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36 articles
Exhibition Review
Post-Impressionist Living: The Omega Workshops. Charleston, East Sussex
11/2019 | 1400 | 161
Pages: 957-959
related names
Reviewer:
Holliday, Matthew (Holliday, Matthew)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
19. The wrestlers, by Henri Gaudier- Brzeska. 1913–14. Mahogany carcass, with marquetry of pedouk, oak, walnut and ebonised wood, diameter 65 cm. (Victoria and Albert Museum, London; exh. Charleston, East Sussex).
Attributed works:
20. Opening room of the Omega Workshops. Press photograph in the Daily News and Leader, July 1913. (Charleston Trust, East Sussex).
Attributed works:
21. Study of a woman, by Vanessa Bell. c.1917. Oil on canvas, 29.4 by 23 cm. (Charleston Trust, East Sussex).
Exhibition Review
Kettle’s Yard
04/2018 | 1381 | 160
Pages: 335-338
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
15. New entrance to the galleries at Kettle’s Yard by Jamie Fobert Architects. (Photograph Hufton + Crow).
Attributed works:
16. Linear construction in space no. 1, by Naum Gabo. 1944–45. Perspex and Nylon thread, 304 by 304 by 62 cm. (Kettle’s Yard, University of Cambridge).
Attributed works:
17. Transparent orange rose / May green, by Callum Innes. 2017. Watercolour on Canson Heritage 640gsm, 56 by 76 cm. (Courtesy the artist; exh. Kettle’s Yard, Cambridge).
Attributed works:
18. The ladies (Wren Library), by Melanie Manchot. 2017. Digital Chromagenic print, 120 by 80 cm. (Courtesy the artist and Parafin, London; exh. Kettle’s Yard, Cambridge).
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Advertisements June 2017 (front)
06/2017 | 1371 | 159
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Agnews, London. Proserpine, by Dante Gabriel Rossetti (1828-1882), 1878. Watercolor with bodycolor on paper mounted on wood, 77,5 by 37,5 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street, W1S. St. Matthew and the Angel by Carlo Dolci (1616 - 1686). Oil on canvas, 40 by 27 cm]
Attributed works:
[Ben ElwesFine Art. 45 Maddox Street, London. William Blake (1757 - 1827). St. Matthew. Circa 1799. Tempera on canvas. 38.5 x 26.5 cm (15.2 x 10.4 inches)]
Attributed works:
[Benjamin Proust. 43-44 New Bond Street, London. Giovanni da Bissone, Annunciation, circa 1450 - 1465. Marble. Height: 63.5 cm.]
Attributed works:
[Burzio. Exhibiting at: Robilant + Voena, 38 Dover Street, W1S. One of a pair of armchairs, by Bartolomeo Manghetti (active 1775-1792). c. 1780. Carved wood, painted with gilt and tapestry. Dimensions: 60 by 54 by 100 cm]
Attributed works:
[Burzio. London. Pietro Piffetti (1701-1777) and Francesco Ladatte (1706-1787). The Pietro Piffetti Personal Bombé Commode Burr Walnut, boxwood and ebony with ormolu mounts. 125 x 57 x 83 cm. Turin, circa 1760]
Attributed works:
[Chanel. L'Instant. Boy-Friend Tweed.]
Attributed works:
[Charles Beddington Ltd, 16 Saville Row, W1S. Venice: The Piazza San Marco, looking North towards the Torre dell'Orologio, by Pietro Bellotti (1725 - c. 1800). Oil on canvas, 38 by 49 cm.]
Attributed works:
[Daniel Katz, 6 Hill Street, W1J. Le Moribund (a study for the Raft of the Medusa), by Théodore Géricault (1791-1824). c.1819. Patinated plaster, 11 cm by 34.5 cm]
Attributed works:
[Daniel Ketz Gallery. 6 Hill Street. London. Gustave Doré. Strasbourg, 1832 - Paris, 1883. The Acrobats. Bronze. 58.8 cm high. Circa 1881. Signed G.ve Doré]
Attributed works:
[De Jonckheere, Geneva and Paris. Still life with an overturned basket of flowers, by Johannes Bosschaert (c. 1607-1628). Oil on panel, 51 by 74 cm]
Attributed works:
[Dickinson, London and New York. The windmill near The Hague, by Vincent van Gogh (1853-1890). 1882. Gouache and watercolour over pencil an paper laid down on board, 37 by 55.5 cm]
Attributed works:
[Didier Aaron Ltd, 15 Clifford Street, W1S. La Toilette, by Jean-Baptiste Mallet (1759-1835). Gouache on paper, 46 by 38 cm.]
