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/ Biennale Internazionale d'Antiquariato (Italy: Florence)
/ Walter Padovani (dealer), Milan, Italy
/ Burzio, London, Great Britain
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/ Alessandro Cesati, Milan, Italy
/ Darnley Fine Art, London, Great Britain
/ Day and Faber, London, Great Britain
/ French and Company Art, New York, United States
/ Rafael Valls, London, Great Britain
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artists:
Ceruti, Giacomo
/ Bronzino, Agnolo
/ Hoare, Prince
/ Appiani, Andrea
/ Arnolfo di Cambio
/ Titian
/ Garzoni, Giovanna
/ Allori, Alessandro
/ Piffetti, Pietro
/ Ströhling, Peter Edward
/ Pape, Joost de (Giusto Fiammingo)
/ Choiseul-Gouffier, Marie-Gabriel-Florent-Auguste
/ Pordenone (Giovanni Antonio Licinio)
/ Vaughan, Keith
/ Newton, Algernon Cecil
/ Moore, Henry Spencer, 1898-1986
/ Nicholson, William, 1872-1949
/ Frink, Elisabeth
/ Granges, David des
/ Sickert, Walter
/ Bellany, John
/ Lowry, L.S
/ Crosbie, William
/ Barker, Clive
/ Rego, Paula
/ Nash, Paul
/ Simone dei Crocifissi
Attributed works:
An important Italian demilune commode by Henry Thomas Peters (Windsor 1792-Genoa 1852) after a design by Carl Randoni (Turin 1755-1831) for the Royal Genoese Palace in 1821. Its twin is in Attingham Park, Shropshire. [Burzio/BIAF]
Attributed works:
Antonio de Medici,
by Alessandro
Allori (1535–1607).
Early 1590s.
Oil on panel,
107.3 by 86.4 cm.
[DICKINSON,
LONDON/BIAF]
Attributed works:
DAVID DES GRANGES
(1611–1672)
Portrait miniature of Charles II (1630–85),
as King of Scotland; 1651
Watercolour on vellum
Set into the original gold locket, enamelled with
designs on base and lid, the lid set with diamonds
Oval, 41mm (1 5⁄8in) high [The Limner Company]
Attributed works:
Figure studies,
by Henry Moore
(1898–1986). c.1948.
Watercolour, ink,
wash and wax resist,
28 by 21.5 cm.
[CHRISTOPHER
KINGZETT,
LONDON/British Art Fair]
Attributed works:
GIACOMO CERUTI (1698–1767)
A Lady in Costume (possibly Mary, Queen of Scots), mid-18th century
Recently acquired by the Pinacoteca di Brera, Milan [Robilant + Voena]
Attributed works:
Head of the Bishop
Andrea de’ Mozzi,
attributed to a
collaborator of
Arnolfo di Cambio
(c.1245–1302).
c.1296–c.1300.
Serena Pietra with
traces of polychrome,
height 39 cm.
[BOTTICELLI
ANTICHITÀ,
FLORENCE/BIAF]
Attributed works:
Leaping man,
by Elisabeth Frink
(1930–93). 1985.
Bronze with a
brown patina,
40 by 37 by 15 cm.
[PORTLAND
GALLERY, LONDON/British Art Fair]
Attributed works:
M.G.F.A. Choiseul-Gouffier.
Voyage pittoresque de la Grèce.
2 vol. in 3. Paris 1782-1824. [Venator & Hanstein]
Attributed works:
Madonna with
Child and St Mary
Magdalene,
by Tiziano Vecellio,
known as Titian,
and workshop
(c.1488/90–1576).
c.1555–60. Oil on
canvas, 104 by
92.5 cm.
[CARLO ORSI,
MILAN/BIAF]
Attributed works:
Madonna with Child,
by Agnolo di Cosimo,
called Bronzino
(1503–72). 1525–26.
Oil on panel,
75 by 62 cm.
[GALERIE CANESSO,
PARIS/BIAF]
Attributed works:
Meeting point, by L.S. Lowry (1887–1976). 1973. Offset lithograph
printed in colours on wove, 47 by 71 cm.
[HIDDEN GALLERY, BATH AND BRISTOL/British Art Fair]
Attributed works:
Mr Rochester, by
Paula Rego (1935–
2022). 2001. Unique
hand-painted lithograph,
89.5 by 67 cm.
