By using this website you agree to our Cookie policy

Search

72 articles
Advertisements
Advertisements (front)
09/2024 | 1458 | 166
Pages: i-xv
Subjects
Illustrations
Attributed works:
An important Italian demilune commode by Henry Thomas Peters (Windsor 1792-Genoa 1852) after a design by Carl Randoni (Turin 1755-1831) for the Royal Genoese Palace in 1821. Its twin is in Attingham Park, Shropshire. [Burzio/BIAF]
Attributed works:
Antonio de Medici, by Alessandro Allori (1535–1607). Early 1590s. Oil on panel, 107.3 by 86.4 cm. [DICKINSON, LONDON/BIAF]
Attributed works:
DAVID DES GRANGES (1611–1672) Portrait miniature of Charles II (1630–85), as King of Scotland; 1651 Watercolour on vellum Set into the original gold locket, enamelled with designs on base and lid, the lid set with diamonds Oval, 41mm (1 5⁄8in) high [The Limner Company]
Attributed works:
Figure studies, by Henry Moore (1898–1986). c.1948. Watercolour, ink, wash and wax resist, 28 by 21.5 cm. [CHRISTOPHER KINGZETT, LONDON/British Art Fair]
Attributed works:
GIACOMO CERUTI (1698–1767) A Lady in Costume (possibly Mary, Queen of Scots), mid-18th century Recently acquired by the Pinacoteca di Brera, Milan [Robilant + Voena]
Attributed works:
Head of the Bishop Andrea de’ Mozzi, attributed to a collaborator of Arnolfo di Cambio (c.1245–1302). c.1296–c.1300. Serena Pietra with traces of polychrome, height 39 cm. [BOTTICELLI ANTICHITÀ, FLORENCE/BIAF]
Attributed works:
Leaping man, by Elisabeth Frink (1930–93). 1985. Bronze with a brown patina, 40 by 37 by 15 cm. [PORTLAND GALLERY, LONDON/British Art Fair]
Attributed works:
M.G.F.A. Choiseul-Gouffier. Voyage pittoresque de la Grèce. 2 vol. in 3. Paris 1782-1824. [Venator & Hanstein]
Attributed works:
Madonna with Child and St Mary Magdalene, by Tiziano Vecellio, known as Titian, and workshop (c.1488/90–1576). c.1555–60. Oil on canvas, 104 by 92.5 cm. [CARLO ORSI, MILAN/BIAF]
Attributed works:
Madonna with Child, by Agnolo di Cosimo, called Bronzino (1503–72). 1525–26. Oil on panel, 75 by 62 cm. [GALERIE CANESSO, PARIS/BIAF]
Attributed works:
Meeting point, by L.S. Lowry (1887–1976). 1973. Offset lithograph printed in colours on wove, 47 by 71 cm. [HIDDEN GALLERY, BATH AND BRISTOL/British Art Fair]
Attributed works:
Mr Rochester, by Paula Rego (1935– 2022). 2001. Unique hand-painted lithograph, 89.5 by 67 cm. [JAMES HYMAN GALLERY, LONDON/British Art Fair]
Attributed works:
Munnie and Janette, by William Crosbie (1915–99). 1937. Oil on paper, 58.5 by 66 cm. [THE FINE ART SOCIETY, EDINBURGH/British Art Fair]
Attributed works:
Paul Nash (1889-1946) Studio, 1929 Watercolour, 57.3 by 41.3cm [Patrick Bourne & Co/British Art Fair]
Attributed works:
Pordenone, Mary Magdalene, circa 1530-1532 Museum Boijmans Van Beuningen, Rotterdam. Loan Stichting Boijmans Van Beuningen (former Koenigs collection) [Fondation Custodia]
Attributed works:
Portrait of Achille Fontanelli, by Andrea Appiani (1754–1817). 1813. Oil on canvas, 125 by 96 cm. [ROBILANT+VOENA, LONDON, MILAN, PARIS and NEW YORK/BIAF]
Attributed works:
River Stour, Essex, by Algernon Newton (1880–1968). 1938. Oil on board, 12 by 17 cm. [AUSTIN / DESMOND FINE ART, LONDON/British Art Fair]
Attributed works:
Rue du Mortier d’Or, by Walter Sickert (1860–1942). 1903. Oil on canvas, 33.5 by 41 cm. [BROWSE & DARBY, LONDON/British Art Fair]
Attributed works:
