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Advertisements March 2011 (front)
03/2011 | 1296 | 153
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Agnew's, London. Sisteron, by J.M.W. Turner (1775-1851). Watercolour, 13.3 by 19 cm]
Attributed works:
[Agnew's, London. The presentation of the Virgin, by Luca Giordano (1634-1705). Gouache on chamois skin, laid down on panel, 26 by 34.5 cm]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Louis Carrogis called Carmontelle (1717-1806). Portrait of Jean-Charles-Louis de Mesgrigny (1744-1822). Red chalk, each 8 x 6 1/4 in (20 x 15.8 cm)]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Louis Carrogis called Carmontelle (1717-1806). Portrait of Louis-Marie de Mesgrigny (1744-1822). Red chalk, each 8 x 6 1/4 in (20 x 15.8 cm)]
Attributed works:
[Arnoldi-Livie, Munich. Ruins of the Palace of the Caesars on the Palatine in Rome, by Franz Kaisermann (1765-1833). c-1792. Signed lower left: Keisermann fecit. Watercolour, 50.6 by 65.6 cm]
Attributed works:
[Artur Ramon Art, Barcelona. Head of an old man in profile, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). Red chalk on paper, 22.2 by 19.3 cm]
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Claude-Joseph Vernet (Avignon 1714-1789 Paris). An Inlet near Naples with a Castle and Fisherfolk. Oil on canvas, 24 7/8 x 38 7/8 in (63.3 x 98.8 cm)]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Elisabetta Sirani (Bologna 1638-1665). The Martyrdom of a Saint. Oil on canvas, 107 by 81.5 cm (42 by 32 cm)]
Attributed works:
[Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Ubaldo Gandolfi (1728-1782). Bust of a child with his head turned downwards, to the left (detail). Oil on paper glued to canvas, 230 x 300 cm]
Attributed works:
[Damiano Lapichirella, Florence. View of the Palazzo Ducale in Venice, by Giuseppe Bernardino Bison (1762-1844). c.1828. Gouache on paper, 33 by 44 cm]
Attributed works:
[David Tunick Inc, New York. Moonlight, by Edvard Munch (1863-1944). 1896, Colour woodcut, 40 by 47.1 cm]
Attributed works:
[Dickinson, London. Verve, by Henri Matisse (1869-1954). 1939. Signed lower right: Henri Matisse 31/8 39. Cut and pasted papers on a paper support. 36.5 by 55.5 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Anthony van Dyck (1599-1641), The Penitent Magdalena (detail), oil on canvas, 60 x 65 cm.]
Attributed works:
[Emanuel Von Baeyer, London. The Papal Crown, by Felix Buhot (1847-1898). 1888. Etching, drypoint and aquatint, 44 by 34.4 cm]
Attributed works:
[Galerie Antoine Laurentine, Paris. Man in blue, by Gaston Chaissac (1910-64). 1959. Oil on cardboard, 32.5 by 25 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pompeo Batoni. Lucca, 1718 - Rome, 1787. Vulcan in his forge. Oil on canvas, 94.2 x 73.7 cm (37 1/8 x 29 cm)]
Attributed works:
[Galerie Paul Prouté, Paris. Study for the Personification of 'The Iliad' in the Apotheosis of Homer, by Jean-Auguste-Dominique Ingres (1780-1867), graphite, 27.7 by 26.2 cm]
Attributed works:
[Galerie Tanakaya, Paris. Sagi (The heron maiden), by Kitano Tsunetomi (1880-1947). 1925. Signed: Tsunetomi hitsu. Shin-Hanga print, 54.3 by 36.4 cm]
Attributed works:
[Gros & Delettrez. 22, rue Drouot. Paris. Albert Cuyp: Woman Milking a Cow, oil on canvas, 94 x 120 cm, signed.]
Attributed works:
[Jean-Luc Baroni, London. Study of a Morrocan standing in profile, by Eugène Delacroix (1798-1863). Black chalk, with touches of red and blue chalk and watercolour, 33.2 by 21.5 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Baldassarre Franceschini, called Il Volterrano (Volterra 1611-1690 Florence). Portrait of Marchese Altoviti as Hylas. Oil on canvas: 96.3 by 76.8 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Fra Bartolomeo (1472 - Florence - 1517). Studied of the Heads of Two Dominican Friars. Red chalk: 132 by 169 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Ivan Konstantinovich Aivazovsky (detail)]
Attributed works:
[Kunstsalon Franke-schenk. Residenzstrasse 23. Munich. Arnold Bocklin (1827 Basle - 1901 San Domenico) Oil on canvas, 79,13 x 61,2 inch (201 x 155 cm), monogrammed and dated lower left: AB 1897.]
Attributed works:
[Lady Lever Art Gallery. (image detail) Style of Guido Reni, Head of a young man, drawn about 1600]
Attributed works:
[Le Claire Kunst, Hamburg. View of a valley with a bridge, in Franconia, by Adolph von Menzel (1815-1905). Monogrammed and dated: A.M. 93. Graphite, 31 by 22.7 cm]
Attributed works:
[Le Claire Kunst. Elbchausse 386. Hamburg. Adolph von Menzel. Franconian Landscape. Pencil. 310 x 227 mm]
Attributed works:
[Liliane Fredericks. Giulia Lama (Venice c.1681 - c.1753 Venice). Study of male nude, seated, left leg outstreched. 434 mm x 424 mm (17 1/8 x 12 1/2 in) Black and White chalk on grey paper]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. CLAUDINE BOUZONNET-STELLA (Lyon 1636-1697 Paris) 'Venus giving Arms to Aeneus'. Preparatory for an engraving after Poussin's painting which had been commissioned by Jacques Stella, uncle of Claudine, and which descended to Claudine upon his death. She is known for her engravings of his work and Poussin's]
Attributed works:
[Museo del Pardo, Madrid. Chardin. 1699-1779]
Attributed works:
[Noortman Master Painting, Amsterdam. Sleeping legionary, by Ubaldo Gandolfi (1728-81). Oil on paper laid onto canvas, 23.2 by 34.6 cm]
Attributed works:
[Pagliari Fine Arts at Galerie Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Giovanni Francesco Barbieri detto il Guercino (Cento, 1591 - Bologna, 1666). Vanitas. (Oil on paper laid down on canvas, 28 x 42 cm)]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. Jean-Baptiste Marie PIERRE. Paris 1714-1789. Vulcan montrant à Venus les armes forgées pour Enér. Signed. Black chalk, pen and brown ink and wash, heightened with white, 216 x 252 mm]
Attributed works:
[Ralph R. Haugwitz. Kulmbacher Strasse 3. Berlin. Anton Graff, (1736-1813) Attr., Reflective Pause, Chalk, 349 x 224 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. A young woman asleep, by Richard Parkes Bonington (1802-28). Watercolour, over a pencil underdrawing, 13.3 by 11 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Study of a bather, by Pierre-Auguste Renoir (1841-1919). Signed at lower left: Renoir. Watercolour over an underdrawing in pencil, 32.4 by 30.9 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London. Guido Reni (1575-1642). The Head of a Young Woman Looking Upwards. Black and red chalk, with touches of white chalk, on pale brown paper, 377 x 270 mm (14 7/8 x 10 5/8 in)]
Attributed works:
[The Burlington Magazine. London. 'Thomas'. No. 15 from Twenty- eight caricatures, by Thomas Patch. 1769-70. Soft-ground etching. 15.2 by 10.8 cm]
Attributed works:
[The Burlington Magazine. London. Landscape at Iden, by Paul Nash. 1929. Canvas, 69.9 by 90.8 cm (Tate Britain, London)]
Attributed works:
[The Burlington Magazine. London. Samuel Pepys, by Sir Godfrey Kneller. 1689. Canvas, 76.0 by 63.5 cm (National Maritime Museum, Greenwich)]
Attributed works:
[The London Original Print Fair. The Royal Academy. Piccadilly. London. Grayson Perry, Map of Nowhere (detail), 2008 © The artist and Paragon Press, London.]
Attributed works:
[The Van Gogh Museum. Amsterdam. Vincent van Gogh1853-1890. Zonnerbloemen, Arles, Januari 1889. Van Gogh Museum Amsterdam.]
Attributed works:
[Trinity Fine Art, London and New York. Study of dolphin and a dolphin's skull, by Vincenzo Gemito (1852-1929). Signed and dated lower left in graphite: V. Gemito 1923. Pen, black/brown ink with some wash, 23 by 32 cm.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Luigi Valadier (Rome 1726-1785). A Trembleuse with a Beaker and CUp, and a detail of the stand with alternatives. Pen and dark brown ink and wash, 335 x 236 mm. Signed Luigi Valadierargentiere a S. Luigi de Francesi.]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Ludwig van Beethoven. Draft of the Goethe song "Neue Liebe, neues Leben" (WoO 127). Vienna, 1798/99]
Attributed works:
[W.M. Brady & Co., New York. Head of a young girl, Jean-Baptiste Greuze (1725-1805). Red chalk, 40.5 by 32.7 cm]
Attributed works:
[Wienerroither & Kohlbacher, Vienna. Reclining male with long hair, by Gustav Klimt (1862-1918). Blue crayon on paper, 36.8 by 55.8 cm]
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Advertisements October 2008 (Front)
10/2008 | 1267 | 50
Pages: i-xxii
Subjects
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collectors and dealers:
subjects:
Illustrations
Attributed works:
[Advanced Graphics, London, at IFPDA Print Fair 2008, Park Avenue Armory, 643 Park Avenue at 67th St., New York, 30 October-2 November] Craigie Aitchison. Birds on a tree. 2008. Edition size 75. Screenprint, 50.5 by 40.5 cm.
Attributed works:
[Agnew's, 8 Grafton Street, London] Guido Reni (1575-1642). The Virgin in a white robe, sewing, with four angels. Copper, 11¼ x 8½ in. (28.5 x 21.5 cm.)
Attributed works:
[Bernard Steinitz, 9 rue du Cirque, 16 avenue Matignon, Paris] Bernard I Van Risenburgh (c.1660-1738). An exceptional allegorical cabinet of the cardinal virtues, Paris, c.1700-1710. H. 172 cm. (67¾ in.), W. 94 cm. (37 in.), D. 52 cm. (20½ in.)
