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Exhibition Review
Late Michelangelo
07/2024 | 1456 | 166
Pages: 716–23
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Reviewer:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
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Reviewed Items
subjects:
Michelangelo: the last decades, British Museum, (2nd May–28th July). | :
Illustrations
Attributed works:
1. Christ on the Cross, by Michelangelo. c.1543. Black chalk on paper, 36.8 by 26.8 cm. (British Museum, London).
Attributed works:
10. Crucifixion with two figures, by Michelangelo. c.1558–63. Black chalk and lead white on paper, 27.8 by 23.4 cm. (Ashmolean Museum, Oxford; exh. British Museum, London).
Attributed works:
2. Crucifixion, by Marcello Venusti. c.1545–60. Oil on panel, 88.9 by 28.8 cm. incl. frame, not shown here. (Campion Hall, Oxford; exh. British Museum, London).
Attributed works:
3. Annunciation, attributed to Michelangelo. c.1545–60. Black chalk on paper, 38.3 by 29.7 cm. (Morgan Library and Museum, New York; exh. British Museum, London).
Attributed works:
4. Annunciation, by Marcello Venusti. c.1545–60. Oil on wood, 45 by 30 cm. (Galleria Corsini, Rome; exh. British Museum, London).
Attributed works:
5. Study for the Porta Pia, by Michelangelo. 1561. Stylus, black chalk and brown wash, with lead white, on several conjoined pieces of paper, 44.2 by 28.2 cm. (Casa Buonarroti, Florence; exh. British Museum, London).
Attributed works:
6. Epifania, by Michelangelo. c.1550–53. Black chalk on 26 conjoined sheets, 234.6 by 173.7 cm. (British Museum, London).
Attributed works:
7. Epifania, by Ascanio Condivi. c.1550–53. Oil on panel, 240 by 187 cm. (Casa Buonarroti, Florence; exh. British Museum, London).
Attributed works:
8. Crucifixion with the Virgin and St John the Evangelist, by Michelangelo. c.1558–63. Black chalk and lead white on paper, 41.2 by 28.5 cm. (British Museum, London).
Attributed works:
9. Crucifixion with the Virgin and St John the Evangelist, by Michelangelo. c.1555–63. Black chalk and lead white on paper, 41 by 27.8 cm. (British Museum, London).
Exhibition Review
Guercino: Il mestiere del pittore
07/2024 | 1456 | 166
Pages: 729–31
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Reviewer:
Bohn, Babette (Bohn, Babette)
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Reviewed Items
subjects:
Guercino: Il mestiere del pittore Musei Reali, Turin 23rd March–28th July | :
Illustrations
Attributed works:
6. Madonna of the Rosary with St Dominic and St Catherine of Siena, by Guercino. 1637. Oil on canvas, 378 by 255 cm. (S. Domenico, Turin; exh. Musei Reali, Turin).
Attributed works:
7. Diana, by Guercino. 1646. Oil on canvas, 102 by 84 cm. (Fondazione Marini Clarelli Santi, Perugia; exh. Musei Reali, Turin).
Attributed works:
8. Study for St William kneeling and dressed in armour, by Guercino. 1620. Charcoal on paper, 62 by 41.3 cm. (Musei di Strada Nuova, Genoa; exh. Musei Reali, Turin).
Exhibition Review
Ruth Asawa Through Line
07/2024 | 1456 | 166
Pages: 738–40
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Reviewer:
Harren, Natilee (Harren, Natilee)
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Reviewed Items
subjects:
Ruth Asawa Through Line Menil Drawing Institute, Houston 22nd March–21st July | :
Illustrations
Attributed works:
15. Untitled (MI.153, seven Thonet-style bentwood chairs), by Ruth Asawa. c.1950s. Felt-tip pen on paper, 106.7 by 152.4 cm. (© Ruth Asawa Lanier and Artists Rights Society, New York; Glenstone Museum, Potomac; courtesy David Zwirner; photograph Stephen Arnold; exh. Menil Drawing Institute, Houston).