Simone di Filippo, called Simone dei Crocifissi (Bologna, documented between 1354 -1399) Virgin and Child between Saints John the Baptist and Bartholomew (central panel); Archangel Gabriel, Saint Petronius, Saint Christopher and Saint Anthony (left panel); Virgin Annunciate, Saint Jerome, a Bishop Saint (Ambrose?) and Saint Florian (right panel) [Moretti]
Attributed works:
Sir Horace Mann, by Prince Hoare (1711–69). c.1749. Terracotta, height 51.5 cm. [WALTER PADOVANI, MILAN/BIAF]
Attributed works:
Soldiers in a billet, by Keith Vaughan (1912–77). 1942. Pen, brush and ink, 25.5 by 35 cm. [ABBOTT AND HOLDER, LONDON/British Art Fair]
Attributed works:
Spring time, by William Nicholson (I872–1949). 1922. Pen, ink, watercolour and crayon, 21 by 16 cm. [PATRICK BOURNE & CO, LONDON/British Art Fair]
Attributed works:
Still life with flowers in a glass vase, by Giovanna Garzoni (1600–70). c.1640–50. Tempera painted on vellum with traces of black pencil, 44.8 by 37.5 cm. [COLNAGHI, LONDON, MADRID, BRUSSELS and NEW YORK/BIAF]
Attributed works:
Study of Francis Bacon, no.3, by Clive Barker (b.1940). 1978. Polished bronze, 10.5 by 18.5 cm. [WHITFORD FINE ART, LONDON/British Art Fair]
Attributed works:
The Bruno of Cologne table, by Pietro Piffetti (1701–77). c.1750. Burr walnut and other precious woods, 104.5 by 55 by 83 cm. [BURZIO, LONDON/BIAF]
Attributed works:
The escape of the naked young man after the capture of Christ, by Giusto Fiammingo (active Rome c.1615–25). Oil on canvas, 220 by 290 cm. [ROB SMEETS OLD MASTER PAINTINGS, GENEVA/BIAF]
Attributed works:
The players, by John Bellany (1942–2013). 1967. Oil on board, 161 by 183 cm. [CASTLEGATE HOUSE GALLERY, COCKERMOUTH/British Art Fair]
Attributed works:
Three children with a dog in an interior, by Peter Edward Stroehling (1768–1826). 1789. Oil on copper, 38 by 48 cm. [PAOLO ANTONACCI, ROME/BIAF]
Attributed works:
Untitled, from the Black Balloon Archive, by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm. (© Liz Johnson Artur; Victoria and Albert Museum, London). [The Burlington Magazine]
Book Review
Paul Nash: Designer and Illustrator
12/2022 | 1437 | 164
Pages: 1300–1301
Subjects
artists:
Reviewed Items
subjects:
Paul Nash: Designer and Illustrator By James King. 216 pp. incl. 120 col. + 40 b. & w. ills. (Lund Humphries, London, 2022), £35. ISBN 978–1–84822–445–2. | :
Illustrations
Attributed works:
6. Cover design for Curwen Press News-Letter 11, by Paul Nash. 1935. Colour lithograph. (Private collection; photograph Robert McNair, Sunoptic Photo).
Exhibition Review
Lee Miller and Surrealism in Britain. The Hepworth Wakefield
10/2018 | 1387 | 160
Pages: 863-865
related names
Reviewer:
Matheson, Neil (Matheson, Neil)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
21. Portrait of space, near Siwa, Egypt, by Lee Miller. 1937. Gelatin silver print, 29.2 by 23.3 cm. (© Lee Miller Archives, East Sussex; exh. The Hepworth Wakefield).
Attributed works:
22. A l’heure de l’observatoire – Les amoureux, by Man Ray. 1932–34/1970. Coloured lithograph after oil painting. 68 by 104 cm. (Collection Clo and Marcel Fleiss, Paris; exh. The Hepworth Wakefield).
Exhibition Review
Aftermath: Art in the Wake of World War One. Tate Britain, London
09/2018 | 1386 | 160
Pages: 788-790
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
22. The floating one, by Ernst Barlach. 1927, cast 1987. Bronze, 213 by 74 by 68 cm. (SchleswigHolsteinische Landesmuseen Schloss Gottorf, Schleswig; exh. Tate Britain, London).
