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09/2024 | 1458 | 166
Pages: i-xv
Subjects
Illustrations
Attributed works:
An important Italian demilune commode by Henry Thomas Peters (Windsor 1792-Genoa 1852) after a design by Carl Randoni (Turin 1755-1831) for the Royal Genoese Palace in 1821. Its twin is in Attingham Park, Shropshire. [Burzio/BIAF]
Attributed works:
Antonio de Medici, by Alessandro Allori (1535–1607). Early 1590s. Oil on panel, 107.3 by 86.4 cm. [DICKINSON, LONDON/BIAF]
Attributed works:
DAVID DES GRANGES (1611–1672) Portrait miniature of Charles II (1630–85), as King of Scotland; 1651 Watercolour on vellum Set into the original gold locket, enamelled with designs on base and lid, the lid set with diamonds Oval, 41mm (1 5⁄8in) high [The Limner Company]
Attributed works:
Figure studies, by Henry Moore (1898–1986). c.1948. Watercolour, ink, wash and wax resist, 28 by 21.5 cm. [CHRISTOPHER KINGZETT, LONDON/British Art Fair]
Attributed works:
GIACOMO CERUTI (1698–1767) A Lady in Costume (possibly Mary, Queen of Scots), mid-18th century Recently acquired by the Pinacoteca di Brera, Milan [Robilant + Voena]
Attributed works:
Head of the Bishop Andrea de’ Mozzi, attributed to a collaborator of Arnolfo di Cambio (c.1245–1302). c.1296–c.1300. Serena Pietra with traces of polychrome, height 39 cm. [BOTTICELLI ANTICHITÀ, FLORENCE/BIAF]
Attributed works:
Leaping man, by Elisabeth Frink (1930–93). 1985. Bronze with a brown patina, 40 by 37 by 15 cm. [PORTLAND GALLERY, LONDON/British Art Fair]
Attributed works:
M.G.F.A. Choiseul-Gouffier. Voyage pittoresque de la Grèce. 2 vol. in 3. Paris 1782-1824. [Venator & Hanstein]
Attributed works:
Madonna with Child and St Mary Magdalene, by Tiziano Vecellio, known as Titian, and workshop (c.1488/90–1576). c.1555–60. Oil on canvas, 104 by 92.5 cm. [CARLO ORSI, MILAN/BIAF]
Attributed works:
Madonna with Child, by Agnolo di Cosimo, called Bronzino (1503–72). 1525–26. Oil on panel, 75 by 62 cm. [GALERIE CANESSO, PARIS/BIAF]
Attributed works:
Meeting point, by L.S. Lowry (1887–1976). 1973. Offset lithograph printed in colours on wove, 47 by 71 cm. [HIDDEN GALLERY, BATH AND BRISTOL/British Art Fair]
Attributed works:
Mr Rochester, by Paula Rego (1935– 2022). 2001. Unique hand-painted lithograph, 89.5 by 67 cm. [JAMES HYMAN GALLERY, LONDON/British Art Fair]
Attributed works:
Munnie and Janette, by William Crosbie (1915–99). 1937. Oil on paper, 58.5 by 66 cm. [THE FINE ART SOCIETY, EDINBURGH/British Art Fair]
Attributed works:
Paul Nash (1889-1946) Studio, 1929 Watercolour, 57.3 by 41.3cm [Patrick Bourne & Co/British Art Fair]
Attributed works:
Pordenone, Mary Magdalene, circa 1530-1532 Museum Boijmans Van Beuningen, Rotterdam. Loan Stichting Boijmans Van Beuningen (former Koenigs collection) [Fondation Custodia]
Attributed works:
Portrait of Achille Fontanelli, by Andrea Appiani (1754–1817). 1813. Oil on canvas, 125 by 96 cm. [ROBILANT+VOENA, LONDON, MILAN, PARIS and NEW YORK/BIAF]
Attributed works:
River Stour, Essex, by Algernon Newton (1880–1968). 1938. Oil on board, 12 by 17 cm. [AUSTIN / DESMOND FINE ART, LONDON/British Art Fair]
Attributed works:
Rue du Mortier d’Or, by Walter Sickert (1860–1942). 1903. Oil on canvas, 33.5 by 41 cm. [BROWSE & DARBY, LONDON/British Art Fair]
Attributed works:
Simone di Filippo, called Simone dei Crocifissi (Bologna, documented between 1354 -1399) Virgin and Child between Saints John the Baptist and Bartholomew (central panel); Archangel Gabriel, Saint Petronius, Saint Christopher and Saint Anthony (left panel); Virgin Annunciate, Saint Jerome, a Bishop Saint (Ambrose?) and Saint Florian (right panel) [Moretti]
Attributed works:
Sir Horace Mann, by Prince Hoare (1711–69). c.1749. Terracotta, height 51.5 cm. [WALTER PADOVANI, MILAN/BIAF]
Attributed works:
Soldiers in a billet, by Keith Vaughan (1912–77). 1942. Pen, brush and ink, 25.5 by 35 cm. [ABBOTT AND HOLDER, LONDON/British Art Fair]
