Figs and Apples by Master of the Acquavella still life. Oil on canvas, 49.9 by 68 cm. Fine Old Master and Nineteenth Century Paintings, at Phillips de Pury & Luxenbourg. 18th January to 2nd February, 2003.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Graham Sutherland (1903-1980) Self-portrait 1977 Oil on canvas Private collection. Italy © estate of Graham Sutherland
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Head of Saint James the Greater by Bernardo Strozzi (1581-1644). Black chalk heightened with white, 19.4 by 16.6 cm. Master Drawings, at Adelson Galleries 20th January to 7th February, 2003
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Seated Woman by John Singer Sargent (1856-1925). Pencil, 27.6 by 21.9 cm. Master Drawings, at Adelson Galleries 20th January to 7th February, 2003
Attributed works:
[Gallerie D'Arte Armondi, C. SO Palestro, 37/B - 25121, Brescia, Italy] Lucrezia by Ambrosius Benson oil on panel 95.5 x 79.2 cm.
Attributed works:
[Gelabert Gallery, 255 West 86 Street, New York, New York] Antonio Mancini Albano Laziale 1852 - 1930 Rome Charcoal heightened with white chalk (289 x 239 mm)
Attributed works:
[Hazlitt Holland-Hibbert, 38 Bury Street, London, UK] Henry Moore 1898-1986 Sleeping Shelterer Pencil, wax crayon, watercolour wash and pen and ink 8⅞ x 6⅞ inches; 22.5 x 17.5 cm Signed and dated 1942 HMF 1839a
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Adam and Eve with the infant Abel attributed to Francesco Salviati Florence 1510 - 1563 Rome Drawing in red chalk over traces of black chalk. The contours incised for transfer and blackened on the verso. The preparatory drawing for the print of the same subject attributed to Girolamo Fagiuoli.
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Le soleil levant (Harbour Scene with rising sun) by Claude Lorrain (1600-1682) Etching; 1634. Mannocci 15, the rare fourth state of eight before the addition of the date. Exhibiting at the 49th Winter Antiques Show, 17-26 January 2003 at the Park Avenue Armory
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Dirck Santvoort (1610 - Amsterdam - 1680) Portrait of a Lady in an Interior Oil on panel, 28¾ by 33⅛ inches (73 by 84.2 cm.) Signed and dated 'D.D. Santvoort 1637'
Attributed works:
[Jean-Luc Baroni Ltd, 8 Masons Yard, London, UK] Head of an Old Man by Jean-Honoré Fragonard Oil on canvas, 22.9 by 18.1 cm. Master Paintings, at Adam Williams Fine Art Ltd 17th January to 21st February, 2003
Attributed works:
[Sotheby's, 1334 York Avenue, New York, New York] Polidoro Caldara called Polidoro da Caravaggio (1499-1543) A double-sided sheet of studies with the head of a youth, the Madonna of the Annunciation and other figures and heads red chalk (Recto) 4 3/8 x 6 1/8 in. 110 by 156mm Estimate: $140,000-160,000 £88,000-100,700
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Pietro Antonio De'Pietri (Premia [Piedmont] 1663/5-1716 Rome) The Madonna of Loreto (recto) Another Study for the Madonna of Loreto (verso) The verso inscribed in brown ink, lower center, Di Pietro de Petri/No. 241.; also with graphite inscription, lower left, Pietro di Pietri No 4 Brush and brown wash with pen and brown ink over black chalk (recto); pen and brown ink, heightened with white, over black chalk (verso), 16½ x 10⅝ inches (419 x 270 mm)
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Standing Man Wearing a Hat, in Profile to the Right by Giovanni Francesco Barbieri, called Il Guercino (1591 - 1666) Pen and brown ink and brown wash, 26 by 16.8 cm. Recent acquisitions, 22nd January to 14th February, 2003
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Advertisements March 1999 (front)
03/1999 | 1152 | 141
Pages: i-xxiv
Subjects
advertisements:
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artists:
subjects:
Illustrations
Attributed works:
Portrait of a Young Man, by Arent de Gelder. c. 1710. 85 by 73 cm. (Niedersächsisches Landesmuseum, Hannover; Exh. Wallraf-Richartz Museum, Cologne).
Attributed works:
[Adriano Ribolzi Antiquaire, 3 Avenue de l'Hermitage, Monte Carlo, Manaco] Jacopo Fabris (Venice, 1689 - Copenhagen, 1761). View of Saint Peter's Square in Rome. Oil on Canvas, 63 × 108.5 cm. Signed on the Bottom Left Hand Side (Partly Erased) "Ja. Fabris (...)"