Attributed works:
[Drouot Christophe Joron-Derem. Exhibiting at: 35 St. George Street, W1S. A study for a stained-glass window: The mocking of Christ, with two coats of arms, by Christophe Murer (1558 - 1614). Black chalk, pen and black ink and grey wash, 63,8 by 64.1 cm]
Attributed works:
[Fergus Hall, 42 Albermarle Street, W1S. Portrait of Vincenzo Gonzaga, DUke of Mantua, by Frans Pourbus the Younger (1569 - 1622). Oil on canvas, 76.5 by 66.8 cm]
Attributed works:
[Fine Art Society, London. Crouching fawn, by Henry Gaudier-Brzeska (1891-1915). Bronze, 30.5 by 25.4 by 12.7 cm]
Attributed works:
[Florian Harb - Martin Grassle, 5 Dalmey Court, 8 Duke Street, SW1. A man resting in a landscape with farmhouses and a castle in the distance, by Remigio Cantagallina (c. 1581 - 1656). Pen and Brown ink over traces of black chalk, 24 by 39.1 cm]
Attributed works:
[Gallery van Vertes, Zurich, Variation: Herhstglanz, by Alexej von Jawlensky (1864-1941). 1915. Oil on linen-finished paper laid down on cardboard, 36 by 27.3 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. London. Gerald Laing, 1936-2011. Pendulum, 1964. Oil on canvas. 84 x 40 inches; 213,5 x 101,5 cm]
Attributed works:
[Hazlitt Holland-Hobbert, London. Myrrh, by Bridget Riley, (b. 1931). 1985. Oil on canvas, 165.1 by 138.5 cm]
Attributed works:
[im Kinsky. Palais Kinsky, 1010 Wien. Egon Schiele, Houses in Krumau.]
Attributed works:
[Jean-Luc Baroni Ltd, 7/8 Mason's Yard, SW1. Study of the head of a bearded man and a second head in profile: verso: a fragmentary sketch of Greek style decoration, by Giovanni Francesco Barbieri, callerd Il Guercino (1591 - 1666). Pen and brown ink, 14.1 by 26.1 cm]
Attributed works:
[Jean-Luc Baroni Ltd. 7/8 Mason's Yard, St. James's, London. François Boucher (Paris 1703-1770). Study of a Seated Female Nude, her Hands reaching to her foot. Red, black and white chalk, with graphite and touches of blue chalk on buff paper. Signed, lower left, in black chalk: f. Boucher. 305 x 225 cm]
Attributed works:
[Museo del Prado. Madrid. Velasquez. Portrait of Philip III]
Attributed works:
[Repetto Gallery, London. Concetto Spaziale - Natura, by Lucio Fontana (1899-1968), 1967. Polished bronze, in two parts, height 26.5 cm]
Attributed works:
[Robilant + Voena, 38 Dover Street, W1S. Cortile di Via Fondazza, by Giorgio Morandi (1890 - 1964). 1941. Oil on canvas, 56 by 45 cm]
Attributed works:
[Robilant + Voena. London, Milan, St. Mortiz. Anne-Louis Girodet-Trioson, Portrait of Madame Bertin de Vaux. Monogrammed and dated lower left: ALGRDT / 1806, oil on canvas with original frame, 65.5 x 55 cm / 19.3 x 15.8]
Attributed works:
[Ronald Phillips Ltd, London. The Bridgewater House Porphyry Doplphin Tables, by Charles Heathcote Tatham (1772-1842). 1803-1806. Giltwood, each 83 cm by 114.5 cm by 59.5 cm]
Attributed works:
[Sam Fogg, 15d Clifford Street, W1S. The Martyrdom of Saint Vincent, (detail), by Tomas Giner (1458 - 1480). c. 1462-66. Oil and gilding on softwood panel, 106 by 73 cm]
Attributed works:
[Sarti Gallery, Paris. Ascension of Christ with God the Father, four adoring angels, the Virgin and Apostle, by Neri di Bicci (c.1475-1480). Tempera and gold on panel, 94.5 by 57.5 cm]
Attributed works:
[Sladmore Gallery. 57 Jermyn Street. London. Balzac by Rodin.]