Attributed works:
Spring time, by William Nicholson (I872–1949). 1922. Pen, ink, watercolour and crayon, 21 by 16 cm. [PATRICK BOURNE & CO, LONDON/British Art Fair]
Attributed works:
Still life with flowers in a glass vase, by Giovanna Garzoni (1600–70). c.1640–50. Tempera painted on vellum with traces of black pencil, 44.8 by 37.5 cm. [COLNAGHI, LONDON, MADRID, BRUSSELS and NEW YORK/BIAF]
Attributed works:
Study of Francis Bacon, no.3, by Clive Barker (b.1940). 1978. Polished bronze, 10.5 by 18.5 cm. [WHITFORD FINE ART, LONDON/British Art Fair]
Attributed works:
The Bruno of Cologne table, by Pietro Piffetti (1701–77). c.1750. Burr walnut and other precious woods, 104.5 by 55 by 83 cm. [BURZIO, LONDON/BIAF]
Attributed works:
The escape of the naked young man after the capture of Christ, by Giusto Fiammingo (active Rome c.1615–25). Oil on canvas, 220 by 290 cm. [ROB SMEETS OLD MASTER PAINTINGS, GENEVA/BIAF]
Attributed works:
The players, by John Bellany (1942–2013). 1967. Oil on board, 161 by 183 cm. [CASTLEGATE HOUSE GALLERY, COCKERMOUTH/British Art Fair]
Attributed works:
Three children with a dog in an interior, by Peter Edward Stroehling (1768–1826). 1789. Oil on copper, 38 by 48 cm. [PAOLO ANTONACCI, ROME/BIAF]
Attributed works:
Untitled, from the Black Balloon Archive, by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm. (© Liz Johnson Artur; Victoria and Albert Museum, London). [The Burlington Magazine]
Exhibition Review
Donatello in Florence, Berlin and London
07/2023 | 1444 | 165
Pages: 761–771
related names
Author:
Röstel, Alexander (Röstel, Alexander )
Subjects
artists:
dates:
Reviewed Items
subjects:
Donatello. Inventor of the Renaissance, Berlin, 2nd September 2022–8th January 2023. | :
subjects:
Donatello. Sculpting the Renaissance, Victoria and Albert Museum, London. 11th February–11th June 2023. | :
subjects:
Donatello. The Renaissance, Palazzo Strozzi, Florence, 19th March–31st July 2022. | :
Illustrations
Attributed works:
1. Virgin and Child (The Pazzi Madonna), by Donatello. c.1420–25. Marble, 74.5 by 73 by 6.5 cm. (Bode-Museum, Berlin; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
10. Installation view of Donatello: Sculpting the Renaissance at Victoria and Albert Museum, London, 2023, showing a group of sculptures depicting the Virgin and Child.
Attributed works:
11. Virgin and Child (The Piot Madonna), by Donatello and workshop. c.1440. Terracotta with traces of gilding, inset with wax medallions under glass, diameter 75 cm. (Musée du Louvre, Paris; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria & Albert Museum, London).
Attributed works:
12. Virgin and Child (The Dudley Madonna), by Donatello. c.1440. Marble, 27 by 16.5 by 2 cm. (Victoria and Albert Museum, London; exh. Palazzo Strozzi, Florence; Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
13. Flagellation and Crucifixion (The Forzori Altar), by Donatello. c.1450. Terracotta, 54.5 by 30.4 by 4.5 cm. (Flagellation), 53.5 by 27 by 5 cm. (Crucifixion) and 11.6 by 48.4 by 2.3 cm. (predella). (Victoria and Albert Museum, London; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
2. Amor–Attis, by Donatello. c.1435–40. Bronze, partially gilded, 103 by 55 by 45 cm. (Museo Nazionale del Bargello, Florence; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
3. The feast of Herod, by Donatello. c.1423–27. Gilded bronze, 60 by 59.7 by 9 cm. (Baptistery of S. Giovanni, Siena; exh. Palazzo Strozzi, Florence).
Attributed works:
4. Installation view of Donatello: The Renaissance at Palazzo Strozzi, Florence, 2022, showing on the right St Louis of Toulouse by Donatello.
Attributed works:
5. Ascension with Christ giving the keys to St Peter, by Donatello. c.1428–30. Marble, 40.6 by 114.3 by 5.3 cm. (Victoria and Albert Museum, London; exh. Victoria and Albert Museum, London).