Attributed works:
[Agnew's, London. Exh. TEFAF Maastrich] Cornelis de Vos: Portrait of a Lady of the Pelgrom Family. Panel, 104.7 by 73.7 cm. (Agnew's, London).
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Jan van Goyen Leiden 1596 - 1656 The Hague. River Landscape. Oil on Panel, 39.8 × 61 cm, Signed and Dated 1640
Attributed works:
[Celia Jennings, High Street, Bransted, Westerham, Kent, UK] A 16th-Century Oak Carving of the Madonna and Child with Saint. Circa 1500. Height 31 cm (12 in). Width 31 cm (12 in). Depth 2 cm (2½ in).
Attributed works:
[Christie's, 502 Park Avenue, New York, New York] A Pair of Queen Anne Silver Tazze, Isaac Liger, London 1704 and 1705, Engraved with the Arms of Queen Anne, Diameter 7 inches. Estimate: US$40,000-60,000 (£25,000-37,500). A William and Mary Silver Tankard, Pierre Harache, London, 1690, Height 7 3/4 Inches. Estimate: US$50,000-$80,000 (£30,000-50,000)
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Jan van Huysum 1682 - Amsterdam - 1749. Still Life of Flowers and Fruit on a Plinth. Black and Red Chalk and Grey Wash: 424 × 334 mm
Attributed works:
[Dorotheum, Dorotheergasse 17, A-1010 Vienna] Marten van Cleve (1527-1581): Crucifixion of Christ, Oil on Panel (Detail)
Attributed works:
[Emanuel Von Baeyer, London, UK] Adrian Ludwig Richter (1803 - Dresden - 1884). St. Elizabeth Blessing the Children. Watercolour with Pencil and Heightened in White and Gold. 22.8 × 19 cm.
Attributed works:
[Exh. TEFAF Maastrich] Anthonie Palamedesz, Called Stevers: Portrait of a Girl, 70 by 58.2 cm. (Johnny van Haeften, London).
Attributed works:
[Exh. TEFAF Maastrich] Jacopo and Leandro Bassano: The Marriage at Cana. Canvas, 99.2 by 135.5 cm. (Trafalgar Galleries, London).
Attributed works:
[Exh. TEFAF Maastrich] Nicolaes Berchem: Callisto and Jupiter. (Jack Kilgore, New York).
Attributed works:
[Exh. TEFAF Maastrich] Black-Figure Panathenaic Amphora, c.500 B. C. Ht. 41 cm. (Royal-Athena Galleries, New York)
Attributed works:
[Exh. TEFAF Maastrich] Friedrich Horner: Landscape with Views of Naples and Capri. Signed and Dated 1833. Water-Colour and Pencil, 40 by 36.2 cm. (Schlichte Bergen, Amsterdam).
Attributed works:
[Exh. TEFAF Maastrich] Lyonel Feininger: Men Rushing from the Stock Exchange. Signed and Dated, Paris 1908. Pen and Ink with Black and Pink Chalk. (Marlborough, London).
Attributed works:
[Exh. TEFAF Maastrich] Palma il Giovane: Offering to Venus, c. 1590. Signed. Canvas, 140.5 by 203.5 cm. (Adriano Ribolzi, Monte Carlo)
Attributed works:
[Exh. TEFAF Maastrich] Pierre Bonnard: La sortie de bain. 1932-33. Signed Bottom Left. Water-Colour with Gouache, 33.4 by 26 cm. (Galerie Beres, Paris).
Attributed works:
[Exh. TEFAF Maastrich] Piet Mondrian: Composition with Red, Yellow and Blue. 1927. Canvas, in Artist's Original White-Painted Strip-Wood Frame. (Annely Juda, London).
Attributed works:
[Exh. TEFAF Maastrich] Robert Delaunay: Three Graces, c.1912. Water-Colour on Paper Laid Down on Canvas. 102.3 by 69.3 cm. (Galerie Gmzyrnska, Cologne)
Attributed works:
[Florence de Voldere Galerie, Le Louvre des Antiquaires, 27 allee Boulle, Paris, France] Spring. Oil on Oak Panel (37.3 × 51.2 cm). Work... Summer. Oil on Oak Panel (37.3 × 51.2 cm). Merry-Making... Autumn. Oil on Oak Panel (37.3 × 51.2 cm). Harvesting... Winter. Oil on Panel (37.3 × 51.2 cm). Games
Attributed works:
[Hall & Knight, London. Exh. TEFAF Maastrich] Jean-Baptiste Greuze: Portrait of Florentius Josephus van Ertborn. Signed and Dated 1804. Panel, 65.7 by 53.3 cm. (Hall & Knight, London).
