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Advertisements (front)
06/2022 | 1431 | 164
Pages: i- xxix
Subjects
artists:
artists:
Illustrations
Attributed works:
A centaur abducting a nymph, by Giandomenico Tiepolo (1727– 1804). Pen and ink and watercolour on paper, 18.6 by 27 cm. [Maurizio Nobile, Bologna, Paris and Milan/Tefaf]
Attributed works:
A predella panel showing The Marriage of the Virgin, by Lippo Vanni (active c.1340–75). c.1345. Tempera on wood, 24.6 by 28.5 cm. [Brimo de Laroussilhe, Paris/Tefaf]
Attributed works:
Aimé-Jules Dalou (Paris 1838–1902) Bacchanale Plaster Diameter: 44  in. (114 cm.) [Agnews/Tefaf]
Attributed works:
Allegory of abundance, by Guiseppe Maria Mazza (1653–1741). c.1730. Terracotta, height 30 cm. Walter Padovani, Milan/Tefaf]
Attributed works:
Angelica Kauffman, Portrait of Marquise Orsola Priuli Maccarani. [Walter Padovani/Tefaf]
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000. [Camper Dabernat]
Attributed works:
Aphrodite. Roman. c.1st century AD. Marble, height 125 cm. [Galerie Chenel, Paris/Tefaf]
Attributed works:
Bacchanale or La Statue, by Paul Delvaux (1897–1994). 1967. Watercolour and ink on paper, 71 by 106 cm. [David Lévy, Brussels/Tefaf]
Attributed works:
Bartolomé Esteban MURILLO (Seville, 1617 - 1682) The Good Shepherd Oil on canvas. 165 x 112 cm In the same French private collection since 1764 [Aguttes]
Attributed works:
Bust of Lucrezia d’Este, by Antonio Canova (1757– 1822). 1821–22. Marble, height 42 cm. [Daniel Katz, London/Tefaf]
Attributed works:
Clockface from a longcase clock, by Thomas Mudge (1715–94). c.1758. Brass and silver in a mahogany case, height 195 cm. [TOBIAS BIRCH, EVESHAM/Masterpiece]
Attributed works:
Diamond cut egg, by David Nash (b.1945). 2020. Maple, 71 by 30 by 30 cm. ANNELY JUDA FINE ART, LONDON/Masterpiece]
Attributed works:
Effigy of Riccardo Rota, by Giovanni Da Nola (1478– 1559). c.1540–50. Marble, 129 by 60 by 43 cm. [Sam Fogg, London/Tefaf]
Attributed works:
Form, Forbabstufung, by Marina Apollonio (b. 1940). 1972. Acrylic on canvas, 70 by 70 cm. [The Mayor Gallery, London/Tefaf]
Attributed works:
Francesco SOLIMENA (Canale di Serino, 1657 - Naples, 1747) The triumph of Faith over Heresy through the intercession of Dominicans Canvas, 90 9/16 x 36 5/8 in. [Tajan]
Attributed works:
FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, 1746 – 1828, Bordeaux) Portrait of Don Juan López de Robredo, Embroiderer to King Carlos IV of Spain 1798-1799 Oil on canvas, 108.3 x 82.3 cm [Caylus/Tefaf]
Attributed works:
Fruit and leaves, by Matthew Smith (1879–1959). 1947. Oil on canvas, 38.1 by 61 cm. RICHARD GREEN, LONDON/Masterpiece]
Attributed works:
Funerary head of a woman. Southern Arabia, c.100 BC–100 AD. Calcite alabaster, height 28.3 cm. [Art Ancient, London/Tefaf]
Attributed works:
Georges de Porto- Riche, by JacquesÉmile Blanche (1861–1942). 1889. Oil on canvas, 100 by 65 cm. ROBILANT + VOENA, LONDON/Masterpiece]
Attributed works:
GIACOMO GINOTTI (1845–1897) Rome, c. 1877–1886 L’Emancipazione della schiavitù (The Emancipation of Slavery) White statuary marble, on a revolving Portasanta marble pedestal with octagonal foot 52 in. (132 cm.) high, the figure 83 in. (211 cm.) high, overall; 24 in. (61 cm.) diameter at foot Signed: ‘GINOTTI’ [Tomasso/Tefaf]
Attributed works:
GIOVANNI ANTONIO PELLEGRINI (Venice 1675 –1741) An unidentified allegory. Oil on canvas, 26 x 41 cm PROVENANCE: Private collection, England [Santa Tecla]