Attributed works:
6. Capital for the pulpit of Prato Cathedral, by Donatello and Michelozzo. 1433. Bronze, 94.5 by 143.5 by 50 cm. (Museo dell’Opera del Duomo, Prato; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
7. David, by Donatello. c.1408–16. Marble, 191 by 57.5 by 32 cm. (Museo Nazionale del Bargello, Florence; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
8. Installation view of Donatello: Inventor of the Renaissance at the Gemäldegalerie, Berlin, 2022, showing the Martelli David and Bronzino’s portrait of Ugolino Martelli.
Attributed works:
9. Installation view of Donatello: Sculpting the Renaissance at Victoria and Albert Museum, London, 2023.
Article
Bronzino’s ‘Petrarch’ retrieved: new light on Bartolomeo Bettini’s ‘camera’
01/2023 | 1438 | 165
Pages: 16-41
related names
Author:
Stumpel, Jeroen (Stumpel, Jeroen; Stumpel, Jeroem)
Subjects
art literature:
dates:
Illustrations
Attributed works:
1 and 2. Portraits of Dante and Petrarch published as works by Pontormo. (From L’arte, November 1941, pp.xvii and xix).
Attributed works:
10. Venus and Cupid, by Jacopo Pontormo, based on a cartoon by Michelangelo. c.1532–33. Oil on panel, 194 by 128 cm. (Galleria dell’Accademia, Florence; Bridgeman Images).
Attributed works:
11. Detail of Fig.6, probably showing Petrarch’s house in the Vaucluse.
Attributed works:
12. Detail of Fig.6, showing a lira da braccio tied to a laurel tree.
Attributed works:
13. Detail of Fig.6, showing Petrarch holding an open book.
Attributed works:
14. Proposed reconstruction of original placement of Figs.3 and 8.
Attributed works:
15. Cosimo I de’ Medici as Orpheus, by Agnolo Bronzino. c.1537–39. Oil on canvas, 93.7 by 76.4 cm. (Philadelphia Museum of Art; Bridgeman Images).
Attributed works:
16. Six Tuscan poets, by Giorgio Vasari. c.1544. Oil on panel, 132.1 by 131.1 cm. (Minneapolis Institute of Art; Bridgeman Images).
Attributed works:
17. Petrarch, by a follower of Cristofano di Papi dell’Altissimo. c.1560. Oil on panel, 63 by 49 cm. (Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Attributed works:
18. Dante, by a follower of Cristofano di Papi dell’Altissimo. c.1560. Oil on panel, 63 by 49 cm. (Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Attributed works:
19. Boccaccio, by a follower of Cristofano di Papi dell’Altissimo. c.1560. Oil on panel, 65 by 51 cm. (Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Attributed works:
20. Proposed reconstruction of Figs.3, 8 and 22 as they might have appeared in the camera of Bartolomeo Bettini.
Attributed works:
21. Allegorical portrait of Dante, by Carlo Dolci after Agnolo Bronzino. Red and black chalk on paper, 23.2 by 20.1 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
22. Boccaccio holding a copy of the ‘Decameron’, attributed to a follower of Cristofano di Papi dell’Altissimo. c.1570. Oil on canvas, 70 by 94.2 cm. (Private collection).
Attributed works:
23. Detail of Ugolino Martelli, by Agnolo Bronzino, showing the sitter’s left hand. 1536–37. (Gemäldegalerie, Berlin; Bridgeman Images).
Attributed works:
24. Detail of Laura Battiferro, by Agnolo Bronzino, showing the sitter’s right hand. 1552. (Palazzo Vecchio, Florence; Bridgeman Images).
Attributed works:
25. Detail of Fig.22, showing Boccaccio’s hands.
Attributed works:
26. Detail of Guidobaldo della Rovere, by Agnolo Bronzino, showing the sitter’s right hand. c.1544–45. (Palazzo Pitti, Florence; Bridgeman Images).
Attributed works:
3. Allegorical portrait of Dante, by Agnolo Bronzino. c.1532. Oil on canvas, 130 by 136 cm. (Private collection).
Attributed works:
4. Dante Alighieri, attributed to Giovanbattista Naldini. 1550–1600. Oil on panel. (Photograph Fondazione Federico Zeri, Bologna).
Attributed works:
5. Petrarch, attributed to Giovanbattista Naldini. 1550–1600. Oil on panel. (Photograph Fondazione Federico Zeri, Bologna).
Attributed works:
6. Detail of Fig.8, showing Petrarch’s face.
Attributed works:
7. Detail of Fig.5, showing Petrarch’s face.
Attributed works:
8. Allegorical portrait of Petrarch, here attributed to a follower of Bronzino. c.1550? Oil on canvas, 110.6 by 124 cm. (Private collection).