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Emanuel de Witte Alkmaar Circa 1616 - 1691/92 Amsterdam. Interior of the Oude Kerk in Amsterdam. Signed 'De Witte'. Oil on Canvas, 26 by 22 Inches (65.8 by 55.7 cm.)
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Meindert Hobbema (1638 - Amsterdam - 1709). The Watermill. On Canvas - Signed. 15½ × 20½ ins. (40.8 × 53 cm.)
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] Heinrich Reydams (1629 Master in Brussels, Died 1669 in Brussels). Moses Asking the Israelites to Borrow Gold and Silver. Signed H. Reydams, Brussels, 1650/60. 376 × 310 cm.
Attributed works:
[P. & D. Colnaghi, London. Exh. TEFAF Maastrich] Frans Snyders: A Hunter and Hounds with a Still-Life of Game and Shellfish. Pen and Brown Ink, with Brown and Grey Wash. 24.1 by 40.2 cm. (P. & D. Colnaghi, London).
Attributed works:
[Richard L. Feign & Company, 49 East 68th Street, New York, New York] Polidoro Caldara da Caravaggio. Madonna and Child, Circa 1524-27. Oil on Panel, 53.3 by 41.5 cm.
Attributed works:
[Stanza Del Borgo, Via Turati 7, Milano, Italy] Carlo Francesco Nuvolone (Milano 1609 - 1661), Horsemen and Pedestrians Approaching a Town. Pen, Brown Ink, Grey Wash on Pencil, 260 × 400 mm. To Be Published in the Forthcoming Monograph by F. M. Ferro.
Attributed works:
[Talabardon & Gautier, 44, Rue Sainte-Anne, 7002, Paris, France] Louis Carrogis Called Carmontelle (1717-1806). Tartufe. Acte V. Scene Derniere. Pen, Black Ink and Watercolour. Provenance: Andre Marie Collection, Rouen. 16.8 × 11.4 cm
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London, UK] Giovanni Francesco Grimaldi (Bologna 1606 - Rome 1690). An Extensive Mountainous River Landscape Depicting The Baptism of Christ in the Foreground. Oil on Canvas, 98.5 × 134.7 cm (38 3/4 × 53 Inches).
Attributed works:
[Whitfield Fine Art, 180 New Bond Street, London, UK] Simon Vouet. Detail from Madonna and Child.
Non-western art unattributed:
[Weisbrod, 36 East 57th Street, New York, New York] Advancing Bixie-Lion with Two Horns and Wings. Eastern Han/Jin/Early Six Dyanasties Period (ca. 2nd-3rdc. CE). Length: 3 3/4 Inches (9.5 cm)
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Advertisements April 1989 (front)
04/1989 | 1033 | 131
Pages: i-xxxvi
Subjects
advertisements:
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
v Eugène Baudouin (Montpelier 1842-Paris 1893). Washerwomen on the Banks of the Lez. Oil on Canvas, 103 × 170 cm. Signed Left-Hand Corner and Dated 1874.
Attributed works:
v H. C. Delpy. The Cottage at Berneval, 1885. Oil on Canvas. 46 × 55 cm. Signed and Dated.
Attributed works:
v Jacques Emile Blanche, 1861-1942. Interior with Bird Cage. 39″ × 28″
Attributed works:
v Paul Guigou. Mirabeau, 1863. Oil on Canvas, Signed Left-Hand Corner.
Attributed works:
[Asprey, 165-169 New Bond Street, London, UK and 725 Fifth Avenue, New york, New York] A Rare George IV Silver-Gilt Travelling Inkwell. The Rotating Crown Finial Operates the Internal Plunger. By Archibald Douglas, 1825. A Fine Gold Pen with Amethyst Stem and Seal Top in Original Fitted Leather Case, Circa 1820. A George III Wax Jack with Circular Openwork Base Upon Three Ball and Claw Feet, Maker's Mark C. N., London 1755. An English Gold Hunting Seal with Cornelian Matrix, Circa 1825.
Attributed works:
[Austin/Desmond Fine Art, Pied Bull Yard, 15a Bloomsbury Square, London, UK] Terry Frost Oil on Canvas. Abstract c. 1962 24 × 30 ins.