Attributed works:
23. Grey day, by George Grosz. 1921. Canvas, 115 by 80 cm. (Nationalgalerie, Berlin; exh. Tate Britain, London).
Attributed works:
24. Wire, by Paul Nash. 1918–19. Watercolour, chalk and ink on paper, 48.6 by 63.5 cm. (Imperial War Museums, London; exh. Tate Britain, London).
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Exhibition Review
Tacita Dean: LANDSCAPE, PORTRAIT, STILL LIFE. London
08/2018 | 1385 | 160
Pages: 666-669
related names
Reviewer:
Paterson, Dominic (Paterson, Dominic)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Still from Mario Merz, by Tacita Dean. 2002. 16mm. colour film. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
2. Detail of GAETA (fifty photographs plus one), by Tacita Dean. 2015. Photographs and cibachromes. Dimensions variable. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
3. Still from His Picture in Little, by Tacita Dean. 2017. 35mm. colour anamorphic film, reduced to spherical 16mm. for exhibition as miniature. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
4. Still from Antigone, by Tacita Dean. 2018. Two synchronised 35mm. colour anamorphic films. (Courtesy the artist; exh. Royal Academy of Arts, London).
Exhibition Review
Paul Nash. London
03/2017 | 1368 | 159
Pages: 231-232
related names
Reviewer:
Fox, James (Fox, James)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
49. The Three, by Paul Nash. 1911 (Private collection; exh. Tate Britain, London)
Attributed works:
50. Circle of the Monoliths, by Paul Nash. 1937-38 (Leeds Museum and Art Galleries; exh. Tate Britain, London)
Attributed works:
51. Moon Aviary, by Paul Nash. 1937 (Ernest Brown & Phillips Ltd.; exh. Tate Britain, London)
Book Review
Paul Nash. Landscape and the Life of Objects, Andrew Causey
11/2013 | 1328 | 155
Pages: 784-785
related names
Reviewer:
Cardinal, Roger (Cardinal, Roger)
Subjects
artists:
Illustrations
Attributed works:
34. Landscape of the megaliths, by Paul Nash (British Council Collection)
Article
The visual arts in the BBC’s ‘The Listener’, 1929–39
09/2013 | 1326 | 155
Pages: 606-611
related names
Author:
Rose, Sam (Rose, Sam)
Subjects
art literature:
dates:
subjects:
subjects:
Illustrations
Attributed works:
18. 'Round the Art Exhibitions', with illustrations of works by René Magritte, Desmond Harmsworth and Tristram Hillier. The Listener 19 (13th April 1938), p. 801
Attributed works:
19. 'Christopher Wood', article by John Piper. The Listener 7 (20th April 1932), p.571
Attributed works:
20. 'Rehousing in Big Cities - Outwards or Upwards?', article by Walter Gropius. The Listener 11 (16th May 1934), p.814
Attributed works:
21. Front cover illustration for 'Signs', article by Paul Nash. The Listener 16 (11th November 1936)
Attributed works:
22. 'The Meaning of Art: An Introduction for the Plain Man', article by Herbert Read. Supplement No.1, The Listener 2 (25th September 1929), pp.ii-vii
Attributed works:
23. Advertisement for 'Modern Art', by J.E. Barton, a BBC booklet accompanying six broadcast talks by the author. The Listener 7 (16th March 1932), p.vii
Attributed works:
24. 'Artist and his Public: Medium and Craftsmanship', article by Eric Newton, with illustrations of sculpture by Jacob Epstein and Henry Moore. The Listener 13 (6th February 1935), p.241
Western art unattributed:
25. Front cover illustration for Anthony Bertram's 'Design' series of broadcast talks. The Listener 18 (6th October 1937)
Exhibition Review
A Crisis of Brilliance, 1908–22. London
08/2013 | 1325 | 155
Pages: 564-566
related names
Reviewer:
Owens, Susan (Owens, Susan)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
33. In the hold, by David Bomberg (Tate, London; exh. Dulwich Picture Gallery, London)
Attributed works:
34. Void, by Paul Nash (National Gallery of Canada, Ottawa; exh. Dulwich Picture Gallery, London)
Attributed works:
35. Lytton Strachey, by Dora Carrington (National Portrait Gallery, London; exh. Dulwich Picture Gallery, London)
load more