Attributed works:
16. Untitled (SF.045a, potato print – branches, magenta/orange), by Ruth Asawa. c.1951–52. Stamped ink on Japanese paper, 36.2 by 26 cm. (© Ruth Asawa Lanier and Artists Rights Society, New York; Fine Arts Museums of San Francisco; courtesy David Zwirner; photograph Jorge Bachmann; exh. Menil Drawing Institute, Houston).
Attributed works:
17. Adam’s ranunculus (PF.1107, bouquet from Adam Lanier with snail), by Ruth Asawa. 1999. Ink on Japanese paper, 61 by 42.9 cm. (Private collection; exh. Menil Drawing Institute, Houston).
Exhibition Review
Revoir Van Eyck: La Vierge du chancelier Rolin
06/2024 | 1455 | 166
Pages: 626–629
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Reviewer:
Nuttall, Paula (Nuttall, Paula)
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Reviewed Items
subjects:
Revoir Van Eyck: La Vierge du chancelier Rolin Musée du Louvre, Paris 20th March–17th June | :
Illustrations
Attributed works:
7. Virgin of Chancellor Rolin, by Jan Van Eyck, c.1430-35. Oil on panel, 71 by 65 cm. (Musée du Louvre, Paris).
Attributed works:
8. Reverse of the Virgin of Chancellor Rolin, by Jan Van Eyck, c.1430–35. Oil on panel, 71 by 65 cm. (Musée du Louvre, Paris).
Attributed works:
9. Epitaph of Jacques Isaac and Isabeau d’Anvaing. After 1401, c.1420–30?. Tournai stone, 59 by 86 by 12 cm. (Cathedral of Notre-Dame, Tournai; exh. Musée du Louvre, Paris)
Book Review
The Architectural Drawings of Antonio da Sangallo and His Circle (Vol.III: Antiquity and Theory)
06/2024 | 1455 | 166
Pages: 648–650
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Reviewer:
Hemsoll, David (Hemsoll, David)
Subjects
museums and institutions:
Reviewed Items
subjects:
The Architectural Drawings of Antonio da Sangallo and His Circle (Vol.III: Antiquity and Theory) Edited by Christoph Luitpold Frommel and Georg Schelbert. 2 vols, 584 pp. incl. 526 b. & w. ills. (Harvey Miller Publishers, London, 2022), £210. ISBN 978–1–912554–39–3. | :
Illustrations
Attributed works:
1. Plan of the Colosseum, by Antonio da Sangallo the Younger. c.1505 or after 1513. Pen on parchment, 18.7 by 22.7 cm. (Gallerie degli Uffizi, Florence).
Book Review
The Touch of Pygmalion: Rubens and Sculpture in Rome
05/2024 | 1454 | 166
Pages: 512–515
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Reviewer:
Pierguidi, Stefano (Pierguidi, Stefano)
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Reviewed Items
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The Touch of Pygmalion: Rubens and Sculpture in Rome Edited by Francesca Cappelletti and Lucia Simonato. 232 pp. incl. numerous col. + b. & w. ills. (Electa, Milan, 2023), €42. 978–88–928–2478–2. | :
Illustrations
Attributed works:
6. Two studies after the Spinario, by Peter Paul Rubens. 1602. Red chalk, heightened with white, with later grey background wash, on paper. 26.1 by 36 cm. (British Museum, London).
Attributed works:
7. Death of Adonis, by Peter Paul Rubens. c.1614. Oil on canvas, 212 by 325 cm. (Israel Museum, Jerusalem).
Attributed works:
8. Agrippina and Germanicus, by Peter Paul Rubens. c.1614. Oil on panel, 66.4 by 57 cm. (National Gallery of Art, Washington).