Attributed works:
[C.& J. Goodfriend Drawings and Prints, New York, at IFPDA Print Fair 2008, Park Avenue Armory, 643 Park Avenue at 67th St., New York, 30 October-2 November] Albrecht Dürer (1471-1528). The Virgin with the infant Christ and St Anne. 1501. Engraving.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf, 23 East 73rd Street, New York, in conjunction with Les Enluminures and Kunsthandlung Helmut H. Rumbler] Master of the Très Petites Heures d'Anne de Bretagne (attr.). Saint Roch. Woodcut with hand coloring, 234 x 167 mm.
Attributed works:
[C.G. Boerner, New York & Düsseldorf, at IFPDA Print Fair 2008, Park Avenue Armory, 643 Park Avenue at 67th St., New York, 30 October-2 November] Mary Cassatt (1844-1926). The fitting. Breeskin 147. Mathews & Shapiro 9 vii/vii. Drypoint and aquatint, 37.5 by 25.2 cm.
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Marignon, 11 quai Voltaire, Paris] Mathieu Elias (Peene (Kassel) 1658-Dunkirk 1741). The Expulsion of Adam and Eve from Heaven. Signed and dated 1710, lower right. Oil on canvas, 150 by 110 cm.)
Attributed works:
[Christie's, 8 King Street, St James's, London, Old Master & British Pictures, evening sale, auction 2 December 2008]. Giambattista Tiepolo (1696-1770). Portrait of a Lady as Flora. Oil on canvas, unlined, 35 x 27½ in. (89 x 70 cm.). £700,000-900,000.
Attributed works:
[David Tunick, New York, at IFPDA Print Fair 2008, Park Avenue Armory, 643 Park Avenue at 67th St., New York, 30 October-2 November] Christoffel Jegher (1596-1653). Susanna and the elders. c.1632-36. Hollstein I. First state of two. Woodcut after Rubens.
Attributed works:
[Dorotheum, Palais Dorotheum, Dorotheergasse 17, Vienna, third auction week 2008] Friedrich von Amerling (1803-1887). Girl with a Straw Hat, 1835. Oil on canvas, 58 x 46 cm. Auction 15 October.
Attributed works:
[Fondantico Gallery - Tiziana Sassoli, Via Castiglione 12b, Bologna, The fascination of Emilian art: paintings and drawings from XVI to XIX century, 24 September-20 December 2008] Gaetano Gandolfi (San Matteo della Decima 1734-Bologna 1802). The triumph of Venus. Oil on canvas, 59.7 x 69.2 cm.
Attributed works:
[Frederick Mulder, London, at IFPDA Print Fair 2008, Park Avenue Armory, 643 Park Avenue at 67th St., New York, 30 October-2 November] Edvard Munch (1863-1944). The sick child I. 1896. Signed, dated '97' and inscribed 'no 8' in pencil. Lithograph printed in colours, 41.8 by 56.5 cm.
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris] Pietro Ricchi (Lucca 1606-Udine 1675). Morra Players. Oil on canvas, 76 x 111 cm. (29 15/16 x 43 11/16 in.)
Attributed works:
[Hazlitt Holland-Hibbert, 38 Bury Street, St James's, London] Lucian Freud: Early Works 1940-58. Loan exhibition 9 October-12 December 2008.
Attributed works:
[Heritage Auction Galleries, 3500 Maple Ave, 17th Floor, Dallas, Texas, Important Fine Art Auction, November 20-21] Circle of Sebastian Stoskopff (Alsatian 1597-1657). Kitchen Still Life with Fish and Cat, circa 1650. Oil on canvas, 32 x 40 inches (81.3 x 101.6 cm.) Estimate $15,000-$25,000.
Attributed works:
[Heritage Auction Galleries, 3500 Maple Ave, 17th Floor, Dallas, Texas, Important Fine Art Auction, November 20-21] Sebastiano (with Marco) Ricci (Italian 1659-1734) Vision of St Bruno, c.1705. The rediscovered Algarotti. Oil on canvas, 37 x 47.5 inches (94.0 x 120.7 cm.). Estimate $600,000-$800,000.
Attributed works:
[Heritage Auction Galleries, 3500 Maple Ave, 17th Floor, Dallas, Texas, Russian fine & Decorative Arts Auction, November 14, 2008] Ilya Mashkov. Still Life with Flowers. Oil on canvas, 48 x 35 in. (121.9 x 88.9 cm.). Estimate: $800,000-$1,000,000.
Attributed works:
[Heritage Auction Galleries, 3500 Maple Ave, 17th Floor, Dallas, Texas, Russian fine & Decorative Arts Auction, November 14, 2008] Ivan (Jean) Puni. Pass. Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm.). Estimate $400,000-$500,000.
Attributed works:
[Heritage Auction Galleries, 3500 Maple Ave, 17th Floor, Dallas, Texas, Russian fine & Decorative Arts Auction, November 14, 2008] Ivan Konstantinovich Aivazovsky. Seascape (detail). Oil on canvas, 4⅝ x 6 in. (11.7 x 15.2 cm.). Estimate: $60,000-$80,000. From the Edward Shevardnadze family collection.
Attributed works:
[Heritage Auction Galleries, 3500 Maple Ave, 17th Floor, Dallas, Texas, Russian fine & Decorative Arts Auction, November 14, 2008] Natalia Goncharova. Nude. Oil on canvas, 32 x 23 in. (81.3 x 58.4 cm.). Estimate $600,000-$700,000.
Attributed works:
[Heritage Auction Galleries, 3500 Maple Ave, 17th Floor, Dallas, Texas, Russian fine & Decorative Arts Auction, November 14, 2008] Nikolai Timkov. Farmstead. Oil on canvas, 42 x 56 in. (88.9 x 134.6 cm.). Estimate: $140,000-$180,000.
Attributed works:
[Hill-Stone Inc., Box 273 Gracie Station, New York] Theodore Casimire Roussel (Lorient, Brittany 1847-1926 St Leonards-on-Sea, Sussex). Dawn. Etching, softground etching, drypoint and aquatint, printed in colours, 1912-13.
Attributed works:
[Hill-Stone, New York, at IFPDA Print Fair 2008, Park Avenue Armory, 643 Park Avenue at 67th St., New York, 30 October-2 November] Louis-Jean Desprez. Tomb with death seated and a sphinx holding an orb and scepter, c.1779-84. Etching and aquatint.
Attributed works:
[Lempertz, Neumarkt, Cologne] Caspar David Friedrich (1774-1840). Wolves outside a Den. Ca.1798/1799. Oil on canvas, 46 x 58 cm. Cat-rais: 17. Sale 22 Nov. 2008.
Attributed works:
[Liliane Fredericks Old Master Drawings] Cesare Nebbia, called Nebula (Orvieto c.1536-c.1614 Orvieto). Moses and the Burning Bush (c.1578-80). 263 x 200 mm. Pen, brown ink, and wash over red chalk, squared for transfer in black chalk. Laid on paper.
Attributed works:
[Robert Simon Fine Art, Satis House, Tower Hill Road, Tuxedo Park, New York] Scipione Pulzone, called Il Gaetano (Gaeta before 1550-1598 Rome). Portrait of Maria de'Medici, later Queen of France. Signed and dated on the back of the chair, left center: Scipio. Caietan/us. Faciebat./1594. Oil on canvas, 52¼ x 38¾ inches (133.4 x 989.4 cm.)
Attributed works:
[Stewart & Stewart, Michigan, at IFPDA Print Fair 2008, Park Avenue Armory, 643 Park Avenue at 67th St., New York, 30 October-2 November] Sidney Hurwitz. Cooler. 2008. Edition of 15. Aquatint and watercolour, 55.9 by 38.1 cm.
Attributed works:
[The Fine Art Society, London, at IFPDA Print Fair 2008, Park Avenue Armory, 643 Park Avenue at 67th St., New York, 30 October-2 November] James McNeill Whistler (1834-1903). The limeburner. 1859. Etching and drypoint, 25.3 by 17.8 cm.
Attributed works:
[The Old Print Shop, 150 Lexington Avenue at 30th Street, New York, American Master Prints 1900-1950] George W. Bellows (1882-1925). Billy Sunday. Lithograph, 1923. Edition 60. Signed and titled in pencil by Bellows, signed in pencil by the printer Bolton Brown.
Attributed works:
[The Old Print Shop, New York, at IFPDA Print Fair 2008, Park Avenue Armory, 643 Park Avenue at 67th St., New York, 30 October-2 November] Martin Lewis (1881-1962). Little penthouse. 1931. Recorded impressions 84. Drypoint, 25.2 by 17.3 cm.
Attributed works:
[Theobald Jennings, London, at IFPDA Print Fair 2008, Park Avenue Armory, 643 Park Avenue at 67th St., New York, 30 October-2 November] Ernst Ludwig Kirchner. Promenade vor dem Café. 1914. Lithograph, overpainted by the artist.
Attributed works:
[Thomas French Fine Art, Ohio, at IFPDA Print Fair 2008, Park Avenue Armory, 643 Park Avenue at 67th St., New York, 30 October-2 November] George Wesley Bellows (1882-1925). Preliminaries (preliminaries to the big bout). Signed in pencil by the artist's daughter, Jean Bellows Booth (J.B.B.).Lithograph, 40.2 by 49.5 cm.
Attributed works:
[Umberto Allemandi & C., Turin, London, Venice, New York] Book cover: The Triumph of Motion: Francesco Bertos (1678-1741) and the Art of Sculpture [by] Charles Avery.
Attributed works:
[Whitfield Fine Art] Andrea del Sarto. Madonna of the Reed Cross, c.1513. Oil on panel, 87.5 x 68.6 cm.
Western art unattributed:
[Bonhams, Antiquities including The Geddes Collection, Wednesday 15 October, New Bond Street, London] A Roman marble sarcophagus relief, circa 2nd-3rd century AD. Estimate £60,000-90,000. Collection of Graham Geddes.
Western art unattributed:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf, 23 East 73rd Street, New York, in conjunction with Les Enluminures and Kunsthandlung Helmut H. Rumbler] Coffret. Paris(?), ca.1490-1500. Wood with iron fittings, 180 x 270 x 120 mm.
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Advertisements July 2007 (front)
07/2007 | 1252 | 149
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Sebastiano Conca (1679-1764). St. Cecilia. Copper, 24 1/2 x 18 1/2 in. (62.5x47 cm). Signed, dated 1733 and inscribed Roma.]