Attributed works:
9. Allegorical portrait of Dante, by the workshop of Bronzino. 1 550–1600? Oil on panel, 126.9 by 120 cm. (National Gallery of Art, Washington).
Article
Bronzino’s portrait of Cosimo I de’ Medici in armour re-examined
01/2023 | 1438 | 165
Pages: 4-15
related names
Author:
Dredge, Paula (Dredge, Paula)
Author:
Gérard-Austin, Anne (Gérard-Austin, Anne)
Author:
Howard, Daryl (Howard, Daryl)
Author:
Ives, Simon (Ives, Simon)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Cosimo I de’ Medici in armour, by Agnolo Bronzino. c.1545. Oil on poplar panel, 86 by 66.8 cm. (Art Gallery of New South Wales, Sydney; © Art Gallery of New South Wales, Diana Panuccio).
Attributed works:
10. Detail of the XRF copper map of Fig.1, showing an inscribed horizontal line on the lower-right side passing through the broncone and the additional leaves of the side branch. (© Art Gallery of New South Wales).
Attributed works:
11. Detail of the XRF lead map of Fig.1, showing an inscribed horizontal line on the lower-right side passing through the broncone and the additional leaves of the side branch. (© Art Gallery of New South Wales).
Attributed works:
12. XRF scan mapping the distribution of arsenic in Fig.1. (© Art Gallery of New South Wales).
Attributed works:
13. XRF scan mapping the distribution of copper in Fig.1. The black and white arrows indicate the green copper-based azurite pigment embedded into the indentation left in the surface after inscribing lines and the painting out of armour at the waist in preparation for cutting the panel. (© Art Gallery of New South Wales).
Attributed works:
14. Detail of Fig.8, showing an inscribed horizontal line on the lower-left side with removal of lead. (© Art Gallery of New South Wales).
Attributed works:
15. Paint cross section outside the inscribed line showing two phases of blue/green azurite crystals, one circled in white.
Attributed works:
15–17. Paint cross sections and SEM backscattered electron images of the painting illustrated in Fig.1. Locations of sample sites are indicated by the white letters in Fig.18.
Attributed works:
16. Paint cross section of the green background inside the inscribed area showing a single phase of azurite crystals.
Attributed works:
17. Paint cross section on the shoulder showing a thin layer of leadbased paint from armour with grey/green background from the l ower painting and a two-phase azurite pigment circled in white. (© Art Gallery of New South Wales, Paula Dredge).
Attributed works:
18. Purple indicates the areas of copper-based azurite background containing arsenic (outside the inscribed line and upper shoulder). Red indicates the area of copper-based azurite background that does not contain arsenic. Green indicates the area of copper-based azurite background not containing arsenic but repainted. (© Art Gallery of New South Wales, Paula Dredge).
Attributed works:
19. Composite XRF scan map of Fig.1 showing mercury (red) and iron (green). (© Art Gallery of New South Wales).
Attributed works:
2. Cosimo I de’ Medici in armour, by Agnolo Bronzino. 1543. Oil on panel, 71 by 57 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
20. Red line trace of all features present in the infra-red image and XRF iron, copper, lead and mercury maps of Fig.1 that are not visible on the painting. (© Art Gallery of New South Wales, Simon Ives).
Attributed works:
21. Portrait of Cosimo I de’ Medici, half-length, in a black slashed doublet and a plumed hat, holding a book, by Jacopo Pontormo. c.1537– 38. Oil (or oil and tempera) on panel, 100.6 by 77 cm. (Private collection; Bridgeman Images).
Attributed works:
22. Head of a man, by Agnolo Bronzino. c.1550–55. Black chalk on paper, 13.8 by 10.3 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
23. Fig.22 superimposed on the face of the Sydney lower painting red line trace in Fig.20. (Photograph © Art Gallery of New South Wales, Simon Ives).
Attributed works:
24. Portrait of a young man, by Agnolo Bronzino. 1550–55. Oil on panel, 85.73 by 68.58 cm. (Nelson-Atkins Museum of Art, Kansas City), and Fig.20 superimposed. (Photograph © Art Gallery of New South Wales, Simon Ives).
Attributed works:
3. Macro photograph of Fig.1, showing a copying error in which the top edge of the helmet has been drawn (placement indicated with white arrows) but mistakenly painted as background. (© Art Gallery of New South Wales, Diana Panuccio).
Attributed works:
4. Macro photograph of Fig.1, showing the reflection of the red ribbon on the proper left rondel. The ridges of red lake paint suggest they were dabbed, leaving the impression of a fingerprint in the paint. (© Art Gallery of New South Wales, Diana Panuccio).