Attributed works:
[Benjamin Rhodes Gallery, 4 New Burlington Place, London, UK] Eileen Cooper Woman Leaving Her Own Body, 1988 Charcoal on Paper, 28 × 22 in. (71 × 55.8 cm)
Attributed works:
[Browse & Darby, 19 Cork street, London, UK] Degas. Charcoal & Pastel 18 3/4 × 24½ Inches
Attributed works:
[Bruton Gallery, Somerset, UK] Rodin Cybele Bronze. Height: 64½ in (164 cm)
Attributed works:
[Claude Kuhn, Schneidergasse 2, CH-4051, Basel, Switzerland] Domenico Campagnola (1484-1550). An Apocalyptic Vision: The Sixth Angel Blowing His Trumpet, the Two Witnesses and the Fall of the Holy City and Temple. Pen and Brown Ink, 26 × 40.3 cms
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Marie-Francoise-Constance le Martiniere Called Constance Mayer (Paris 1775-1821). Presumed Portrait of Antoine Saint-Juste 1768-1794. Black and Red Chalk. Signed Lower Right. 365 × 287 mm.
Attributed works:
[Elizabeth Royer, 6 rue de Commaille, Paris, France] Ary Scheffer: Portrait de Marie d'Agoult. Oil on Canvas, 1,16 × 0,72 m.
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Charles Percier. Paris 1764-Paris 1838. The Entrance of the Imperial Couple to the Tuileries in 1811. Watercolour on Paper, Gouache Highlights. 340 × 491 mm.
Attributed works:
[Galerie Charles & Andre Bailly, 25 quai Voltaire, Paris, France] Vernet. Beccafumi
Attributed works:
[Galerie Chereau, 40 rue de l'Universite, Paris, France] Louis-Joseph Grisee. François Ier Visiting Bienvenuto Cellini at the Château de Nesle, Salon of 1845. 61 × 73 cm.
Attributed works:
[Galerie Du Fleuve, 6 rue de Seine, 75006 Paris, France] Isidore Pils, Portrait d'un Artiste, Huile sur toile. 50 × 42 cm. Signé et situé en bas à droite: I. Pils, Rome
Attributed works:
[Galerie Jean-Max Tassel, 45 Quai Voltaire, Paris, France] Jan Van Bylert (Utrecht 1597-1671). Young Woman with a Cat. (Allegory of the Sense of Touch). Oil on Canvas, 76.5 × 64.5 cm.
Attributed works:
[Galleri K, Bjorn Farmannsgate 6, Oslo, Norway] Edvard Munch.The Kiss, Woodcut 1902 Schiefler 102D
Attributed works:
[Galleri KB, Universitetsgt. 12, Oslo, Norway] The Gothic Girl Signed E. Munch, 1924. Oil on Canvas. 79 × 64 cm from the Collection of Johan Stenersew
Attributed works:
[Gallery Mathias F. Hans, Jungfernstieg 34, 2000 Hamburg 36, Germany] Friedrich Wasmann (1805-1886). "Tarantella" Oil on Canvas 86: 115 cm
Attributed works:
[H.W. Fichter, Kunsthandel, Arndstrasse 49, Frankfurt/ Main 1, Germany] Caroline Stieler by Joseph Stieler 1781 Mainz - München 1858. Bleistift auf Papier; rechts unten eigenhändig bezeichnet: »München d. = 20th Febr: 1838«; 300 × 277 mm
Attributed works:
[H.W. Fichter, Kunsthandel, Arndstrasse 49, Frankfurt/ Main 1, Germany] Unterwegs nach Italien Johann Adam Klein 1792 Nürnberg - München 1875. Aquarell über Bleistift; rechts unten Signiert und datiert: »J. A. Klein fe den 14. Septemb. 1819«; rückseitig Bleistiftskizze eines Reisegefährten; 140 × 202 mm
Attributed works:
[Jonathan Poole Galleries, 52 Upper Street, London, UK] Peter Nicholas Thorn Puller. Bathstone 28 × 33 × 33 cm
Attributed works:
[Judith L. Pillsbury, 1100 Park Avenue, New York, New York] H. de Toulouse Lautrec, Portrait of Tristan Bernard 1898, Drypoint. Delteil 9, Wittrock 240. Signed & Dedicated by Bernard to Duret '28 décembre 1914'
Attributed works:
[Lawrence Fine Art of Crewkerne, South Street, Crewkerne, UK] Attributed to Mariotto Albertinelli (1474-1515). The Madonna and Child. Oil on Panel 32½ × 22 Inches
Attributed works:
[Lefevre, 30 Bruton Street, London, UK] Corot, Fontainebleau, la Route de Chailly, ca. 1822-24. Oil on Board, 10 3/8 × 12 7/8 in, 26cm × 32,5cm
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] Kurt Schwitters (1887-1948), Yellow Parachutes, 1945 Collage, 15 7/8 x 11 3/4 in/40.3 × 29.8 cm
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Jacques Bellange The Carrying of the Cross, Original Etching, 40.5 × 58.1 cm (Walch 23)
Attributed works:
[Phillips International, 7 Blenheim Street, New Bond Street, London, UK] Henri met de Bless, "The Sacrifice of Abraham," Signed with Owl Device, Oil on Panel, 32cm × 42.5cm.