Attributed works:
[Barridoff Galleries. 50 Market Street. Portland, Maine, US. Clockwise from lower left: A.T. Millar, 38x28 in. (96.5x71.1 cm); Flemish School ca. 1600, 48x 73 in. (121.9x185.4 cm); Studio of Titian, 37 1/2 x 30 1/4 in. (95.3x76.8 cm); and Bernard Meninsky 7x11 in. (17.8x27.9cm); in the center, a black crayon drawing by Modigliani (stylized for this display)
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Pietro Negroni (1505-1565). Assumption of the Virgin. Dated 1542. Pen and Brown ink, brown wash, 38x24cm.]
Attributed works:
[Fondantico. Via Castiglione, 12b. Bologna. Andrea Donducci called the Mastelletta (Bologna, 1575-1655): Farmyard.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Coppola, documented in Naples between 1653 and 1665. The beheading of Saint Gennaro and his Companions at Pozzuoli. Oil on canvas, 161,5x239,5 cm (63 9/16 x 94 5/16 in.)]
Attributed works:
[Liliane Fredericks. Giovanni Guerra (Modena c. 1540-1618 Rome). Embarkation of Saint Paul at Assos. 124 x 164 mm. Pen, brown ink and wash. Inscription on strip of paper to verso of backing 'IN ASSON PAVLVM ASSVMVNT DISCIPVLI: ET NAVIGIO MILETVM DENIQVE OMENS/APPELLVNTVR']
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NU 10021. Lorenzo Monaco. Saint Peter seated on a bench, holding a book and key, circa 1405-10. Tempera and gold leaf on poplar panel, 21 by 16 1/8 inches (53.3 by 41 cm)]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Hans Von Aachen. 1552-1615. Jupiter and Antiope. Dimensions 92 x 77 cm]
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Advertisements March 2006 (Front)
03/2006 | 1236 | 148
Pages: i-xxxvi
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. Jean-Honore Fragonard (1732-1806). Melissa consoles Bradamante. Black chalk on brown wash, 15 1/2 x 10 1/2 in (391 x 270 mm)]
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. The lion and his dog, by Nicolas Marechal (1753-1803). Black lead, pen and brown ink, brown wash, on a late 18th-century French mount, 9.4 by 14 cm]
Attributed works:
[Agnews, LTD, 43 Old Bond Street, London, W.1. Pause de midi au bord de la mare, by Henry-Joseph Harpignies (1819-1916). Canvas, 57 by 77.5 cm. Signed and dated 1886 lower left.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Naum Gabo. Monoprints.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Urania, by Joe Tilson. From 'The Nine Museus', 2005.]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Paul Cézanne (1839-1906). Nu aussi. Pencil and watercolour on paper (with extensive watermark), 44 x 31 cm]
Attributed works:
[Arturo Cuellar, Zurich. A nude study (for a stained glass window: St. Geneviève standing and holding a distaff, by Jean-Auguste Dominique Ingres (1780-1867). Pencil, 37.2 by 16.6 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: A fine George III satinwood crossbanded and sycamore marquetry serpentine Commode, in the manner of John Cobb.]
Attributed works:
[Brame & Lorenceau, Paris. Flachen (der Maler) II, by Willi Baumeister. (1889-1955). Oil on paper laid on canvas, 55.5 by 38.6 cm. Signed lower left.]
Attributed works:
[Buccellati, Moscow. A selection of elegant goblets in silver, entirely hand-made, finely hand-embossed and chiselled.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Faust in his study, by Rembrandt van Rijn. c. 1652. Etching, drypoint and burin, 20.9 by 16.2 cm]
Attributed works:
[Carlo Teardo, Milan. Jesus in the garden of Gethsemane, icon, Central Russia. Egg tempera on wood, 100 by 70 cm]
Attributed works:
[Charles Beddington Ltd. 16 Saville Row, London, W1S 3PL. A cockerel and two hens hanging from nails, by Jacob Biltius (1633-81). Oil on canvas, 99.5 by 77.8 cm. Signed: Je biltius fecit. (lower right: Jc in monogram).]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Johann-Ernst Heinsius (Hildburghaussen 1740-Orléans 1812). Little girl with a dog. Signed top right "Henrihette [sic] age de 3 ans" and initialled "J.H.Fecit".]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Fede Galizia (Milan 1578-1630). Peaches in a glass bowl with apples and a grasshopper (detail). Oil on panel. 12x16 3/4 in. (30.5 x 42.5cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Jean-Baptiste Siméon Chardin (Paris 1699-1779). A young Scholar Drawing (detail). Oil on panel. 7x6 in (18.5x16.5 cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Joseph Mallord William Turner (London 1775-1851) Giudecca, La Donna della Salute and San Giorgio (detail). Oil on canvas. 24 x 36 in. (61 x 91.5cm).]
Attributed works:
[Connaught Brown, London. Mother playing with child on floor I, by Henry Moore (1898-1986). Ballpoint pen, charcoal, crayon and gouache, 21 by 29.5 cm. Signed.]
Attributed works:
[David Jones, 19 Kestrel Avenue, Herne Hill, London. Jacopo PALMA, called Palma il Giovane. Venice c. 1548-1628 Venice. Recto: St. John the Baptist kneeling on the ground. Verso: Keeling Christ. Black chalk. 175 x 110 mm]
Attributed works:
[David Jones, London. Frederick IV, Commander of Nuremburg delivering Frederick the Handsome to Louis of Bavaria, by Christian Bernhard Rode (1725-97). Red chalk on cream colored paper. Two sheets joined together, intended for transfer, 41.1 by 63.4 cm]
Attributed works:
[Dickinson, London & New York. Femme à la toilette, by Edgar Degas (1834-1917). Black chalk hightened with white on paper, 62 by 47 cm. With the stamped signature lower left: Degas.]
Attributed works:
[Didier Aaron & cie, Paris, New York & London. The paternal malediction: the punished son, by Jean-Baptiste Greuze (1725-1803). Pencil, grey and sepia ink and grey wash on black chalk, 24.5 by 36.5 cm. Signed lower left: JB Greuze]
Attributed works:
[Emmanuel von Baeyer, London. La Rascienne Honteuse, by Johann Rudolph [Hans Rudolf] Fussli (1737-1806). Etching, size of plate: 22 by 20.8 cm: size of sheet: 22.2 by 21 cm.]
Attributed works:
[Flavia Ormond Fine Arts. London. The genius of music in Italy, by Paul Baudry (1828-86). Black chalk heightened with white chalk on pinkish-brown paper, 34.1 by 25 cm. Signed with monogram: PB. Inscribed with black chalk: Opera.]
Attributed works:
[Gagosian Gallery. Silver Liz, by Andy Warhol. 1963. Synthetic polymer paint and silkscreen ink on canvas, 101.6 by 101.6 cm.]
Attributed works:
[Galerie Arnoldi-Livie, Munich. St. Michael the Archangel slaying Satan, by Michael Willmann (1630-1709). Pen and brown ink and grey wash over black chalk. Verso: St. Michael the Arcangel slaying Satan. Pen and brown ink and grey wash over black chalk, heightened with white 22.3 by 16.2 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Fete by a Riverbank, by Giovanni Andrea Donducci, called Il Mastelletta (1575-1655). Oil on canvas, 99 by 120.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Cairo. Milan, 1607-1665. The Martyrdom of Saint Euphemia. Oil on canvas, 192,5x223 cm (75x87 13/16in)]
Attributed works:
[Galerie de Bayser, 69, rue Ste Anne. Paris. Louis Léopold Boilly (171-1845) - Studies for the chess game, ca. 1815 - Black chalk with stamp - 22 x 35cm.]
Attributed works:
[Galerie de Bayser, Paris. Study for head of a horse, by Théodore Chasseriau (1819-56). Three crayons, 32.5 by 44.5 cm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Punchinello's wedding procession, by Giovanni Domenico Tiepolo (1727-1804). Ink and wash ink, 35.4 by 47.2 cm. Signed: Dom. Tiepolo f. Annotated:2]
Attributed works:
[Galleria Bosconi, Milan. Caprice, by Johann Antonn Eismann (c. 1613-94/98). Oil on canvas, 102 by 148 cm]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Antonio Gai (Venice, 1686-1769). Portrait of Doge Alvise Mocenigo II. Gilt carved wood, height 78 cm.]
Attributed works:
[Giovanni Sarti, Paris. Madonna and Child, by Giovanni Bellini (1433-35?-1516). Tempera on panel, 63.2 by 49 cm]
Attributed works:
[H. Blairman & Sons, London. A pair of fire dogs designed by Ernest Gimson (1864-1919). English, c. 1909. Manufactured by Alfred Bucknell. Polished wrought iron, each 67 by 30.5 by 53.5 cm.]
Attributed works:
[H.W. Fichter. Arndstrasse 49. 60325 Frankfurt/Main. Carl Philipp Fohr (1795 Heidelberg-1818 Rome). Ruins of the castle Tiefburg at Handschuhshein. Watercolour over ink on paper, 195 x 258 mm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Marco Ricci (1676-1729). Landscape with smoke rising from a Citadel. Pen and brown ink, 19.1 x 42 cm (7 1/2 x 6 1/2 in)]
Attributed works:
[Hill-Stone, Inc., New York. Sanson and Delilah, by Luca Cambiaso (1527-85). Pen and brown ink, 23.8 by 34.5 cm. Annotated at lower right: lucas Cangiogi fecit, and at the centre left edge: Cambiaso.]
Attributed works:
[Ilaria Quadrani. 305 East 61st Street, New York. Abraham van Strij (Dordrecht 1753.1826 Dordrecht). A young Boy seated on a Trunk, in profile to the right. Signed 'A van Strij'. Black chalk, pen and brown ink, brown wash. 10 7/8 x 9 inches (276 x 227 mm)]
Attributed works:
[Jean-Luc Baroni. London Punchinello riding a camel at the head of a caravan, by Giovanni Domenico Tiepolo (1727-1804). Pen and brown ink and wash over an underdrawing in black chalk, 35.6 by 47.4 cm. Signed at the lower centre: Dom. Tiepolo. f.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. JAN VAN ROSSUM (Born circa 1630, Holland). A bouquet of flowers on a stage ledge with a curtain to the left. On canvas. 28 3/4 x 23 1/4 in. x 73 x 59 cm. Signed and dated 1671, lower centre.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Mars and Venus surpraised by Apollo, by Hendrick de Clerck (1570-1629). Panel, 45.5 by 35.5 cm. Signed and indistinctly dated: 161....]