Attributed works:
5. Digital X-radiograph of Fig.1. (© Art Gallery of New South Wales, Paula Dredge).
Attributed works:
6. Detail of infra-red reflectogram of Fig.1. (© Art Gallery of New South Wales, Paula Dredge).
Attributed works:
7. Infra-red reflectogram of Fig.1 with placement of incised lines indicated with white arrows. (© Art Gallery of New South Wales, Paula Dredge).
Attributed works:
8. XRF scan mapping the distribution of lead in Fig.1. (© Art Gallery of New South Wales).
Attributed works:
9. XRF scan mapping the distribution of mercury in Fig.1. (© Art Gallery of New South Wales).
Article
A portrait of the Lady Isabella by the hand of Bronzino
01/2023 | 1438 | 165
Pages: 26-37
related names
Author:
Edelstein, Bruce L. (Edelstein, Bruce L.)
Subjects
dates:
Illustrations
Attributed works:
1. Eleonora di Toledo with her son Giovanni, by Agnolo Bronzino. c.1545. Oil on panel, 115 by 96 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
10. Portrait of a lady with a cameo, by Alessandro Allori. Oil on panel, 123 by 97 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
11. Portrait medal of Isabella de’ Medici Orsini, by Domenico Poggini. 1560. Bronze, diameter 4.9 cm. (Museo Nazionale del Bargello, Florence).
Attributed works:
12. Isabella de’ Medici as a young girl, by Agnolo Bronzino. c.1553. Oil on panel, 44 by 36 cm. (Nationalmuseum, Stockholm).
Attributed works:
13. Portrait of Isabella de’ Medici Orsini, by Alessandro Allori. After 1560. Oil on panel, 99 by 70 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
14. X-radiograph of Fig.2. (Courtesy Thierry Radelet Laboratory).
Attributed works:
2. Portrait of a woman, here identified as Isabella de’ Medici Orsini, here attributed to Agnolo Bronzino. c.1560. Oil on panel, 103.8 by 83.7 cm. (Private collection; courtesy Claudio Giusti).
Attributed works:
3. Portrait of a young lady, probably Camilla Martelli de’ Medici, by Alessandro Allori. 1570s. Oil on canvas mounted on board, 68.6 by 59.1 cm. (Saint Louis Art Museum).
Attributed works:
4. Infra-red reflectogram of Fig.2. (Courtesy Thierry Radelet Laboratory).
Attributed works:
5. Portrait of a young man, by Agnolo Bronzino. Mid-1530s or early 1540s? Oil on panel, 96 by 75 cm. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
6. Infra-red reflectogram of Fig.5.
Attributed works:
7. Portrait of a lady (Cassandra Bandini?), by Agnolo Bronzino. c.1550– 55. Oil on panel, 109 by 84 cm. (Galleria Sabauda, Turin).
Attributed works:
8. Bia de’ Medici, by Agnolo Bronzino. c.1542–45. Oil on panel, 64 by 48 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
9. Laura Battiferri, by Agnolo Bronzino. c.1560. 83 by 60 cm. (Museo di Palazzo Vecchio, Florence; Bridgeman Images).
Supplement
Recent acquisitions at the J. Paul Getty Museum (2017–21)
01/2022 | 1426 | 164
Pages: 97-116
related names
Author:
Potts, Timothy (Potts, Timothy; Potts, Timothy F.)
Subjects
Illustrations
Attributed works:
11. Corpus Christi, by Veit Stoss (German, 1447–1533). c.1490–1500. Wood, 34.5 by 33 by 6.5 cm. 2019.94.
Attributed works:
12. Annunciation, by Giovanni di Balduccio (Italian, c.1300– after 1349). c.1333–34. Marble with traces of polychromy, angel: 75 by 22.5 by 20 cm.; Virgin: 78.5 by 24 by 19 cm. 2019.117.
Attributed works:
13. Bust of a young boy, by Desiderio da Settignano (Italian, c.1430–64). c.1460–64. Marble, 25 by 24.5 by 14 cm. 2018.5.
Attributed works:
14. Christ as the man of sorrows, by Quentin Metsys (Netherlandish, 1465 or 1466–1530). c.1520–25. Oil on panel, 49.5 by 37 cm. 2018.54.
Attributed works:
15. Anne of Brittany enthroned and accompanied by her ladies-in-waiting, from Ovid, excerpts from Heroides; Octovien de Saint-Gelais, Letters, by the Master of the Chronique scandaleuse (French, active c.1493–1510). c.1493. Tempera colours, gold and ink on parchment, 26.5 by 19 cm. MS. 121, fol.55, 2021.7.
Attributed works:
16. Head of a young man, by Francesco Mazzola, il Parmigianino (Italian, 1503–40). c.1539–40. Pen and brown ink, 16 by 10.5 cm. 2017.79.
