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3023 articles
Letter
The histoire véridique of Frankfurt’s ‘The embarkation for Cythera’
06/2024 | 1455 | 166
Pages: 544–545
related names
Author:
Eidelberg, Martin P. (Eidelberg, Martin P.; Eidelberg, Martin)
Subjects
museums and institutions:
subjects:
Illustrations
Attributed works:
The embarkation for Cythera, by Jean Antoine Watteau. c.1709–10. Oil on canvas, 45.5 by 56 cm. (Städel Museum, Frankfurt).
Article
A portrait by Richard Westall of the poet Eleanor Porden
04/2024 | 1453 | 166
Pages: 358–367
related names
Author:
Bryant, Barbara (Bryant, Barbara)
Subjects
dates:
Illustrations
Attributed works:
1. Reverse of Fig.2, showing the handwritten inscription on the stretcher.
Attributed works:
10. Design for a couch, by Thomas Hope. 1807. Engraving. (From Household Furniture and Interior Decoration, Executed From Designs By Thomas Hope, London, pl.xxviii, nos.2 and 3).
Attributed works:
11. Thetis bringing the armour to Achilles, by John Flaxman. 1805. Engraving. (From The Iliad of Homer Engraved from the Compositions of John Flaxman RA Sculptor, London, pl.xix).
Attributed works:
2. Eleanor Anne Porden, here attributed to Richard Westall. 1807. Oil on canvas, 113 by 143.8 cm. (© Christie’s Images; Bridgeman Images; Krannert Art Museum, Champaign IL).
Attributed works:
3. Eleanor Porden, by John Flaxman. 1807. Graphite on paper, 15.9 by 11.1 cm. (Museum of Fine Arts, Boston).
Attributed works:
4. Photograph of a lost drawing of Eleanor Porden. (Derbyshire Record Office, Matlock).
Attributed works:
5. Detail from J. Horwood’s Plan, showing 59 Berners Street. (From J. Horwood: Plan of the Cities of London and Westminster, the Borough of Southwark and parts adjoining shewing every house, London 1794).
Attributed works:
6. Portrait of Richard Westall, R.A., by Thomas Lawrence and Richard Westall. Mid-1790s. Graphite on paper, 21.4 by 16.3 cm. (© Christie’s Images; Bridgeman Images; private collection).
Attributed works:
7. Expiation of Orestes, by William Bond, after Richard Westall. 1810. Stipple engraving, 35.3 by 30.5 cm. (From J. Britton et al.: The Fine Arts of the English School, London 1812).
Attributed works:
8. Reconciliation of Helen and Paris, after his defeat by Menelaus, by Richard Westall. c.1805. Oil on panel, 127 by 101 cm. (Tate).
Attributed works:
9. Detail of Fig.2, showing the frieze on the vase.
Article
Ter Brugghen in Italy
03/2024 | 1452 | 166
Pages: 286–293
related names
Author:
Gash, John (Gash, John)
Subjects
museums and institutions:
Reviewed Items
subjects:
Ter Brugghen, dall’Olanda all’Italia sulle orme di Caravaggio. Edited by Federico Fischetti and Gianni Papi. 216 pp. incl. 140 col. + 28 b. & w. ills. (Gallerie Estensi and Sagep Editori, Genoa, 2023), €28. ISBN 979–12–5590–039–9. | :
subjects:
Ter Brugghen, dall’Olanda all’Italia sulle orme di CaravaggioGalleria Estense, Modena, 13 October 2023–14 January 2024. Galleria Estense, Modena. | :
Illustrations
Attributed works:
1. Denial and penitence of St Peter, by Hendrick ter Brugghen. c.1610–11. Oil on canvas, 288 by 190 cm. (Spier Collection, London; exh. Galleria Estense, Modena).
Attributed works:
2. A saint writing, by Hendrick ter Brugghen. c.1614. Oil on canvas, 82 by 142 cm. (Galleria Estense, Modena; exh. Galleria Estense, Modena).