Attributed works:
[Sotheby's. 76 Rue du Faubourg Saint-Honoré. Paris. Antoine Caron. Judgment Day.]
Attributed works:
[Sphinx Fine Art. 125 Kensington Chruch St. London. Willem van Mieris. The Penitent Mary Magdalene (detail)]
Attributed works:
[Stephen Ongpin Fine Art, 6 Mason's Yard, SW1. Giovanni Domenico Tiepolo (1727 - 1804). The Resurrection of Christ. Pen and brown ink and brown wash, over an underdrawing in black chalk. Signed Dom.o Tiepolo f. at the lower left corner. 473 x 368 mm (18 5/8 x 14 1/2 in.)]
Attributed works:
[Stephen Ongpin Fine Art, 6 Mason's Yard, SW1. St. Anthony of Padua and the miracle of the miser's heart, by Giambattista Tiepolo (1696 - 1770). Pen and black ink over traces black chalk, 41.0 by 30.2 cm]
Attributed works:
[Tomasso Brothers Fine Art, 67 Jermyn Street, SW1. Baccante Cimbalista, by Cav. Cincinnato Baruzzi (1796-1878). White marble. Height: 148 cm]
Attributed works:
[Trinity Fine Art, 15 Old Bond Street, London. Giuseppe Piamontini (Florence, 1663 - 1744). Milo of Croton. Marble. Signed and dated G. P / F. / 1740. 168 cm (65 3/4 ins)]
Attributed works:
[Trinity Fine Art, 15 Old Bond Street, W1S. The temptation of Adam, by Giorvanni Dupré (1817-1882). Marble, 94 by 70 cm]
Non-western art unattributed:
[Rupert Wace Ancient Art. 19 Crown Passage, St. James's, London. Egyptian Bronze of Osorkon II. 22nd Dynasty, c. 874-850 BC. Height: 11 cm.]
Western art unattributed:
[Benjamin Proust FIne Art Ltd, 43-44 New Bond Street, W1S. The Lernaean Hydra, Italian (first half of the 16th century). Terracotta, 65 by 45 cm]
Western art unattributed:
[Cambi, Genoa. Baroque Genoese Sculptor, next to Filippo Parodi (1630-1702), Marble bust]
Western art unattributed:
[David Aaron, London. Corinthian helmet, Spain, c. 6th century BC. Bronze, height 26 cm]
Western art unattributed:
[Galerie Chenel, Paris. Mars, Roman, 1st.2nd century AD. Marble, height 180 cm]
Western art unattributed:
[Peter Finer, 38/39 Duke Street, St. James's, London. A Fine Hunting Trousse, German. c. 1720-40.]
Publication Received
Modernism and the Museum: Asian, African, and Pacific Art and the London Avant-Garde
08/2012 | 1313 | 154
Pages: 587
related names
Reviewer:
White, Celia (White, Celia)
Subjects
artists:
dates:
places:
print:
Reviewed Items
subjects:
Modernism and the Museum: Asian, African, and Pacific Art and the London Avant-Garde | author: Arrowsmith, Rupert Richard
Publication Received
Savage Messiah: A Biography of the Sculptor Henri Gaudier-Brzeska
09/2011 | 1302 | 153
Pages: 614
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
subjects:
Reviewed Items
subjects:
Savage Messiah: A Biography of the Sculptor Henri Gaudier-Brzeska | author: Ede, H. S.
Exhibition Review
Epstein, Gaudier-Brzeska, Gill. London
01/2010 | 1282 | 152
Pages: 52-54
related names
Reviewer:
Elliott, Patrick (Elliott, Patrick)
Subjects
dates:
dates:
places:
print:
subjects:
Reviewed Items
subjects:
Wild Thing: Epstein, Gaudier-Brzeska, Gill | institution: Royal Academy of Arts
Illustrations
Attributed works:
61. Ecstasy, by Eric Gill. 1910–11. Portland stone, 137.2 by 45.7 by 22.8 cm. (Tate, London; exh. Royal Academy of Arts, London).
Attributed works:
62. Birds erect, by Henri Gaudier-Brzeska. 1914. Limestone, 67.6 by 26 by 31.4 cm. (Museum of Modern Art, New York; exh. Royal Academy of Arts, London).
Attributed works:
63. Venus – second version, by Jacob Epstein. c.1914–16. Marble, 235.6 by 43.2 by 82.6 cm. (Yale University Art Gallery, New Haven; exh. Royal Academy of Arts, London).