Exhibition Review
Drawing on Blue
04/2024 | 1453 | 166
Pages: 401–403
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Reviewer:
Fowler, Caroline (Fowler, Caroline)
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Reviewed Items
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Drawing on Blue J. Paul Getty Museum, Los Angeles 30th January–28th April | :
Illustrations
Attributed works:
11. Study of Triton blowing a conch shell, by Annibale Carracci. c.1600. Charcoal with traces of white chalk on blue paper, 40.6 by 24.1 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
12. Christ driving the money changers from the Temple, by Jacopo Bassano. c.1570s. Black and coloured chalks on blue paper, 43.6 by 54.3 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
13. A muse, by Rosalba Carriera. Mid- 1720s. Pastel on blue paper, 31 by 26 cm. (J. Paul Getty Museum, Los Angeles).
Book Review
Magie kresby: Italská kresba vrcholné renesance a manýrismu v ceských a moravských verejných sbírkách / The Magic of Drawing: Italian Drawing of the High Renaissance and Mannerism from Bohemian and Moravian Public Collections
03/2024 | 1452 | 166
Pages: 314–316
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De Klerck, Bram (De Klerck, Bram)
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Reviewed Items
subjects:
Magie kresby: Italská kresba vrcholné renesance a manýrismu v ceských a moravských verejných sbírkách / The Magic of Drawing: Italian Drawing of the High Renaissance and Mannerism from Bohemian and Moravian Public Collections By Zdenek Kazlepka and Martin Zlatohlávek. 346 pp. incl. 119 col. + b. & w. ills. (Katoliká teologická fakulta, Univerzity Karlova and Muzeum umení, Olomouc 2023), €71. ISBN 978–80–87922–35–4. | :
Illustrations
Attributed works:
10. Two male figures in antique cloaks, by Giovanni Bellini. 1506– 08. Brush, white and black tempera, with brown pen wash, 40 by 24 cm. (Archdiocesan Museum, Kromeríž).
Attributed works:
11. Study for St Peter visiting St Agatha in prison, by Giulio Campi. 1537. Pen in brown, 14 by 10 cm. (National Gallery, Prague).
Attributed works:
9. Jupiter and Juno, by Giulio Romano. 1530– 32. Pen in brown, wash, heightened with white, over traces of black chalk, 44 by 57 cm. (Archdiocesan Museum, Kromeríž).
Article
A ‘crucifixion complex’: two newly discovered sketches attributed to Francis Bacon
03/2024 | 1452 | 166
Pages: 225–235
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Author:
Daniels, Rebecca (Daniels, Rebecca)
Subjects
collectors and dealers:
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Illustrations
Attributed works:
1. Sketch, by Francis Bacon. c.1930. Pencil on tracing paper mounted on paper, 25.2 by 16.6 cm. (irregular). (Collection & Image © Hugh Lane Gallery; The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Hugh Lane Gallery, Dublin;).
Attributed works:
10. Studio Interior, by Francis Bacon. c.1936. Pastel and pencil on paper, 23.5 by 35 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
11. Sketch for triptych, here attributed to Francis Bacon. c.1933. Pencil. (Art Gallery of New South Wales, Sydney; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
12. Three Studies for Figures at the Base of a Crucifixion, by Francis Bacon. 1944. Oil and pastel on fibreboard, each panel approx. 94 by 74 cm. (irregular). (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Tate).
Attributed works:
2. Two pencil sketches, here attributed to Francis Bacon. c.1933. Pencil on paper, 26 by 18.5 cm. (On the half-title page of A. Level: Picasso, Paris 1928; Art Gallery of New South Wales, Sydney; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
3. Sketch of a Biomorph, by Francis Bacon. c.1936. Black, blue and darkbrown ink on lined paper, 16.7 by 12.1 cm. (irregular). (Collection & Image © Hugh Lane Gallery; The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Hugh Lane Gallery, Dublin).
Attributed works:
4. Abstraction from the Human Form, by Francis Bacon, c.1936. Medium and dimensions unknown. Destroyed by the artist. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024).
Attributed works:
5. Sketch for Portrait of M.E. Sadler [skull], here attributed to Francis Bacon. c.1933. Pencil and possibly wash. (Art Gallery of New South Wales; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of, Sydney; Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
6. Crucifixion [skeleton], by Francis Bacon. 1933. Oil on canvas, 62 by 48.5 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
7. ‘A candidate for Baptism’, detail of Baptism of Christ, by Piero della Francesca. (From R. Longhi: Piero della Francesca, Milan 1930).