Attributed works:
3. Adoration of the shepherds, by Hendrick ter Brugghen. c.1610–14. Oil on canvas, 160.4 by 208 cm. (Spier Collection, London; exh. Galleria Estense, Modena).
Attributed works:
4. Christ crowned with thorns and Mocking of Christ, here attributed to Jan Janssens. 1620s or later. Oil on canvas, 173.8 by 135.5 cm. (Palais des Beaux-Arts, Lille; exh. Galleria Estense, Modena).
Attributed works:
5. Supper at Emmaus, attributed to Hendrick ter Brugghen and Giulio Cesare Procaccini. 1614?. Oil on canvas, 154 by 198.5 cm. (Kunsthistorisches Museum, Vienna; exh. Galleria Estense, Modena).
Attributed works:
6. Beheading of St John the Baptist, here attributed to Hendrick ter Brugghen and assistant(s). c.1611/17. Oil on canvas, 167.6 by 217.8 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
7. St John the Baptist in a landscape, attributed to Hendrick ter Brugghen and Giulio Cesare Procaccini. 1614?. Oil on canvas, 155 by 190 cm. (Certosa di Pavia, Lombardy; exh. Galleria Estense, Modena).
Article
Johannes Lutma the Elder: goldsmith, designer, draughtsman
03/2024 | 1452 | 166
Pages: 252–263
related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
media:
places:
styles:
Illustrations
Attributed works:
1. Portrait of Johannes Lutma, by Jacob Adriaensz Backer. c.1646. Oil on canvas, 93 by 73 cm. (Rijksmuseum, Amsterdam).
Attributed works:
10. John Rushout’s coat of arms engraved on the base of the salt cellar in Fig.7.
Attributed works:
11. Design for a condiment dish, attributed to Johannes Lutma. c.1640–50. Black and white chalk on green prepared paper, 27.5 by 19.8 cm. (Rijksmuseum, Amsterdam).
Attributed works:
12. Design for a candlestick, attributed to Johannes Lutma. c.1655–60. Black and white chalk and pink wash on paper, 40.5 by 30.4 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
13. Ewer in ornamental surround, by Jacob Lutma after Johannes Lutma. 1654. Etching and engraving, 22.2 by 17.9 cm. (Rijksmuseum, Amsterdam).
Attributed works:
14. Cup and cover, by Johannes Lutma. 1639 (the knob is a later replacement). Gilded silver, height 32.1 cm. (Walters Art Museum, Baltimore).
Attributed works:
15. Design for a cup, attributed to the workshop of Johannes Lutma. c.1640–60. Black chalk, and brown wash, heightened in white, on blue paper, 41.9 by 25.5 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
16. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black and white chalk on paper, 41.5 by 30.2 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
17. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black and white chalk on paper, 41.3 by 31.9 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
18. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black, white and red chalk on paper, 43.3 by 29.8 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
19. The watermark in the drawing in Fig.20.
Attributed works:
2. Pair of salt cellars, by Johannes Lutma. 1639. Silver, partly gilded, height 24 cm. each. (Rijksmuseum, Amsterdam).
Attributed works:
20. Design for a cup, attributed to the workshop of Johannes Lutma. c.1655–60. Black and red chalk and brown wash, heightened in white, on paper, 41.3 x 31.2 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
21. Design for a cup, here attributed to Joahnnes Lutma. c.1655–60. Red chalk and brown wash, heightened in white, on paper, 40.3 by 28.6 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
22. Design for a helmet, here attributed to Johannes Lutma. c.1655–60. Watercolour, black chalk, heightened in white, on pale brown paper, 17 by 20.9 cm. (Rijksmuseum, Amsterdam).
Attributed works:
3. Design for a cup, by Paulus van Vianen. c.1610. Black chalk, grey and pink wash, 58.7 by 29.4 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
4. Design for a salt cellar, attributed to Adam van Vianen. c.1610–27. Black chalk, pen and brown ink and brown wash on paper, 20.2 by 13.2 cm. (Nationalmuseum, Stockholm).