Exhibition Review
Twentieth-century British art
09/2008 | 1266 | 150
Pages: 630-632
related names
Reviewer:
Beechey, James (Beechey, James)
Subjects
collectors and dealers:
dates:
dates:
print:
print:
subjects:
Reviewed Items
subjects:
From Sickert to Gertler. Modern British Art from Boxted House | institution: Gainsborough's House , institution: Scottish National Gallery of Modern Art
subjects:
Henri Gaudier-Brzeska | institution: Browse & Darby , institution: Mercury Gallery , institution: Mercury Gallery
subjects:
Laura Knight at the Theatre. Paintings and Drawings of the Ballet and the Stage | institution: Castle Museum and Art Gallery , institution: The Lowry
subjects:
Whitechapel at War. Isaac Rosenberg and his Circle | institution: Ben Uri Art Gallery , institution: Stanley and Audrey Burton Gallery, University of Leeds
Illustrations
Attributed works:
64. Supper (Natalie Denny), by Mark Gertler. 1928. Canvas, 106.8 by 71.2 cm. (Private collection; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
65. Torpedo fish, by Henri Gaudier-Brzeska. 1914 (cast 1968). Bronze, 15.2 cm. high. (Exh. Browse & Darby, London).
Attributed works:
66. Carnaval, by Laura Knight. c.1919–20. Canvas, 101 by 132.6 cm. (Manchester City Galleries; exh. Castle Museum and Art Gallery, Nottingham).
Attributed works:
67. Self-portrait with trilby, by Isaac Rosenberg. c.1914. Canvas, 76.5 by 51 cm. (Private collection; exh. Stanley and Audrey Burton Gallery, University of Leeds).
Exhibition Review
Twentieth-century British art. Norwich, Sheffield, Chichester and Bath
05/2007 | 1250 | 149
Pages: 345-347
related names
Reviewer:
Beechey, James (Beechey, James)
Subjects
dates:
print:
subjects:
Reviewed Items
subjects:
From Victorian to Modern. Innovation and Tradition in the Work of Vanessa Bell, Gwen John and Laura Knight | institution: Norwich Castle Museum and Art Gallery
subjects:
Keith Vaughan: Figure and Landscape | institution: Victoria Art Gallery
subjects:
WE the moderns: Gaudier-Brzeska and the birth of modern sculpture | institution: Graves Art Gallery
subjects:
William Roberts: England at Play | institution: Pallant House Gallery
Illustrations
Attributed works:
44. The beach, by Laura Knight. 1909. Canvas, 127.6 by 153.2 cm. (Laing Art Gallery, Newcastle-upon-Tyne; exh. Castle Museum, Norwich).
Attributed works:
45. Studland beach (The bathers), by Vanessa Bell. 1911–12. Oil on board, 63.5 by 76.2 cm. (Private collection; exh. Castle Museum, Norwich).
Attributed works:
46. Seated woman, by Henri Gaudier-Brzeska. 1914. Marble, 47 by 34.5 by 28 cm. (Musée national d’art moderne, Centre Georges Pompidou, Paris; exh. Graves Art Gallery, Sheffield).
Attributed works:
47. Woman combing her hair, by Pablo Picasso. 1906. Crayon and charcoal on paper, 55.5 by 40 cm. (Robert and Lisa Sainsbury Collection, University of East Anglia, Norwich; exh. Graves Art Gallery, Sheffield).
Attributed works:
48. The cinema, by William Roberts. 1920. Canvas 91.4 by 72.6 cm. (Tate, London; exh. Pallant House Gallery, Chichester).
Attributed works:
49. Finistère, group of fishermen, by Keith Vaughan. 1951. Oil on board, 91.4 by 71.1 cm. (Private collection; exh. Victoria Art Gallery, Bath).