Attributed works:
[Karl & Faber. Amirplatz 3. 8033 Munchen. Germany. Rembrandt Harmensz van Rijn. Self portrait with raised sabre. Etching. (1634)]
Attributed works:
[La Stanzina, Milan. Under the Pergola, by Ludovico Tommasi. c. 1910. Oil on canvas, 27 by 36.5 cm.]
Attributed works:
[Lawrence Steigrad Fine Arts, New York. A still life of drinking vessels, a pineapple cup, a lemon, bread and two small books, by Sebastian Stoskopff (1597-1657). Oil on canvas, 49.3 by 55 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Elizabeth Siddal seated at an easel, by Dante Gabriel Rossetti. c. 1861. Sepia ink wash with pen and brush, 16.5 by 20 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Thomas Frye. 1710-1762. An old man leaning on a staff. Black and white chalks on paper. 16 5/16 x 12 1/2 inches; 400 x 324 mm. Inscribed verso: MR TATE TO MR BATES. Executed circa 1760.]
Attributed works:
[Maison d’Art, Monte-Carlo. Construction of the bridge for the Festival of the Madonna della Salute, by Johann Richter (165-1745). Oil on canvas, 57 by 95 cm.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Jesus returns to the temple with his parents, by Cosimo Rosselli (1440-1507). Panel, 96 cm. diameter.]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. At the gates, by Derek Mawudoku. 2005. Drypoint, edition of 6; plate: 34.5 by 49.8 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. An equestrian portrait of he Cardinal-Infante Ferdinand (1609-1641), with an extensive river landscape beyond, by Pauwels van Hillegaert (1506-1640). Oil on canvas, 162.3 by 157.8 cm.]
Attributed works:
[Robilant and Voena. London and Milan. The Lock at Dolo, by Giovanni Antonio Canal, il Canaletto (1697-1768). Oil on canvas, 31 by 45 cm]
Attributed works:
[Salander-O'Reilly. 20 East 79 Street, New York. Ana Maria Pacheco, Sculpture.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Sir William Nicholson. The Glass Bowl, 1920. Oil on canvas, 22 3/4 x 21 3/4 inches (58x55 cms). Signed and dated.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The mysterious garden, by Margaret Macdonald Mackintosh RSW (1864-1933). 1911. Watercolour and ink over pencil on vellum laid on original board, 45.1 by 47.7 cm. Signed and dated lower right.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The Skylark, by Samuel Palmer (1805-1881). Etching, printed in black ink on chine appliqué, 120 by 98 mm]
Attributed works:
[The London Original PrintsFair & Master Drawings. Royal Academy of Arts. Burlington Gardens. London. Bridget Riley, detail from Light Between 82-04 2004.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. FEDERICO ZUCCARO (c. 1541-1609). David Accepting Tribute from the Conquered Nations. Pen and brown ink, brown wash, heightened with white. Executed c. 1566. 325 x 264 mm. The drawing is preparatory for the ceiling of the chapel at the Villa Farnese, Caprarola.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Five peasants in an interior, by Cornelis Dusart (1660-1704). Watercolour, gouache and black and red chalk on parchment, 25.8 by 31 cm. Signed and dated, lower right, in black ink: Corn: dusart fe. 1690]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Portrait of Thérèse Degas, Duchess Morbilli, by Edgar Degas (1834-1917). Charcoal and pencil, 27.7 by 21.7 cm. Verso: A study in pencil of St, George and the dragon. Studio stamp on recto and verso: (Lugt 657)]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Allée de peupliers, Vichy, by Jean-François Millet (1814-75). Pen and brown ink with watercolour, 13 by 19 cm. Marked with the artist's studio stamp, lower left: J.F.M (Lugt 1460).]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Jacob van der Ulft. Gorinchem 1621-1689 Noordwijk. The Ruins of a Church near Zandvoort, Inscribed, upper left, Ryuen tot Santvoort op zee. Brown wash with pen and brown ink over traces of black chalk, with brown ink, framing lines. 7 7/8 x 12 1/4 inches (202 x 310 mm)]
Attributed works:
[Whitfield Fine Art, London. Figures dancing the tarantella outside an inn in a hilly landscape, by Johannes Lingelbach (1622-74). Oil on canvas, 90 by 109 cm. Signed lower left: J. Lingelbach.]
Non-western art unattributed:
[Giacomo Manoukian Noseda, Milan. Buddha. Chinese, 16th century. Wooden sculpture with traces of coloured paint.]
Western art unattributed:
[Kunstkammer Georg Laue, Munich. Amber figure of a Madonna with Child (detail). North German, probably Luebeck, c. 1550. Amber, 21.6 cm high.]
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Advertisements November 2004 (Front)
11/2004 | 1220 | 146
Pages: i-xx
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Bartolomé Esteban Murillo (1617-1682). The Vision of St. Francis of Paola. Oil on canvas, 74x57 1/2 ins]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Domenikos Theotokopoulos, El Greco (Candia, Crete 1541-1614 Toledo). The Baptism of Christ. Oil on panel laid down onto panel, shaped top, made up into a rectangle. 9 1/4 x 7 1/8in. (23.5x18.1 cm)]
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Bernardino di Bosio Zaganelli. Cotignola, documented from 1495-Imola 1515. Christ on the Cross with Saint Jerome and an Augustinian Saint. Oil on wood panel, 13 3/8 x 10 13/16 in. (34x27,5 cm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Ottavio Maria Leoni (circa 1578-1630). Portrait of a Young WOman. Black chalk, on faded blue paper. 21.3x14cm (8 3/8 x 5 1/2in)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Luzio Romano. Active 1528-1573 Rome. Studies of Grotesques. Drawing in pen and brown ink with brown and blue-grey wash. With colour notations added by the artist at the right-hand panel. The artist collaborated with Raphael in the Loggie and the Sala di Constantino. 271x209mm]
Attributed works:
[Jonkers. 24 Hart Street. Henley on Thames. [Helen] Beatrix Potter (1866-1943). Two exceptional early watercolours depicting some of the earliest conceptual images of Peter Rabbit and Benjamin Bunny. Each 127x88 mm. c. 1893.]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Aert van der Neer. Moonlit Dutch landscape. Oil on wood, 50 x 70,5 cm.]
Attributed works:
[Liliane Fredericks. Marco Marchetti, called Marco da Faenza (Faenza Before 1528-1588 Faenza). Study of a Soldier for the Massacre of the Innocents. Pen and brown ink and wash (197x137mm)]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. John 'Warwick' Smith. 1749-1831. An Alpine Lake. Watercolour. 12 1/2 x 17 inches; 312x432 mm. On the original line-wash mount painted in the 1780s.]
Attributed works:
[Museo Thyssen-Bornemisza. Madrid. Paul Gauguin. The Vision after the Sermon, 1888. National Gallery of Scotland, Edimburgo.]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NU 10021. Polidoro Caldara da Caravaggio, Madonna and CHild, circa 1524-27. Oil on panel, 21 by 16 1/4 (53.3 by 41.5 cm).]
Attributed works:
[Senger Bamberg. Karoòonensttasse 8, Bamberg, Germany. Georg Anton Urlaub (1713 Thungersheim near to Wurzburg - 1759 Wurzburg). The Evangelist Matthew. Pen, brown; brown washed; heightened with white; graphite on a grey-green paper, 23x19cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Raffaello Sanzio, called Raphael. Urbino 1483-1520 Rome. Recto: Head of a child. Verso: study of a vessel, probably an incense burner. Red chalk over stylus (recto). Pen and brown ink (verso). Arched top. 114 by 93 mm]
Attributed works:
[The Burlington Magazine. December 2004 Annual Sculpture issue. Alfred Wolmark, by Gaudier-Brzeska. 1913. Bronze. Scottish National Gallery of Modern Art, Edinburgh.]
Attributed works:
[The Burlington Magazine. December 2004 Annual Sculpture issue. St. Peter, by Pierre-Etienne Monnot. 1708-11. Marble. St. John Lateran, Rome.]
Attributed works:
[The Burlington Magazine. Detail of Coronation of the Virgin, by Raphael. Panel transferred to canvas, 267 by 163 cm. (Pinacoteca Vaticana, Rome)]
Attributed works:
[Trafalgar Galleries. 35 Bury Street, St. James’s. London. Jacopo Tintoretto (Venise 1519-1594). Portrait of a man standing three quarter length wearing full armour and carrying a helmet. Oil on canvas, 122 x 99.5 cm (48x39 1/4 inches) (painted c. 1560-1570)]
Western art unattributed:
[Stiebel. New York, Upper Eastside. Pair of Bronze Doorknockers, Venetian, early 17th Century.]
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Advertisements July 2003 (front)
07/2003 | 1204 | 145
Pages: i-xii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Felix-Joseph Barrias (Paris 1827 - Paris 1902) Head of a bearded man, turned towards the right Charcoal and pink chalk on blue paper, 321 x 274 mm.
Attributed works:
[Chris Beetles Ltd., 8/9 Ryder Street, London, UK] Ecstasy of a Sainted Nun 223.5 x 131.5 cm., arched top.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Sebastiano Ricci (Belluno 1659-1734 Venice) The Last Communion of St. Mary of Egypt Oil on canvas, 209 x 142 cm 82 1/4 x 55 7/8 inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Severo Calzetta da Ravenna, (fl. 1496-1543) A candlestick in the form of a mermaid with twin tails Bronze, height 23.5 cm (9¼ in)
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Giulio Carpioni (Venice 1611 - 1678 Venice). Two Male Heads Looking to the Right Red chalk on blue paper (152 x 165 mm)
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] Sir Peter Lely (1618 - 1680) The Honourable Leonard Grey. Oil on canvas Size: 29¾ x 25 inches (75.5 x 63.5 cm) Signed with initials Painted circa 1646-50
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Bernardino Gatti, Il Sojaro (Pavia? ca. 1495 - 1576 Cremona) Leg Study, preparatory for the altarpiece Virgin Mourning Dead Christ commissioned for San Domenico, Cremona but since 1797 in the Louvre. red chalk, brush & white gouache. 196 x 110 mm. squared in red chalk.
Attributed works:
[Yale University Press advertisement] Van Dyck. A Complete Catalogue of the Paintings. Susan J. Barnes, Nora De Poorter, Oliver Millar and Horst Vey. This stunning book is the long-awaited catalogue raisonné of Sir Anthony Van Dyck's painted oeuvre. Handsomely designed and illustrated, it includes a reproduction of every known authentic painting by the artist, the provenance and the significant facts and literature on each.