Attributed works:
5. Design for a ‘bekerschroef’, attributed to Johannes Lutma. c.1635–40. Black and white chalk over a sketch in graphite, on yellow prepared paper, 19.5 by 12.4 cm. (Sir John Soane’s Museum, London; courtesy of the Trustees).
Attributed works:
6. A goldsmith or sculptor carrying a basket of statues, by Johannes Lutma. 1615. Red and black chalk, pen and brown ink on paper, 12.3 by 9.2 cm. (Rijksmuseum, Amsterdam).
Attributed works:
7. Salt cellar, by Johannes Lutma. 1648. Partly gilded silver, height 36.2 cm. (Fishmongers’ Company, London).
Attributed works:
8. Design for a salt cellar, by Johannes Lutma. c.1648. Black and white chalk on pale brown paper, 35.8 by 28.5 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
9. Lutma’s inscription on the back of the drawing in Fig.8.
Article
A rediscovered ‘Pietà’ by Andrea del Sarto
03/2024 | 1452 | 166
Pages: 236–243
related names
Author:
Franklin, David (Franklin, David)
Subjects
art literature:
artists:
dates:
Illustrations
Attributed works:
1. Infra-red image of Fig.2. (Courtesy Institute of Fine Arts, New York).
Attributed works:
2. Pietà, by Andrea del Sarto. c.1515. Oil on panel, 76.8 by 59 cm. (Private collection).
Attributed works:
3. Christ the Redeemer, by Andrea del Sarto. c.1511–12. Oil on panel, 47 by 27 cm. (SS. Annunziata, Florence; Bridgeman Images).
Attributed works:
4. Pietà, by Perugino. c.1494–98. Oil on panel, 71.8 by 92.6 cm. (Clark Art Institute, Williamstown MA).
Attributed works:
5. Pietà with three angels, by Agostino Veneziano after Andrea del Sarto. 1516. Engraving on paper, 28.8 by 21.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. Two studies of a right hand, by Andrea del Sarto. c.1515. Red chalk on paper, 8 by 18.9 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
7. Baptism of the multitudes, by Andrea del Sarto. 1515–16. Fresco, 192 by 205 cm. (Chiostro del Scalzo, Florence; Bridgeman Images).
Book Review
I disegni di Antonio e Piero del Pollaiolo (Corpus der italienischen Zeichnungen 1300–1550, I, Toscana, 16)
03/2024 | 1452 | 166
Pages: 322–324
related names
Reviewer:
Wright, Alison (Wright, Alison)
Subjects
dates:
Reviewed Items
subjects:
I disegni di Antonio e Piero del Pollaiolo (Corpus der italienischen Zeichnungen 1300–1550, I, Toscana, 16) By Lorenza Melli. 455 pp. incl. 728 col. ills. (Michael Imhof Verlag, Petersberg, 2023), €99. ISBN 978–3–7319–1237–8. | :
Illustrations
Attributed works:
1. Studies of horsemen and foot soldiers for the ‘Martyrdom of St. Sebastian’, by Antonio and Piero del Pollaiuolo. c.1470–75. Pen and brown ink and wash with traces of black chalk on brown tinted paper, 16.4 by 28.6 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
2. Blind Cupid, detail of central fragment from a larger sheet, by Antonio del Pollaiuolo. c.1460–65. Pen and brown ink with wash and traces of black chalk on paper, 14.8 by 4.2 cm. (Gallerie degli Uffizi, Florence)
Book Review
Hans Burgkmair: Die Zeichnungen
02/2024 | 1451 | 166
Pages: 212–213
related names
Reviewer:
Silver, Larry (Silver, Larry)
Subjects
Reviewed Items
subjects:
Hans Burgkmair: Die Zeichnungen By Tilman Falk, edited by Wolfgang Augustyn. 288 pp. incl. 38 col. + 190 b. & w. ills. (Deutscher Verlag für Kunstwissenschaft, Berlin, 2023), €89. ISBN 978–3–87157–257–9. | :
Illustrations
Attributed works:
4. Equestrian portrait of Emperor Maximilian I, by Hans Burgkmair. c.1508–09. Pen with grey wash on paper, 43.1 by 28.4 cm. (Albertina, Vienna).