[JAMES HYMAN
GALLERY, LONDON/British Art Fair]
Attributed works:
Munnie and
Janette,
by William Crosbie
(1915–99). 1937.
Oil on paper,
58.5 by 66 cm.
[THE FINE
ART SOCIETY,
EDINBURGH/British Art Fair]
Attributed works:
Paul Nash (1889-1946)
Studio, 1929
Watercolour, 57.3 by 41.3cm [Patrick Bourne & Co/British Art Fair]
Attributed works:
Pordenone, Mary Magdalene, circa 1530-1532
Museum Boijmans Van Beuningen, Rotterdam.
Loan Stichting Boijmans Van Beuningen
(former Koenigs collection) [Fondation Custodia]
Attributed works:
Portrait of Achille
Fontanelli, by Andrea
Appiani (1754–1817).
1813. Oil on canvas,
125 by 96 cm.
[ROBILANT+VOENA,
LONDON, MILAN,
PARIS and NEW
YORK/BIAF]
Attributed works:
River Stour, Essex, by Algernon Newton (1880–1968). 1938.
Oil on board, 12 by 17 cm.
[AUSTIN / DESMOND FINE ART, LONDON/British Art Fair]
Attributed works:
Rue du Mortier d’Or, by Walter Sickert (1860–1942). 1903.
Oil on canvas, 33.5 by 41 cm.
[BROWSE & DARBY, LONDON/British Art Fair]
Attributed works:
Simone di Filippo, called Simone dei Crocifissi
(Bologna, documented between 1354 -1399)
Virgin and Child between Saints John the Baptist and Bartholomew
(central panel); Archangel Gabriel, Saint Petronius, Saint Christopher
and Saint Anthony (left panel); Virgin Annunciate, Saint Jerome,
a Bishop Saint (Ambrose?) and Saint Florian (right panel) [Moretti]
Attributed works:
Sir Horace Mann,
by Prince Hoare
(1711–69). c.1749.
Terracotta,
height 51.5 cm.
[WALTER
PADOVANI, MILAN/BIAF]
Attributed works:
Soldiers in a billet, by Keith Vaughan (1912–77). 1942. Pen, brush
and ink, 25.5 by 35 cm.
[ABBOTT AND HOLDER, LONDON/British Art Fair]
Attributed works:
Spring time,
by William Nicholson
(I872–1949). 1922.
Pen, ink, watercolour
and crayon, 21 by
16 cm.
[PATRICK BOURNE
& CO, LONDON/British Art Fair]
Attributed works:
Still life with
flowers in a glass
vase, by Giovanna
Garzoni (1600–70).
c.1640–50. Tempera
painted on vellum
with traces of black
pencil, 44.8 by
37.5 cm.
[COLNAGHI,
LONDON, MADRID,
BRUSSELS and
NEW YORK/BIAF]
Attributed works:
Study of
Francis Bacon,
no.3, by Clive
Barker (b.1940).
1978. Polished
bronze, 10.5 by
18.5 cm.
[WHITFORD
FINE ART,
LONDON/British Art Fair]
Attributed works:
The Bruno of
Cologne table,
by Pietro Piffetti
(1701–77). c.1750.
Burr walnut and
other precious
woods, 104.5 by
55 by 83 cm.
[BURZIO, LONDON/BIAF]
Attributed works:
The escape of the naked young man after the capture of Christ,
by Giusto Fiammingo (active Rome c.1615–25).
Oil on canvas, 220 by 290 cm.
[ROB SMEETS OLD MASTER PAINTINGS, GENEVA/BIAF]
Attributed works:
The players, by John Bellany (1942–2013). 1967.
Oil on board, 161 by 183 cm.
[CASTLEGATE HOUSE GALLERY, COCKERMOUTH/British Art Fair]
Attributed works:
Three children with a dog in an interior, by Peter Edward
Stroehling (1768–1826). 1789. Oil on copper, 38 by 48 cm.
[PAOLO ANTONACCI, ROME/BIAF]
Attributed works:
Untitled, from the Black Balloon Archive,
by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm.
(© Liz Johnson Artur; Victoria and Albert Museum, London). [The Burlington Magazine]