Attributed works:
17. Study for the head of St Joseph (recto); Two studies of legs (verso), by Andrea del Sarto (Italian, 1486–1530). c.1526–27. Red and black chalk (recto); red chalk (verso), 37.5 by 22.6 cm. 2017.73.
Attributed works:
18. Study of a mourning woman, by Michelangelo Buonarroti (Italian, 1475–1564). c.1500–05. Pen and brown ink, heightened with white lead opaque watercolour, 26 by 16.5 cm. 2017.78.
Attributed works:
19. Head of a youth, by Domenico Beccafumi (Italian, 1484–1551). c.1530. Oil on paper, 27.6 by 21.1 cm. 2020.54.
Attributed works:
20. Virgin and Child with St Elizabeth and St John the Baptist, by Agnolo Bronzino (Italian, 1503–72). c.1540–45. Oil on panel, 102.7 by 83.4 cm. 2019.116.
Attributed works:
21. Virgin and Child with St John the Baptist and Mary Magdalene, by Parmigianino (Francesco Mazzola) (Italian, 1503–40). c.1535–40. Oil on paper, laid down on panel, 75.9 by 59.7 by 3 cm. 2017.22.
Attributed works:
22. Lucretia, by Artemisia Gentileschi (Italian, 1593–after 1654). c.1627. Oil on canvas, 92.9 by 72.7 cm. 2021.14.
Attributed works:
23. The Miracle of the Quails, by Jacopo dal Ponte, called Jacopo Bassano (Italian, c.1510–92). 1554. Oil on canvas, 150 by 235 cm. 2021.60.
Attributed works:
24. Study for Balthazar, by Peter Paul Rubens (Flemish, 1577–1640). c.1609–11. Oil on paper laid down on panel, 54 by 47.3 cm. 2018.48.
Attributed works:
25. Gospel book, by Ghoukas (Armenian, 16th century). 1583. Tempera colours and ink on paper, 27 by 19 cm. MS. 119, 2020.3.
Attributed works:
26. Crucifixion, by Samuel van Hoogstraten (Dutch, 1627–78). c.1650. Pen and brown ink with grey wash, red chalk and heightening with white opaque watercolour, corrections in white opaque watercolour, 24.5 by 25 cm. 2020.39.
Attributed works:
27. Head of a woman, by Annibale Carracci (Italian, 1560–1609). c.1582. Oil on paper, laid on canvas, 42.8 by 29.5 cm. 2019.4.
Attributed works:
28. Panoramic view of Dordrecht and the River Maas, by Aelbert Cuyp (Dutch, 1620–91). c.1645–52. Brush and dark brown ink with grey wash and ochre watercolour heightened with gum arabic over black chalk, 15.9 by 50.5 cm. 2017.74.
Attributed works:
29. Portrait of Nicolas-Claude Fabri de Peiresc, by Claude Mellan (French, 1598–1688). 1636. Black chalk, 14.5 by 11 cm. 2019.11.
Attributed works:
3. Intaglio with bust of Demosthenes, by Dioskourides (Greek, active late 1st century BC). Roman, c.25 BC. Amethyst, 2 by 1.4 by 0.5 cm. 2019.13.15.
Attributed works:
30. Metamorphosis of a small emperor moth on a damson plum, by Maria Sibylla Merian (German, 1647–1717). From the Caterpillar Book, Nuremburg 1679, plate 13. Translucent and opaque watercolour over counterproof print on parchment, 18.7 by 14.9 cm. 2020.10.
Attributed works:
31. La surprise, by Jean Antoine Watteau (French, 1684– 1721). 1718–19. Oil on panel, 36.4 by 28.2 cm. 2017.72.
Attributed works:
32. Box. Saint-Cloud Porcelain Manufactory, France, 1730–40. Soft-paste porcelain with glaze and enamel, 9.1 by 10.2 by 8.9 cm. Gift of MaryLou Boone. 2019.135.
Attributed works:
33. Two boys with a bladder, by Joseph Wright of Derby (English, 1734–97). c.1769–70. Oil on canvas, 92.7 by 73 cm. 2020.20.
Attributed works:
34. José Nicolás de Azara, Marquis of Nibbiano, by Anton Raphael Mengs (German, 1728–79). After 1774. Oil on canvas, 82.6 by 63.5 cm. Gift of Fabrizio Moretti in honour of Davide Gasparotto. 2019.132.
Attributed works:
35. Madame Charles Mitoire with her children, by Adélaïde Labille-Guiard (French, 1749–1803). 1783. Pastel on three sheets of blue paper, mounted on canvas, 98.5 by 79 cm. 2021.37.