Attributed works:
[Yale University Press advertisement] Whistler, Women and Fashion. Margaret F. MacDonald, Susan Grace Galassi and Aileen Ribeiro, with Patricia de Monfort. Costume and fashion were a lifelong obsession for James McNeill Whistler. This lavishly illustrated book focuses on fashion in Whistler's art as a key to understanding his life and work and as a new means of exploring his relationship with women and his portraits of them.
Western art unattributed:
Interior of St Michael's Cathedral, Coventry, November 15th 1940, by John Piper. 1940. Oil on Canvas Laid on Board, 50 by 61 cm. (Herbert Art Gallery and Museum, Coventry).
Western art unattributed:
[Cambridge University Press advertisement] Book covers. The Cambridge History of Western Textiles Edited by David Jenkins. An authoritative study on the production and uses of textiles in Europe since ancient times. The Roman House and Social Identity Shelley Hales Examines house types from Britain to Syria to understand how people imagined and articulated their place in the Roman world. The Cambridge Companion to Titian Edited by Patricia Meilman. An introduction to one of the giants of Western art.
Western art unattributed:
[Yale University Press advertisement] A Private Passion 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection. Harvard University Stephan Wolohojian et al. The Winthrop Collection of French, British and American art includes the best group of Delacroix and Ingres drawings outside France, the most significant group of pre-Raphaelite paintings outside Britain, and a world-renowned collection of Sargent watercolours. This book is the catalogue for an international travelling exhibition on show at The National Gallery, London from June to September.
Western art unattributed:
[Yale University Press advertisement] Goddess The Classical Mode Harold Koda This beautifully illustrated book explores the continually evolving influence of classical dress through the ages, presenting a historical survey of this fascinating theme.
Western art unattributed:
[Yale University Press advertisement] The Pleasures of Antiquity. Jonathan Scott. In this first comprehensive history of the collecting of antiquities in Great Britain, Jonathan Scott examines how the great British antiquities collections were put together and displayed, from Lord Arundel's collection of marbles in the seventeenth century to the Grand Tour acquisitions of the eighteenth century, and the greatest art acquisition of all time, that of the Elgin Marbles.
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03/2003 | 1200 | 145
Pages: i-lv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
Frederico Barocci (1535 - Urbino - 1612) The Stigmatisation of St Francis, c. 1590. Brush. red and white bodycolor, 495 x 370 cm.
Attributed works:
[Adam Williams Fine Art Ltd., 50 East 78th Street, New York, New York] Master of the View of Sainte Gudule (active Brussels c. 1470- c. 1490) St Sebastian Oil on panel, 49¾ x 21 inches (126.4 x 53.3 cm).
Attributed works:
[Adrian Sassoon, 14 Rutland Gate, London, UK] A Very Rare Sèvres Porcelain Cuvette Mahon, 2nd size 1760, bleu céleste ground Flowers painted by J.-B. Noualhier l'aîné Width 9¼ in. (23.5 cm.)
Attributed works:
[Agnew's, 43 Old Bond Street, London] Juan de Valdés Leal (Seville 1622 - 1690) The Annunciation Canvas, 32¼ x 25½ inches (82 x 65 cm)
Attributed works:
[Arnoldi-Livie, Galeriestrasse 2b, 80539 Munich, Germany] Macrino d'Alba (Gian Giacomo de Alladio) Alba c. 1470 - before 1528 Adoration of the Christ Child with two Franciscan Friars, c. 1505 Grey pen and brown wash with light beige wash over pencil: 27.7 x 24.8 cm Provenance: K. E. Hasse, Goettingen (Lugt 860). Conte Gelozzi, (Lugt 545)
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Federico Zuccaro (Sant' Angelo in Vado 1540 - 1609 Ancona) Study for the West Octant of the Cupola of the Florentine Cathedral, ca. 1574-76 Pen and ink, brown, grey and pink wash heightened with white. 29.5 x 42.9 cm.
Attributed works:
[BAS Printers advertisement] David Hockney "Cherry Blossom", 2002 Watercolour & Crayon on Paper (4 sheets) 36 x 48 in © 2002 David Hockney courtesy of Annely Juda Fine Art, London
Attributed works:
[BAS Printers advertisement] Georges Lemmen Dans la Cour, 1903 from the catalogue 'Female Form', courtesy of James Roundell, London
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] René Dudot (active 1640-1659) Christ presented to the temple oil on canvas, 99 x 74 mm.
Attributed works:
[Christie's Education] Jeff Koons Pink Panther, 1988
Attributed works:
[Christie's Education] The Jenkins Venus circa late 1st/mid-2nd Century A.D.
Attributed works:
[Christie's, 20 Rockefeller Plaza, New York, New York] Pieter Brueghel II (Brussels c. 1564-1637 Antwerp) A winter landscape with peasants skating and playing kolf on a frozen river, a town beyond signed and dated 'P.BRUEGHEL.1621.' (lower right) oil on panel, unframed 16⅜ x 22¼ in. (41.5 x 56.5 cm.)
Attributed works:
[David & Constance Yates, Lenox Hill Station, New York, New York] Francois Rude (Dijon 1780 - 1855 Paris) Old Gaul Plaster. Height: 24 3/4 inches (63 cm). Signed Fcois RUDE under proper left shoulder
Attributed works:
[Derek Johns Limited, 12 Duke Street, London, UK] François Chauveau Paris 1616 - 1676 Paris THE FALL OF ROME Pen and brown ink with grey wash, 255 x 191mm
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Hans Bollongier (circa 1600-Haarlem-1681) "Flowers in a Glass Vase on a Stone Ledge". Oil on panel: 45 x 31.5 cm. Signed and dated 1627.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Jacob Gerritsz Cuyp (1594-Dordrecht-1651) "Portrait of Johanna van Diemen, aged 57". Oil on panel: 59 x 49 cm. Signed, dated 1645 and inscribed "Aetatis 57". Expertise: Dr Alan Chong inspected the painting and has identified the sitter.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Karel Dujardin (Amsterdam 1622-1678 Venice) "An Italianate River Landscape with Travellers and Bathers, a Castle beyond". Oil on canvas: 60 x 66.5 cm. Expertise: Dr M-F. Kilian. To be included in forthcoming catalogue raisonné.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Philips Wouwerman (1619-Haarlem-1668) "Peasants resting on their way in a Hilly Landscape". Oil on panel: 31.5 x 41.5 cm. Signed with monogram.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Michele Marieschi The Grand Canal and The Palazzo Corner della Regina, and The Piazza San Marco, A Pair, Both 1736, Oil on Canvas, 54.5 by 82.5 cm
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Michele Marieschi The Grand Canal and The Palazzo Corner della Regina, and The Piazza San Marco, A Pair, Both 1736, Oil on Canvas, 54.5 by 82.5 cm
Attributed works:
[Exh. BADA Fair, London] A Midnight Feast by Frederick Daniel Hardy (1826-1911). Signed and dated 1866. Oil on panel, 22 x 35.5 cm (8 3/4$ x 14 in).
Attributed works:
[Exh. BADA Fair, London] Les Etangs a Chalou-Moulineux - Effet de Soleil couchant by Albert Lebourg (1849-1928). French. Signed. Circa 1910. Oil on panel, 41 x 27 cm (16 x 10 1/2 in).
Attributed works:
[Exh. BADA Fair, London] St Julian the Hospitalier by Lorenzo di Niccolo (fl. 1392-1412). Tempera on gold ground panel.
Attributed works:
[Exh. BADA Fair, London] Two Lovers in a Garden by Frans Francken the Younger (1581-1642). Flemish School. Oil on panel, 17.8 x 14 cm (7 x 5 1/2 in).
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France and Exh. TEFAF Maastricht] Adolph Von Menzel Breslau 1815-1905 Berlin Studies of a Man Holding a Rod (preparatory for the painting The Iron Roll Mill, 1875) Carpenter's pencil, 399 x 259 mm
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] A wild male teal, by Johann Jakob Walther (1600-1677). Black chalk and body colour, 25.7 x 40.4 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Fishing boats at sunset, by William Callow (1812-1908). Watercolour, 23.6 x 31.8 cm. Signed.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Madonna and child with Saint Gaetano of Thiene, by Ubaldo Gandolfi (1728-1781). Black chalk, pen and brown ink and brown wash, 27 x 20.8 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Portrait of Lady Hamilton, by Jean-Baptiste-Joseph Wicar (1652-1734). Black chalk, 18.7 x 22.1 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Portraits of sixteen members of La Société des Amis des Arts, by Louis Léopold Boilly (1761-1845). Black and white chalk on blue-yellow paper, 57.5 x 45.5 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Reclining nude, 1954-1955, by Nicolas de Stael (1914-1955).
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Scene from classical antiquity: A young man on his deathbed, supported by his father and surrounded by his wife and children, by François-Pascal-Simon Gérard, called Baron Gérard (1770-1837). Pen and brown ink and brown wash, heightened with white, 29.8 x 22.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Self-portrait, by Annibale Carracci (1560-1609). Pen and brown ink, 12 x 19 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] The artist drawing inside the ruins of a watermill, by Caspar Wolf (1735-1783). Gouache, 43.7 x 55.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] The music room in the Sanssouci Palace, Potsdam, 1852, by Eduard Gaertner (1802-1877). Watercolour, 18 x 26.8 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Turkish sentinel, 1854, by Théodore Valério (1819-1879). Watercolour, 30.2 x 22.3 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] View of a pavillion in Arcueil park with a fountain and basin, by Jean-Baptiste Oudry (1686-1755). Black and white chalk, 30 x 52.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Woman and bird in front of the sun, 1942, by Joan Miro (1893-1983). Watercolour, 62 x 47 cm.
Attributed works:
[Exh. TEFAF Maastricht] Figures in an elegant interior by Eglon Hendrik van der Neer (Amsterdam 1634-1703 Düsseldorf) On canvas, 85.5 x 70.1 cm
Attributed works:
[Exh. TEFAF Maastricht] 'The interior of a Picture Gallery' On panel 21⅜ x 29¾ ins. 54.2 x 75.5 cm. Frans Francken the Younger 1581 - Antwerp - 1642 and Hendrick van Steenwyck the Younger Frankfurt or Antwerp c. 1560 - 1642 London
Attributed works:
[Exh. TEFAF Maastricht] A Bandit seated at the entrance to a Cave by Eugene Delacroix (1798-1863) Signed upper right Eug. Delacroix Oil on canvas, 32.5 x 24.5 cm
Attributed works:
[Exh. TEFAF Maastricht] A Vase with a large colourful Bouquet of Flowers by Jean François Raffaëlli (1850-1924). Signed. On canvas, 92 x 80 cm.