Article
Holbein in exhibitions in Frankfurt and London
02/2024 | 1451 | 166
Pages: 166–170
related names
Reviewer:
Goldring, Elizabeth (Goldring, Elizabeth)
Subjects
dates:
Reviewed Items
subjects:
Holbein and the Renaissance in the North, Städel Museum, Frankfurt,(2nd November 2023–18th February 2024) | :
subjects:
Holbein at the Tudor Court, Queen's Gallery, London, (10th November 2023–14th April 2024) | :
Illustrations
Attributed works:
1. Portrait of a man with the surname Fischer, by Hans Holbein the Elder. c.1512. Silverpoint on prepared paper, reworked with brush and ink, 13.5 by 9.5 cm. (Staatliche Museen zu Berlin, Kupferstichkabinett; exh. Städel Museum, Frankfurt).
Attributed works:
2. Portrait of a man with the surname Fischer, by Hans Holbein the Younger (?). 1512. Oil on panel, 35 by 26.5 cm. (Private collection; exh. Städel Museum, Frankfurt).
Attributed works:
3. The wife of a man with the surname Fischer, by Ambrosius Holbein (?). 1512. Oil on panel, 35 by 26.6 cm. (Kunstmuseum Basel; Bridgeman Images; exh. Städel Museum, Frankfurt).
Attributed works:
4. Thomas More, by Hans Holbein the Younger. c.1527. Black and coloured chalks, pricked for transfer to a wooden panel, 39.8 by 29.9 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust; exh. Queen’s Gallery, London).
Attributed works:
5. Unidentified man, perhaps George Cornwall, by Hans Holbein the Younger. c.1535–40. Oil and tempera on panel, diameter 32.4 cm. (Städel Museum, Frankfurt).
Attributed works:
6. Anne Boleyn, by Hans Holbein the Younger. c.1532–36. Black and coloured chalks on pink prepared paper, 28.2 by 19.3 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust; exh. Queen’s Gallery, London).
Attributed works:
7. Unidentified man, perhaps George Cornwall, by Hans Holbein the Younger. c.1543? Black and coloured chalks with black and brown inks on pink prepared paper, 27.9 by 19.1 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust; exh. Queen’s Gallery, London).
Article
Avignon around 1500: the workshop of Jean II Changenet
01/2024 | 1450 | 166
Pages: 44–53
related names
Author:
Elsig, Frédéric (Elsig, Frédéric)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Annunciation, here attributed to Jean II Changenet. c.1485–90. Oil on wood, 80 by 59 cm. (Musée du Petit Palais, Avignon).
Attributed works:
10. St Sebastian destroying the idols, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 81.6 by 54.6 cm. (Philadelphia Museum of Art).
Attributed works:
11. St Sebastian pierced by arrows, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82.5 by 55.7 cm. (Philadelphia Museum of Art).
Attributed works:
12. St Sebastian cured by St Irene, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82.5 by 55.2 cm. (Philadelphia Museum of Art).
Attributed works:
13. Death of St Sebastian, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82.4 by 55.5 cm. (Philadelphia Museum of Art; Bridgeman Images).
Attributed works:
14. Intervention of St Sebastian during the plague in Rome, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 81.8 by 55.4 cm. (Walters Art Gallery, Baltimore; Bridgeman Images).
Attributed works:
15. St Sebastian before Diocletian and Maximian, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 81.5 by 55.7 cm. (State Hermitage Museum, St Petersburg; Bridgeman Images; Fine Art Images).