Attributed works:
[Richard L. Feign & Company, 113 East 79th Street, New York, New York] Mattia Preti, David Playing the Harp Before Saul, 1668 Oil on Canvas, 82 by 119 Inches (208.5 × 301.8 cm)
Attributed works:
[Runkel-Hue-Williams, 6/8 Old Bond Street, London, UK] Heinrich Nauen, 1880-1940. Landscape near Visé, Belgium, 1908 Oil on Canvas, 71 × 61 cm. Signed, Dated and Inscribed on Reverse
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Francesco d'Antonio (Florence 1394-Documented 1433), The Madonna and Child with Angels, Tempera on Panel, Gold Ground, 148 by 128cm (58¼in by 50½in). Estimate: £80,000-100,000
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, New York, New York] Charles Poerson (1609? Metz or Vic-sur-Seille: Paris 1667). The Assumption of the Virgin. Canvas, 189¼ by 148½ Inches (74,5 by 58,5 cm), Signed Lower Bottom, C. Poerson
Attributed works:
[The Fine Arts Society, 148 New Bond Street, London, UK] F. C. B. Cadell RSA, 1883-1937. Young Boy on the Shore. 30″ × 20″
Attributed works:
[The Fine Arts Society, 148 New Bond Street, London, UK] Henry Lamb RA, 1883-1960. Edie McNeill, 1911. 13″ × 9″
Attributed works:
[The Fine Arts Society, 148 New Bond Street, London, UK] Pierre Bonnard, 1867-1947. La Cage d'Oiseaux, c. 1895. 19″ × 12″
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Polideoro Caldara da Caravaggio (1490/1500-1543). An Apostle Holding a Pastoral Cross and a Book. Brush and Brown Ink Heightened with White on Brown Paper, 139 × 76 mm
Attributed works:
[Wartski, 14 Grafton Street, London, UK] Two Exceptional Objects in Lapis-Lazuli and Gold Made for London by Fabergé's Chief Workmaster Henrik Wigström. Table Clock with Chased Green and Red Gold Laurel Mounts within Opaque White Enamelled Borders and Clock Face Enamelled Opalescent Oyster over an Engraved Sunray Ground. $2frac{5}{8}$in × $1frac{13}{16}$in × 1½in. Cigarette Box, the Cover Set with Chased Red and Green Gold Laurel Leaf and Berry Meander over a Granulated Field within Opaque Enamelled Borders, the Thumb-Piece Set with a Brilliant Diamond Flanked by Rose Diamond Leaves. 3¼in × 2½in × 3/4 $in.
Non-western art unattributed:
v Jewellery Collection with Antique Oriental Stones: Jade, Coral, Pierres Dures, Enamels, Re-Set in a Modern Style.
Western art unattributed:
v An Important Louis XIV Clock with Musical Chimes in Red Tortoiseshell with Copper Inlay and Gilt Bronze Mounts on an Ornate Wooden Gilded Pedestal. Decorated with Military, Musical and Geographical Trophies. Movement by Balthazar Martinot, Paris.
Western art unattributed:
[Ares Rare, 961 madison Avenue, New York, New York] Fine Gold Mounted Mosaic Jewellery. Italy c. 1865.
Western art unattributed:
[Buch- und Grafikantiquariat Falk + Falk Auktionen, Friedrich Falk Kirchgasse 28, CH-8001, Zurich, Switzerland] Caracciows, Robertus de Licio (Bishiop). Sermones de laudibus Sanctorum. Basel, Nikolaus Kesler, 26, Feb. 1490. 4°. 191 Leaves. Text in 2 col., Each 55 Lines in Gothic Letters. Many Initials in Red and Blue. BMC 181, Hain II, 4485.
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Marble Relief. Florence 16th Century. 43 × 48 cm.
Western art unattributed:
[Ming Furniture Ltd., 4400 N. Federal HWY. #116, Boca Raton, Florida] Ming Dynasty Pair of Huanghuali Wood Rose Chairs Carved in Bamboo Motif. Overall Height: 34.9 in. (88.5 cm.), Circa 1600.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Florentine Bronze Figure of Mercury, Mid-17th Century, 35.3cm ($13frac{1}{8}$in), from the David Daniels Collection. Estimate: £30,000-40,000
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London, UK] A Florentine Bronze Figure of Venus Marina, Mid-17th Century, 23cm (9in). Estimate: £40,000-60,000
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