Attributed works:
8. The Crucifixion [skull], by Francis Bacon. 1933. Oil on canvas, 111.5 by 86.5 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
9. Replica of Portrait of Michael Sadler, by Loris Rey. Bronze. (University College, University of Oxford).
Article
Johannes Lutma the Elder: goldsmith, designer, draughtsman
03/2024 | 1452 | 166
Pages: 252–263
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Author:
Baarsen, Reinier (Baarsen, Reinier)
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Illustrations
Attributed works:
1. Portrait of Johannes Lutma, by Jacob Adriaensz Backer. c.1646. Oil on canvas, 93 by 73 cm. (Rijksmuseum, Amsterdam).
Attributed works:
10. John Rushout’s coat of arms engraved on the base of the salt cellar in Fig.7.
Attributed works:
11. Design for a condiment dish, attributed to Johannes Lutma. c.1640–50. Black and white chalk on green prepared paper, 27.5 by 19.8 cm. (Rijksmuseum, Amsterdam).
Attributed works:
12. Design for a candlestick, attributed to Johannes Lutma. c.1655–60. Black and white chalk and pink wash on paper, 40.5 by 30.4 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
13. Ewer in ornamental surround, by Jacob Lutma after Johannes Lutma. 1654. Etching and engraving, 22.2 by 17.9 cm. (Rijksmuseum, Amsterdam).
Attributed works:
14. Cup and cover, by Johannes Lutma. 1639 (the knob is a later replacement). Gilded silver, height 32.1 cm. (Walters Art Museum, Baltimore).
Attributed works:
15. Design for a cup, attributed to the workshop of Johannes Lutma. c.1640–60. Black chalk, and brown wash, heightened in white, on blue paper, 41.9 by 25.5 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
16. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black and white chalk on paper, 41.5 by 30.2 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
17. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black and white chalk on paper, 41.3 by 31.9 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
18. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black, white and red chalk on paper, 43.3 by 29.8 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
19. The watermark in the drawing in Fig.20.
Attributed works:
2. Pair of salt cellars, by Johannes Lutma. 1639. Silver, partly gilded, height 24 cm. each. (Rijksmuseum, Amsterdam).
Attributed works:
20. Design for a cup, attributed to the workshop of Johannes Lutma. c.1655–60. Black and red chalk and brown wash, heightened in white, on paper, 41.3 x 31.2 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
21. Design for a cup, here attributed to Joahnnes Lutma. c.1655–60. Red chalk and brown wash, heightened in white, on paper, 40.3 by 28.6 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
22. Design for a helmet, here attributed to Johannes Lutma. c.1655–60. Watercolour, black chalk, heightened in white, on pale brown paper, 17 by 20.9 cm. (Rijksmuseum, Amsterdam).
Attributed works:
3. Design for a cup, by Paulus van Vianen. c.1610. Black chalk, grey and pink wash, 58.7 by 29.4 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
4. Design for a salt cellar, attributed to Adam van Vianen. c.1610–27. Black chalk, pen and brown ink and brown wash on paper, 20.2 by 13.2 cm. (Nationalmuseum, Stockholm).
Attributed works:
5. Design for a ‘bekerschroef’, attributed to Johannes Lutma. c.1635–40. Black and white chalk over a sketch in graphite, on yellow prepared paper, 19.5 by 12.4 cm. (Sir John Soane’s Museum, London; courtesy of the Trustees).
Attributed works:
6. A goldsmith or sculptor carrying a basket of statues, by Johannes Lutma. 1615. Red and black chalk, pen and brown ink on paper, 12.3 by 9.2 cm. (Rijksmuseum, Amsterdam).
Attributed works:
7. Salt cellar, by Johannes Lutma. 1648. Partly gilded silver, height 36.2 cm. (Fishmongers’ Company, London).
Attributed works:
8. Design for a salt cellar, by Johannes Lutma. c.1648. Black and white chalk on pale brown paper, 35.8 by 28.5 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
9. Lutma’s inscription on the back of the drawing in Fig.8.