Attributed works:
36. Bust of John the Baptist, by Auguste Rodin (French, 1840–1917). Model 1880; cast 1886. Bronze, 48 by 38.8 by 27 cm. 2018.33.
Attributed works:
38. The destruction of Pharaoh’s host, by John Martin (English, 1789–1854). 1836. Watercolour and oil paint with brown ink and scraping out on paper, 58.4 by 85.7 cm. 2018.45.
Attributed works:
39. House at 66 Avenue Montaigne, Paris, attributed to Bisson Frères (French, active 1840–64). c.1857. Hand-coloured salted paper print from a glass negative, 41.7 by 33 cm. 2019.8.
Attributed works:
40. After the bath (woman drying herself), by Edgar Degas (French, 1834–1917). c.1896. Pastel on paper laid down on board, 72 by 58 cm. 2017.75.1.
Attributed works:
41. Young man at his window, by Gustave Caillebotte (French, 1848–94). 1876. Oil on canvas, 116 by 81 cm. 2021.67.
Attributed works:
42. Spring in the Alps, by Giovanni Segantini (Italian, 1858–99). 1897. Oil on canvas, 116 by 227 cm. 2019.3.
Attributed works:
43. Landscape near Arnhem, by Piet Mondrian (Dutch, 1872–1944). 1900–01. Translucent and opaque watercolour over graphite, 52 by 74.8 cm. 2020.43.
Attributed works:
44. Self-portrait with plaster cast of the Elgin Marbles, by Imogen Cunningham (American, 1883–1976). 1909–10. Platinum print, 16.7 by 12.4 cm. 2020.24.1. (© Imogen Cunningham Trust).
Attributed works:
45. The Peugniez affair – view of the kitchen, 5th June, from Crime Album, by Alphonse Bertillon (French, 1853–1914). 1898. Gelatin silver print, 17.1 by 23.1 cm. 2019.22.41.
Attributed works:
46. Reflections on the oil ditch, by Shigemi Uyeda (American, born Japan, 1902–80). c.1925. Gelatin silver print, 33.5 by 26.5 cm. 2019.58.1. (© Family of Shigemi Uyeda).
Attributed works:
47. Hitlerfresse, by Erwin Blumenfeld (American, born Germany, 1897–1969). 30th January 1933. Gelatin silver print collage, 29.2 by 21.3 cm. 2017.108. (© The Estate of Erwin Blumenfeld).
Attributed works:
48. Interior with an easel, Bredgade 25, by Vilhelm Hammershøi (Danish, 1864–1916). 1912. Oil on canvas, 78.7 by 70.5 cm. 2018.59.
Attributed works:
49. Untitled, by Noboru Ueki (Japanese, 1905–91). c.1948. Hand-coloured gelatin silver print, 55.9 by 45.9 cm. 2020.59.1. (© Estate of Noboru Ueki, courtesy MEM, Tokyo).
Attributed works:
50. Aunt Stella, by Ming Smith (American, active 1970s to present). 1992. From the series August Wilson. Gelatin silver print, 48 by 34.5 cm. Purchased with funds provided by the Photographs Council. 2019.125.4. (© Ming Smith).
Attributed works:
51. Three eagles flying, by Laura Aguilar (American, 1959–2018). 1990. Three gelatin silver prints, each approx. 61 by 50.8 cm. Purchased with funds provided by the Photographs Council. 2019.15.1. (© Laura Aguilar Trust of 2016).
Attributed works:
52. Untitled (Self-portrait), by Sally Mann (American, b.1951). 2012. Tintype, each image 25.4 by 20.3 cm. 2018.3 (© Sally Mann, Inc.).
Attributed works:
53. Enduring, by John Edmonds (American, b.1989). 2019. Pigment print, 77.5 by 77.5 cm. In memory of George Floyd with our commitment to continue the fight for justice and racial equality, 25th May 2020; a gift from members of the Photographs Council. 2020.91. (© John Edmonds).
Attributed works:
54. The End, by Ed Ruscha (American, b.1937). 2017. Editioned Hologram, 29.5 by 39.4 cm. Gift of AMPC LLC through the auspices of Guy and Nora Barron. 2018.26.11. (© Ed Ruscha).
Attributed works:
Gallery view of the Getty Museum, Los Angeles.
Western art unattributed:
1.Votive statuette of a male youth (kouros). Greek (Lakonian), 550–530 BC. Bronze, height 18.3 cm. 2019.127.
Western art unattributed:
10. Rothschild Pentateuch. French or German, 1296. Tempera colours, gold and ink on parchment, 27.5 by 21 cm. Acquired with the generous support of Jo Carole and Ronald S. Lauder. MS. 116, 2018.43.