Attributed works:
[Exh. TEFAF Maastricht] A View from the Terrace at Palazzo Doria Pamphili by Francois-Marius Granet (1775 - Aix en Provence - 1849) Oil on canvas, 37 x 28 cm
Attributed works:
[Exh. TEFAF Maastricht] Nature morte aux pommes by Gustave Caillebotte (Paris 1848 - 1894 Gennevilliers) Oil on panel, 26 x 36.6 cm
Attributed works:
[Exh. TEFAF Maastricht] New York, Times Square by Jean-Emile Laboureur (1877-1943) Ink on paper, 50 x 37 cm
Attributed works:
[Exh. TEFAF Maastricht] Paris, le pont Marie et le quai de l'Hôtel de ville, circa 1882 by Armand Guillaumin (1841-1927). Oil on canvas, 59.6 x 81 cm. Signed lower left 'Guillaumin'.
Attributed works:
[Exh. TEFAF Maastricht] Portrait of Duke Alessandro Farnese by Otto van Veen (1545-1592). Oil, heightened with gold on copper, 20.25 x 13 cm.
Attributed works:
[Exh. TEFAF Maastricht] William Blake (1757 - 1827) The Virgin Hushing the Young John the Baptist 1799 pen and ink tempera on paper on linen, laid down on canvas, 27 x 38 cm (10 5/8 x 15 inches) signed with monogram and dated at lower left WB inv 1799
Attributed works:
[Exh. TEFAF Maastrich] Femme se coiffant - La Lettre, by Edgar Degas (1834-1917). Pastel on paper, 49.5 x 58 cm.
Attributed works:
[Exh. TEFAF Maastrich] A Flotilla of Dutch Vessels, including a Zeeland States yacht and a masting hulk flying the Flag of Flushing, in Zeeland waters by Bonaventura Peeters (1614 - 1652, Flemish School) Signed and Dated 1637. Oil on Panel, 50 x 96 cm.
Attributed works:
[Exh. TEFAF Maastrich] A river landscape with the Blind leading the Blind, a carnival in a village beyond by Lucas van Valckenborch I (Louvain after 1535-1597 Frankfurt am Main) Panel, circular: 25.2 cm diameter.
Attributed works:
[Exh. TEFAF Maastrich] A still life with a lemon, grapes, cherries and apricots on a pewter plate by Cornelis de Heem (1631-1695). Canvas, 27.5 x 38 cm
Attributed works:
[Exh. TEFAF Maastrich] Les Demoiselles au bord de l'eau ou jeunes Femmes au bord de l'eau, 1908 by Pierre Bonnard (1867-1947). Signed lower left Bonnard. Oil on canvas, 108 x 124cm
Attributed works:
[Exh. TEFAF Maastrich] Portrait of Denis Diderot by Jean-Baptiste Greuze (Tournus 1725-1805 Paris). Oil on canvas, oval, 61 x 49 cm
Attributed works:
[Francois Delestre, 36 rue Laffitte, Paris, France] Scène de patinage, 1864 Oil on canvas, 42.8 x 57 cm (16⅞ x 22⅜ in).
Attributed works:
[Galerie Canesso, 8 rue Rossini, Paris, France] Antonio d'Enrico, called Tanzio da Varallo Riale d'Alagna, 1575 or 1580 (?) - Varallo Sesia, 1632/1633 The Virgin and Child with Saints Charles Borromeo and Francis Oil on canvas, 39 9/16 x 28 7/8 inches (100.5 x 73.4 cm.)
Attributed works:
[Galerie Eric Coatalem, 93, Faubourg Saint-Honore, Paris, France] Monnoyer Still-life with flowers, fruit, a parrot and a monkey Oil on canvas, 109.5 x 150 cm Signature, lower left: J Baptiste
Attributed works:
[Galerie Koller, Hardturmstrasse 102, Zurich, Switzerland] Giovanni Pedrini, known as Giampietrino (Italy about 1510 - after 1540). A half-length female figure with a red coat and a fine veil before a landscape. Oil on panel. 60.3 x 46 cm.
Attributed works:
[Galerie Neuse Kunsthandel, Contrescarpe 14, Bremen, Germany] Leonhard Kern (Forchtenberg 1588-1662 Schwäbisch Hall) "Gaea or the allegory of famine" Ivory, ca., 1630/35 Monogrammed: LK Height: 24 cm
Attributed works:
[Giovanni Pratesi Antiquario, Via Maggio 13, Firenze, Italy] Domenico Pieratti (Florence 1600 - Rome 1656) Ferdinando II of the Medici Porphyry yellow mischio marble. Height 82 cm
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Thomas Hudson (Devonshire 1701-1779 Twickenham) The Thistlethwayte Family Oil on canvas, 184.7 x 214.6 cm (72 3/4 x 84 1/2 inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Alexandre Calame (1810-1864) Lac de Neuchâtel Oil on paper laid down on canvas, 40 x 52 cm (15¾ x 20½ in)
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Pietro Serafi, called the Greek active Rome c. 1520. Brussels c. 1530, died Barcelona 1567 Two Soldiers, a fragment of a Tapestry Cartoon
Attributed works:
[Lawrence Steigrad Fine Arts, 42 East 76th street, New York, New York] Joachim Anthonisz Wtewael (Utrecht 1566 - 1638 Utrecht) The Evangelist Luke Oil on panel, 31¾ x 24½ inches (79.3 x 62.2 cm)
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Guiseppe Passeri (Rome 1654 - 1714 Rome), Rest on the Flight to Egypt (recto) Hagar and Ishmael (verso) 195 x 150 mm Red and brown ink (recto and verso), over red chalk (verso only)
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] John Sell Cotman 1782 - 1842 The Cow Tower, Norwich Watercolour Size: 13⅞ x 10⅝ inches (357 x 270 mm) Painted in 1807
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Niccolò Reneiri called Nicolas Regnier Maubeuge 1591 - 1667 Venice The Death of Sophonisba Oil on canvas, 126 x 161 cm.
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Giovanni Battista Tiepolo (Venice 1696-1770 Madrid) The Crucifixion black chalk underdrawing, brush & brown ink & wash. 439 x 312 mm
Attributed works:
[Nevill Keating Tollemache Ltd, 5 Pickering Place, London, UK] Camille Claudel (1864 - 1943) La Valse bronze, height 46.4 cm; Eugène Blot cast
Attributed works:
[Noortman Old Masters, Vrijthof 49, 6211 LE Maastricht, Holland] Claude Monet la chapelle de Notre-Dame de Grâce, Honfleur oil on canvas: 52 x 68 cm signed provenance & literature list available
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Giovanni Battista Tiepolo Venice 1696 - Madrid 1770 Male Faun Holding a Palm Branch and Female Faun Holding a Crown Pen and brown ink and wash over traces of black chalk 182 x 260 mm
Attributed works:
[Richard Green, 39 Dover Street, London, UK] A portrait of a silversmith, identified as Christian van Vianen (circa 1600-1667) Signed with monogram and dated centre left: TDK 1630 Panel: 25¾ x 21⅛ in / 65.4 x 53.5 cm
Attributed works:
[Schlichte Bergen, P. C. Hooftstraat 53, 1071 BN Amsterdam] François Diday (Geneva 1802 - 1877) A View of the Rosenlaui, the Wellhorn and the Wetterhorn near Lucerne Canvas, 121 x 162 cm In its original frame Signed and dated 1844
Attributed works:
[Talabardon & Gautier, 134, Faubourg St-Honore, Paris, France] Edouard Traviès (1809 - after 1866), Watercolour and gouache on vellum, 25.5 x 32.1 cm Butterflies, signed and dated 1831, Exhibition: Paris, Salon, 1831, no 1966
Attributed works:
[The Fine Arts Society, 148 New Bond Street, London, UK] Venice, The Lion of Saint Mark, 1915 Etching · 5⅛ x 4¾ (13.2 x 12 cm) Provenance: The Leicester Galleries' Collection of Sickert Etchings
Attributed works:
[Thomas Boller Zurich, Mythenschloss, Mythenquai 28, Zurich, Switzerland] Lorenzo Tiepolo (Venice 1736-1776 Madrid) Portrait of a bearded man Pastel on paper, 59 x 46 cm.
Attributed works:
[Thomas Williams Fine Art Ltd., 10 Dalmeny Court, 8 Duke Street, London, UK] Godfried Maes Antwerp 1649-1700
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Girolamo Muziano (Brescia 1532 - Rome 1592) St Jerome Red chalk, 440 x 270 mm. Preparatory for a painting formerly in the Torlonia collection, now in Palazzo Barberini in Rome
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Giovanni Francesco Barbieri, called Il Guercino Cento 1591-1666 Bologna Saint Francis in a Landscape, Kneeling in Adoration before a Crucifix Brush and brown wash with pen and brown ink (recto); writing in pen and brown ink (verso); laid down. 9½ x 7¾ inches, 242 x 197 mm
Attributed works:
[Wallace Collection, London, UK] French Bronzes in the Wallace Collection by Robert Wenley This book is one of only a handful devoted to the subject and the first in English for many years. Featuring over fifty of the finest French bronzes in the Wallace Collection, all of them reproduced in colour, mostly for the first time.
Attributed works:
[Wallace Collection, London, UK] Richard Parkes Bonington by Stephen Duffy This publication discusses and illustrates the Wallace Collection's paintings and watercolours by Bonington, comprising of richly costumed historical scenes and views of France and Northern Italy. In colour for the first time.
Western art unattributed:
[Exh. BADA Fair, London] A George IV breakfront bookcase in finely figured mahogany. English, circa 1825.
Western art unattributed:
[Exh. BADA Fair, London] A massive brass-bound chest of Zambezi teak, from Groote Schuur, Cape Province, South Africa, circa 1909.
Western art unattributed:
[Exh. BADA Fair, London] Tin glazed Earthenware Dish. Circa 1720-40. Diameter: 30 cm (11 3/4 in).
Western art unattributed:
[Getty Publications advertisement] Elementary Instructions for Students of Sculpture A translation of Carradori's 1802 introduction to studio practices for sculpture students, considered vital to understanding the art and craft of sculpting as they were practiced before the 20th century.
Western art unattributed:
[Getty Publications advertisement] Nine Letters on Landscape Painting Written in the Years 1815-1824; with a Letter from Goethe by Way of Introduction An elegant appeal for the alliance of artistic skill, scientific observation, and emotional truth in the depiction of nature.