Attributed works:
16. Reconstruction of the Life of St Sebastian altarpiece in its opened state.
Attributed works:
17. Three prophets, by the Master of the Three Prophets (Josse Lieferinxe?). c.1500. Oil on panel, 61 by 95 cm. (Musée du Louvre, Paris).
Attributed works:
18. Crucifixion, by the Master of the Crucifixion of the Parliament of Burgundy (Henri Changenet?). c.1511–12. Oil on panel, 170 by 126 cm. (Bridgeman Images; Musée du Louvre, Paris).
Attributed works:
19. Crucifixion of the Parliament of Burgundy, by L. Gaultier. 1618. Engraving. (From H. Picardet: Remonstrances faictes en la cour de parlement de Bourgogne..., Paris 1618, p.248).
Attributed works:
2. St Michael, here attributed to Jean II Changenet. c.1485–90. Oil on wood, 80 by 59 cm. (Musée du Petit Palais, Avignon; Bridgeman Images).
Attributed works:
20. Adoration of the Magi, Flight into Egypt and Assumption, by Giovanni Grassi (based on a design by Jean II Changenet). 1491–95 (conception) and 1500–01 (completion). Oil on panel, each panel 124 by 62 cm. (© Yvan Bourhis; Church of Saint-Jean-Baptiste, Gretz-Armainvilliers).
Attributed works:
21. Group of men, by the Master of the Three Prophets (Josse Lieferinxe?). c.1490–1500. Oil on panel. (Private collection).
Attributed works:
3. Marriage of the Virgin, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 80 by 60 cm. (Musées royaux des Beaux-Arts, Brussels).
Attributed works:
4. Visitation, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 37 by 45 cm. (Musée du Louvre, Paris).
Attributed works:
5. Circumcision, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 78 by 58.5 cm. (NPL – DeA Picture Library and G. Dagli Orti; Bridgeman Images; Musée du Petit Palais, Avignon).
Attributed works:
6. Adoration of the Christ Child, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 38 by 47 cm. (Musée du Louvre, Paris).
Attributed works:
7. Reconstruction of the Life of the Virgin altarpiece in its opened (above) and closed (below) states.
Attributed works:
8. Assumption, here attributed to Jean II Changenet. c.1485–90. Oil on wood, 80 by 60 cm. (Musée du Petit Palais, Avignon).
Attributed works:
9. Pilgrims in front of the tomb of St Sebastian, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82 by 55 cm. (Galleria Nazionale di Palazzo Barberini, Rome; photograph Luisa Ricciarini; Bridgeman Images).
Exhibition Review
Tiziano 1508: Agli esordi di una luminosa carriera
12/2023 | 1449 | 165
Pages: 1348–1351
related names
Reviewer:
Dalla Costa, Thomas (Dalla Costa, Thomas)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Tiziano 1508: Agli esordi di una luminosa carriera. Edited by Roberta Battaglia, Sarah Ferrari and Antonio Mazzotta. 240 pp. incl. 218 col. + 22 b. & w. ills. (Mandragora, Florence, 2023), €35. ISBN 978–88–7461–662–6. | :
subjects:
Tiziano 1508: Agli esordi di una luminosa carriera Gallerie dell’Accademia, Venice 9th September–3rd December | :
Illustrations
Attributed works:
16. Installation view of Tiziano 1508: Agli esordi di una luminosa carriera at the Gallerie dell’Accademia, Venice, 2023. (Photograph Matteo De Fina).
Attributed works:
17. Madonna and Child enthroned with two angels, by Francesco Vecellio. c.1511– 12. Oil on panel, 171.9 by 79.2 cm. (S. Maria Annunziata, Sedico; exh. Gallerie dell’Accademia, Venice).
Attributed works:
18. Angel with a tambourine, by Titian. c.1508. Oil on panel, 98.2 by 66.8 cm. (Doria Pamphilj Gallery, Rome; exh. Gallerie dell’Accademia, Venice).
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