Attributed works:
Giovanni Battista Piamontini Faun with a Kid (detail) marble, height 152 cm, 60 in [Trinity Fine Art/Tefaf]
Attributed works:
GIOVANNI BATTISTA TIEPOLO (1696–1770) Allegorical Figures of Valour and Fame: The Apotheosis of a Warrior Pen and brown ink and brown wash, over an underdrawing in black chalk. 216 x 289 mm. (81⁄2 x 113⁄8 in.) [Stephen Ongpin Fine Art]
Attributed works:
Island of the Lights from Pinocchio, by Paula Rego (b.1935). 1996. Pencil, ink and watercolour on paper, 150 by 180 cm. PIANO NOBILE, LONDON/Masterpiece]
Attributed works:
Jean-Baptiste Greuze (1725–1805) The Head of a Young Girl Red and black chalk over stumped black chalk outline, heightened with white on prepared paper, 272 x 224mm [Christopher Bishop Fine Art/Tefaf]
Attributed works:
La Danse des Bacchantes – La Grande Vitrine Faune et Faunesse, by Maison Roux et Brunet and Léon Messagé (1842– 1901). 1890. Gilt-bronze and various woods, height 246 cm. Adrian Alan, London/Tefaf]
Attributed works:
LUCAS CRANACH I (1472–1553) The Nymph of the Spring oil on panel 32 ¼ x 47 ⅜ in. (82.1 x 120.5 cm.) £6,000,000–8,000,000. Christie's/Masterpiece]
Attributed works:
Monumental mixed metal exhibition vase, by Suzuki Chokichi Company. c.1882. Bronze, 91 by 43 cm. [STEVE SLY JAPANESE ART, BOURNEMOUTH/Masterpiece]
Attributed works:
Pierres number 2, by Alberto Magnelli (1888–1971). 1932. Oil on canvas, 168 by 100 cm. Applicat-Prazan, Paris/Tefaf]
Attributed works:
Suburbs of Amsterdam, by Jan Sluijters (1881–1957). 1907. Oil on canvas, 42 by 33.5 cm. [Daatselaar, Utrecht/Tefaf]
Attributed works:
The Mattias De Medici Blue Boys. Attributed to Jacopo Maria Foggini. Pair of polychrome lacca wood sculptures with glass eyes. Florence 1650s (Burzio/Tefaf]
Attributed works:
The sisters, by Augustus Edwin John (1878–1961). 1937. Oil on canvas, 76.2 by 63.5 cm. PHILIP MOULD, LONDON/Masterpiece]
Non-western art unattributed:
Egyptian canopic jar for Hena. Late Dynastic Period, c.664–525 BC. Alabaster, height 32.5 cm. GALERIE MALAQUAIS, PARIS/Masterpiece]
Non-western art unattributed:
Guro-Bete mask. Ivory Coast, 19th century. Wood, height 20.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Skull of a Triceratops prorsus. Late Cretaceous period. Fossil, 170 by 115 by 150 cm. DAVID AARON, LONDON/Masterpiece]
Western art unattributed:
Altarolo with Madonna and Child and the Infant St John The Baptist Ebony, pietre dure, gilded bronze. 88 x 60 x 28 cm [Brun/Tefaf]
Western art unattributed:
Barocchetto period commode. Venice, 1720–70. Lacquered wood with gilding, height 90 cm. [Brun Fine Art, London/Tefaf]
Western art unattributed:
Detail of a cabinet incorporating 11 pietra dura, pietra tenere and pietra paesina tablets representing Tuscan landscapes. Cabinet and stand c.1720; plaques c.1690. Walnut and limestone, 170 by 111 by 56 cm. ANTHONY OUTRED, LONDON/Masterpiece]
Western art unattributed:
FRENCH, LATE 17TH / EARLY 18TH CENTURY Silenus After the Antique Bronze 38 cm (15 in.) high PROVENANCE Private collection, USA [Tomasso/Tefaf]
Exhibition Review
Paula Rego
09/2021 | 1422 | 163
Pages: 856-858
related names
Reviewer:
Hedley, Gill (Hedley, Gill)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Paula Rego Tate Britain, London 7th July–24th October | :
Illustrations
Attributed works:
21. The cadet and his sister, by Paula Rego. 1988. Acrylic on paper on canvas, 214.3 by 152 cm. (Private collection; © Paula Rego; exh. Tate Britain, London).