Western art unattributed:
[Prestel (printers) advertisement] Flora Symbolica Flowers in Pre-Raphaelite Art Debra N. Mancoff This beautifully illustrated book brings together forty outstanding examples of Pre-Raphaelite art, and looks at the meaning of flowers in all aspects of Victorian culture.
Western art unattributed:
[Prestel (printers) advertisement] Icons of Renaissance Architecture Alexander Markschies This latest volume in the popular Icons series spans the European continent to present a new look at one of the most exciting periods in architectural history.
Western art unattributed:
[Prestel (printers) advertisement] Robert Campin A Monograph and Survey of Work Felix Thürlemann This superbly illustrated volume sheds new light on the "Master of Flémalle", an artist whose importance ranks alongside that of van Eyck. Based on years of research, with many fresh attributions and a comprehensive catalogue raisonné.
Western art unattributed:
[Prestel (printers) advertisement] The Eclipse of Art Tackling the Crisis in Art Today Julian Spalding One of the art world's most outspoken critics explores the modern public's alienation from contemporary art and makes a powerful plea for the revival of communication, accessibility, and traditional skills in this field.
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11/2002 | 1196 | 144
Pages: i-xvi
Subjects
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Illustrations
Attributed works:
[Abby Green Antiques, Mariaplaats 45, 3511 LL Utrecht, Holland] Wooden relief of a marten raiding a robin's nest by Jean Demontreuil. circa 1793. 17 in (43 cm) 14 1/2 in (37 cm)
Attributed works:
[Bonham's, 101 New Bond Street, London, UK] Paolo de Matteis (Cliento 1662 - 1728 Naples) The Triumph of Galatea, oil on canvas 125 x 97cm (49 1/4 x 38 1/8in).
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Pseudo Pier Francesco Fiorentino. Active Second Half of the Fifteenth Century Madonna and Child with the Young Saint John the Baptist, with God the Father Above Tempera on popular panel, with an arched top, 40⅛ by 20½ in, 101.9 by 52.1 cm
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A bowl of flowers, by Jean Baptiste Monnoyer (1636-1699). Signed. Oil on canvas, 86.3 x 106.6 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] An important massive Flight, Barr & Barr Worcester vase. English, circa 1820-25
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Cornelis Jacobsz, Delff, (1571-1643) Still Life of Kitchen Utensils Oil on panel, 75 x 105 cm
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] How Now Spirit, Whither Wander You? Puck Mocking Three Wood Nymphs, by Arthur Rackham, 1923. Signed and dated. Oil on board, 48.3 x 34.3 cm
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Two figures in front of an Amada, attributed to Lazzaro Tavarone (Genoa 1556-1641 Genoa). Pen and brown ink over black chalk with brown wash.
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Claude Lorrain Lorraine 1600 - 1682 Rome Le soleil levant (Harbour Scene with rising sun) Etching; 1634. Mannocci 15, the rare fourth state of eight before the addition of the date
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Ludolf Backhuysen (1631-1708) The IJ in Amsterdam with a Fluyt and Men O'War Oil on canvas: 44.5 x 58.8 cms. Signed.
Attributed works:
[Sam Fogg, 35 St. George Street, London, UK] A detail from a panel of stained glass by Hans Holbein the Younger, c. 1520
Attributed works:
[Stern Pissarro Gallery, 46 Ledbury Road, London, UK] Yvon (Vey) Pissarro. Farmhands, Pencil drawing, 80 x 120cm, Signed lower centre
Attributed works:
[Yale University Press advertisement] The Blue Four Collection at the Norton Simon Museum Vivian Endicott Barnett This beautiful book presents almost five hundred items from the collection of Emmy (Galka) Scheyer, the founder of the Blue Four artists' group. It features numerous works by the Blue Four, as well as those by such European artists as Picasso, Léger, Nolde, Kurt Schwitters and El Lissitzky.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Japanese bronze group of combatant Sumurai. Meiji period, circa 1880. Height: 35 cm.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] qAn underglaze blue charger. Arita, Edo period Japan, circa 1680.
Non-western art unattributed:
[Paul Champkins, 41 Dover Street, London, UK] A fine standing pottery figure of a court lady wearing long elaborate robes covered in a rich sancai glaze. The feet enclosed in curled upturning slippers. Chinese, Tang Dynasty 618-906 AD. Height: 38 cm (15 in).
Non-western art unattributed:
[Paul Champkins, 41 Dover Street, London, UK] A fine standing pottery figure of a court lady. Chinese, Tang Dynasty, 618-906 AD. Height: 38 cm
Western art unattributed:
Joseph with Jacob in Egypt, By Jacopo Pontormo. Probably 1518. Panel, 96.5 by 109.5cm. (National Gallery, London)
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A gilt and polychrome sculpture in oak from an Antwerp altar-piece. Flemish, 1500. Height: 37 cm.
Western art unattributed:
[Prestel (printers) advertisement] Africa: Art and Culture Ethnological Museum, Berlin Edited by Hans-Joachim Koloss One of the world's finest collections of African art, the Ethnological Museum in Berlin contains important masterpieces from throughout the continent. This stunning volume surveys the collection's highlights including the world famous Ife collection from Nigeria.
Western art unattributed:
[Prestel (printers) advertisement] Glass Art Reflections of the Centuries Helmut Ricke A valuable resource covering all periods of glass from pre-history to the present, this magnificent book is a catalogue of the world-famous collection of the Glasmuseum Hentrich in Düsseldorf's Museum Kunst Palast.
Western art unattributed:
[Prestel (printers) advertisement] Robert Campin A Monograph and Survey of Work Felix Thürlemann This superbly illustrated volume sheds new light on the "Master of Flémalle", an artist whose importance ranks alongside that of van Eyck. Based on years of research, with many fresh attributions and a comprehensive catalogue raisonné.
Western art unattributed:
[Prestel (printers) advertisement] The Raft of the Medusa Géricault, Art, and Race Albert Alhadeff In this dramatic re-examination of one of the most influential paintings of the Romantic era, the author shows how Géricault's seminal canvas was one of the first uses in European art of a black figure to symbolize the hopes of all humanity.
Western art unattributed:
[Yale University Press advertisement] Artists on the Left American Artists and the Communist Movement, 1926-1956 Andrew Hemingway This remarkable book is the first to examine in abundant detail the relation between visual artists and the American Communist movement during the twentieth century.
Western art unattributed:
[Yale University Press advertisement] Georgia O'Keeffe and the Calla Lily in American Art, 1860-1940 Barbara Buhler Lynes With essays by Charles C. Eldredge and James Moore The exotic South African calla lily, introduced in the United States during the second half of the 19th-century, became a recurring motif in works by important painters and photographers, particulary Georgia O'Keeffe who depicted the flower so many times and in such provocative ways that by the early 1930s she became known as 'the lady of the lilies'. This gorgeous book features 54 paintings, photographs and drawings of the calla lily dating from the 1860s to 1940, and an introduction by the esteemed O'Keeffe scholar Barbara Buhler Lynes.
Western art unattributed:
[Yale University Press advertisement] John Ruskin Tim Hilton This captivating and moving book is the authoritative biography of John Ruskin. Drawing on the complete text of Ruskin's diaries and many thousands of unpublished letters and other documents, Tim Hilton provides fresh insight into Ruskin's literary achievement and tormented life. "A stupendous biography"-Fiona MacCarthy, The Times
Western art unattributed:
[Yale University Press advertisement] Marsden Hartley Edited by Elizabeth Mankin Kornhauser Marsden Hartley (1877-1943) was a painter, poet, writer and pioneer of American modernism. This superbly illustrated book encompasses the extraordinary range and depth of Hartley's creative output.
Western art unattributed:
[Yale University Press advertisement] Millet to Matisse 19- and 20-Century French Paintings from Kelvingrove Art Gallery. Glasgow Edited by Vivien Hamilton The City of Glasgow possesses an internationally-renowned collection of Impressionist and Post-Impressionist paintings. This magnificent book, the catalogue for a major exhibition, features 64 of the finest paintings in this collection, providing a short essay on each work as well as full catalogue details.
Western art unattributed:
[Yale University Press advertisement] Mrs. Astor's New York Money and Social Power in a Gilded Age Eric Homberger Mrs. Astor, undisputed queen of New York society in the decades before the First World War, used her prestige to create a social aristocracy in the city. Her story, which reads like a novel by Edith Wharton, sheds important new light on the origins, extravagant lifestyle and social competitiveness of this aristocracy, and it is told here with vigour and elegance by Eric Homberger.
Western art unattributed:
[Yale University Press advertisement] Print the Legend Photography and the American West Martha A. Sandweiss Resurrecting scores of little-known images of the 19th-century American West, this book offers engaging tales of ambitious photographic adventurers, missing photographs and misinterpreted images. Chronicling both the history of a place and the history of a medium, it portrays how Americans first came to understand western photographs, and, consequently, to envision their expanding nation.
Western art unattributed:
[Yale University Press advertisement] The Medici, Michelangelo, and the Art of Late Renaissance Florence Cristina Acidini et al. This beautiful and authoritative book is the catalogue for an international exhibition.
Western art unattributed:
[Yale University Press advertisement] Théodore Chassériau The Unknown Romantic Bruno Chenique, Stéphane Guégan, Vincent Pomarède and Louis-Antoine Prat With contributions by Christine Peltre and Peter Benson Miller Théodore Chassériau was one of the most sensual and intellectual painters of his time. This beautiful book presents more than 250 of his paintings, drawings and prints. The text of the essays and entries focus on the artist's personality, his professional and social milieu and on the works themselves.
Western art unattributed:
[Yale University Press advertisement] Venice, Fragile City 1797-1997 Margaret Plant This wide-ranging cultural history of Venice from the fall of the Republic in 1797 until 1997 shows how it has changed and adapted, and how perceptions of it have shaped its reality.
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10/2002 | 1195 | 144
Pages: i-xvi
Subjects
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Illustrations
Attributed works:
Allegory of Peace and War, by Pompeo Batoni. 1776. 136 by 99 cm. (Art Institute of Chicago);
Attributed works:
[August Laube, Trittligasse 19, Zurich, Switzerland] Rodolphe Bresdin (1825-1885). Le bon Samaritain. Lithograph on White Chine Collé on White Velin. 1861. Van Gelder 100-2. First Printing of the First Edition of 1861. 71.6: 56.5 cm.