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Advertisements June 2006 (Front)
06/2006 | 1239 | 148
Pages: i-xxvi
Subjects
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subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Augustus John, O.M., R.A. (1878-1961). Dorelia Standing. Signed. Pencil, 17 1/2 x 12 in (455x304 mm)]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Study of a Hill Fairy, by Sir Edward Coley Burne-Jones, BT., A.R.A., R.W.S. (1833-1898). Pencil, 210 by 133 mm. Signed with initials and dated 'EB-J/1885' (lower right)]
Attributed works:
[Apter Fredericks. London. A superb Chippendale period chair back settee. English, circa 1760. Length: 95 cm. Depth: 71 cm. Height: 93.5 cm.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Joseph Wright of Derby (British, 1734-1797), The Dead Soldier, 1789, oil on canvas. 49 3/4 x 64 inches (126.4 x 162 cm)]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustration: A highly important mid 17th century Augsburg ebony, pietra dura and silver gilt mounted Kabinettschrank of broken outline and graduated architectural design by Elias Boscher, the pietra dura panels depicting birds and flowers attributed to the Florentine Grand Ducal Workshop.]
Attributed works:
[C. John. 70 South Audley Street, Mayfair, London. An exceptional Brussels 'Pergola' Tapestry with vases of flowers. Circa 1620. 11'1" (338com) high. 11'0" (335 cm) wide. Weavers mark on right hand border.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Ludovico Carracci (Bologna 1555-1619). Salmacis and Hermaphroditus. Oil on canvas, unlined 45 x 59 3/4 in. (114.3 x 151.8 cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Paolo Farinati (Verona 1524-1606). Ecce Homo. Black chalk, brush and brown wash, heightened with white, on light brown paper, on a late 18th Century English mount. 12x17 in. (312 x 432 mm)]
Attributed works:
[Connaught Brown. 2 Albermarle Street. London. Mornington Crescent, by Frank Auerbach (b. 1931). 1971. Signed and dated verso. Crayon and pencil on paper, 298 by 273 mm]
Attributed works:
[Daniel Katz, Ltd. A cat, by Henri Gaudier-Brzeska (1891-1915). Moulded earthenware with ceramic glaze. Length: 11.8 cm]
Attributed works:
[David Jones Fine Art, at Oakham Galleries. 40 Duke street, St. James’s. London. Christ on the road to Calvary, by Caspar Freisinger (c. 1550/55-1599). Pen and grey-brown ink, with brown and light reddish brown wash, 127 by 182 mm]
Attributed works:
[Flavia Ormond Fine Arts. At Deborah Gage (Works of art) Ltd. 38 Old Bond Street. London. Wooded mountain ridge, by Gherardo Cibo (1512-1600). Pen and brown ink and wash with white heightening and touches of pink wash on blue paper, 209 by 286 mm. Inscribed above trees towards top left 'ld.14'.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Faccini. Bologna, c. 1575/1576-1602. The Return of the Prodigal Son. Oil on canvas, 74,5 x 56,5 cm (29 3/16 x 22 in)]
Attributed works:
[Galerie Neuse. Contrescarpe 14. D-28203. Bremen/Germany. The Last Judgement. Signed and dated: D.I.F. FRANKEN FECIT/INVENTOR Ao 1606. Oil on copper. 26.5 by 20,5 in (7.2 by 52 cm)]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré.Paris. An exceptional cabinet veneered in ivory and exotic woods, inset with pietra dura plaques. Augsburg, by Melchior Baumgartner, circa 1650 (the furniture). Florence, Galleria dei Lavori, circa 1625 (the pietra dura plaques). H. 87 x 108.5 cm (closed) or 195.5 cm (open) x D. 60.5 cm. H. 34 1/2 x L. 42 3/4 in. (closed) or 77 in. (open) x D. 23 3/4 in.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Tattooed lady, by Peter Blake (b. 1932). Signed and dated. Pen and ink and watercolour with collage. 94.6 by 52.4 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Walter Sickert. 1860-1942. La Rue Cousin, Dieppe, circa 1907. Oil on canvas. 24 x 19 3/4 inches; 60 x 50 cm. Signed]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. A still life of fruit with grapes, figs, medlars, blackberries, a peach, two oranges, a pomegranate, a lemon, chestnuts and oysters placed on a draped blue cloth within a stone niche, by Jan Davidsz. De Heem (1606-1684). With traces of a signature. On canvas, 62.5 by 74 cm]
Attributed works:
[Linley. London. St. Moritz Chair.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. The cutter 'Grace', by Charles Gore (1729-1807). Pencil, pen and ink, 228 by 322 mm]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Domenico di Francesco, called Domenico di Michelino. Florence, c. 1417 - 1491. Madonna and Child. Panel, 96x63 cm]
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Caspar Gras (1585-1674: Active in Austria). Roaring Lion, Pouncing. Bronze statuette. Overall Height 21.6 cm; Length 23.7 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A still life of dead game with a hare, a cock pheasant and a partridge, a hunting bag, a net and a flintlock rifle, by Melchior D'Hondecoeter (1636-1696). Dutch school. Signed and dated. Oil on canvas, 95 by 84 cm.]