Attributed works:
22. Interrogation, by Paula Rego. 1950. Oil on canvas, 50.5 by 61 cm. (Private collection; © Paula Rego; exh. Tate Britain, London).
Attributed works:
23. The artist in her studio, by Paula Rego. 1993. Acrylic on canvas, 180 by 130 cm. (Leeds Art Gallery; © Paula Rego; exh. Tate Britain, London; Bridgeman Images).
Exhibition Review
Paula Rego: Obedience and Defiance. Modern 2, Scottish National Gallery of Modern Art, Edinburgh
04/2020 | 1405 | 162
Pages: 351-353
related names
Reviewer:
Thompson, Susannah (Thompson, Susannah)
Subjects
artists:
dates:
Illustrations
Attributed works:
26. Manifesto (for a lost cause), by Paula Rego. 1965. Acrylic, crayon, graphite and paper glued on canvas, 183 by 152 cm. (Calouste Gulbenkian Museum - Modern Collection, Lisbon;   Paula Rego, courtesy of Marlborough, New York and London; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
27. Untitled no.4, by Paula Rego. 1998. Pastel on paper, 110 by 100 cm. (Private collection;   Paula Rego, courtesy of Marlborough, New York and London; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
28. Painting him out, by Paula Rego. 2011. Pastel on paper mounted on aluminium, 119.4 by 179.7 cm. (Private collection;   Paula Rego, courtesy of Marlborough, New York and London; exh. Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
Recent contemporary shows. London. (Mat Collishaw, Tracey Emin and Paula Rego)
05/2010 | 1286 | 152
Pages: 345-347
related names
Reviewer:
Major, George (Major, George)
Subjects
dates:
places:
print:
print:
subjects:
Reviewed Items
subjects:
Mat Collishaw, Tracey Emin and Paula Rego | institution: The Foundling Museum
Illustrations
Attributed works:
57. Oratorio (bottom right panel), by Paula Rego. Mixed media, 122.5 by 81.3 cm. (Marlborough Fine Art, London; exh. Foundling Museum, London).
Advertisements
Advertisements April 2009 (front)
04/2009 | 1273 | 151
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s. 8 Grafton Street. London. Ben Nicholson (1894-1982). 1940-1942 (Painting) Gouache, 9x9 in (23 x 23 cm)]
Attributed works:
[Andrew Edmunds. London. Gin Lane and Beer Street (detail), by William Hogarth. 1751. Etching and engraving on paper, 39 by 32.6 cm]
Attributed works:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Rare cabinet à hauteur d'appui with Ceres and Bacchus inspired marquetry panels in pewter, ebony and amaranth. Supporting an exceptional pair of paragon marble busts featuring young Moors. Marquetry panels by André-Charles Boulle (1642-1732), late 17th century. Cabinet, France, second half of 18th century. Busts, Venice, 17th century.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Victor Pasmore R.A. (1908-1998). Linear projection. Oil, collage and wood relief on panel. 62.5 x 62.5 cm (24 1/2 x 24 1/2 in)]
Attributed works:
[Christopher Mendez. London. Peasant with hands behind his back, by Rembrandt van Rijn. 1631. Bartsch 135, fourth state. Etching and engraving, 5.6 by 4.5 cm]
Attributed works:
[David Case Fine Art. Norfolk. Tampere mirror, by Sean Scully. 2003. Etching and aquatint, 32 by 28 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Bonito. Castellammare di Stabia, 1707 - Naples, 1789. Huntsmen at Rest. Oil on canvas, 167 x 234 cm (65 3/4 x 92 1/8 cm)]
Attributed works:
[Galerie Fetzer. Sontheim an der Brenz. Amière-saison en Nouvelle Angleterre, by Roy Lichtenstein. 1992. Etching and aquatint in colours, 27.9 by 37.5 cm]
Attributed works:
[Ingleby Gallery. Edinburgh. Untitled, by Rachel Whiteread. 2008. From the 'Billboard for Edinburgh' series. Edition of 50, signed numbered and dated by the artist. Archival digital inkjet print, 25.4 by 33.9 cm (image size): 38.2 by 45.8 cm. (paper image)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Master of Attel (active in Munich 1470/1480). Crowning with Thorns. Deposition. Ascension of Christ. Pentecost. Oil on panel, 125 x 116 cm (each)]
Attributed works:
[London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Marc Quinn, detail from Untitled 4, from Portraits of Landscapes.]