Western art unattributed:
2. Appliqué depicting the Sun God Usil. Etruscan (Vulci), 500–475 BC. Bronze, 20.7 by 18 cm. 2017.126.
Western art unattributed:
4. Intaglio with bust of Antinous (the Marlborough Antinous). Roman, 131–38 AD. Black chalcedony set in a modern gold mount, 3.5 by 2.9 cm. 2019.13.17.
Western art unattributed:
5. Bust of Germanicus. Roman, c.20–40 AD. Marble, height 52.1 cm. 2021.66.
Western art unattributed:
6. Portrait bust of a man. Roman, 140–60 AD. Marble, height 76.5 cm. 2018.31.
Western art unattributed:
7. Funerary relief of Hadirat Katthina, daughter of Sha’ad. Palmyran, 200–20 AD. Limestone with traces of pigment and gold, 50.8 by 40.6 by 20.3 cm. 2019.12.
Western art unattributed:
8. Head of a man (pseudo-Seneca/Hesiod(?) type). Roman, 1st century AD. Marble, height 35.6 cm. 2019.128.
Western art unattributed:
9. Bifolium from the Pink Qu’ran. Spanish, 13th century. Tempera colours, gold, silver and ink on dyed paper, 31.8 by 50.2 cm. MS. 122, 2021.44.
Exhibition Review
The Medici: Portraits and Politics, 1512–1570
09/2021 | 1422 | 163
Pages: 843-845
related names
Reviewer:
Simon, Robert B. (Simon, Robert B.)
Subjects
dates:
Reviewed Items
subjects:
The Medici: Portraits and Politics, 1512–1570 Metropolitan Museum of Art, New York 26th June–11th October | :
Illustrations
Attributed works:
10. Detail of Cosimo I de’ Medici, by Benvenuto Cellini. 1546–47. Bronze, height 110 cm. (Museo Nazionale del Bargello, Florence; exh. Metropolitan Museum of Art, New York).
Attributed works:
8. Installation view of The Medici: Portraits and Politics, 1512–1570 at the Metropolitan Museum of Art, New York, 2021, showing, left, Portrait of a man and, right, Ludovico Capponi, both by Bronzino (photograph Hyla Skopitz).
Attributed works:
9. Laura Battiferri, by Bronzino. c.1560. Oil on panel, 87.5 by 70 cm. (Museo di Palazzo Vecchio, Florence; exh. Metropolitan Museum of Art, New York).
Short Notice
Four paintings in search of a provenance: gleanings from the Aldobrandini inventories
12/2020 | 1413 | 162
Pages: 1075-1077
related names
Author:
Ekserdjian, David (Ekserdjian, David; E., D.)
Subjects
Illustrations
Attributed works:
4. St Andrew kneeling, fragment of an altarpiece, by Bronzino. 1556. Oil on panel, 160.3 by 90.2 cm. (Galleria dell’Accademia Nazionale di San Luca, Rome).
Attributed works:
5. St Bartholomew flayed, fragment of an altarpiece, by Bronzino. 1556. Oil on panel, 155.7 by 93.7 cm. (Galleria dell’Accademia Nazionale di San Luca, Rome).
Attributed works:
6. Putto crowning a skull, by Lorenzo Lotto. 1523–24. Oil on canvas, 52 by 51 cm. (Alnwick Castle; Bridgeman Images).
Attributed works:
7. Descent into Limbo, by Lelio Orsi. c.1560–70. Oil on canvas, 68.5 by 55 cm. (Private collection).
Book Review
Seen from Behind: Perspectives on the Male Body and Renaissance Art. By Patricia Lee Rubin
09/2019 | 1398 | 161
Pages: 783-785
related names
Reviewer:
Betzer, Sarah (Betzer, Sarah )
Subjects
dates:
Illustrations
Attributed works:
2. Bathers at San Niccolò, by Domenico Cresti, called Passignano. 1600. Oil on canvas, 142.2 by 180.3 cm. (Private collection).
Exhibition Review
The Renaissance Nude
05/2019 | 1394 | 161
Pages: 416-419
related names
Reviewer:
Nuttall, Paula (Nuttall, Paula)
Subjects
dates:
Illustrations
Attributed works:
8. A male nude with proportions indicated, by Michelangelo Buonarroti. c.1515–20. Red chalk on paper, 28.9 by 18 cm. (Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019; exh. Royal Academy of Arts, London).
Attributed works:
9. A myth of Pan, by Dosso Dossi. c.1524. Canvas, 163.8 by 145.4 cm. (J. Paul Getty Museum, Los Angeles; exh. Royal Academy of Arts, London).
Western art unattributed:
10. Elderly bather. German, c.1480. Boxwood with some polychromy, height 16.2 cm. (Liebieghaus Skulpturensammlung, Frankfurt; exh. Royal Academy of Arts, London).
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