Attributed works:
[Robert Bowman Gallery. London. Two forms (Gemini), by Barbara Hepworth (1903-75). Signed Barbara Hepworth and dated 1970, numbered 9. Quartz glass on a carved wood base. Height: 47 cm. Width: 43 cm.]
Attributed works:
[Salamander Fine Arts. 37 Bury Street, St. James’s. London. Head of a young girl, by Pietro di Cristoforo Vannucci, il Perugino. Pen and brown ink, brown wash, heightened with white over stylus outlines. The outline of another face in stylus below. On pink prepared paper. Irregular, 174 by 115 mm]
Attributed works:
[The Sladmore Gallery. London. Walking puma, by Rembrandt Bugatti. Modelled circa 1911. Marble, Height: 92 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Bird on reeds on a circular base, by Nicola Lazzari, 2005. Bronze, 12 by 11.2 cm (diameter of base)]
Attributed works:
[W/S Fine Art Ltd. 160 New Bond Street. London. Venus and CUpid, by Richard Cosway, R.A. (1742-1821). Pen and ink over traces of pencil, 102 by 162 mm. The Annual Exhibition 7 June- 7 July]
Attributed works:
[W/S Fine Art, Ltd. 160 New Bond Street, London W1S 2UE. John Robert Cozens (1752-1797). The eight hundred year old Cypress in the Garden of the Franciscan Monastery at Salerno, 1782. Watercolour over traces of pencil. 17 7/8 X 12 inches (45.5 X 30.5 cm)]
Non-western art unattributed:
[C. John. 70 South Audley Street, Mayfair, London. A silk embroidery on linen from Portuguese Goa. Circa 1720. 298 by 253 cm]
Non-western art unattributed:
[Rupert Wace Ancient Art. Near Eastern stone altar. Syrian. From south of Hauran region. Chalcolithic, early 4th millenium BC.]
Western art unattributed:
[Finch & Co. London. A rare Russian mineral tower. Late 19th century. 31 cm high.]
Western art unattributed:
[Finch & Co. Suite 744, 2 Old Brompton Road, London. A fine English Romanesque carved limestone corbel head. Lincoln circa 1170-1190. Size: 37 cm high x 24 cm wide x 18 cm deep.]
Western art unattributed:
[Rossi & Rossi. A Mongolian gilt bronze Shadakshari Avalokiteshvara from the atelier of Zanabazar (1635-1723). Height: 40 cm.]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. Marble Pulpit. Italy, Rome or Campania. c. 1200. Height: 1370 mm]
Western art unattributed:
[Sam Fogg, Ltd. Altarpiece with scenes of the Passion. Nottingham, England, 1440-50. Alabaster, 226 by 75 by 7 cm]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Workshop of Gianlorenzo Bernini (1598-1680). Rome, last quarter 17th century. The Blessed Ludovica Albertoni. Bronze. 19 by 44.8 by 17.6 cm.]
Western art unattributed:
[Westland. St. Michael’s Churc. Leonard Street. London. EC2A 4ER. A very large and imposing carved limewood and pine palladian chimneypiece after James "Athenian" Stuart. Unique in the manner of the griffins standing on all fours. Scottish, circa 1760.]
Short Notice
A new acquisition for Edinburgh: Henri Gaudier-Brzeska's 'Bust of Alfred Wolmark' and the casting of the bronze edition
12/2004 | 1221 | 146
Pages: 819-822
related names
Author:
Elliott, Patrick (Elliott, Patrick)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
16. Bust of Alfred Wolmark, by Henri Gaudier-Brzeska. 1913, cast in 1954 (no.1/6). (Bronze, 67 by 55 by 40 cm. (Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
17. Bust of Alfred Wolmark, by Henri Gaudier-Brzeska. 1913, photographed in June 1954. Plaster, 67.3 cm. high. (The Walker, Liverpool).
Attributed works:
18. The sculptor (portrait of Henri Gaudier-Brzeska), by Alfred Wolmark. 1913. 118 by 62 cm. (Private collection)
Attributed works:
19. Alfred Wolmark with the Bust of Alfred Wolmark, by Henri Gaudier-Brzeska. Photograph, c. 1913.
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