Attributed works:
[Marlborough Graphic, London. Spider, by Paula Rego. 2008-09. Edition of 35. Etching and aquatint, 63 by 49 cm.]
Attributed works:
[Pratt Contemporary Art. Kent. A modern bestiary: Dachsund, by Ana Maria Pacheco. Screenprint, 24 by 19.5 cm]
Attributed works:
[Redfern Gallery. London. Ploughing pasture, by Sybil Andrews. 1955. Linocut, 29.1 by 37.5 cm]
Attributed works:
[Sims Reed Gallery, London. Flumequine, by Damien Hirst. 2007. Each signed in pencil and numbered from an edition of 75. Etching printed in colours, 139.7 by 107.5 cm]
Attributed works:
[The Fine Art Society. London. Noctes Ambrosianae, by Walter Sickert. c. 1908. Etching and aquatint, printed in black ink on wove paper, 22.8 by 25.8 cm]
Attributed works:
[Wolseley Fine Arts. Horefordshire. Self portrait no. 9 the turban, by Edgar Holloway. 1937. Etching, 12.6 by 10.2 cm]
Attributed works:
[Yale Centre for British Art. 1080 Chapel Street. New Haven, CT. William Powell Frith, The Railway Station (detail), 1862, oil on canvas. Courtesy of Royal Holloway, University of London.]
Book Review
Paula Rego's Map of Memory: National and Sexual Politics.
07/2004 | 1216 | 146
Pages: 476-477
related names
Reviewer:
Rye, Jane (Rye, Jane)
Subjects
artists:
print:
Reviewed Items
print:
Paula Rego's Map of Memory: National and Sexual Politics. | author: Manuel Lisboa, Maria
Exhibition Review
Paula Rego and John Hubbard. London and Cambridge
09/1998 | 1146 | 140
Pages: 635-636
related names
Reviewer:
Spalding, Frances (Spalding, Frances)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
48. Angel, by Paula Rego. 1998. Pastel on Paper Mounted on Aluminium, 180 by 130 cm. (Exh. Dulwich Picture Gallery, London).
Attributed works:
49. The Company of Women, by Paula Rego. 1997. Pastel on Paper Mounted on Aluminium, 170 by 130 cm. (Exh. Dulwich Picture Gallery, London).
Advertisements
Advertisements August 1989 (Front)
08/1989 | 1037 | 131
Pages: i-viii
Subjects
Illustrations
Attributed works:
[Chicago International Antiques Show, 600 North McClurg Court, Chicago] "Crescent Moon," Bronze, by Grace Helen Talbot. Courtesy of the Graham Gallery, New York.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Jacopo del Sellaio Active in Florence c. 1441-1493. The Madonna Adoring the Infant Christ with St. John Standing in the Background. Panel, 39 × 23½ ins. (99 × 60 cms.)
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Jeane-Guillaume Moitte (1746-1810), Design for a Candelabrum in the Form of a Woman, Two Silver Cups and Two Silver Dishes ca. 1790 Pen and Ink H. 30.7 × W. 39.7 cm. (12 × 15⅝ in.)
Attributed works:
[Marlborough Fine Art (London) Ltd, 6 Albemarle Street, London] Paula Rego (b. 1935). The Rehearsal, 1989, Acrylic on Paper, 8 × 12 ft.
Attributed works:
[National Art Collection Fund, 20 John Islip Street, London] Marble Relief of Mucius Scaevola by Giovanni Maria Mosca. 34.5 × 21 cms. Acquired by the National Galleries of Scotland in 1988 with the Help of a Contribution from the NACF.
Attributed works:
[Richard L. Feigen Company, 6 Ryder Street, London] Sir Joshua Reynolds, "Portrait of Dorothy Vaughan, Countess of Lisburne", c. 1777, Oil on Canvas, 50 by 40 Inches (127 by 101 cm)