Attributed works:
[Chelminski, 616 King's Road, London, UK] A White Marble Bust of the Emperor Caracalla. Attributed to Bartolomeo Cavaceppi (1716-1799). Italian-Rome. Circa 1750-1770.
Attributed works:
[Djanogly Art Gallery, Lakeside Arts Centre, University Park, Nottingham, UK] A Nude Youth Turning to the Left. Rubens after Michelangelo.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Andrea Andreani after Andrea Mantegna: One of a Set of Ten Chiaroscuro Woodcuts with the Triumphs of Caesar. 1599. From Four Blocks. 26.8 by 37.5 cm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Fables 7, by Ana Maria Pacheco. Drypoint.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Lucas van Leyden: The Expulsion from Paradise. 1529. Etching and Engraving. 16.2 by 11.5 cm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Red Grooms: On Your Mark, Get Set, Go! 2002. Colour Lithograph. 37 by 27 cm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Rembrandt van Rijn, Abraham Entertaining the Angels, 1656.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Sybil Andrews: Racing. 1934. Linocut. 26.6 by 34.4 cm.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Théodore Géricault: Boxers. 1818. Lithograph.
Attributed works:
[Exh. International Fine Print Dealers Association Print Fair, New York, New York] Utagawa Hiroshige(1797-1858): Mokuboji Temple from the Series One Hundred Famous Views of Edo. Woodcut.
Attributed works:
[Gallerie D'Arte Armondi, C. SO Palestro, 37/B - 25121, Brescia, Italy] Penitent Magdalene by Placido Fabbris. Oil on Canvas, 134 × 112 cm. Signed and Dated 1832.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Carlo Maratti, (1625-1713). Christ and the Woman from Samaria. Oil on Canvas, 135.5 × 101 cm
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Eugène Isabey (1803-1886). Village Harbour with Laundresses by an Estuary. Oil on Canvas, 18½ by 29½ Inches (47 by 74.8 cm.). Signed and Dated 'E. Isabey 1839'
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Francesco Fontebasso (Venice 1707 - Venice 1769). Head of an Old Man. Black Chalk, Purple and Brown Chalk Heightened with White on Blue Grey Paper (368 × 261 mm)
Attributed works:
[Palais des Beaux-Arts, Lillie, France] Epure. Petr Brandl (1668-1735)-L'Archange Gabriel, Narodni Galerie v. Praze
Attributed works:
[Patricia Wengraf, The Old Knoll, Eliot Hill, London, UK] Gabriel Grupello. Grammont, 1644 - Ehrenstein, 1730. Paris. Marble Statue. Height: 69¼ ins: 1.76 m
Attributed works:
[Pratt Contemporary Art, The Gallery, Igtham, Kent, UK] Marcus Rees Roberts, The Artist, His Model and Two Self Portraits. Monoprint, 98.8 × 69.8 cm
Attributed works:
[The Old Print Shop Inc., 150 Lexington Avenue, New York, New York] New York Nocturne. Lithograph by Stow Wengenroth, 1945.
Attributed works:
[Thierry Morin ANtiques Ltd., 9 Coleridge House, 552 King's Road. London, UK] Wedding Casket for the Doge Antonio Grimani. Ebony, Rock Crystal and Hard Stone Agate. Venice 16th Century. Height: 12.6″ (32CM) Width: 17.3″ (44CM) Depth: 11.5″ (29CM)
Western art unattributed:
[Thomas Boller, Mythenschloss, Mythenquai 28, Zurich, Switzerland] A Rare and Large German Renaissance Design for a Hunt Trophy. Nuremberg, Circa 1580. Bodycolour and Watercolour Heightened in White and Gold, 41¼ by 9½ in. (100.8 by 24.2 cm).
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Advertisements May 2002 (front)
05/2002 | 1190 | 144
Pages: i-xx
Subjects
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subjects:
Illustrations
Attributed works:
Virgin Annunciate, by Cosmè Tura. c.1470. Panel, 21.8 by 13.5 cm. (Galleria Colonna, Rome)
Attributed works:
[Agnew's, 43 Old Bond Street, London] Study for The Leveson-Gower Children 9½ × 9 3/4 Inches (24 × 24.5 cm)
Attributed works:
[Aldega-Gordon, New York, New York] Ludovico Carracci Bologna 1555 - 1619 Bologna. Black Chalk, on Tan Paper, Squared for Transfer in Red Chalk. Verso: Study of a Girl's Head, in Black and Red Chalk, Other Studies, in Black Chalk 14 1/16 x 8 13/16 Inches (357 × 225 mm). Related to a Ceiling Formerly in the Palazzo dei Diamanti, Ferrara
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Johan Christian Clausen Dahl (1788-1949). Trees by the River Elbe in the Rain 1834. Oil on Canvas, 5 1/4 × 7 1/2 Inches, Signed and Dated at Lower Right JDahl - April 1834
Attributed works:
[Bassenge, Erdener Str. 5A, Berlin, Germany] Bellange, Jacques (1594-1638, Nancy). The Raising of Lazarus. Etching. Walch 47
Attributed works:
[Beddington & Blackman Limited, 16 Savile Row, London, UK] Johannes Hispanus (active in Italy c. 1495-1528) Thetis relieving the Centaur Chiron of the Care of her Son Achilles, and entrusting him to the Daughters of Lycomedes, who offer him Women's Clothing, Thetis dipping Achilles in the River Styx beyond and Ulysses finding Achilles among the Daughters of Lycomedes, Achilles entrusting his Son Pyrrbus to a Shepherd beyond. Oil on panel, $22frac{5}{8}$ × $56frac{1}{8}$ inches (57.5 × 142.5 cm.) A pair.
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[Daniel Katz Ltd, 59 Jermyn Street, London, UK] River God. Giovanni Francesco Rustici Terracotta First quarter 16th century
Attributed works:
[Didier Aaron, Inc., New York, New York] Charles de La Fosse (1636-1716). Virgin and Child, c. 1710. Oil on Paper, Mounted on Panel, 33.8 × 27.7 cm.
Attributed works:
[Elwes & Hanham LTD, 14 Old Bond Street, London, UK. Exh. International Fine Art Fair, New York] Eugène Isabey (1803-1886). The Shipwreck. Oil on Canvas. 25 × 38 Inches; 64 × 97 cm
Attributed works:
[Exh. International Fine Art Fair, New York] A Chameleon and a Dragon-Fly on a Thistle in a Landscape, by Willem Van Aelst. 1670. Oil on Canvas, 46.2 × 34.3 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] Cat Peeping Through a Fence, by Cornelis Saftleven. 11 × 13.5 cm.
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[Exh. International Fine Art Fair, New York] Cimmerian Sibyl, by Guercino. 1639. Oil on Canvas 134 × 101.5 cm.
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[Exh. International Fine Art Fair, New York] David, by Claude Vignon. c.1625. Oil on Canvas, 122 × 88.6 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] Hagar and the Angel, by Pierre-Charles Tremolières. Oil on Canvas, 71 × 58 cm.
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[Exh. International Fine Art Fair, New York] Hussard à cheval, by Jean-Louis Ernest Meissonier. c.1874. Wax over Wire Armature, ht. 22.5 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] Joash and Food, by Jean-Honoré Fragonard. Oil on Panel, 22 × 17 cm.
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[Exh. International Fine Art Fair, New York] Le Commissionaire, by Augustin de Saint-Aubin. Black Chalk, 19.5 × 13.5 cm.
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[Exh. International Fine Art Fair, New York] Le guéridon, by Henri Hayden. 1921. Oil on Canvas, 92 × 60 cm.
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[Exh. International Fine Art Fair, New York] Madonna and Child with Music-Making Angels, by the Master of the Legend of St Lucy. Oil on Panel, 31.5 × 21 cm.
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[Exh. International Fine Art Fair, New York] Portrait of a Gentleman, by Nicolas de Largillière. Oil on Canvas, 137 × 105.5 cm.
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[Exh. International Fine Art Fair, New York] Un village des environs d'Orléans, by Jean-Baptiste Camille Corot. c.1830. Oil on Paper Painted on Millboard, 28.5 × 38.5 cm.
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[Exh. International Fine Art Fair, New York] Wild Horses Fighting, by Edouard Swebach. 1853. Oil on Canvas, 32.4 × 46 cm.
Attributed works:
[Galerie Canesso, 8 rue Rossini, Paris, France] Giovanni Francesco Barbieri, Called Guercino Cento, 1591 - Bologna, 1666. The Cimmerian Sibyl. Oil on Canvas, 52 3/4 x 40 3/16 Inches (134 × 102 cm.)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Eliot Hodgkin (1905-1987). Terracotta Bowl of Strawberries. Tempera on Board, 10.7 × 14.5 cm
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[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Attributed to Lazzaro Tavarone (1556-1641). Two Figures in Front of an Armada. Pen and Brown Ink over Black Chalk with Brown Wash (145 × 120 mm)
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[Maison d'Art, 27 Ave., De La Costa, Monte Carlo, Monaco] Francesco Foschi Ancona. 1710-Rome. 1780 A Rest During the Hunt. Oil on Canvas. 99 × 75 cm
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[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] Wassily Kandinsky. »Zubovsky Square«, 1916. Barnett 29. Oil/Cardboard. 42 × 46 cm. € 400.000-500.000, $ 352.000-440.000
Attributed works:
[Robert Simon Fine Art Art, Inc., Satis House, Tower Hill Road, London, UK] Testa Divina Fresco on Terracotta Tile. 20¼ × 14¼ Inches (51.4 × 36.2 cm)
Attributed works:
[Salomon Lilian, Exh. International Fine Art Fair, New York] Anthony van Dyck Antwerp 1599 - 1641 Blackfriars. St. Phillip. Oil on Panel, 64 × 48 cm (25 × 19 in.)
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[Thomas Le Claire Master Drawings, Elbchaussee 156, Hamburg, Germany] Henry Fuseli (Zurich 1741 - 1825 London) Portrait of Martha Hess Pencil: 1778/79: 400 × 230 mm
Attributed works:
[Trafalgar Galleries, 35 Bury Street, London, UK] Niccolo di Pietro Gerini (Florence - Documented: 1368-1415). The Madonna and Child Enthroned with, on either Side, Saints Margaret, Dorothy, Stephen and Romuald, and Four Angels Holding the Cloth of Honour. On Gold Ground. Panel. Arched Top, 95 × 49 cm (37½ × 19½ Inches).